Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20608). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p077 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	137	page_number via heuristic_pagenum
2	PĂŢHA VIMARŚA	page_header via surya_layout
3	पञ्चमस्य च श्रृङ्गारो बीभत्सो धैवतस्य च ।	main via surya_layout
4	करुणा च निषादस्य सप्तस्थानरसा नव ॥	annotation_inline parent ligne 3 via heuristic_height
5	(Sam Mak II.1.47, 48)	main via surya_layout
6	It is notable that Santa rasa has been included here and bhayanaka has	main via surya_layout
7	been omitted; thus the number of rasas enumerated is only eight and not nine,	main via surya_layout
8	as stated in the last foot.	main via surya_layout
9	46. MS B reading as recorded by the ed.	main via surya_layout
10	Section V ( Grāma-mūrchanā )	section_header via surya_layout
11	ग्रामो नाम विशिष्टश्रुतिकस्वरसमूहो मूर्छनात्मा	main via surya_layout
12	1. cf.	annotation_inline parent ligne 11 via heuristic_height
13	पूर्णापूर्णस्वभावस्वरगतग्रहाशादिविशेषसमूहरूपजातिसमूहश्च ।	main via surya_layout
14	(Abhi Bhā on NŚ XXVIII, p. 42)	main via surya_layout
15	2. C.r. in S R I Sudhā, p. 102.	main via surya_layout
16	3. C.r. in S R I Sudhā, p. 101 has been accepted because 'vyavasthitaḥ' is an	list_item via surya_layout
17	adjectival form which is not matched by a noun that could be qualified by it, but	list_item via surya_layout
18	'vyavasthitih' is an abstract noun that fits the sentence.	list_item via surya_layout
19	4,5. C.r. in S R I Sudhā, p. 103.	main via surya_layout
20	6. This verse is not found in the text of Nā Ši.	list_item via surya_layout
21	7. C.r. in S R I Sudhä, p. 101.	main via surya_layout
22	8. P.t., modified according to C.r. in ibid.	main via surya_layout
23	9. C.r. in S R I Kalā, p. 99 in the name of Muni (Bharata), but this line is	list_item via surya_layout
24	not found in the text of NS. In P.t. this line has not been treated as a citation,	list_item via surya_layout
25	but as a part of the text, because quotation marks are not given.	list_item via surya_layout
26	10. This line forms part of the text of NS (XVIII, 5 ab). Hence it is treated	main via surya_layout
27	by us as a citation.	main via surya_layout
28	11. P.t. includes ' sadbhih' after 'suddhābhih', but that has no relevance to the	list_item via surya_layout
29	context and has, therefore, been omitted by us.	list_item via surya_layout
30	12. C.r. in S R I Sudhā, p. 105 adds the following half-verse, paraphrasing	list_item via surya_layout
31	the prose-portion regarding the etymology of mūrchanā -	list_item via surya_layout
32	मूर्खनामब्दनिष्यतिर्मुखं मोहे समुच्छये ।	main via surya_layout
33	13, 14. C.r. in S R I Sudhā, p. 114.	main via surya_layout
34	15. P.t. adds 'tiryak' after 'svarāḥ', but that is redundant.	list_item via surya_layout
35	16. P.t. adds 'ürdhvā' after 'mā'.	main via surya_layout
36	17. P.t. मध्यमे तिर्यगूर्ध्वगा अपि स्वराः ।	main via surya_layout
37	18. Hariņāśvā is the name found in NŚ, S R etc. 'Hariņāhvayā' is the form of	main via surya_layout
38	'hariṇāhvā' in the instrumental case; but this case is not relevant to the context.	main via surya_layout
39	The P.t. is utterly confused, mutilated and in disorder after this line upto the	main via surya_layout
40	end of Anu. 41; it has been reconstructed according to the context, mainly by	main via surya_layout
41	re-arranging the order.	main via surya_layout

