Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20606). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p036 LEFT — 29 lignes

page vol_I_p036 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDES!</b> page_header
via surya_layout
2 54 page_number
via heuristic_pagenum
3 आरोहणावरोहणक्रमेण स्वरसप्तकम्। main
via surya_layout
4 मूर्छनाशब्दवाच्यं हि विज्ञेयं तद् विचक्षणैः ॥ ९१ ॥ main
via surya_layout
5 अनु. ३६ section_header
via surya_layout
6 सा च मूर्छना द्विविधा-सप्तस्वरमूर्छना द्वादशस्वरमूर्छना चेति। तत्र main
via surya_layout
7 सप्तस्वरमूर्छना चतुर्विधा- पूर्णा, षाडवा, औडुविता, साधारणा चेति। main
via surya_layout
8 तत्र सप्तभिः स्वरैर्या गीयते सा पूर्णा। षड्भिः स्वरैर्या गीयते सा main
via surya_layout
9 षाडवा। पञ्चिभः स्वरैर्या गीयते सा औडुविता। काकल्यन्तरस्वरैर्या main
via surya_layout
10 13:56 annotation_inline
parent ligne 9
via heuristic_short
11 गीयते सा साधारणा। main
via surya_layout
12 ,पी14 main
via surya_layout
13 [ अनु. ३७ ] section_header
via surya_layout
14 ii<br>L unknown
via fallback
15 इदानीं मूर्छनामण्डलमुच्यते। तत्र परिपाट्याहितत्वेन प्रवृत्तत्वात् main
via surya_layout
16 सप्तस्वराणां मूर्छनानां प्रतिग्राममेकोनपञ्चाशत् स्वराः कोष्ठाश्च भवन्ति। main
via surya_layout
17 तद्यथा— section_header
via surya_layout
18 एकोनाः खलु पञ्चाशत् कर्तव्याः स्वरसंयुताः। main
via surya_layout
19 ₀ण्डू ( ? ) annotation_inline
parent ligne 18
via heuristic_markers
20 तिर्यगृध्वं च रेखाभिरष्टभिश्चैव कोष्ठकाः ॥९२॥ main
via surya_layout
21 [ अनु. ३८ ] section_header
via surya_layout
22 तत्र स-नि-ध-प-म-ग-रीत्याद्याः सप्त षड्जग्रामे। main
via surya_layout
23 म-ग-रि-स-नि-ध-पाद्याः सप्त मध्यमग्रामे। main
via surya_layout
24 तिर्यगृर्ध्वगा अपि स्वरा:15 कार्या:1 तद्यथा— main
via surya_layout
25 नि-ध-प-म-ग-रि-सा इति षड्जग्रामे। main
via surya_layout
26 ग-रि-सं-नि-ध-प-मा16 इति 17मध्यमग्रामे॥ main
via surya_layout
27 एवं तावदुभयग्रामिक्यश्चतुर्दश मूर्छनाः संपूर्णाः। main
via surya_layout
28 स-रि-ग-म-प-ध-नि annotation_inline
parent ligne 27
via heuristic_short
29 नि-स-रि-ग-म-प-ध main
via surya_layout

