RULE id: kaiśikī (31)
SOURCE: brihaddesi_sharma_1992 (vol_II_p012, vol_II_p023, vol_II_p027, vol_II_p029, vol_II_p040...)
SCOPE: jati family, Brihaddesi (Mātaṅga ~750 CE)
CONCEPT: kaiśikī
STATUS: canonical

RECORD:
  non_amsa_svaras      = ārṣabhī and dhaivati            -- p.vol_II_p012
  nyasa_svaras         = pañcama                         -- p.vol_II_p092
  amsa_svaras          = madhyama                        -- p.vol_II_p092
  characteristic_movement = मध्यमधैवतयानं बाहुल्यं पञ्चमस्य तु  -- p.vol_II_p092
  excluded_svaras_shadava = ऋषभो धैवतश्चैव हेयावस्या यथाक्रमम्  -- p.vol_II_p023
  form_type            = a-ṣāḍava                        -- p.vol_II_p029

ASSERTIONS:
  - [structural] kaisiki is composed of all seven svaras except ārṣabhī and dhaivati
    -- p.vol_II_p012 "all the seven jātis go to make kaisiki excepting ārṣabhī and dhaivati, thus are the blendings or mixtures."
  - [structural] In kaiśikī, ṛṣabha is non-aṁśa and the two svaras composed of two śrutis each are the nyāsas
    -- p.vol_II_p023 "कैशिक्यामृषभोऽनंशो न्यासौ तु द्विश्रुती"
  - [structural] In kaiśikī, ṛṣabha and dhaivata are to be omitted respectively in the şādava and audava states
    -- p.vol_II_p023 "ऋषभो धैवतश्चैव हेयावस्या यथाक्रमम्"
  - [relation] In kaiśikī, dhaivata is not entitled to form auduvita
    -- p.vol_II_p027 "Dhaivatain kaiśikī and ṛṣabhain pañcamī are not entitled to form auduvita."
  - [structural] In kaiśikī jātī, pañcama should be known as a-ṣāḍava (non-pentatonic)
    -- p.vol_II_p029 "In gāndhārī, raktagāndhārī and kaiśikī, pañcama should be known as a-ṣāḍava"
  - [structural] Kaiśikī is a separate jāti or musical category presented after raktagāndhārī
    -- p.vol_II_p040 "[4. कैशिकी]"
  - [relation] kaiśiki is a jāti from which śuddhakaiśika madhyama is born
    -- p.vol_II_p058 "śuddhakaiśika madhyamais born of kaiśiki and ṣadjamadhyamā jā ūs."
  - [structural] Kaiśikī has pañcama as its nyāsa (cadential note)
    -- p.vol_II_p092 "कैशिकी पञ्चमन्यासा"
  - [structural] Kaiśikī has madhyama as its aṁśa (characteristic note)
    -- p.vol_II_p092 "मध्यमांशा निदुर्बला"
  - [structural] Kaiśikī is characterized by mutual movement between madhyama-dhaivata and abundance of pañcama
    -- p.vol_II_p092 "मध्यमधैवतयानं बाहुल्यं पञ्चमस्य तु"
  - [relation] Kaiśikī is a bhāṣā born of pañcama rāga and is always mixed (sankīrṇā)
    -- p.vol_II_p092 "एषा ९१भाषा तु सङ्कीर्णा नित्यं पञ्चमसम्भवा"
  - [definition] Kaiśikī is the fourth among four vṛttis or modes of presentation in drama, embodying song, dance and gentle or soft movements
    -- p.vol_II_p167 "Kaiśikī is the fourth among the four vṛttis or modes of presentation in drama. It embodies song, dance and gentle or soft movements."

CITED_RULES:
  - audava  (structural)
  - auduvita  (relation)
  - aṁśa  (structural)
  - bhāṣā  (relation)
  - dhaivata  (relation)
  - dhaivata  (structural)
  - gāndhārī  (structural)
  - jāti  (relation)
  - jāti  (structural)
  - madhyama  (relation)
  - madhyama  (structural)
  - nyāsa  (structural)
  - pañcama  (structural)
  - pañcama rāga  (relation)
  - pañcamī  (relation)
  - pentatonic  (structural)
  - raktagāndhārī  (structural)
  - sadjamadhyamā  (relation)
  - sankīrṇā  (relation)
  - svaras  (structural)
  - vṛtti  (definition)
  - śrutis  (structural)
  - śuddhakaiśika  (relation)
  - şādava  (structural)
  - कैशिकी  (structural)
  - द्विश्रुति  (structural)
  - पञ्चमस्य  (structural)
  - मध्यमांशा  (structural)
  - ṛṣabha  (structural)
  - ṣāḍava  (structural)

CONFIDENCE: canonical
PROTECT: true