vol_II_p003 RIGHT — 69 lignes

L#	Texte OCR	Role auto
1	Park to the	unknown via fallback
2	<b>CONTENTS</b>	section_header via surya_layout
3	Introduction	table via surya_layout
4	ν	table via surya_layout
5	xvii	table via surya_layout
6	<b>Abbreviations</b>	table via surya_layout
7	Bṛhaddeśī of Srī Mataṅga Muni	table via surya_layout
8	(Text and Translation)	table via surya_layout
9	CHAPTER II	table via surya_layout
10	Jātis	table via surya_layout
11	3	page_number via heuristic_pagenum
12	1. Their number, nomenclature and types	table via surya_layout
13	Number and nomenclature	table via surya_layout
14	3	page_number via heuristic_pagenum
15	3	page_number via heuristic_pagenum
16	The jātis of ṣaḍjagrāma	table via surya_layout
17	3	page_number via heuristic_pagenum
18	The jātisof madhyamagrāma	table via surya_layout
19	5	page_number via heuristic_pagenum
20	Sādhāraņakṛtā Jātis	table via surya_layout
21	5	page_number via heuristic_pagenum
22	2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis	table via surya_layout
23	9	page_number via heuristic_pagenum
24	3. General definition of jāti	table via surya_layout
25	4. The tenfold lakṣaṇas or characteristics	table via surya_layout
26	The definition of graha	table via surya_layout
27	13	page_number via heuristic_pagenum
28	The definition of amśa	table via surya_layout
29	2.	table via surya_layout
30	The definition of apanyāsa	table via surya_layout
31	13	page_number via heuristic_pagenum
32	forming part of that of amsa	table via surya_layout
33	The definition of sammyāsa	table via surya_layout
34	forming part of that of amśa	table via surya_layout
35	13	page_number via heuristic_pagenum
36	The definition of vinyāsa	table via surya_layout
37	15	page_number via heuristic_pagenum
38	forming part of that of anisa	table via surya_layout
39	15	page_number via heuristic_pagenum
40	The definition of tara	table via surya_layout
41	3.	table via surya_layout
42	17	page_number via heuristic_pagenum
43	The definition of mandra	table via surya_layout
44	4.	table via surya_layout
45	17	page_number via heuristic_pagenum
46	5. The definition of sāḍava	table via surya_layout
47	19	page_number via heuristic_pagenum
48	The definition of audava	table via surya_layout
49	6.	table via surya_layout
50	21	page_number via heuristic_pagenum
51	The definition of alpatva	table via surya_layout
52	7.	table via surya_layout
53	21	page_number via heuristic_pagenum
54	The definition of bahutva	table via surya_layout
55	8.	table via surya_layout
56	21	page_number via heuristic_pagenum
57	The definition of <i>nyāsa</i>	table via surya_layout
58	9.	table via surya_layout
59	23	page_number via heuristic_pagenum
60	10. The definition of apanyāsa	table via surya_layout
61	5. Optional and alternative prescription of amśa	table via surya_layout
62	23	page_number via heuristic_pagenum
63	and the like in jātis	table via surya_layout
64	31	page_number via heuristic_pagenum
65	6. Indication of the gaņas or groups of the jātis	table via surya_layout
66	7. Prescription regarding the performance of jātis	table via surya_layout
67	33	page_number via heuristic_pagenum
68	35	page_number via heuristic_pagenum
69	8. The ṣāḍava and auḍava formation of jātis	table via surya_layout

vol_I_p025 LEFT — 29 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	32	page_number via heuristic_pagenum
3	[ अनु. १८ ]	editorial_bracket parent ligne 4 via heuristic_brackets
4	नन् चतुर्दशानां स्वराणां मध्ये आकारादीनां कथं ग्रहणम् ? सत्यमुक्तम्।	main via surya_layout
5	एतेषामसाधारणत्वेन ग्रहणं कृतम्। असाधारणत्वं	main via surya_layout
6	चैतेषामूर्ध्वध्वनिगामित्वेन। यद्वा षड्जादीनां व्यञ्जनानां स्वरत्वमुक्तम्।	main via surya_layout
7	१ननु - - - सङ्केतमात्रमेतदुक्तं भवति। आचार्याणां परिभाषेत्यर्थः।	main via surya_layout
8	[वाद्यादिभेदेन स्वराणां चातुर्विध्यम् ]	section_header via surya_layout
9	[ अनु. १९ ]	editorial_bracket parent ligne 8 via heuristic_brackets
10	इदानीमवसरप्राप्तं चातुर्विध्यं स्वराणां १०दर्शयामि।	main via surya_layout
11	11सन्दर्गः	annotation_inline parent ligne 10 via heuristic_height
12	तद्यथा—	annotation_inline parent ligne 10 via heuristic_height
13	वदनाद् वादी स्वामिवत्। संवदनात् संवादी अमात्यवत्।	main via surya_layout
14	अनुवदनादनुवादी परिजनवत्। विवदनाद् विवादी शत्रुवत्।	main via surya_layout
15	[ अनु. २० ]	editorial_bracket parent ligne 14 via heuristic_brackets
16	नन् वदनादिकं प्राणिधर्मः कथमचेतनानां स्वराणां सम्भवति ?	main via surya_layout
17	सत्यमुक्तम्। वदनं हि नामात्राः [ राग- ] प्रतिपादकत्वं विवक्षितम्, न	editorial_bracket parent ligne 16 via heuristic_brackets
18	12नाम	annotation_inline parent ligne 16 via heuristic_height
19	वचनमिति। किं तत् प्रतिपादयति ? रागस्य रागत्वं जनयति। ते च	main via surya_layout
20	14亩	annotation_inline parent ligne 19 via heuristic_height
21	वादिनः स्वराः सप्तेव।	main via surya_layout
22	स च वाद्यंशवद्दशविधो बोद्धव्यः। वादिमण्डलं यथा—	main via surya_layout
23	सरिगमप धनि।	annotation_inline parent ligne 22 via heuristic_short
24	[ अनु २१ ]	editorial_bracket parent ligne 22 via heuristic_brackets
25	संवादिनस्तु पुनः समश्रुतिकत्वे सति त्रयोदश नवान्तरत्वेनावबोद्धव्याः। किं	main via surya_layout
26	<sup>15</sup>वाऽन्योऽन्य	annotation_inline parent ligne 25 via heuristic_height
27	तत् संवादित्वं नाम?	main via surya_layout
28	यद् वादिस्वरेण रागस्य रागत्वं जनितं तन्निर्वाहकत्वं	main via surya_layout
29	नाम संवादित्वम्। संवादिमण्डलं यथा-	main via surya_layout