vol_I_p050 LEFT — 39 lignes

page vol_I_p050 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 82 page_number
via heuristic_pagenum
3 तस्माद् यत्किञ्चिद् गीयते तन्मध्यमध्वनिविशेषैः main
via surya_layout
4 कण्ठध्वनिभिर्मन्द्रतारव्यवस्थासिद्ध्यर्थमेव। main
via surya_layout
5 चतुर्विधा मया प्रोक्ता मूर्छनाः सप्तस्वरात्मिकाः। main
via surya_layout
6 द्वादशस्वरमूर्छनाः annotation_inline
parent ligne 5
via heuristic_short
7 इदानी तु प्रवक्ष्यामि द्वादशस्वरमूर्छनाः ॥११७॥ main
via surya_layout
8 90H annotation_inline
parent ligne 7
via heuristic_height
9 <sup>91</sup>ुनाम् main
via surya_layout
10 [ अनु॰ ६१ ] section_header
via surya_layout
11 तत्र मूर्छनानिर्देशः स्थानित्रतयप्राप्त्यर्थमिति वचनात्, main
via surya_layout
12 मन्द्रतारसिद्ध्यर्थमिति वचनाच्च द्वादशस्वरसम्पन्ना मूर्छना main
via surya_layout
13 द्रष्टव्याः annotation_inline
parent ligne 12
via heuristic_short
14 प्रयोगकाले। तथा चाह कोहलः -- main
via surya_layout
15 "योजनीयो बुधैर्नित्यं क्रमो लक्ष्यानुसारतः। main
via surya_layout
16 संस्थाप्य मूर्छना जातिरागभाषादिसिद्धये" ।।१२ main
via surya_layout
17 ुना annotation_inline
parent ligne 16
via heuristic_height
18 नान्दकश्वरणाप्युक्तम्- main
via surya_layout
19 “द्वादशस्वरसम्पन्ना ज्ञातव्या मूर्छना बुधैः। main
via surya_layout
20 जातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।" main
via surya_layout
21 [ अनु₀ ६२ ] section_header
via surya_layout
22 यद्यप्याचार्यैः अप्तस्वरमूर्छनाः प्रतिपादिताः, स्थानत्रितयप्राप्त्यर्थं main
via surya_layout
23 ुदा annotation_inline
parent ligne 22
via heuristic_short
24 द्वादशस्वरैरेव मूर्छनाः प्रयुक्ताः। अन्यथा चोक्षषाडवे रिमा इति प्रयोगो main
via surya_layout
25 सा annotation_inline
parent ligne 24
via heuristic_height
26 न स्यात्। एवं च १५सति स रागः सिद्धो न स्यात्। main
via surya_layout
27 ग सिध्यान्त (२) annotation_inline
parent ligne 26
via heuristic_short
28 षाङ्जीजातौ रिगमधनि प्रयोगस्तारमन्द्रको न main
via surya_layout
29 पर्ज, annotation_inline
parent ligne 28
via heuristic_short
30 स्यात्। अन्येषामपि रागाणां नाशंकरः प्रयोगः स्यात्। तेन सरिगम [प] editorial_bracket
parent ligne 28
via heuristic_brackets
31 धन्याद्या मूर्छना धनि [ सरि ] गमपाद्याः। तद्यथा— editorial_bracket
parent ligne 28
via heuristic_brackets
32 नि अन्या annotation_inline
parent ligne 28
via heuristic_height
33 धनिसरिगमपधनिसरिग । उत्तरमन्द्रा main
via surya_layout
34 [ <sup>8</sup> ] editorial_bracket
parent ligne 33
via heuristic_brackets
35 निसरिगमपधनिसरिगम । रजनी main
via surya_layout
36 ि ३ ो annotation_inline
parent ligne 35
via heuristic_short
37 सरिगमपधनिसरिगमप । उत्तरायता main
via surya_layout
38 रिगमपधनिसरिगमपध । शुद्धषड्जा [ ४ ] editorial_bracket
parent ligne 37
via heuristic_brackets
39 गमपधनिसरिगमपधनि । मत्सरीकृता [ ५ editorial_bracket
parent ligne 37
via heuristic_brackets

