Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20674). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p023 LEFT — 33 lignes

L#	Texte OCR	Role auto
1	11.<b>1</b>	annotation_inline parent ligne 4 via heuristic_height
2	BRHADDEŚĪ	page_header via surya_layout
3	28	page_number via heuristic_pagenum
4	ज्ञेयो गान्धारपञ्चम्याः पञ्चमोऽशः प्रयोक्तभिः।	main via surya_layout
5	·सर्षभ: स्यादपन्यासो न्यासो गान्धार इष्यते ॥२३०॥	main via surya_layout
6	(नांयासौ?न्यासो)	main via surya_layout
7	1000	page_number via heuristic_pagenum
8	गान्धार्यामथ<sup>७०</sup> पञ्चम्यां यत्सञ्चारादि कीर्तितम् ।	main via surya_layout
9	(T)	annotation_inline parent ligne 8 via heuristic_height
10	ন:	annotation_inline parent ligne 8 via heuristic_height
11	तदस्यामपि विज्ञेयं किन्तु पूर्णस्वरा सदा ॥२३१॥	main via surya_layout
12	आन्ध्र्यामनंशा विज्ञेया: षड्जमध्यमधैवता: ।	main via surya_layout
13	अन्यूः	annotation_inline parent ligne 12 via heuristic_short
14	षाडवं षड्जहीनं.स्यात्र्यासो गान्धार इष्यते ॥२३२॥	main via surya_layout
15	तु न्यासो<sup>७८</sup>	main via surya_layout
16	नन्दयन्त्यामपन्यासौ ज्ञेयौ मध्यमपञ्चमौ ।	main via surya_layout
17	न्सो	annotation_inline parent ligne 16 via heuristic_height
18	ग्रहो न्यासश्च गान्धार्: पञ्चमोंऽश: प्रकीर्तित: ॥२३३॥	main via surya_layout
19	आन्ध्रीवत् षाडवं ज्ञेयमनौडुवितमेव च।	main via surya_layout
20	पो॰	annotation_inline parent ligne 19 via heuristic_markers
21	<b>प्नो</b>॰	annotation_inline parent ligne 19 via heuristic_markers
22	स्यान्मन्द्रर्षभसञ्चारो लङ्घनीयश्च स क्वचित् ॥२३४॥	main via surya_layout
23	(ন্দ?<	annotation_inline parent ligne 22 via heuristic_short
24	कार्मारव्यामनंशास्तु षड्जगान्धारमध्यमाः ।	main via surya_layout
25	व्यञ्चमाः<sup>७९</sup>	main via surya_layout
26	पूर्णता, पञ्चमो न्यासो गान्धारगमनं बहु ॥२३५॥	main via surya_layout
27	कैशिक्यामृषभोऽनंशो न्यासौ तु द्विश्रुती[स्मृतौ]।	editorial_bracket parent ligne 26 via heuristic_brackets
28	न्ती +++	annotation_inline parent ligne 26 via heuristic_height
29	ऋषभो धैवतश्चैव हेयावस्यां यथाक्रमम् ॥२३६॥	main via surya_layout
30	८॰पञ्चमोऽपि भवेत्र्यासो निषादेंऽशेऽथ धैवते ।	annotation_inline parent ligne 29 via heuristic_markers
31	(व?वे)न्या(सी?सो)	main via surya_layout
32	136 13	annotation_inline parent ligne 31 via heuristic_height
33	ऋषभ: स्यादपन्यास: कैश्चिदुक्तोंऽशवत् तथा ॥२३७॥	main via surya_layout

