Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20658). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p065 LEFT — 40 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDESI</b>	page_header via surya_layout
2	112	page_number via heuristic_pagenum
3	आक्षिप्तवच्चतुर्भिः स्वरैस्तु काले कलान्तरोपेतैः ।	main via surya_layout
4	स्त्रिस्वरः	annotation_inline parent ligne 3 via heuristic_height
5	एकान्तरस्वरक्रम इह गदितः सम्प्रदानस्तु ॥१५८॥	main via surya_layout
6	द्विरपि द्विकलं गदितं हसितमिवोच्चारितं तथा हसितम्	main via surya_layout
7	₀हो₀ ₀तततोऽप<b>₀</b>	annotation_inline parent ligne 6 via heuristic_markers
8	समनन्तरस्वरकृतं चाक्षिप्तकमिव बुधैर्जेयम् ॥१५९॥	main via surya_layout
9	समनन्तरस्वरेषु हसितवत् त्रिस्वरैष्टचतुःस्वरैवापि ।	main via surya_layout
10	₀द्यपरश्चतुःपरो (?) वापि	annotation_inline parent ligne 9 via heuristic_markers
11	आरोहत्येककलो हुङ्काराख्यः स विज्ञेयः ॥१६०॥	main via surya_layout
12	स्थानान्तरमारुह्य प्रत्येति द्वयं चतुष्कलो ज्ञेयः ।	main via surya_layout
13	₀कद्वयश्च	annotation_inline parent ligne 12 via heuristic_markers
14	क्रमेणोर्ध्वपरिक्षेपः स्यात् सन्धिप्रच्छादनो नाम ॥ १६१॥	main via surya_layout
15	.मनो.	annotation_inline parent ligne 14 via heuristic_height
16	(?)	main via surya_layout
17	आदौ पदमुच्चार्य [ तु ] यत्र स्याद् द्विस्वरो लघुवर्णः ।	editorial_bracket parent ligne 16 via heuristic_brackets
18	यः	annotation_inline parent ligne 16 via heuristic_height
19	समनन्तरमारोहत्येककलां तद् विधुतं तु ॥१६२॥	main via surya_layout
20	•ला	annotation_inline parent ligne 19 via heuristic_height
21	<b>.</b>Ų.	main via surya_layout
22	आदावारोही स्यात् प्रस्तारोऽन्तेऽवरोहते यत्र ।	main via surya_layout
23	बादा++वरोही	annotation_inline parent ligne 22 via heuristic_short
24	प्रमाणतश्च कलासु वदन्त्यलङ्कारमुद्गीतम् ॥१६३॥	main via surya_layout
25	<b>ब्न्स्याकार</b>ु (२)	main via surya_layout
26	हुक्कारवदारोहेदनन्तरांस्तु स्वरान् कलान्तरयोः ।	main via surya_layout
27	म्,	annotation_inline parent ligne 26 via heuristic_height
28	द्वी द्वी प्रकम्पमानी ततश्च प्रसन्नी द्वी ॥१६४॥	main via surya_layout
29	च ,मती(?)चतस्य	annotation_inline parent ligne 28 via heuristic_short
30	वर्णालक्कारविधौ विज्ञेयो गात्रवर्ण इत्येवम् ।	main via surya_layout
31	आकारोकारतया दीर्घाक्षरमन्यदिप योज्यम् ॥१६५॥	main via surya_layout
32	गीतालङ्काराणा [ – मल- ] ङ्करणविधिरयं समुद्दिष्टः ।	editorial_bracket parent ligne 31 via heuristic_brackets
33	,णां	annotation_inline parent ligne 31 via heuristic_height
34	एभिरलक्कर्तव्या गीतिर्वर्णविरोधेन ॥१६६॥	main via surya_layout
35	.नीमा,	annotation_inline parent ligne 34 via heuristic_height
36	स्थाने चालङ्कारं कुर्यान्न ह्युरिस काञ्ची बध्नीयात् ।	main via surya_layout
37	द् गाम्युरसि किचित् उदावेध ।।	main via surya_layout
38	₀र	annotation_inline parent ligne 37 via heuristic_markers
39	बहवोऽलञ्काराः – स्युर्वर्णविहीना [ न ] प्रयोक्तव्याः ॥१६७॥	editorial_bracket parent ligne 37 via heuristic_brackets
40	,नाः	page_footer via surya_layout