vol_I_p018 LEFT — 36 lignes

page vol_I_p018 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 18 page_number
via heuristic_pagenum
2 BRHADDESI page_header
via surya_layout
3 [ श्रुति-स्वर-सम्बन्धमधिकृत्य पञ्च विकल्पाः, तेषां दूषणं च ] editorial_bracket
parent ligne 4
via heuristic_brackets
4 इदानी श्रुतीनां तादात्म्यादिविकल्पः कथ्यते— main
via surya_layout
5 तादातम्यं च विवर्तत्वं कार्यत्वं परिणामिता। main
via surya_layout
6 अभिव्यञ्जकता चापि श्रुतीनां परिकथ्यते ॥२८॥ main
via surya_layout
7 57कल्प्यते annotation_inline
parent ligne 6
via heuristic_short
8 इदानीमेतदेव विवृणोति— main
via surya_layout
9 विशेषस्पर्शशून्यत्वाच्छ्रवणेन्द्रियग्राह्ययोः 58। main
via surya_layout
10 <sup>59</sup>गम्य ०ताः main
via surya_layout
11 स्वरश्रुत्योस्तु तादात्म्यं जातिव्यक्त्योरिवानयोः ॥२९॥ main
via surya_layout
12 <del>هُ (10</del> annotation_inline
parent ligne 11
via heuristic_height
13 नराणां च मुखं यद्वद्दर्पणे तु विवर्तितम्। main
via surya_layout
14 614 page_number
via heuristic_pagenum
15 ुते6≥ annotation_inline
parent ligne 13
via heuristic_height
16 प्रतिभाति स्वरस्तद्वच्छुतिष्वेव विवर्तितः॥३०॥ main
via surya_layout
17 ०न्ति<sup>63</sup> ०रा<sub>०</sub>64 main
via surya_layout
18 65 ल : annotation_inline
parent ligne 17
via heuristic_height
19 स्वराणां श्रुतिकार्यत्वमिति केचिद् वदन्ति हि। main
via surya_layout
20 श्रुतीना annotation_inline
parent ligne 19
via heuristic_short
21 मृत्पिण्डदण्डकार्यत्वं घटंस्येह यथा भवेत्।।३१।। main
via surya_layout
22 व67 annotation_inline
parent ligne 21
via heuristic_height
23 श्रुतयः स्वररूपेण परिणमन्ति न संशयः । main
via surya_layout
24 68परिणाम annotation_inline
parent ligne 23
via heuristic_height
25 व्रजन्ति हि main
via surya_layout
26 भजन्ति ५९ annotation_inline
parent ligne 25
via heuristic_height
27 परिणमेद्यथा क्षीरं दिधरूपेण सर्वथा।।३२।। main
via surya_layout
28 षड्जादयः स्वराः सप्त व्यज्यन्ते श्रुतिभिः सदा। main
via surya_layout
29 अन्धकारस्थिता यद्वत् प्रदीपेन घटादयः ॥ ३३॥ main
via surya_layout
30 इति तावन्मया प्रोक्तं श्रुतीनां च विकल्पनम्। main
via surya_layout
31 इदानी संप्रवक्ष्यामि विकल्पस्य च दूषणम्।।३४।। main
via surya_layout
32 भेदः ७०स्वलक्षणानां सामान्येनान्यवस्तुवत् सिद्धः।। main
via surya_layout
33 स्वर् annotation_inline
parent ligne 32
via heuristic_height
34 तिद्धं विशेषैः शून्यं भवति नभःपुष्पसङ्काशम्॥३५॥ main
via surya_layout
35 <sup>71</sup>विशेषस्तु भवति पुनः main
via surya_layout
36 स₀ annotation_inline
parent ligne 35
via heuristic_markers

vol_II_p001 RIGHT — 12 lignes

page vol_II_p001 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 श्रीमतङ्गमुनिप्रणीता बृहद्देशी section_header
via surya_layout
2 Brhaddeśī of Śrī Matanga Muni section_header
via surya_layout
3 Volume II section_header
via surya_layout
4 Edited by annotation_inline
parent ligne 3
via heuristic_height
5 Prem Lata Sharma main
via surya_layout
6 Assisted by annotation_inline
parent ligne 5
via heuristic_short
7 Anil Bihari Beohar main
via surya_layout
8 INDIRA GANDHI NATIONAL CENTRE FOR THE ARTS main
via surya_layout
9 <b>NEW DELHI</b> annotation_inline
parent ligne 8
via heuristic_short
10 and annotation_inline
parent ligne 8
via heuristic_height
11 MOTILAL BANARSIDASS PUBLISHERS PVT.LTD. main
via surya_layout
12 <b>DELHI</b> annotation_inline
parent ligne 11
via heuristic_height

