Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20650). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 68 page_number
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2 <b>BRHADDES!</b> page_header
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3 मूर्छनेत्युच्यते, अवतानस्त्वारोहक्रमेण भवतीति भेदः। main
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4 ₀नाऽऽरोह्₀ नोऽयरोहक्रमेण annotation_inline
parent ligne 3
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5 [ तानानां यज्ञनामानि ] section_header
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6 अधुना तानानां यज्ञनामानि कथ्यन्ते— main
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7 अग्निष्टोमोऽत्यग्निष्टोमो वाजपेयोऽथ षोडशी। main
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8 पुण्डरीकोऽश्वमेधश्च राजसूयश्च सप्तमः॥१०४॥ main
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9 ॥ इति षड्जहीनषाडवताननामानि ॥३1 editorial_bracket
parent ligne 8
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10 <sup>32</sup>स्विष्टकृद् <sup>33</sup>बहुसौवर्णो गोसवश्च महाव्रतः। main
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11 —वृद ब्हः सु annotation_inline
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12 विश्वजिद् अब्रह्मयज्ञश्च प्राजापत्यस्तथैव च ॥१०५॥ main
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13 बहु annotation_inline
parent ligne 12
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14 ॥ इति ऋषभहीनषाडवताननामानि ॥ editorial_bracket
parent ligne 12
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15 अश्वक्रान्तो रथक्रान्तो विष्णुक्रान्तस्तथैव च। main
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16 सूर्यक्रान्तो गजक्रान्तो अबलिभिन्नागयज्ञकः॥१०६॥ main
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17 वलतीनाम वज्रको annotation_inline
parent ligne 16
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18 ॥ इति पञ्चमहीनषाडवताननामानि ॥ editorial_bracket
parent ligne 16
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19 <sup>36</sup>चातुर्मास्योऽथ <sup>37</sup>संस्थाऽऽख्यः <sup>36</sup>शास्त्रश्चैवोक्थकस्तथा। main
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20 ₄सिक्₀ annotation_inline
parent ligne 19
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21 संज्ञन्च annotation_inline
parent ligne 19
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22 ०कोत्थ₀ annotation_inline
parent ligne 19
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23 सौत्रामणिश्च चित्रा च उद्भिद्यागश्च सप्तमः॥१०७॥ main
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24 39<sub>0</sub>णी च पि. main
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25 ।। इति निषादहीनषाडवताननामानि ।। list_item
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26 ॥ इति षड्जग्रामे षाडवताननामानि अष्टाविंशतिः ॥ list_item
via surya_layout
27 सावित्री ४०चार्धसावित्री सर्वतोभद्र एव च। list_item
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28 o To annotation_inline
parent ligne 27
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29 [ 41 आदित्यानामयनश्च गवामयननामकः। ] list_item
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30 <b>+</b>य्सर्पाणामयनः षष्ठः सप्तमः कौणपायनः॥१०८॥ list_item
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31 ॰पॉयजनसज्ञष्य तथा वेकुण्ठवायनः list_item
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32 ।। इति मध्यमग्रामे षर्जहीनताननामानि ।। list_item
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1 (vide) annotation_inline
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2 39 page_number
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3 TRANSLATION page_header
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4 applied without any svara forming an exception. Out of sixty-three (anisas), main
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5 nine amsas that pertain to the four jātis which are always complete, should main
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6 be subtracted. That is thus-pa-sa-ga-pa-ri-pa-dha-ni-pa. When these nine are main
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7 subtracted, fifty-four amsas remain. Out of them (again) the seven amsas of main
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8 six jātis viz. ṣadjamadhyamā, ṣadjodīcyavā, kaišikī, gāndhārī, raktagāndhārī main
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9 (and) ṣādjī, should be subtracted. When seven ainsas are subtracted, there main
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10 are forty-seven anisas. That is thus - main
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11 Madhyamodicyavā (becomes non-ṣāḍava) with pa, similarly gāndhārapañcamī main
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12 (and) kārmāravī (become non-ṣāḍava) with ri-pa-ni-dha (and ) ṣaḍjakaiśiki main
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13 (becomes so) with sa - ga - pa. annotation_inline
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14 (257) annotation_inline
