RULE id: aṁśa (3) SOURCE: brihaddesi_sharma_1992 (vol_II_p014, vol_II_p017, vol_II_p019, vol_II_p022, vol_II_p023...) SCOPE: svara_role family, Brihaddesi (Mātaṅga ~750 CE) CONCEPT: aṁśa STATUS: canonical RECORD: count = sixty-three -- p.vol_II_p014 constraint_type = negation of the omission of the samvādī -- p.vol_II_p027 position_in_structure = determines structural constraints on the formation of modal variants -- p.vol_II_p029 assigned_svara_in_gandhari = gāndhāra -- p.vol_II_p105 related_svaras_in_gandhari = pancama -- p.vol_II_p105 register_relationship = mandra begins with the svara immediately below the amsa -- p.vol_II_p157 ASSERTIONS: - [definition] Aṁśa is the vādī alone, the principal note in a rāga -- p.vol_II_p014 "aṁśa is vādī alone i.e. only the vādī" - [attribution] Aṁśa has predominance because it is the progenitor of rāga and pervasive in nature -- p.vol_II_p014 "Because of its being the progenitor 11 of raga (delight or colour) and because of its being pervasive, the predominance of anisa alone (is accepted)." - [relation] The svara that comes before aṁśa is mandra -- p.vol_II_p017 "The svara that comes before that (aṁśa), is mandra." - [relation] Sañcāra (to and fro movement) occurs among the amsas and strong svaras -- p.vol_II_p019 "सञ्चारोंऽशबलस्थानामल्पत्वं" - [structural] In madhyamā, there are five amśas, excluding gāndhāra and niṣāda which are two-śruti svaras -- p.vol_II_p022 "In madhyamā there are five amśas, excepting the two svaras composed of two śrutis each (viz. gāndhāra-niṣāda)." - [structural] In gāndhārapañcamī, pañcama functions as the aṁśa (characteristic note) -- p.vol_II_p023 "ज्ञेयो गान्धारपञ्चम्या पञ्चमोऽशः प्रयोक्तभि" - [structural] The aṁśa is a designated note in a jāti whose samvādī cannot be omitted -- p.vol_II_p027 "because of the negation of the omission of the samvādī of the aṁśa" - [structural] The aṁśa (predominant note) determines structural constraints on the formation of modal variants -- p.vol_II_p029 "Şadjamadhyamā is not desired to be with six svaras when the seventh (niṣāda) is the aṁśa" - [structural] Ṣāḍjī has ten amśas in total -- p.vol_II_p032 "And it has ten amsas." - [enumeration] The amśas of ṣāḍjī comprise one suddha, five vikṛtas in complete state, and four ṣāḍavas -- p.vol_II_p032 "That is thus - one suddha, five vikṛtas in the complete state and four ṣāḍavas" - [structural] There is mutual reaching out among the amsas -- p.vol_II_p035 "अंशाना परस्परगमनम्" - [definition] Amśas are essential svaras that define a jāti, with five svaras serving as amśas in raktagāndhārī -- p.vol_II_p039 "Five svaras excepting dhaivata and ṛṣabha are amśas in raktagāndhārī." - [definition] In kaiśikī, svaras other than ṛṣabha function as aṁśas (structural tones) -- p.vol_II_p040 "In kaiśikī, the svaras other than ṛṣabha are aṁśas." - [structural] The aṁśas in a jāti have mutual concert or coordination with one another -- p.vol_II_p040 "The amsas have mutual concert." - [relation] Amśa is a form through which particular lakṣaṇa manifests -- p.vol_II_p047 "and the special is (in the form of) amisa and the like." - [relation] amsa is a predominant structural feature of bhāṣā melodies -- p.vol_II_p079 "niṣāda as its amsa" - [definition] Aṁśa is a characteristic note that identifies specific bhāṣās (regional styles), as seen in saindhavī (madhyama), pañcamākhyā (pañcama), and ravicandrikā (gāndhāra) -- p.vol_II_p080 "This saindhavī has madhyama as its aṁśa, ṣaḍja as its concluding note" - [definition] Aṁśa refers to a characteristic svara that defines a bhāṣā -- p.vol_II_p081 "Ambāherī is said to have madhyama as its aṁśa, ṣaḍja as its concluding note" - [structural] amsa is a structural property of rāga varieties, functioning as a characteristic note -- p.vol_II_p083 "pañcamāṁśā tu ṣaḍjānta potā" - [relation] Pañcama is the aṁśa (characteristic note) of Khañjanî -- p.vol_II_p085 "Khañjanî has pañcama as aṁśa" - [relation] Niṣāda is the aṁśa (characteristic note) of Gurjarī -- p.vol_II_p085 "Having niṣāda as aṁśa, ṣaḍja as the concluding note, gurjarī is born of deśa" - [relation] aṁśa is a structural feature of bhāṣās that can be combined with nyāsa in their construction -- p.vol_II_p088 "Combined with ṣaḍja as aṁśa and nyāsa, weak in dhaivata" - [structural] aṁśa is a structural component of bhāṣā classification, exemplified in madhurī (madhyama) and bhāvinī (gāndhāra) -- p.vol_II_p089 "मध्यमांशा तु षड्ज?