vol_II_p099 RIGHT — 22 lignes

L#	Texte OCR	Role auto
1	181	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Illustration-Māmāsārisārigārisāsāsārimā pādhaivatadhāpāsāmāgāpāmadhya-	main via surya_layout
4	mā gāgāgārigāgagadharimā gānisānisādhapāmāmā. Bāhyaṣāḍavā [i]	editorial_bracket parent ligne 3 via heuristic_brackets
5	Having şadjaas amśa, madhyamaas nyāsa, embellished with gāndhāra in the	main via surya_layout
6	mandra (sthāna, lower register), this (bhāṣā) nādākhyā<sup>68</sup> should be made	main via surya_layout
7	hexatonic in rāga ṣāḍava. This (bhāṣā) has been said to be hexatonic, with	main via surya_layout
8	the omission of <math>pa\bar{n}cama</math>. This (<math>bh\bar{a}s\bar{a}</math>) is always said to be <math>sa\bar{n}k\	main via surya_layout
9	delightful to the people.	main via surya_layout
10	<math>(139-140)</math>	main via surya_layout
11	Illustration - Sāsānimāmā sārimāmādhāmāmā rigāririnigāsānidhāmāmā.	main via surya_layout
12	Nādākhyā [ii]	editorial_bracket parent ligne 11 via heuristic_brackets
13	These two are there in vesarașādava.	main via surya_layout
14	13. Now the bhāṣās in bhinnatāna	section_header via surya_layout
15	Having pañçama as amsa and the same as the concluding note, this	table via surya_layout
16	sādhāraņakṛtā<sup>70</sup> bhāṣā is known to be tānodbhavā. It has to be made devoid	table via surya_layout
17	of rṣabha, by the knowledgeable ones in music.	table via surya_layout
18	(141)	table via surya_layout
19	.....[Tānodbhavā]	table via surya_layout
20	[This one is in bhinnatāna]	table via surya_layout
21	[14. Bhāṣās in gāndhārapancama]	table via surya_layout
22	.....[Gāndhārī]	table via surya_layout