vol_II_p168 RIGHT — 42 lignes

L#	Texte OCR	Role auto
1	VIMARŠA	page_header via surya_layout
2	319	page_number via heuristic_pagenum
3	57. Ratigana is fourfold and is composed of two syllables each – SS, IS,	list_item via surya_layout
4	SI, II.	list_item via surya_layout
5	58, 59. Dhātu-mātu stand for tonal-cum-rhythmic and verbal structure	list_item via surya_layout
6	of a composition respectively.	list_item via surya_layout
7	60. Twice Rudra would mean <math>11 \times 2 = 22</math>.	list_item via surya_layout
8	61. Bāṇagaṇa is of 16 kinds, each one composed of four syllables.	list_item via surya_layout
9	62. Here only the number of syllables is regulated and not their long	list_item via surya_layout
10	and short order.	list_item via surya_layout
11	63. Alaghu - that which is not laghu or short.	list_item via surya_layout
12	64. No regulation of the order of long and short syllables is	list_item via surya_layout
13	prescribed.	list_item via surya_layout
14	65. See notes 46, 52.	list_item via surya_layout
15	66. 'Yati' is a word that stands for splitting or pause in metre. In tāla,	list_item via surya_layout
16	yati means the order or sequence of layas. Here the first meaning seems to	list_item via surya_layout
17	be relevant.	list_item via surya_layout
18	67. This is again a reference to Matanga within the text. See note 3.	list_item via surya_layout
19	68. Samā yati is that where one and the same laya is sustained from	list_item via surya_layout
20	the beginning to the end.	list_item via surya_layout
21	69. Şaţpadī means 'one having six feet '. Śaṅkarācārya's şaţpadī	list_item via surya_layout
22	beginning with 'avinayamapanaya viṣṇo' is well - known.	list_item via surya_layout
23	70. Srotogatā yati is that where there is slow laya in the beginning	list_item via surya_layout
24	followed by fast, like the source of a river that gradually gains speed in its	list_item via surya_layout
25	current. Samā has been explained in note 68.	list_item via surya_layout
26	71. Gopucchā yati is the opposite of srotogatā; it is fast in the	list_item via surya_layout
27	beginning and gradually becomes slow, like the end of the cow's tail which	list_item via surya_layout
28	is first thin and then ends up with a thick bunch of hair.	list_item via surya_layout
29	72. See note 46.	list_item via surya_layout
30	73. 'Varṇadhvani' would literally mean 'the sound of syllables';	list_item via surya_layout
31	perhaps the contrast of a cluster of syllables in song, followed by a text-free	list_item via surya_layout
32	tonal rendering is implied.	list_item via surya_layout
33	74. Mūrchanā is not known as a kind of gamaka. The combination of	list_item via surya_layout
34	'mūrchanā' with gamaka requires further investigation.	list_item via surya_layout
35	75- 79. Lāţa (approximately present Gujarat), Karṇāta (roughly	list_item via surya_layout
36	present Karnataka), Gauda (roughly present Bengal), Andhra (roughly	list_item via surya_layout
37	present Andhra Pradesh) and Dravida (roughly present Tamilnadu) are the	list_item via surya_layout
38	regions selected for description of types of elā prabandha. Important	list_item via surya_layout
39	omissions are <i>Pāṇcāla, Avantī</i> or <i>Mālavā, Vidarbha</i> etc. SR also mentions only	list_item via surya_layout
40	the above five regions in this context.	list_item via surya_layout
41	80,81. The description of the regional specialities in the use of rhyme	list_item via surya_layout
42	and alliteration is interesting indeed.	list_item via surya_layout

vol_II_p099 RIGHT — 22 lignes

L#	Texte OCR	Role auto
1	181	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Illustration-Māmāsārisārigārisāsāsārimā pādhaivatadhāpāsāmāgāpāmadhya-	main via surya_layout
4	mā gāgāgārigāgagadharimā gānisānisādhapāmāmā. Bāhyaṣāḍavā [i]	editorial_bracket parent ligne 3 via heuristic_brackets
5	Having şadjaas amśa, madhyamaas nyāsa, embellished with gāndhāra in the	main via surya_layout
6	mandra (sthāna, lower register), this (bhāṣā) nādākhyā<sup>68</sup> should be made	main via surya_layout
7	hexatonic in rāga ṣāḍava. This (bhāṣā) has been said to be hexatonic, with	main via surya_layout
8	the omission of <math>pa\bar{n}cama</math>. This (<math>bh\bar{a}s\bar{a}</math>) is always said to be <math>sa\bar{n}k\	main via surya_layout
9	delightful to the people.	main via surya_layout
10	<math>(139-140)</math>	main via surya_layout
11	Illustration - Sāsānimāmā sārimāmādhāmāmā rigāririnigāsānidhāmāmā.	main via surya_layout
12	Nādākhyā [ii]	editorial_bracket parent ligne 11 via heuristic_brackets
13	These two are there in vesarașādava.	main via surya_layout
14	13. Now the bhāṣās in bhinnatāna	section_header via surya_layout
15	Having pañçama as amsa and the same as the concluding note, this	table via surya_layout
16	sādhāraņakṛtā<sup>70</sup> bhāṣā is known to be tānodbhavā. It has to be made devoid	table via surya_layout
17	of rṣabha, by the knowledgeable ones in music.	table via surya_layout
18	(141)	table via surya_layout
19	.....[Tānodbhavā]	table via surya_layout
20	[This one is in bhinnatāna]	table via surya_layout
21	[14. Bhāṣās in gāndhārapancama]	table via surya_layout
22	.....[Gāndhārī]	table via surya_layout