vol_I_p097 RIGHT — 43 lignes

page vol_I_p097 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 177 page_number
via heuristic_pagenum
2 VIMARŚA annotation_inline
parent ligne 3
via heuristic_height
3 85. Assigning a seer to each svara is, again, an extension of the Vedic main
via surya_layout
4 tradition. annotation_inline
parent ligne 3
via heuristic_height
5 86. The association of rasas with svaras is reproduced from NS XXVII, 103 cd- list_item
via surya_layout
6 105 ab. list_item
via surya_layout
7 87. The location of svaras in the human body as described here is quite list_item
via surya_layout
8 different from the seven sthanas discussed above in note No. 63. list_item
via surya_layout
9 88. 'Desi' here stands for the manifest realm of sound. list_item
via surya_layout
10 Section V ( Grāma-mūrchanā ) section_header
via surya_layout
11 1. Grāma is not just any group of svaras, it is a specific grouping which is the main
via surya_layout
12 basis of the perception of śruti and is also a fundamental categorisation of main
via surya_layout
13 melodies with the consonance of fifth between sa-pa and with the consonance main
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14 of fourth between ri-pa. annotation_inline
parent ligne 13
via heuristic_height
15 2. The analogy of a village inherent in the word grāma is being made main
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16 explicit. BrD is the only text that has explained this point. main
via surya_layout
17 3. NŚ does not mention gāndhāra-grāma; Dattilam (11) and Nā Ši (1.2.6,7) main
via surya_layout
18 do mention it; Dattilam clearly states that it is not to be found here in this world. main
via surya_layout
19 ( See glossary ) annotation_inline
parent ligne 18
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20 4. The statement that svaras are born of Sāmaveda should be viewed list_item
via surya_layout
21 alongwith the backdrop of the common belief and oft-repeated platitude that list_item
via surya_layout
22 Indian music is born of Sāmaveda. When something is said to be the origin of list_item
via surya_layout
23 another thing, the general impression is that the origin precedes in time the list_item
via surya_layout
24 thing born of it. But in the case of music this impression could not hold good. It list_item
via surya_layout
25 would be absurd to say that there was no music among the people before list_item
via surya_layout
26 Sāmaveda became formalised or codified. The balanced view would be that list_item
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27 Sāmavedic music was the first to be codified and the codification of the music list_item
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28 of the people came later and that the 'vision' that inspired or guided the Vedic list_item
via surya_layout
29 codification continued to guide the later codification. The statement of our list_item
via surya_layout
30 author that svaras are born of Sāmaveda matches the statement in NŚ (I,17) list_item
via surya_layout
31 that gita (music) was taken by Brahmä from Sāmaveda, just as pāthya (text) list_item
via surya_layout
32 was taken from Rgueda, abhinaya (gesture) from Yajurveda and rasa from list_item
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33 Atharvaveda. To go a step further it would be pertinent to say that the mention list_item
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34 of the Vedic origin of a thing need not be taken to imply Vedic anteriority in list_item
via surya_layout
35 time; it could be interpreted to mean that the Vedic world-view and 'vision' was list_item
via surya_layout
36 the guiding spirit. list_item
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37 5. The number 'two' given here for grāma indicates that the author, in spite main
via surya_layout
38 of mentioning gandhara-grama, does not subscribe to the theory of three gramas. main
via surya_layout
39 6. The objective of grāma, stated here as the systematisation of svara, śruti, list_item
via surya_layout
40 mūrchanā, tāna, jāti and nāga is significant. Being a specific arrangement of intervals list_item
via surya_layout
41 in terms of śruti, grāma systematises svara and śruti; the intervals established in grāma list_item
via surya_layout
42 are strictly followed in murchana, the omission of svaras in tana is guided by the grama list_item
via surya_layout
43 (e.g. pañcama being the distinctive svara in madhyama-grāma, cannot be omitted in the list_item
via surya_layout
159 lignes a valider — change uniquement les roles incorrects.