ankacāriņī is the twenty-seventh musical form
"That ankacāriņī is known to be the twenty-seventh"
207
TRANSLATION
The twenty-second is said to be śukacańcu, the twenty-third is vicitra and
the twenty-fourth is tribhangika.
(368)
Caturanga has been placed on the twenty-fifth position, after that is the
one named jayavardhana.
(369)
That ankacāriņī is known to be the twenty-seventh, simhavikrāntaka is
known to be numbered twenty-eighth.
(370)
The one named kalahamsa should be known by the wise to be the
twentyninth, ghața is the thirtieth (and) cakravāla is known as the thirty-first.
(371)
The thirty-second is tripadī (and) sometimes satpadī; that bandhakaraņa
has been said to be the thirty-third.
(372)
Pāṭakaraṇa 4 has been said to be the thirty-fourth (and) kaivāṭa has been
said by the knowledgeable ones in the same, to be the thirty-fifth.
(373)
Dvipadī is known by the good ones as being numbered thirty-six and that
which is the thirty-seventh is accepted by the muni as vartanī.
(374)
Elā, elaborate with many varieties, is the thirty-eighth and similary,
jhombada is one less than forty (thiry-nine).
(375)
After that dhvanikuţţanī should be known as the fortieth, dhenkī is one
more (than forty) and ekatālikā is two more (forty-two).
(376)
Here itself the prabandha bearing the name mātṛkā is known to be three
more (than forty), the prabandha (numbered) four above forty (forty-
fourth), again, should be known by the knowledgeable ones in music, as this