vol_I_p095 RIGHT — 48 lignes

L#	Texte OCR	Role auto
1	<b>VIMARSA</b>	page_header via surya_layout
2	173	page_number via heuristic_pagenum
3	Madhyama	table via surya_layout
4	Pañcama	table via surya_layout
5	Niṣāda-gāndhāra	table via surya_layout
6	Dhaivata	table via surya_layout
7	Gändhära	table via surya_layout
8	Nişāda	table via surya_layout
9	Şadja-rşabha	table via surya_layout
10	Şadja	table via surya_layout
11	Gāndhāra	table via surya_layout
12	This list does not seem to follow the general statement that all those which	main via surya_layout
13	are neither samvādins nor vivādins are anuvādins, because all such intervals are	main via surya_layout
14	not included here, as are neither samvadins nor vivadins. The passage listing the	main via surya_layout
15	anuvādins has not been commented upon by Abhinavagupta; perhaps it is an	main via surya_layout
16	interpolation. It has been put within square brackets by the editor.	main via surya_layout
17	Our author's statement that nişāda and gāndhāra are established as	main via surya_layout
18	anuvadins as they are less by one sruti obviously with reference to the svaras	main via surya_layout
19	having an interval of three srutis each viz. rşabha-dhaivata cannot hold good	main via surya_layout
20	because gāndhāra-niṣāda have an interval of two śrutis from ṛṣabha-dhaivata	main via surya_layout
21	respectively and are hence vivadins.	main via surya_layout
22	44. Here again, the application of the concept of vivada in melodic structuring	main via surya_layout
23	is being illustrated. ( see glossary )	main via surya_layout
24	45-51. 'Arcika' pertains to rk, implying that the recitation of Reveda employs	main via surya_layout
25	one svara; gāthika pertains to gāthā ( that stanza which neither belongs to	main via surya_layout
26	Rgveda nor to Sāmaveda, nor to Yajurveda, but to the epic poetry of Akhyānas or	main via surya_layout
27	narratives) which is associated with the use of two svaras; sāmika pertains to	main via surya_layout
28	sāman implying that the music of Sāmaveda employs three svaras; svarāntara	main via surya_layout
29	literally means the interval of a svara, the implication seems to be that a group	main via surya_layout
30	of four svaras is the first step towards the formation of a heptad from a triad;	main via surya_layout
31	auduva stands for a group of five svaras ( the etymology of this word is given in	main via surya_layout
32	Anu. 41 of our text); sādava stands for a group of six svaras and sampūrņa,	main via surya_layout
33	literally meaning complete, stands for a group of all the seven svaras.	main via surya_layout
34	Really speaking, it is not possible to limit the recitation of Rgveda to one	main via surya_layout
35	svara, because in current practice, generally three tones are employed in	main via surya_layout
36	reciting the pk. The practice of the recitation of gatha is not generally known	main via surya_layout
37	today. But for sāman, it is not possible to limit its musical range to three tones. It	main via surya_layout
38	is, however, notable that the number three is associated with sāman in NS in	main via surya_layout
39	another context and that is the trisama spoken of in the beginning of	main via surya_layout
40	pūrvaranga, the preliminaries of dramatic performance. The semi-musical	main via surya_layout
41	rendering of three sāmans is prescribed there. These sāmans are composed of	main via surya_layout
42	non-sensical syllables and not Vedic texts (vide NŚ XXXIV, 218-221).	main via surya_layout
43	52. Gita stands for a tonal structure that may be rendered by the voice or on	main via surya_layout
44	instruments, it is not just 'song'.	main via surya_layout
45	53. Şadja as the progenitor of six svaras can be understood as the one who regulates	main via surya_layout
46	or determines the pitch of all the six subsequent svaras. In this context şadja will have to	main via surya_layout
47	be construed as the standard tonic. Although in the grāma-mūrchanā system each one of	main via surya_layout
48	the seven svaras could assume the role of tonic, yet şadja is the initial tonic in	main via surya_layout