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15 [ Anu. 140] editorial_bracket
parent ligne 12
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16 This means .....in the forty-seven anisas, the formation of ṣāḍava should main
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17 be carried out with the said svaras. annotation_inline
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18 Now he (the author) shows the svaras that are not exceptional <math>^{53}</math> in the main
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19 formation of auduvita - annotation_inline
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20 In the same way, those that are free from being exceptional are thirty main
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21 (amśa svaras that form) auduvita. main
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22 (258) annotation_inline
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23 [Anu. 141] editorial_bracket
parent ligne 21
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24 This means - in that way, those devoid of exception should be known to main
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25 be of thirty kinds. That is thus - out of sixty-three, nine anisas belonging to main
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26 the four jātis that are always complete (in which omission is not prescribed) main
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27 should be subtracted. After their subtraction, fifty-four amsas remain there. main
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28 There also out of fifty-four, twelve amsas of the four jātis that are always main
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29 complete and ṣāḍava, should be subtracted. After their subtraction, out of main
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30 forty-two (being the remainder), twelve anisas that do not form auduvita in main
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31 five jātis, viz. gāndhārī, raktagāndhārī, ṣaḍjamadhyamā, kaiśikī and pañcamī, main
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32 should be subtracted. After their subtraction, the formation of auduvita main
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33 takes place with thirty amśa svaras that have been spoken of. Similarly has main
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34 said Bharata- annotation_inline
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1 181 page_number
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2 VIMARŚA page_header
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3 is also used. This is how the distinction brought about by mandra and tara could be main
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4 understood. Abhi Bhā on NŚ XXVII, p. 27 also seems to support this view. main
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5 48. 'Sukha' has been translated here as convenience or it could be rendered main
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6 as facility. The facility of the performer and listener is said here to be the main
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7 objective of the distinction between mūrchanā and tāna. NŠ and Abhi Bhā have main
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8 the reading 'nānātva' which means variety of mūrchanā and tāna, but since our main
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9 author has tried to distinguish between murchana and tana, we have accepted main
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10 the reading anyatvam which means distinction (see note 78 under textual notes main
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11 on the section ). In NS mūrchanā-tāna is also a compound name for the 84 main
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12 tānas. BṛD does not use this compound and emphasises the distinction between main
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13 the two; viz. mūrchanā and tāna. main
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14 Brahaspati has commented on the reading 'variety' ( nānātvam ) of NŠ and main
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15 said that the variety of murchana and tana accords facility to the performer by main
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16 making possible the use of three sthanas (registers) and also the omission of main
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17 svaras (according to a specific system as embodied in the 84 tanas). The main
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18 distinction between murchana and tana brought out in the reading accepted by main
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19 us could be construed to mean that mūrchanā as a complete scale in ascending main
