सप्तस्वरांशा technical_term

³³ TRANSLATION Kaiśikī is (the only one) with six aniśa svaras - sa, ga, ma, pa, dha, ni. Ṣaḍja - madhyamā is (the only one) with seven aṁśa svaras - sa, ri, ga, ma, pa, dha, ni. ¹ Thus sixty-three amsas have been explained. Madhyamodīcyavā and similarly gāndhārapañcamī and nandayantī, these three are known to be with one anisa viz. pancama. (241) Dhaivatī and pañcamī, these two should be known with two aṁśa (svaras) each viz. dhari and ripa. Gāndhārodīcyavā is with two (aṁśa svaras) viz. madhyama and şadja. (242) In ārṣabhī niridha, in naiṣādī the three niriga (and) in ṣaḍjakaiśikī sagapa are amsa (svaras); (these) three are said to be with three amsas each. (243) Şadjodīcyavatī is known to be with four amśasviz. samanidha, kārmāravī is with ripanidha, andhrī also with garinipa. (244) Ṣāḍjī is with sagamapadha (as amśas), madhyamā is also with five amśas viz. sarimapadha, gāndhārī is with sagamanipa and similarly is raktagāndhārī with the same five amśas. Kaiśikī is the one (jāti) that is known to have six amśas viz. sagamapanidha. (245-246) Ṣadjamadhyā is with seven amsas and thus those amsas are sixty-three (in total). [7. Prescription regarding the performance of jātis] Jātis are those that give rise to grāma-rāgas through their amśas.43 (247) During their performance the prescription (regarding temporal organisation) is based on yugma⁴⁴ (lit.even) and ayugma⁴⁵ (lit.odd). They are to be performed with three 46 mārgas viz. citra, vārtika and dakṣiṇa. (248)