Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20595). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p037 RIGHT — 193 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>TRANSLATION</b> page_header
via surya_layout
2 57 page_number
via heuristic_pagenum
3 dha - ni main
via surya_layout
4 - n annotation_inline
parent ligne 3
via heuristic_short
5 - sa main
via surya_layout
6 - ga annotation_inline
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7 ma main
via surya_layout
8 - pa annotation_inline
parent ligne 7
via heuristic_short
9 - annotation_inline
parent ligne 7
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10 - dha - ni main
via surya_layout
11 - sa annotation_inline
parent ligne 10
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12 n main
via surya_layout
13 - annotation_inline
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14 • - main
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15 ga annotation_inline
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16 рa main
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17 (vide) annotation_inline
parent ligne 16
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18 ma main
via surya_layout
19 dha - ni annotation_inline
parent ligne 18
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20 ni main
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21 sa annotation_inline
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22 - pa main
via surya_layout
23 - annotation_inline
parent ligne 22
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24 - main
via surya_layout
25 • annotation_inline
parent ligne 24
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26 - ga main
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27 ma annotation_inline
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28 - dha - main
via surya_layout
29 ni annotation_inline
parent ligne 28
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30 - pa main
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31 - ni annotation_inline
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32 - ma main
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33 sa annotation_inline
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34 - main
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35 ga main
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36 ŧ annotation_inline
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37 dha - main
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38 ni annotation_inline
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39 ni - sa main
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40 - ma - þa - annotation_inline
parent ligne 39
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41 - ga main
via surya_layout
42 Thus is in sadjagrāma. main
via surya_layout
43 - dha - ni - annotation_inline
parent ligne 42
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44 - pa main
via surya_layout
45 - 17 annotation_inline
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46 54 page_number
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47 ma main
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48 - ga annotation_inline
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49 - dha - main
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50 ni annotation_inline
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51 - pa main
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52 ma annotation_inline
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53 - main
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54 sa annotation_inline
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55 ฑ main
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56 ga annotation_inline
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57 • main
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58 dha - annotation_inline
parent ligne 57
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59 ni main
via surya_layout
60 ni - annotation_inline
parent ligne 59
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61 - pa main
via surya_layout
62 - ma annotation_inline
parent ligne 61
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63 sa main
via surya_layout
64 - ga annotation_inline
parent ligne 63
via heuristic_short
65 - main
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66 dha - annotation_inline
parent ligne 65
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67 pa main
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68 ni annotation_inline
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69 - ni main
via surya_layout
70 - ma annotation_inline
parent ligne 69
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71 - ga main
via surya_layout
72 - annotation_inline
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73 - main
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74 sa annotation_inline
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75 dha main
via surya_layout
76 - pa annotation_inline
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77 ni main
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78 - n annotation_inline
parent ligne 77
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79 - ga main
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80 ma annotation_inline
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81 - sa main
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82 - annotation_inline
parent ligne 81
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83 - main
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84 ١ page_number
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85 dha - ni - sa main
via surya_layout
86 - ni annotation_inline
parent ligne 85
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87 ga main
via surya_layout
88 • annotation_inline
parent ligne 87
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89 - ma - pa main
via surya_layout
90 pa - dha - ni annotation_inline
parent ligne 89