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20 and descending establishes the three sthanas and tana (involving omission) main
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21 establishes a specific pattern in ascent. It is interesting to note that even today main
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22 omission of one or two svaras is very effective in the ascent in all those ragas main
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23 that involve omission in ascent and use the omitted svaras in descent. ( see main
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24 glossary) main
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25 49. Since specific omissions are prescribed for the two grāmas, tāna the result list_item
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26 of this specific omission could be said to be the distinguishing feature between list_item
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27 the jātis and rāgas of one grāma and the other. list_item
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28 50. This applies to kūļa-tāna where permutation and combination is involved and list_item
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29 definite numbering of each variety is effected. Retrieving the number of a given tana list_item
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30 (arrangement of a given number of svaras) and retrieving the form of a tana whose list_item
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31 number alone is given is known as uddista and nasta respectively. (see glossary) list_item
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32 51, 52. The word tāna-prayoga is being used here to convey two things—in list_item
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33 the first instance the number of tanas (permutation of a given number of list_item
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34 svaras ) is implied and in the second instance the number of svaras constituting list_item
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35 the specific tāna (combination of svaras) is implied. list_item
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36 53, 54, 55 & 56. Krama is a combination of svaras where the original order list_item
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37 remains intact and uthrama is a permutation where the original order is list_item
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38 changed. The method of obtaining the number of kramas and utkramas of a list_item
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39 given-number of svaras is like this—multiply the earlier numbers of a given list_item
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40 number, without leaving any number in-between. For example if the number of list_item
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41 svaras is six, <math>1 \times 2 \times 3 \times 4 \times 5 \times 6 = 720</math> would be the number of kramas and list_item
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42 uthramas taken together; the last number of this series viz. 6 is the number of list_item
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43 kramas and the remainder viz. 714 is the number of utkramas. list_item
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44 57. 'Māna' could stand here for the measure (length, breadth and the like) of the list_item
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45 viņā concerned. For example, kinnarī, the viņā with frets has been described in SRVI, list_item
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1 88 page_number
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2 BRHADDEŚĪ page_header
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3 मुख्य इति षाडवः ? तत्र नायम्। एकः । कुतः ? सम्पूर्णत्वादमुष्य रागस्य । तस्मादुत्तरपक्ष एव main
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4 ज्यायान्। ननु कथं षट्सु रागेषु मुख्योऽयम्? उच्यते पूर्व-[रङ्गे तु] शुद्धषाडव: प्रयोक्तव्य इति editorial_bracket
parent ligne 3
via heuristic_brackets
5 (कथनुकथन? कथं) main
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6 पुष annotation_inline
parent ligne 5
via heuristic_height
7 वचनात् पूर्वरङ्गे प्रचुरप्रयोगत्वादस्य शुद्धषाडवस्यादौ निर्देश:। main
via surya_layout
8 विकारिमध्यमाजाते: सम्भूत: शुद्धषाडव: । main
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9 न् annotation_inline
parent ligne 8
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10 न्यासोऽस्य मध्यमोंऽशश्च गान्धारेण च दुर्बल: ॥ ३००॥ main
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11 <b>णांश</b>श annotation_inline
parent ligne 10
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12 (तु? दु) annotation_inline
parent ligne 10
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13 [अनु॰ १६५] section_header