vol_I_p038 RIGHT — 40 lignes

L#	Texte OCR	Role auto
1	59	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	[ Anu . 39 ]	editorial_bracket parent ligne 4 via heuristic_brackets
4	Thus have been spoken of the fourteen complete murchanas of both the	main via surya_layout
5	grāmas. Now their names are being mentioned.	main via surya_layout
6	In (i.e. beginning with) şadja is uttaramandrā, in niṣāda is known rajanī, 27 in	main via surya_layout
7	dhaivata is known uttarā (uttarāyatā) and śudhaşadjā is in pañcama. (93)	main via surya_layout
8	Matsari (matsarikṛtā) should be known in madhyama and aśvakrāntikā in	main via surya_layout
9	gāndhāra and with ṛṣabha should be known abhirudgatā,28 the seventh one.	main via surya_layout
10	(94)	annotation_inline parent ligne 9 via heuristic_height
11	Thus are to be known the seven mūrchanās subsisting in şadja-grāma.	main via surya_layout
12	Hereafter I shall speak of the murchanas of madhyama-grama.	main via surya_layout
13	(95)	annotation_inline parent ligne 12 via heuristic_height
14	Sauvīrī is with madhyama and hariņāśvikā (hariņāśvā) is in gāndhāra and	main via surya_layout
15	(96)	annotation_inline parent ligne 14 via heuristic_height
16	kalopanatā would be the mūrchanā with ṛṣabha itself.	main via surya_layout
17	Suddhamadhyā, on the other hand, could be in şadja and in niṣāda itself (is)	main via surya_layout
18	mārgitā (mārgi). Pauravī is to be known in dhaivata and hṛṣyakā in pañcama.	main via surya_layout
19	ł	annotation_inline parent ligne 18 via heuristic_height
20	(97)	main via surya_layout
21	Thus the mürchanās of madhyamagrāma have been spoken of by me. Now I	main via surya_layout
22	shall speak of the şāḍavā (hexatonic) and auḍavā (pentatonic) mūchanas.	main via surya_layout
23	(98)	annotation_inline parent ligne 22 via heuristic_height
24	Şāḍava is to be known as having six svaras and auḍavā is to be known with	main via surya_layout
25	five svaras; and the etymology of sadavas and auduvitas is being spoken of.	main via surya_layout
26	(99)	annotation_inline parent ligne 25 via heuristic_height
27	(Anu. 40)	annotation_inline parent ligne 25 via heuristic_height
28	Those six svaras that protect (the performance) are (known as) sadava	main via surya_layout
29	svaras; their use (in performance) is (called) sādava. Falling under the tāraka	main via surya_layout
30	gaṇa,29 it (ṣāḍava) is (combined with) itac pratyaya 30 (suffix) (and thus ‘ṣāḍavitā’	main via surya_layout
31	is formed).	annotation_inline parent ligne 30 via heuristic_height
32	(Anu. 41)	annotation_inline parent ligne 30 via heuristic_height
33	The ākāśa (space) in which the udus 31 (stars) move, that ākāśa is (known) as	main via surya_layout
34	auduva. By that (the word auduva) the number five is indicated. (<math>\bar{A}k\bar{a}\dot{s}a</math>) is the	main via surya_layout
35	fifth mahābhūta; auduvita is that in which the number (five) of that (ākāśa)	main via surya_layout
36	exists.	annotation_inline parent ligne 35 via heuristic_height
37	Ṣāḍava is that which has six svaras, its lakṣaṇa (description) is sevenfold and	main via surya_layout
38	it is to be known as being numbered forty-nine,52 by the knowledgeable ones in	main via surya_layout
39	(100)	annotation_inline parent ligne 38 via heuristic_height
40	gīta (lit. song i.e. music).	main via surya_layout