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91 - sa main
via surya_layout
92 ni annotation_inline
parent ligne 91
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93 - main
via surya_layout
94 ga annotation_inline
parent ligne 93
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95 ma main
via surya_layout
96 - annotation_inline
parent ligne 95
via heuristic_height
97 Thus is in madhyama-grāma. main
via surya_layout
98 ! unknown
via fallback
99 Mūrchanā-maņdala (cycle) section_header
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100 dha | pa table
via surya_layout
101 ni table
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102 ni table
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103 ma table
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104 ga table
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105 sa table
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106 dha| pa table
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107 ni table
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108 ni table
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109 ma table
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110 50 page_number
via heuristic_pagenum
111 ga table
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112 dha table
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113 ni table
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114 ni table
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115 þa table
via surya_layout
116 50 page_number
via heuristic_pagenum
117 ga table
via surya_layout
118 ma table
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119 1 page_number
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120 dha| pa table
via surya_layout
121 ni table
via surya_layout
122 ni table
via surya_layout
123 Sa table
via surya_layout
124 ga table
via surya_layout
125 ma table
via surya_layout
126 dha table
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127 ni table
via surya_layout
128 ni table
via surya_layout
129 pa table
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130 ma table
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131 sa table
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132 ga table
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133 dha table
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134 n table
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135 ni table
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136 pa table
via surya_layout
137 ma table
via surya_layout
138 ga table
via surya_layout
139 Sa table
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140 ni table
via surya_layout
141 ni table
via surya_layout
142 dha pa table
via surya_layout
143 ga table
via surya_layout
144 ma table
via surya_layout
145 sa table
via surya_layout
146 Thus is the mūrchanā-maṇḍala in ṣaḍja-grāma. main
via surya_layout
147 dha | pa table
via surya_layout
148 ni table
via surya_layout
149 ni table
via surya_layout
150 ma table
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151 sa table
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152 ga table
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153 <math>\pi^{i}</math> table
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154 dha| pa table
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155 ni table
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156 ma table
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157 ga table
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158 sa table
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159 ni table
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160 dha table
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161 ni table
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162 рa table
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163 ga table
via surya_layout
164 sa table
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165 ma table
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166 dha| pa table
via surya_layout
167 ni table
via surya_layout
168 ni table
via surya_layout
169 SA table
via surya_layout
170 ma table
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171 ga table
via surya_layout
172 dha table
via surya_layout
173 71 page_number
via heuristic_pagenum
174 ni table
via surya_layout
175 рa table
via surya_layout
176 sa table
via surya_layout
177 ma table
via surya_layout
178 ga table
via surya_layout
179 ni table
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180 dha table
via surya_layout
181 ni table
via surya_layout
182 þа table
via surya_layout
183 ma table
via surya_layout
184 ga table
via surya_layout
185 sa table
via surya_layout
186 ni table
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187 ni table
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188 dha pa table
via surya_layout
189 ma table
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190 ga table
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191 Sa table
via surya_layout
192 1 page_number
via heuristic_pagenum
193 Thus is the mūrchanā-maṇḍala in madhyama-grāma. main
via surya_layout

vol_II_p118 LEFT — 26 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 3 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 218 page_number
via heuristic_pagenum
4 [२६. कलहंस:] section_header
via surya_layout
5 एकं पादं पुरो गीत्वा गीयन्ते च स्वरास्तत:। main
via surya_layout
6 झम्पादितालसंयुक्त: स भवेत् कलहंसक:<sup>२३</sup>॥४०७॥ main
via surya_layout
7 [ २७. घट:] section_header
via surya_layout
8 यत्रार्धं तेनकोपेतं द्विपदीवद् भवेद् घट:<sup>२४</sup>॥४०८॥ main
via surya_layout
9 तेन्तकोपेत annotation_inline
parent ligne 8
via heuristic_height
10 भवेद्धल: annotation_inline
parent ligne 8
via heuristic_height
11 [२८. चक्रवाल:] section_header
via surya_layout
12 पदमन्त्यं गृहीत्वा तु यमकस्थितिभूषित: । main
via surya_layout
13 आवृत्या गीयते योऽसौ चक्रवालः प्रकीर्तितः १५॥ ४०९॥ main
via surya_layout
14 [२९. त्रिपदी, षट्पदी वा] section_header