vol_I_p077 LEFT — 45 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	136	page_number via heuristic_pagenum
3	22. C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
4	23. Added according to C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
5	24. Portion added according to C.r. in S R I Sudhā, p. 95.	list_item via surya_layout
6	25. P.t. adds 'pañcama' before 'ṛṣabhaḥ' which is unwarranted.	list_item via surya_layout
7	26. P.t. combines sapta-svarāķ etc. and that has led to a misunderstanding	list_item via surya_layout
8	among scholars to the effect that Matanga has accepted the 'samvāda' of seven-	list_item via surya_layout
9	sruti interval in addition to that of nine and thirteen-sruti interval. (cf. IMJ,	list_item via surya_layout
10	No. 11-12, p. 57, article by P.L.S. on Matanga's Brhaddess ). Actually sapta is	list_item via surya_layout
11	related to 'svarāḥ'; hence a full-stop has been added after sapta and that clears	list_item via surya_layout
12	the whole confusion.	list_item via surya_layout
13	27. The ed. states that the text is broken here; the missing portion has been	list_item via surya_layout
14	taken by us from S R I Sudhā, p. 121.	list_item via surya_layout
15	28. Missing portion (verse 55-60) taken from C.r. in S R I Kalā, p. 79-81.	list_item via surya_layout
16	The cited verses are interspersed by Kallinatha with prose sentences of his own,	list_item via surya_layout
17	but they have been omitted by us.	list_item via surya_layout
18	29. C.r. in S R I Kalā, p. 81.	list_item via surya_layout
19	30. Sam S Sā, p. 14 and C.r. in S R I Kalā, p. 81.	list_item via surya_layout
20	31. This portion is missing in the MSS, it has been paraphrased in S R I Kalā,	list_item via surya_layout
21	p. 81 and cited in ibid. Sudhā, p. 97.	list_item via surya_layout
22	32. cf. व्हाजाती समी जेयी रिधी क्षत्रियजातिको ।	list_item via surya_layout
23	निर्गा वैश्याविति प्रौक्तौ पञ्चमः शूद्रजातिकः ॥	list_item via surya_layout
24	( Sam Mak I. 29 )	main via surya_layout
25	33. C.r. in S R I Sudhā, p. 97 and Sam Cû, p. 71.	list_item via surya_layout
26	34. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
27	35. Reading suggested by the ed.	list_item via surya_layout
28	36. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
29	37. C.r. in Sam Cu, p. 72.	list_item via surya_layout
30	38. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
31	39. cf. स्वराः सरिगमाश्चैव चत्वारो राक्षसाः स्मृताः ।	list_item via surya_layout
32	पधौ मानुषसज्ञौ च निपाद दैवत विदुः ॥	list_item via surya_layout
33	(Sam Mak I. 1.46)	main via surya_layout
34	40. After this P.t. has the following half-verse –	main via surya_layout
35	शृद्धजातिसमृत्पन्नी तौ काकल्यन्तरी स्वरी ।	main via surya_layout
36	This is redundant and misplaced because verse 61 d has already spoken of	main via surya_layout
37	kākali and antara svaras being śūdra and this line does not fit into the context	main via surya_layout
38	after verse 72; hence it has been omitted by us.	main via surya_layout
39	41. cf. Nā Ši I.4.1,2 and Gītālankāra, p. 50.	list_item via surya_layout
40	42. cf. Nā Ši I.5.14-18.	list_item via surya_layout
41	43. The reading 'hara' suggested by the ed. in the place of 'bhi' of MSS.	list_item via surya_layout
42	44. cf. Nā Ši 1.5.12-14.	list_item via surya_layout
43	पर्जाञ्चतर्वारी च ऋषभस्य च गंद्रकः ।	list_item via surya_layout
44	45. cf.	list_item via surya_layout
45	गान्धारस्य च शान्त च हास्यास्य मध्यमस्य च ॥	list_item via surya_layout

vol_I_p026 RIGHT — 24 lignes

L#	Texte OCR	Role auto
1	35	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	sa	annotation_inline parent ligne 12 via heuristic_height
4	n	annotation_inline parent ligne 12 via heuristic_height
5	ni	annotation_inline parent ligne 12 via heuristic_height
6	ga	annotation_inline parent ligne 12 via heuristic_height
7	dha	annotation_inline parent ligne 12 via heuristic_height
8	ma	annotation_inline parent ligne 12 via heuristic_height
9	pa	annotation_inline parent ligne 12 via heuristic_height
10	Thus ends the Samvādi-mandala.	caption via surya_layout
11	(Anu. 22)	annotation_inline parent ligne 12 via heuristic_height
12	The use of samvadin is thus-	main via surya_layout
13	The sadja that is accepted as amsa (fundamental note) in a gita (melodic	main via surya_layout
14	structure), in the place of that (if) madhyama (is used) it does not destroy the	main via surya_layout
15	rāga (melodic matrix). The location on which madhyama is used in accordance	main via surya_layout
16	with the mūrchanā,40 on the same location (if) şadja is used, it does not destroy	main via surya_layout
17	the jāti or rāga. In the place of şadja and pañcama (if) pañcama-şadja are used,	main via surya_layout
18	they do not destroy the jāti and rāga. Similarly dhaivata-rṣabha being used in the	main via surya_layout
19	place of rabha-dhaivata do not become the destroyers of jāti and rāga. Similarly	main via surya_layout
20	niṣāda-gāndhāra being used in the place of gāndhāra-niṣāda do not bring about a	main via surya_layout
21	loss of jāti and rāga. Kakubha being with dhaivata amśa, and revagupta being with	main via surya_layout
22	ṛṣabha aṃśa and ārṣabhī jāti, the mother of both of them, having taken up ṛṣabha	main via surya_layout
23	as amía, these two (dhaivata and rṣabha) when used as being mutually related,	main via surya_layout
24	do not become the destroyers of jāti or rāga.	main via surya_layout

