RULE id: dhruvā (43) SOURCE: brihaddesi_sharma_1992 (vol_II_p018, vol_II_p036, vol_II_p039, vol_II_p040, vol_II_p133...) SCOPE: technical_term family, Brihaddesi (Mātaṅga ~750 CE) CONCEPT: dhruvā STATUS: empirical ASSERTIONS: - [relation] Avakṛṣṭā dhruvās will be explained in detail within the treatment of dhruvā -- p.vol_II_p018 "and we shall explain this within the treatment of dhruvā." - [enumeration] Dhruvā can be used in four varieties: complete (full svaras), hexatonic, pentatonic, and quadratonic structures -- p.vol_II_p018 "Thus should be known the fourfold usage of dhruvās (viz. complete, hexatonic, pentatonic, quadratonic)." - [relation] Gāndhārī is used in the singing of dhruvā in the third act of a drama -- p.vol_II_p036 "ध्रुवागाने तृतीयप्रेक्षणके विनियोगः।।" - [relation] Raktagāndhārī is prescribed for application in the dhruvā of the third act -- p.vol_II_p039 "The application is (prescribed) in the dhruvā pertaining to the third act." - [relation] The application of kaiśikī is prescribed in the dhruvā pertaining to the fifth act -- p.vol_II_p040 "The application is (prescribed) in the dhruvā pertaining to the fifth act." - [citation] The treatment of dhruvā is lost in the text, leaving an unfulfilled announcement by the author -- p.vol_II_p133 "Since the treatment of dhruvā is lost in the text, this 'announcement' of the author is unfulfilled." - [enumeration] Dhruvās comprises five types: prāveśikī, prāsādikī, ākṣepikī, sāntarā, and Naiskrāmikī -- p.vol_II_p160 "Naiskrāmikī is one of the five types of dhruvās, the other four being prāveśikī, prāsādikī, ākṣepikī and sāntarā." - [definition] Dhruvā is a metrical text performed in pūrvaranga using Sanskrit or prescribed non-lexical syllables, and within drama it is in Prākṛta -- p.vol_II_p163 "Dhruvāis a metrical text that is performed in pūrvaranga, where the compositions in Sanskrit or in prescribed non-lexical syllables are used. The dhruvā perform" - [structural] Not all alankāras are desirable in dhruvās because of excessive stretching of syllables -- p.vol_I_p062 "All of these are not desirable in the dhruvās,87 because of the (133) excessive 'stretching' of syllables (of the text)." - [structural] Syena, bindu and similar ornaments involving stretching should not be used in dhruvā performance according to their own measure -- p.vol_I_p062 "Syena or bindu or whichever others are (involved with stretching and) counter-stretching, they should not be used (lit. 'done') in the performance of dhruvās ac" - [structural] In dhruvā performance, ascending svaras should be used -- p.vol_I_p062 "In the performance of dhruvās, ascending svaras should be used." - [definition] Dhruvā should be formed in accordance with desired meaning and communicate that meaning -- p.vol_I_p062 "Because dhruvā that is formed in accordance with the (desired) meaning, has to be made the communicator of meaning" - [definition] dhruvā is the sounded one among the group of technical terms -- p.vol_I_p070 "dhruvā is the sounded25 one" - [structural] Excessive stretching is avowedly undesirable in dhruvās -- p.vol_I_p080 "'ati' is a better reading than śruti because śruti does not seem to fit into the context and excessive stretching is avowedly undesirable in dhruvās." - [relation] In dhruvās, comprehension of text meaning by the listener is important, so stretching of syllables through alaṅkāras is not desirable -- p.vol_I_p102 "In dhruvās (songs prescribed for highlighting different situations in drama), as distinct from gîtaka, the comprehension of meaning of text by the listener is v" CITED_RULES: - alaṅkāra (structural) - avakṛṣṭā dhruvās (relation) - bindu (structural) - gāndhārī (relation) - hexatonic (enumeration) - kaiśikī (relation) - naiskrāmiki (enumeration) - pentatonic (enumeration) - prāsādikī (enumeration) - prāvešikī (enumeration) - pūrvaranga (definition) - raktagāndhārī (relation) - svaras (enumeration) - svaras (structural) - sāntarā (enumeration) - ākṣepikī (enumeration) - śrutis (structural) - ध्रुवागाने (relation) CONFIDENCE: empirical PROTECT: false