vol_I_p031 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	45	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	(That which) reaches the heart quickly from the other (svara) is known as	main via surya_layout
4	rṣabha. Just as the big bull seated (or standing) among the female gos (cows)	main via surya_layout
5	looks splendid, similar is this svara ṛṣabha 54 born in the svara-grāma (gamut).	main via surya_layout
6	(56, 57 ab)	annotation_inline parent ligne 5 via heuristic_height
7	That which holds the ganatmika vak (musical vak) is named as gandhara.55	main via surya_layout
8	<math>(57 \text{ cd})</math>	annotation_inline parent ligne 7 via heuristic_height
9	Madhyama svara is known to be so because of being the middle one among	main via surya_layout
10	svaras.56 Pañcama is that which measures the elaboration of svaras.57 (58)	main via surya_layout
11	Or, it is pañcama (fifth) in number in the order of pāṭha (lit. reading aloud	main via surya_layout
12	or recitation, here enumeration). Dhīvān is one who has got dhī (buddhi,	main via surya_layout
13	intellect), the one related to him (dhivan) is dhaivata.58	main via surya_layout
14	(59)	annotation_inline parent ligne 13 via heuristic_height
15	Or	annotation_inline parent ligne 13 via heuristic_height
16	It is known as dhaivata because it is held on the sixth sthana (location).	main via surya_layout
17	(60 ab)	annotation_inline parent ligne 16 via heuristic_height
18	The place of dhaivata is in the lalāţa (forehead), this is the meaning.59	main via surya_layout
19	Niṣāda is known as such because all the svaras rest upon it.60	main via surya_layout
20	<math>(60 \text{ cd})</math>	annotation_inline parent ligne 19 via heuristic_height
21	(Anu. 29)	annotation_inline parent ligne 19 via heuristic_height
22	But why is the rule that there are (only) seven svaras? It is being said	main via surya_layout
23	(answered) - (This rule is there) in the same way as (in the human body) seven	main via surya_layout
24	dhātus alone beginning with rasa61 are to be accepted in accordance with their	main via surya_layout
25	being dependent on seven dhātus62 (minerals). Similarly said Suśruta -	main via surya_layout
26	Tvak (lit. skin, here serum), blood, flesh, fat, bone, marrow and semen,	main via surya_layout
27	these are dhātus. Similarly, svaras are only seven on account of being dependent	main via surya_layout
28	on or dwelling in seven cakras 63 or seven dvipas 64 (lit. islands).	main via surya_layout
29	[ The castes of sveres ]	section_header via surya_layout
30	The svaras (comprised of) four śrutis are brāhmaņas,65 the ones (comprised	main via surya_layout
31	of) three śrutis are kṣatriyas,66 the ones with two śrutis should be known as	main via surya_layout
32	(61)	annotation_inline parent ligne 31 via heuristic_height
33	vaisyas 67 and the antara-svaras are śūdras.68	main via surya_layout
34	[ The drawing out of svara signs as contained in agama ]	editorial_bracket parent ligne 33 via heuristic_brackets
35	Having acquired the eight groups beginning with akara and ending with	main via surya_layout
36	ya-śa, one should draw out70 the heptad of svaras (their abbreviated names i.e.	main via surya_layout
37	solfa-syllables) combined with letters and mātrās (vowel-endings).	main via surya_layout
38	(62)	annotation_inline parent ligne 37 via heuristic_height

225 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p077 RIGHT — 41 lignes

vol_II_p003 RIGHT — 69 lignes

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vol_I_p095 RIGHT — 48 lignes

vol_I_p031 RIGHT — 38 lignes