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14 अस्यार्थः - शुद्धषाडवो मध्यमग्रामसम्बन्धः। तारमध्यमो ग्रहः। मध्यमोऽशो न्यासश्च । main
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15 गान्धारस्य चाल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । पूर्वरङ्गेऽस्य main
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16 (इन ? इने) annotation_inline
parent ligne 15
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17 मध्यमो वादी । षड्जः संवादी । ऋषभपञ्चमावनुवादिनौ । विवादी नास्ति । main
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18 प्रयोग:। annotation_inline
parent ligne 17
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19 शृङ्गारहास्यौ रसौ । मध्यमादिमूर्छना । अवरोही वर्ण: । प्रसन्नान्तोऽलङ्कार: । main
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20 त्रिषु मार्गेषु main
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21 गीयते। दक्षिणे कला, वृत्तौ कला, चित्रे कला। ३८स्वरपदगीते चच्चत्पुटादिताल: । unknown
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22 <b>ण्पदेप</b> annotation_inline
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23 आक्षिप्तिका<sup>३९</sup> main
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24 ॰सका annotation_inline
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25 [२. शुद्धपञ्चम:] section_header
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26 ДO annotation_inline
parent ligne 25
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27 [अनु॰ १६६] editorial_bracket
parent ligne 25
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28 शुद्धपञ्चमः षड्जोदीच्यवतीजातेः स्मृतः। main
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29 र्गत: annotation_inline
parent ligne 28
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30 [३. शुद्धसाधारित: ] section_header
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31 षड्जांशो मध्यमन्यासः स्वल्पद्विश्रुतिकस्वरः। main
via surya_layout
32 (बि?हि) unknown
via fallback
33 स्यात् षड्जमध्यमाजाते: शुद्धः साधारितस्तथा ॥ ३०१॥ main
via surya_layout
34 erte Arresto de la composição de la composição de la composição de la composição de la composição de la composição de la annotation_inline
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35 . . . annotation_inline
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1 110 page_number
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2 BRHADDEŚĪ page_header
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3 [अनु॰ १९३] section_header
via surya_layout
4 अस्यार्थः - सौवीरकः षड्जग्रामसम्बन्धः षड्जमध्यमाजातेर्जातत्वात् । षड्जोऽस्य main
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5 ग्रहोंऽशो न्यासश्च । गान्धारनिषादयोरल्पत्वम्<sup>७१</sup> । निषाद: काकली । पूर्णश्चायम् । गृहमेधिनां main
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6 संयमिनां तापसानां च प्रवेशादिके चरिते, शान्तरसे चास्य विनियोग:। वीरादिको रस:। main
via surya_layout
7 वास्य annotation_inline
parent ligne 6
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8 षड्जादिमूर्छना। आरोही वर्ण:<sup>७२</sup>। प्रसन्नादिरलङ्कार: । दक्षिणे कला,वार्तिके कला,चित्रे कला । main
via surya_layout
9 स्वरपदगीते चच्चत्पुटादितालः। main
via surya_layout
10 [३. मालवपञ्चम:] section_header
via surya_layout
11 पञ्चमांशस्तदन्तश्च पञ्चमीमध्यमोद्भव:। main
via surya_layout
12 स्वल्पद्विष्ठतिकश्चैव ज्ञेयो मालवपञ्चमः ॥ ३२२॥ main
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13 [अन्॰ १९४] section_header
via surya_layout
14 अस्यार्थ: - मालवपञ्चमो मध्यमग्रामसम्बन्ध:, मध्यमापञ्चमीसमुत्पन्नत्वात् । पञ्चमीऽशो main
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15 ग्रहो न्यासश्च। निषादगान्धारयोरल्पत्वम् <sup>७३</sup>। निषादोऽत्र काकली पूर्णस्वरश्चायम् । विप्रलम्भशृङ्गारे main
via surya_layout
16 कञ्चकीप्रवेशेऽस्य विनियोगः । पञ्चमादि-मूर्छना<sup>७४</sup>। रसौ शृङ्गारहास्यौ । आरोह्यादिवर्णः । main
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17 प्रसन्नादिरलङ्कार:। दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल:। main
via surya_layout
18 [४. वेसरपाडव:] section_header
via surya_layout
19 मध्यमांशस्तथा न्यासः कारणं षड्जमध्यमा । main
via surya_layout
20 अद्विश्रुतिभ्यां विहीनस्तु भवेद् वेसरषाडवः ॥ ३२३॥ main
via surya_layout
21 [अनु॰ १९५] section_header
via surya_layout
22 अस्यार्थः - वेसरषाडवः षड्जग्रामसम्बन्धः षड्जमध्यमाजातत्वात् । मध्यमों ऽशो ग्रहो main
via surya_layout
23 न्यासश्च । गान्धारिनषादयोरल्पत्वम् । गान्धारिनषादौ काकल्यन्तरौ । नित्यं पूर्णस्वरश्चायम् । शान्तरसे main
via surya_layout
24 (गान्धारनिपादयोरल्पत्वम्) annotation_inline
parent ligne 23
via heuristic_height
25 चास्य प्रयोग:। शृङ्गारहास्यौ रसौ । मध्यमादि-मूर्छना % । आरोही वर्ण: । प्रसन्नादिरलङ्कार: । main
via surya_layout
26 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
via surya_layout
27 The state of the state of the state of the state of the state of the state of the state of the state of the state of the annotation_inline
parent ligne 26
via heuristic_height
173 lignes a valider — change uniquement les roles incorrects.