via surya_layout
15 तालेन येन केनापि बिरुदै: केवलैरपि। main
via surya_layout
16 बिरुतै: annotation_inline
parent ligne 15
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17 यद्यदापि [?] तथाभूता या[ऽऽ]वृत्त्या गीयते द्विधा ॥ ४१०॥ editorial_bracket
parent ligne 15
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18 [३०. बन्धकरणम् ] section_header
via surya_layout
19 तालेन करणेनैव स्वरै: समुरजाक्षरै:। main
via surya_layout
20 गन्धर्वेर्गीयते यतु तद् बन्धकरणं पुनः १६॥ ४११॥ main
via surya_layout
21 [३१. पाटकरणम् ] section_header
via surya_layout
22 पाटाख्यं करणं प्रोक्तं हस्तपाटस्वरान्वितम् ॥ ४१२॥ main
via surya_layout
23 पादा॰ annotation_inline
parent ligne 22
via heuristic_markers
24 [३२. कैवाट:] section_header
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25 अक्षरैर्गीयते सम्यक् पाटैरेव हि केवलै:। main
via surya_layout
26 कैवाट इति स ज्ञेयो गन्धर्वेस्तालसंयुतः १७॥४१३॥ main
via surya_layout

vol_I_p069 LEFT — 43 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
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2 120 page_number
via heuristic_pagenum
3 दक्षिणे पृथुला गीतिस्ताले ज्ञेया चतुष्कले । main
via surya_layout
4 (णो २ णे) annotation_inline
parent ligne 3
via heuristic_short
5 .लेजें. main
via surya_layout
6 अनेनैव विधानेन गातव्या गीतयो बुधैः ॥१७५ ॥ main
via surya_layout
7 [अनु, १०५] editorial_bracket
parent ligne 6
via heuristic_brackets
8 चित्रे चैककल एव तालो द्विमात्रिकप्रयोगात्। वार्तिक द्विकल एव main
via surya_layout
9 ,लं annotation_inline
parent ligne 8
via heuristic_short
10 ₀ला⁵ annotation_inline
parent ligne 8
via heuristic_markers
11 तालश्चतुर्मात्रिकप्रयोगाद्, दक्षिणे चतुष्कल एव तालोऽष्ट- main
via surya_layout
12 .ले॰ annotation_inline
parent ligne 11
via heuristic_markers
13 ₀लः अष्ट annotation_inline
parent ligne 11
via heuristic_markers
14 ्र मात्रिकप्रयोगात्। main
via surya_layout
15 (म.(. ?त्रिक) प्रयोगाद् (डि ? ) main
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16 द्विगुरुर्द्विनिवृत्ता च चित्रे गीतिस्तु मागधी । main
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17 រមែៈ annotation_inline
parent ligne 16
via heuristic_short
18 .রি. main
via surya_layout
19 .ন. annotation_inline
parent ligne 18
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20 लघुप्लुतकृता चैव तदर्धे चार्धमागधीर ।।१७६।। main
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21 <u>,धिः</u> annotation_inline
parent ligne 20
via heuristic_short
22 सम्भाविता गुरुर्वृत्तौ पृथुला दक्षिणे लघु [ : ] ॥१७७॥ editorial_bracket
parent ligne 20
via heuristic_brackets
23 यथा— main
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24 मागधी [ ... ... ... ] editorial_bracket
parent ligne 23
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25 अर्धमागधी [ ... ... ] editorial_bracket
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26 .प main
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27 सम्भाविता [ ... ... ... ] editorial_bracket
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28 Ð unknown
via fallback
29 पृथुला [ ... ... ] editorial_bracket
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30 [ अनु, १०६ ] editorial_bracket
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31 वार्तिक समग्रहो दक्षिणे अतीतः । अ[ना ] गतः । editorial_bracket
parent ligne 26
via heuristic_brackets
32 .धी. main
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33 संग्रहाद् annotation_inline
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34 [ अनु, १०७ ] editorial_bracket
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35 मात्राप्रयोगा मार्गाणां हि कथिताः । यथा—दक्षिणो वृत्तिश्चित्र इति । main
via surya_layout
36 . श्चेति त्रेति annotation_inline
parent ligne 35
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37 जाति, वृतीनां चि ,तम् तथा main
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38 मात्रा अष्टौ चतुर्दे क्रमेण । यथा— main
via surya_layout
39 चतुचतुर्द्धि (?) annotation_inline
parent ligne 38
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40 ध्वका सर्पिणी कृष्णा श्वर्तिन्यथ विसर्जिता । main
via surya_layout
41 (夏) annotation_inline
parent ligne 40
via heuristic_short
42 •प्ट्या main
via surya_layout
43 विक्षिप्ता च पताका च पतिता चाष्टमी स्मृता ॥१७८॥ unknown
via fallback

vol_II_p071 RIGHT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 125 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [Anu. 210] editorial_bracket
parent ligne 4
via heuristic_brackets
4 Its meaning is thus – pañcamaṣāḍavais related to ṣaḍjagrāma. Ŗṣabhais its graha main
via surya_layout
5 and anisa. Madhyama is the nyāsa and with relevance to the performer 88 it main
via surya_layout
6 sometimes becomes amśa also. Niṣāda is kākalī here and this (rāga) is complete. main
via surya_layout
7 Its application is prescribed in the passionate performance of cārīs, maṇḍalas and main
via surya_layout
8 (situations of ) combat. Vīra and the like is the rasa89. The mūrchanā beginning main
via surya_layout
9 with ṛṣabha obtains. Prasannādyanta is the alankāra. The kalā is formed in the main
via surya_layout
10 dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) and the kalā prevails in main
via surya_layout
11 the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara and main
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12 pada annotation_inline
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13 [9. Revagupta] section_header
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14 Revagupta is said to be born of ārṣabhī and madhyamā jātis, has ṛṣabha as main
via surya_layout
15 its amsa and madhyama as its concluding note and is with complete svaras. main
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16 (340) annotation_inline
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17 [Anu. 211] editorial_bracket
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18 Its meaning is thus - Revagupta is related to sadjagrāma. Although it is born main
via surya_layout
19 of ārṣabhī and madhyamā jātis, it is related to ṣaḍjagrāma alone because of main
via surya_layout
