RULE id: ākṣiptaka (299)
SOURCE: brihaddesi_sharma_1992 (vol_II_p138, vol_I_p059, vol_I_p103)
SCOPE: technical_term family, Brihaddesi (Mātaṅga ~750 CE)
CONCEPT: ākṣiptaka
STATUS: empirical

ASSERTIONS:
  - [definition] Ākṣiptikā is defined as musical phrases constructed with metrical and tonal elements arranged according to three modes
    -- p.vol_II_p138 "चच्चत्पुटादितालेन मार्गत्रयविभूपिता। आक्षिप्तिका स्वरपदग्रथिता कथिता बुधैः"
  - [definition] Ākṣiptikā is constructed from words denoting semantic meaning combined with tonal notes beginning with pada
    -- p.vol_II_p138 "स्वरपदग्रधिता, पड्ज?ादिस्वरोपेतैः पदैः पदार्थवाचकैः शब्दैग्रंथिता रचिता"
  - [structural] Ākṣiptaka is formed with the measure of kalās starting with one-kalā-unit up to six-kalā-unit with three svaras in the ascending order in each phrase
    -- p.vol_I_p059 "Aksiptaka (is formed) with the measure of kalās (time-units) starting with one-kalā-unit 67 (and extending) upto six-kalā - unit with three svaras in the ascend"
  - [structural] Ākṣiptaka examples use three svaras with the marker 'nu' separating ascending phrases
    -- p.vol_I_p059 "sarigā nu, rigamā nu, gamapā nu, mapadhā nu, padhani nu, dhanisā 68 nu, sanidhā nu, nidhapā nu, dhapamā nu,"
  - [relation] The gradual increase in the duration of phrases from one to six kalās is implied, like ākṣiptaka
    -- p.vol_I_p103 "The gradual increase in the duration of each phrase seems to be prescribed, like ākṣiptaka.( see note 67 above )"

CITED_RULES:
  - kalā  (relation)
  - kalā  (structural)
  - pada  (definition)
  - svaras  (structural)

CONFIDENCE: empirical
PROTECT: false