Nivittapravitta technical_term

Dictionary: not in dictionary · Pages: 1 · Occurrences: 3 · Affirmations: 1 · Graph degree: 1 (in 0, out 1)

Variants (3): Nivittapravitta (1), nivitta-pravitta (1), nivītta pravītta (1)

Generative rules (1) ↗ filter all

nivittapravitta_definition definition · 1 att.
Nivittapravitta is an alaṅkāra whose setting forth has been withheld in the text.

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

RULE id: nivittapravitta (cluster 1836)
SCOPE: technical_term family
STATUS: empirical
CONFIDENCE: empirical
PROTECT: false

Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).

Graph relations

Outgoing (1)

--[definition]--> alaṅkāra (1)

Incoming (0)

none

Affirmations (1)

definition

p.vol_I_p053

english

conf 0.92

[show source]

Nivittapravitta is an alankāra whose setting forth has been withheld

"(7) Nivittapravitta (one whose setting forth has been withheld)"

89 TRANSLATION (manifested) in the bodily21 (v\bar{i}n\bar{a}). That is why it has been said that just as these (varṇas) exist (in the bodily viṇ\bar{a}), similarly do they bring (themselves) into effect (on the wooden vin\bar{a}); this meaning is inherent in the mention of sanra^{22} (bodily) svaras (in the verse of NS quoted above). So has been said - These four varnas should be known as the constructors23 of melodic (NŚ XXIX, 19ab) rendering. [Thus end the varnas] [The Alankaras] (Anu. 68) Now the well-known thirty-three 24 alankāras are being described by name and application. What is spoken of through the word alankara and what is its etymology? It is being answered. Ornament25 is being spoken of by the word alaṅkāra. Just as a man or woman adorned with a bracelet on the forearm, middle-arm and the like, bears beauty (becomes beautiful), similarly the singing that subsists in varņas (and is) adorned by these alankāras (known as) prasannādi and the like, becomes delightful to the performers and listeners. And the etymology is like this—the root 'du krñ' in the meaning of doing or making bears the prefix alam (sufficient or adequate) and (the word) alaṅkāra (derived thereby) means that which makes something sufficient or adequate. This word alankara has the end-suffix ghan. (Anu. 69) The names26 of alankāras are being said (1) Prasannādi (having prasanna or mandra i.e. lower svaras in the beginning), (2) prasannānta (having the lower svaras in the end), (3) prasannādyanta (having the lower svaras in the beginning and end), (4) prasannamadhya (having the lower svaras in the middle, (5) sama (equal), (6) bindu (lit. dot or anusvāra, nasal sound marked by a dot above the line), (7) Nivittapravitta (one whose setting forth has been withheld), (8) Veņu (the bamboo flute), (9) Kampita (the shaken one), (10) Kuharita (with a cavity or hole) (11) Recita (the purged or emptied one, or a specific pace of a horse) (12) Prenkholita (the swinging one) (13) Tāramandraprasanna (having high and low svaras) (14) Mandratāraprasanna (having low, high and low svaras) (15) Prastāra (permutation or extension), (16) Prasāda (clarity or brightness or graciousness) (17) Udvāhita (held upwards or lifted up) (18) Upalolaka (constantly moving or restless) (19) Krama (a specific order or sequence), (20) i Nișkūjita (the cooed one), (21) Hrādamāna (the thundering or roaring or sounding one), (22) Ranjita (the coloured or delighted one) (23) Avartaka (the rotating one), (24) Parivartaka (moving to and fro, changing), (25)