20 pañcama being comprised of four śrutis. Rṣabha is its graha and amśa, main
via surya_layout
21 <math>madhyama</math> alone is <math>ny\bar{a}sa</math>, <math>nis\bar{a}da</math> is <math>k\bar{a}kal\bar{t}</math> he main
via surya_layout
22 svaras. Its application is prescribed in the passionate performance of cārīs, main
via surya_layout
23 mandalas and (situations of) combat. Vira and the like is the rasa. The main
via surya_layout
24 mūrchanā beginning with ṛṣabha obtains. Ārohin is the varṇa. Prasannānta is main
via surya_layout
25 the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in main
via surya_layout
26 the vārtika (mārga) and the kalā prevails in the citra (mārga). A tāla like main
via surya_layout
27 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
28 [10. Takkasaindhava] section_header
via surya_layout
29 The rāga takka qualified by saindhava is born of ṣāḍjī and dhaivatī jātis, is main
via surya_layout
30 combined with sadja as amsa and nyāsa and is weak in pancama. main
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31 (341) annotation_inline
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32 [Anu. 212] editorial_bracket
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33 Its meaning is thus - takkasaindhava rāga is related to şadjagrāma on main
via surya_layout
34 account of being born of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, amśa and main
via surya_layout
35 nyāsa. Niṣāda and gāndhāra are kākalī and antara. There is the sparseness of main
via surya_layout
36 pañcama and this (rāga) is complete in svaras. Its application is prescribed main
via surya_layout

vol_II_p168 RIGHT — 42 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 VIMARŠA page_header
via surya_layout
2 319 page_number
via heuristic_pagenum
3 57. Ratigana is fourfold and is composed of two syllables each – SS, IS, list_item
via surya_layout
4 SI, II. list_item
via surya_layout
5 58, 59. Dhātu-mātu stand for tonal-cum-rhythmic and verbal structure list_item
via surya_layout
6 of a composition respectively. list_item
via surya_layout
7 60. Twice Rudra would mean <math>11 \times 2 = 22</math>. list_item
via surya_layout
8 61. Bāṇagaṇa is of 16 kinds, each one composed of four syllables. list_item
via surya_layout
9 62. Here only the number of syllables is regulated and not their long list_item
via surya_layout
10 and short order. list_item
via surya_layout
11 63. Alaghu - that which is not laghu or short. list_item
via surya_layout
12 64. No regulation of the order of long and short syllables is list_item
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13 prescribed. list_item
via surya_layout
14 65. See notes 46, 52. list_item
via surya_layout
15 66. 'Yati' is a word that stands for splitting or pause in metre. In tāla, list_item
via surya_layout
16 yati means the order or sequence of layas. Here the first meaning seems to list_item
via surya_layout
17 be relevant. list_item
via surya_layout
18 67. This is again a reference to Matanga within the text. See note 3. list_item
via surya_layout
19 68. Samā yati is that where one and the same laya is sustained from list_item
via surya_layout
20 the beginning to the end. list_item
via surya_layout
21 69. Şaţpadī means 'one having six feet '. Śaṅkarācārya's şaţpadī list_item
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22 beginning with 'avinayamapanaya viṣṇo' is well - known. list_item
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23 70. Srotogatā yati is that where there is slow laya in the beginning list_item
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24 followed by fast, like the source of a river that gradually gains speed in its list_item
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25 current. Samā has been explained in note 68. list_item
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26 71. Gopucchā yati is the opposite of srotogatā; it is fast in the list_item
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27 beginning and gradually becomes slow, like the end of the cow's tail which list_item
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28 is first thin and then ends up with a thick bunch of hair. list_item
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29 72. See note 46. list_item
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30 73. 'Varṇadhvani' would literally mean 'the sound of syllables'; list_item
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31 perhaps the contrast of a cluster of syllables in song, followed by a text-free list_item
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32 tonal rendering is implied. list_item
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33 74. Mūrchanā is not known as a kind of gamaka. The combination of list_item
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34 'mūrchanā' with gamaka requires further investigation. list_item
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35 75- 79. Lāţa (approximately present Gujarat), Karṇāta (roughly list_item
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36 present Karnataka), Gauda (roughly present Bengal), Andhra (roughly list_item
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37 present Andhra Pradesh) and Dravida (roughly present Tamilnadu) are the list_item
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38 regions selected for description of types of elā prabandha. Important list_item
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39 omissions are <i>Pāṇcāla, Avantī</i> or <i>Mālavā, Vidarbha</i> etc. SR also mentions only list_item
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40 the above five regions in this context. list_item
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41 80,81. The description of the regional specialities in the use of rhyme list_item
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42 and alliteration is interesting indeed. list_item
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340 lignes a valider — change uniquement les roles incorrects.