RULE id: bhāṣā (15)
SOURCE: brihaddesi_sharma_1992 (vol_II_p006, vol_II_p074, vol_II_p075, vol_II_p076, vol_II_p079...)
SCOPE: raga_class family, Brihaddesi (Mātaṅga ~750 CE)
CONCEPT: bhāṣā
STATUS: canonical

RECORD:
  type                 = hexatonic                       -- p.vol_II_p079
  svara_content        = पञ्चमांशग्रहा पड्जन्यासा        -- p.vol_II_p143
  performance_requirement = which is sung with effort on the earth by the knowledgeable ones in music.  -- p.vol_II_p074

ASSERTIONS:
  - [structural] Bhāṣās are organized and classified into multiple hierarchical categories based on melodic frameworks
    -- p.vol_II_p006 "7.Bhāṣās in sauvīraka 8.Bhāṣāsof bhinnapañcama 9.Bhāṣāsin boṭṭarāga 10.Bhāṣās in mālavapañcama"
  - [relation] Bhāṣās are arranged in grāma-rāgas
    -- p.vol_II_p074 "arranged in a grāma-rāga in each case."
  - [structural] Bhāṣās are sung with effort by knowledgeable musicians
    -- p.vol_II_p074 "which is sung with effort on the earth by the knowledgeable ones in music."
  - [structural] Bhāṣās are not perceived obviously by singers who do not put in effort
    -- p.vol_II_p074 "These (bhāṣās) are not perceived obviously by the singers who do not put in effort."
  - [structural] When sung properly, bhāṣās become well-known, especially to those with tuneful voices
    -- p.vol_II_p074 "When sung properly, they become well-known, specially to those who are endowed with a tuneful voice."
  - [enumeration] Bhāṣās are four-fold in classification
    -- p.vol_II_p074 "Bhāṣās have been said to be four-fold viz. mūlā (basic) sankīrņā (mixed), deśajā (regional) (and) chāyāmātrāśrayā (based on the chāyā of a rāga )"
  - [relation] Bhāṣās are born from grāma-rāgas
    -- p.vol_II_p075 "Bhāṣāsare born of grāma-rāgasand vibhāṣās of bhāṣās"
  - [structural] The total count of bhāṣās and vibhāṣās is seventy-three
    -- p.vol_II_p075 "bhāṣās and vibhāṣās have been said to be seventy-three in total."
  - [definition] bhāṣās are varieties associated with different rāgas and musical systems
    -- p.vol_II_p076 "These bhāṣās are known by the singers to be born of pañcama."
  - [structural] bhāṣā is a melodic category that can be hexatonic
    -- p.vol_II_p079 "this bhāṣā should be known as hexatonic"
  - [definition] Gurjarī is a bhāṣā (musical form) that should be known by knowledgeable ones in music as being complete
    -- p.vol_II_p085 "This bhāṣā should be known by the knowledgeable ones in music as being complete"
  - [definition] bhāṣā is a musical form or style that can be constructed with specific svaras and relationships
    -- p.vol_II_p088 "this vesarī bhāṣā is formed with the (profuse) use of gandhara"
  - [structural] bhāṣā is a musical category that can be hexatonic (șadava) or have other structural properties
    -- p.vol_II_p089 "भाषेयं षाडवा ज?्ञेया प्रेङ्खके मधुरी भवेत् ॥"
  - [structural] Bhāṣās should be listened to by singers in the context of wit, humour, fighting, and sacrifice
    -- p.vol_II_p100 "It should always be listened to by the singers in the context of wit and humour and whatever is seen in fighting or sacrifice (yajña)"
  - [structural] Bhāṣās are modified according to how they are performed
    -- p.vol_II_p100 "That (bhāṣā) is so modified as it is performed by one."
  - [definition] bhāṣā is a musical form used in takka performance
    -- p.vol_II_p101 "One should use the bhāṣā having pañcama as aṁśa and ṣaḍja as the concluding note, in takka."
  - [structural] bhāṣās are characterized by both practice and theory, and are elaborated through prastāra
    -- p.vol_II_p108 "The proper bhāṣās adorned with vibhāṣās have been spoken of in combination with practice and theory (and) blended with prastāra"
  - [enumeration] There are sixteen bhāṣās of bhinna şadja
    -- p.vol_II_p108 "Thus end the sixteen bhāṣās of bhinnaṣaḍja"
  - [relation] Kārņāţī is identified as a type of bhāṣā
    -- p.vol_II_p110 "is (the bhāṣā) karnāļi<sup>16</sup> by name."
  - [structural] bhāṣā is a category of musical forms that can be varieties of rāgas like ṭakka and mālavakaišika
    -- p.vol_II_p143 "S.Rāj II.2.1.120 where potā is enumer- ated as a vibhāṣā of ṭakka (rāga)"
  - [structural] bhāṣā can be characterized by the presence or absence of specific svaras like pañcama and dhaivata
    -- p.vol_II_p143 "पञ्चमांशग्रहा पड्जन्यासा याष्टिकसम्मता । मध्यमग्रामगा पूर्णा पोता नाम विभाषिका ॥"
  - [enumeration] Bhāṣā can include vibhāṣā and antara-bhāṣā as subtypes
    -- p.vol_II_p166 "'Bhāṣā 'here would include vibhāṣā and antara-bhāṣā."
  - [relation] Bhāṣā is accomplished through proper arrangement of murchanas with twelve svaras
    -- p.vol_I_p050 "ज?ातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।"

CITED_RULES:
  - bottaraga  (structural)
  - kārņāţī  (relation)
  - s.rāj  (structural)
  - antara-bhāṣā  (enumeration)
  - bhinnapañcama  (structural)
  - chāyā  (enumeration)
  - chāyāmātrāśrayā  (enumeration)
  - deśajā  (enumeration)
  - dhaivata  (structural)
  - grāma  (relation)
  - grāma-rāgas  (relation)
  - gāndhāra  (definition)
  - hexatonic  (structural)
  - mālavakaišika  (structural)
  - mālavapañcama  (structural)
  - mūlā  (enumeration)
  - mūrchanā  (relation)
  - pañcama  (definition)
  - pañcama  (structural)
  - pañcama as aṁśa  (definition)
  - potā  (structural)
  - rāga  (definition)
  - rāga  (enumeration)
  - rāga  (structural)
  - sankīrņā  (enumeration)
  - sauvīraka  (structural)
  - svaras  (definition)
  - svaras  (relation)
  - svaras  (structural)
  - vesarikā  (definition)
  - vibhāṣā  (enumeration)
  - vibhāṣā  (relation)
  - vibhāṣā  (structural)
  - पूर्णा  (structural)
  - भाषेयं  (structural)
  - षाडवा  (structural)
  - ṭakka  (structural)

CONFIDENCE: canonical
PROTECT: true