ान्ता" - [structural] aṁśa is a structural element of rāgas and vibhāṣās, distinct from concluding note -- p.vol_II_p090 "माङ्गाली पञ्चमान्ता च धैवतांशा प्रकीर्तिता" - [structural] aṁśa is a structural property of vibhāṣā types that can be assigned to specific svaras -- p.vol_II_p093 "Having madhyama as aṁśa, dhaivata as the concluding note" - [structural] Aṁśa is a structural property designating a characteristic note of a bhāṣā -- p.vol_II_p094 "Having madhyama as aṁśa, dhaivata as the concluding note" - [structural] aṁśa is a structural property of bhāṣā forms that characterizes them by a particular svara -- p.vol_II_p101 "One should use the bhāṣā having pañcama as aṁśa and ṣaḍja as the concluding note, in takka." - [structural] Amśa is a structural feature of bhāṣās that can be pañcama or madhyama -- p.vol_II_p104 "Having pañcama as amsa, being complete" - [structural] Gāndhārī has gāndhāra as its aṁśa (characteristic note/component) -- p.vol_II_p105 "Gāndhārī has gāndhāra as aṁśa (and) pancama as the concluding note, is complete" - [structural] Gāndhārī has pancama as its concluding note -- p.vol_II_p105 "Gāndhārī has gāndhāra as aṁśa (and) pancama as the concluding note" - [definition] amsa is a structural element that functions as a primary note characteristic of a rāga or rāga type -- p.vol_II_p106 "Having niṣāda as amsa (and ) dhaivata as the concluding note" - [structural] aṁśa is a technical term used to characterize rāgas, distinct from graha and nyāsa -- p.vol_II_p110 "षड्ज?ांशा धग्रहन्यासा धमन्द्रा तारतत्परा" - [structural] Mandra begins with the svara immediately below the amsa, establishing a structural relationship between these two registers. -- p.vol_II_p157 "It is notable that mandra begins with the svara immediately below the amsa." - [definition] aṁśa is the regulator of intervallic formation in melodic configuration -- p.vol_II_p159 "aṁśa is the regulator of intervallic formation in a melodic configuration" - [relation] The predominant amsa among multiple amsas determines the mūrchanā of a jāti -- p.vol_II_p163 "the amsa that is predominant among amsas (in the case of jātis with more than one amsa) determines the mūrchanā of a jāti." - [relation] Being ujjvala (brilliant) with a svara could mean that the svara concerned becomes the amsa -- p.vol_II_p164 "Being ujjvala or brilliant with a svara could, perhaps, mean that the svara concerned becomes the amsa." - [definition] Amsa is the beginning point of a given phrase from which ascent to higher svaras is measured -- p.vol_I_p056 "from the amsa47 (beginning point of a given phrase)" CITED_RULES: - ambāherī (definition) - ravicandrā (definition) - sañcāra (relation) - amisa (relation) - aniśa (attribution) - bhāvinī (structural) - bhāṣā (definition) - bhāṣā (relation) - bhāṣā (structural) - concert (structural) - dhaivata (definition) - dhaivata (relation) - dhaivata (structural) - graha (structural) - gāndhāra (definition) - gāndhāra (structural) - gāndhārapañcamī (structural) - jāti (definition) - jāti (relation) - jāti (structural) - kaiśikī (definition) - lakṣaṇa (relation) - madhurī (structural) - madhyama (definition) - madhyama (structural) - madhyama as aṁśa (structural) - mandra (relation) - mandra (structural) - mūrchanā (relation) - niṣāda (definition) - niṣāda (relation) - niṣāda (structural) - nyāsa (relation) - nyāsa (structural) - pañcama (definition) - pañcama (structural) - pañcama as aṁśa (structural) - pañcamākhyā (definition) - potā (structural) - raktagāndhārī (definition) - rāga (attribution) - rāga (definition) - rāga (structural) - saindhavī (definition) - samvādī (structural) - svaras (definition) - svaras (relation) - svaras (structural) - vibhāṣā (structural) - vādī (definition) - śrutis (structural) - şadjamadhyamā (structural) - धैवतांशा (structural) - मध्यमांशा (structural) - माङ्गाली (structural) - षड्ज (structural) - ṛṣabha (definition) - ṣāḍjī (enumeration) - ṣāḍjī (structural) CONFIDENCE: canonical PROTECT: true