vol_II_p057 LEFT — 27 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	96	page_number via heuristic_pagenum
3	[१. भिन्नषड्जः]	section_header via surya_layout
4	धैवतांशो मध्यमान्तः पञ्चमर्षभवर्जितः ।	main via surya_layout
5	षड्जोदीच्यवतीजातो भिन्नषड्ज: स्मृतो बुधै: ॥३०६॥	main via surya_layout
6	(जमा?जातो)	annotation_inline parent ligne 5 via heuristic_height
7	[अनुः १७५]	editorial_bracket parent ligne 5 via heuristic_brackets
8	[अस्यार्थ:-]भित्रषड्जः पड्जग्रामसम्बन्धः षड्जोदीच्यवतीजातेर्जातत्वात्। धैवतो	editorial_bracket parent ligne 5 via heuristic_brackets
9	ग्रहोंऽशश्च। मध्यमो न्यासः। ऋषभपञ्चमहीन औडुवितः। निषादगान्धारौ काकल्यन्तरौ।	main via surya_layout
10	सर्वोपकरणप्रवृत्तस्य ५७विजातीयाद्रणान्निवृत्तस्य मृगयायां प्रवृत्तस्य नायकस्य प्रावेशिकीषु अस्य	main via surya_layout
11	विजातीयो निरणानियृत्तस्य (?)	annotation_inline parent ligne 10 via heuristic_height
12	विनियोगः। <sup>५८</sup>बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः । <sup>५९</sup>प्रसन्नादिरलङ्कारः ।	main via surya_layout
13	दक्षिणे कला, वृत्तौ कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: ।	main via surya_layout
14	[२.भिन्नपञ्चमः]	section_header via surya_layout
15	[अन्॰ १७६]	editorial_bracket parent ligne 14 via heuristic_brackets
16	.असौ भिन्नपञ्चम: स्वरभिन्नोऽभिधीयते । लक्षणं च तद्यथा -	main via surya_layout
17	शुद्धपञ्चमवत् प्रोक्तः स्वरज्ञैर्भित्रपञ्चमः।	main via surya_layout
18	स्वर(न्ग्रे?ई)	annotation_inline parent ligne 17 via heuristic_short
19	धैवतांशः पञ्चमान्तः सूत्रधारप्रवेशने ॥ ३०७॥	main via surya_layout
20	[अन्॰ १७७]	editorial_bracket parent ligne 19 via heuristic_brackets
21	अस्यार्थः - भित्रपञ्चमो मध्यमग्रामसम्बन्धः, मध्यमापञ्चमीजात्योर्जातत्वात्	main via surya_layout
22	पङ्जोदीच्यवतीजाते: मध्यमा(पञ्चमी) जात्यो॰	annotation_inline parent ligne 21 via heuristic_markers
23	ण्या(म)	annotation_inline parent ligne 21 via heuristic_height
24	भिन्न(सं?)पञ्चमो	annotation_inline parent ligne 21 via heuristic_height
25	ग्रहोंऽशश्च धैवतः। पञ्चमो न्यासः। निषादोऽत्र काकली। क्वचित्रिषादस्यापि प्रयोगः । सम्पूर्ण-	main via surya_layout
26	श्चायम् । सूत्रधारप्रवेशेऽस्य विनियोगः । बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः ।	main via surya_layout
27	प्रसन्नादिख्लङ्कारः । दक्षिणे कला, वृत्तौ कला, चित्रे कला, स्वरपदगीते चच्चत्पुटादितालः ।	main via surya_layout

158 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p065 LEFT — 40 lignes

vol_II_p099 RIGHT — 22 lignes

vol_I_p077 LEFT — 45 lignes

vol_I_p026 RIGHT — 24 lignes

vol_II_p057 LEFT — 27 lignes