RULE id: jāti (42)
SOURCE: brihaddesi_sharma_1992 (vol_II_p008, vol_II_p014, vol_II_p017, vol_II_p046, vol_II_p052...)
SCOPE: core_concept family, Brihaddesi (Mātaṅga ~750 CE)
CONCEPT: jāti
STATUS: canonical

ASSERTIONS:
  - [structural] Jātis is treated in Chapter II of Brhaddeśi
    -- p.vol_II_p008 "Chapter II (Jātis) 256 Chapter III (Rāgalakṣaṇa)"
  - [relation] Jātis in music are both pure and mixed or altered, analogous to castes in human society
    -- p.vol_II_p014 "Just as in human beings there are castes such as brahmin and the like, that are both pure and mixed (or altered), similarly these jātis are also (twofold)."
  - [relation] Şādava operates in relation to fourteenfold jatis
    -- p.vol_II_p017 "Since it is related to (or operates in) fourteenfold jatis,"
  - [attribution] Jāti is the subject of the second chapter of this treatise
    -- p.vol_II_p046 "[॥१९२इति ज?ातिर्नाम द्वितीयोऽध्यायः॥]"
  - [attribution] Jāti is the subject of the second chapter of this treatise
    -- p.vol_II_p046 "[Thus ends the second chapter entitled 'Jāti'. 78]"
  - [relation] Jāti is a classificatory concept from which rāgas originate or are derived; śuddharagas conform to their own jāti
    -- p.vol_II_p052 "Those that are in accordance with their 'own' jāti (from which they are born), without any reference to other jātis"
  - [relation] Jāti is the foundational category determining whether a rāga is classified as śuddhā (pure)
    -- p.vol_II_p052 "Those that are one out of the many (individual forms) of their own jāti, they are called śuddha (rāgas)."
  - [attribution] All that is sung in the world is contained in the jātis, according to Bharata
    -- p.vol_II_p055 ""यत्किञ्चिद् गीयते लोके तत्सर्वं ज?ातिषु स्थितम्""
  - [structural] Jāti is the first formation of melodic structure
    -- p.vol_II_p155 "Jāti being the first formation of melodic structure"
  - [definition] jāti embodies melodic abstraction comprehensive enough to cover all melodic phenomena
    -- p.vol_II_p162 "This sentence does not occur in the available text of NS. It does, however, embody a valuable comment on the concept of jāti embodying melodic abstraction which"
  - [relation] Jāti can be destroyed by the improper use of vivādin svaras in place of vādin or anuvādin svaras
    -- p.vol_I_p028 "ज?ातिरागहानिकरो भवेत्"
  - [relation] Jāti is accomplished through proper arrangement of murchanas with twelve svaras
    -- p.vol_I_p050 "ज?ातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।"
  - [citation] Nandayanti is well known as the name of a jāti
    -- p.vol_I_p080 "which does not seem to have any relevance, because nandayanti is well known as the name of a jāti."

CITED_RULES:
  - brhaddeśī  (structural)
  - bharata  (attribution)
  - rāgalakṣaṇa  (structural)
  - anuvādin svaras  (relation)
  - mūrchanā  (relation)
  - nandayantī  (citation)
  - svaras  (relation)
  - vivādin  (relation)
  - vādin  (relation)
  - şādava  (relation)

CONFIDENCE: canonical
PROTECT: true