vol_II_p150 RIGHT — 44 lignes

L#	Texte OCR	Role auto
1	71/	unknown via fallback
2	PÄTHAVIMARŚA	page_header via surya_layout
3	283	page_number via heuristic_pagenum
4	सापन्यासा मन्द्रसगधा शुद्धा दीर्घपञ्चमा ॥	main via surya_layout
5	Kalā(appendix) on SR II. p.121.	main via surya_layout
6	(ii)	annotation_inline parent ligne 5 via heuristic_short
7	शुद्धा भाषा भित्रषड्जे ग्रहांशन्यासधैवता ।	main via surya_layout
8	गापन्यासा धभूयिष्ठा रिहीना मृदुषड्जिका ॥	main via surya_layout
9	धतारा पश्चमेनापि रहिता याष्ट्रिके मते ॥	main via surya_layout
10	S Rāj II.2.1.1038.	annotation_inline parent ligne 9 via heuristic_short
11	40. Since verse 32 is identified by us as pertaining to śuddhā and not	main via surya_layout
12	to madhyamā, the description of madhyamā seems to be lost in the MSS.	main via surya_layout
13	मध्यमा भित्रपड्जस्य भाषा मान्ता ग्रहांशधा ।	main via surya_layout
14	cſ.	annotation_inline parent ligne 13 via heuristic_short
15	Kalā (appendix) on SR II.140.	main via surya_layout
16	ग्रहांशधैवता पड्जप्रान्ता पूर्णा च मध्यमा ॥	main via surya_layout
17	S Rāj II.2.1.1033.	annotation_inline parent ligne 16 via heuristic_short
18	41. Reconstruction based on the demands of metre.	main via surya_layout
19	Chapter V (Desī rāgas)	section_header via surya_layout
20	1. The portion within[] has been added here from the citation in	list_item via surya_layout
21	Sudhā on SR II.2.9-19 and Kalā on SR II.2.1,2.	list_item via surya_layout
22	2. C.r. in Kalā (ibid) reads -	list_item via surya_layout
23	ग्रामोक्तानां तु रागाणां छायामात्रं भवेदिति ।	main via surya_layout
24	3. C.r. in ibid.	list_item via surya_layout
25	4. C.r. in Sudhā on SR II.2.9 -19,p.19 -	list_item via surya_layout
26	शोकोत्साहकरुणादिदीपकात्मक्रियाऽऽदितः ।	main via surya_layout
27	जायन्ते च यतो नाम कियाङ्गास्तेन हेतुना ॥	main via surya_layout
28	5. This verse is found only in c.r. in Kalā (ibid).	list_item via surya_layout
29	6. Reconstruction based on 'ga - dha - hīnā 'in (i) below (note 7).	list_item via surya_layout
30	7.cf. (i)	list_item via surya_layout
31	पड्जग्रहांशा मन्यासा कूटतानसमाश्रया ।	list_item via surya_layout
32	गधहोना भित्रपड्जे कच्छेलीं तां विदु: परे ॥	list_item via surya_layout
33	मग्रहांशा मन्द्रतारर्षभा च गनिवर्जिता ॥	list_item via surya_layout
34	Kalā (appendix) on SR II. p.121.	main via surya_layout
35	(ii)	annotation_inline parent ligne 34 via heuristic_short
36	मध्यमांशग्रहन्यासा निगाभ्यां स (प)रिवर्जिता ।	main via surya_layout
37	प्रसन्नपिंड्जका यो(सा)रि-भूयसी शासने स्मृता ॥	main via surya_layout
38	कछेली भाषिका भिन्नपङ्जे मध्यमगानयुक् ॥	main via surya_layout
39	S Rāj II. 2.1.1027.	annotation_inline parent ligne 38 via heuristic_short
40	8. cf. (i)	main via surya_layout
41	भित्रपड्जेऽस्ति बाङ्गाली ग्रहांशन्यासधैवता ।	main via surya_layout
42	मध्यमान्दोलिता गापन्यासा धैवतमन्द्रिका ॥	main via surya_layout
43	उद्दीपने नियोक्तव्या .....॥	main via surya_layout
44	S Rāj II.2.1.1050.	main via surya_layout

181 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p023 LEFT — 33 lignes

vol_II_p168 RIGHT — 42 lignes

vol_II_p099 RIGHT — 22 lignes

vol_I_p038 RIGHT — 40 lignes

vol_II_p150 RIGHT — 44 lignes