ārṣabhī jāti technical_term

³⁵ TRANSLATION sa n ni ga dha ma pa Thus ends the Samvādi-mandala. (Anu. ²²) The use of samvadin is thus- The sadja that is accepted as amsa (fundamental note) in a gita (melodic structure), in the place of that (if) madhyama (is used) it does not destroy the rāga (melodic matrix). The location on which madhyama is used in accordance with the mūrchanā,40 on the same location (if) şadja is used, it does not destroy the jāti or rāga. In the place of şadja and pañcama (if) pañcama-şadja are used, they do not destroy the jāti and rāga. Similarly dhaivata-ṛṣabha being used in the place of rabha-dhaivata do not become the destroyers of jāti and rāga. Similarly niṣāda-gāndhāra being used in the place of gāndhāra-niṣāda do not bring about a loss of jāti and rāga. Kakubha being with dhaivata aṁśa, and revagupta being with ṛṣabha aṃśa and ārṣabhī jāti, the mother of both of them, having taken up ṛṣabha as amía, these two (dhaivata and ṛṣabha) when used as being mutually related, do not become the destroyers of jāti or rāga.