RULE id: sangati (44)
SOURCE: brihaddesi_sharma_1992 (vol_II_p020, vol_II_p022, vol_II_p032, vol_II_p036, vol_II_p158...)
SCOPE: technical_term family, Brihaddesi (Mātaṅga ~750 CE)
CONCEPT: sangati
STATUS: empirical

ASSERTIONS:
  - [definition] Sangati is a coming together or concert of pitch classes like ṣaḍja-gāndhāra and ṣaḍja-dhaivata
    -- p.vol_II_p020 "and then there is sangati (coming together or concert) of ṣaḍja-gāndhāra and ṣaḍja-dhaivata."
  - [relation] Sangati is a concert relationship between madhyama and ṛṣabha in pañcamī
    -- p.vol_II_p022 "there is the sangati (concert) between madhyama and ṛṣabha."
  - [relation] Sangati exists between ṣaḍja-dhaivata and ṛṣabha-gāndhāra in Ārṣabhī
    -- p.vol_II_p032 "There is sangati (concert) of șadja-dhaivata and ṛṣabha-gāndhāra."
  - [relation] There is sangati (concert or to and fro movement) between dhaivata and ṛṣabha
    -- p.vol_II_p036 "धैवतर्षभयोः सङ्गतिः।"
  - [definition] Sangati refers to a relationship or concordance between a svara and other svaras in the melodic framework
    -- p.vol_II_p158 "gāndhāra has concert (sangati) with all svaras"
  - [definition] Sangati refers to to-and-fro movement between two svaras in a jāti and is a purely melodic phenomenon
    -- p.vol_II_p159 "'Sangati' stands for to and fro movement between two svaras in a jāti. [...] It is notable that this relationship between any two svaras is purely melodic pheno"

CITED_RULES:
  - concert  (definition)
  - concert  (relation)
  - dhaivata  (definition)
  - dhaivata  (relation)
  - gāndhāra  (definition)
  - gāndhāra  (relation)
  - jāti  (definition)
  - madhyama  (relation)
  - pañcamī  (relation)
  - samvāda  (definition)
  - svaras  (definition)
  - ārṣabhī  (relation)
  - ṛṣabha  (relation)

CONFIDENCE: empirical
PROTECT: false