Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20720). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p071 RIGHT — 36 lignes

L#	Texte OCR	Role auto
1	125	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[Anu. 210]	editorial_bracket parent ligne 4 via heuristic_brackets
4	Its meaning is thus – pañcamaṣāḍavais related to ṣaḍjagrāma. Ŗṣabhais its graha	main via surya_layout
5	and anisa. Madhyama is the nyāsa and with relevance to the performer 88 it	main via surya_layout
6	sometimes becomes amśa also. Niṣāda is kākalī here and this (rāga) is complete.	main via surya_layout
7	Its application is prescribed in the passionate performance of cārīs, maṇḍalas and	main via surya_layout
8	(situations of ) combat. Vīra and the like is the rasa89. The mūrchanā beginning	main via surya_layout
9	with ṛṣabha obtains. Prasannādyanta is the alankāra. The kalā is formed in the	main via surya_layout
10	dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) and the kalā prevails in	main via surya_layout
11	the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara and	main via surya_layout
12	pada	annotation_inline parent ligne 11 via heuristic_height
13	[9. Revagupta]	section_header via surya_layout
14	Revagupta is said to be born of ārṣabhī and madhyamā jātis, has ṛṣabha as	main via surya_layout
15	its amsa and madhyama as its concluding note and is with complete svaras.	main via surya_layout
16	(340)	annotation_inline parent ligne 15 via heuristic_height
17	[Anu. 211]	editorial_bracket parent ligne 15 via heuristic_brackets
18	Its meaning is thus - Revagupta is related to sadjagrāma. Although it is born	main via surya_layout
19	of ārṣabhī and madhyamā jātis, it is related to ṣaḍjagrāma alone because of	main via surya_layout
20	pañcama being comprised of four śrutis. Rṣabha is its graha and amśa,	main via surya_layout
21	<math>madhyama</math> alone is <math>ny\bar{a}sa</math>, <math>nis\bar{a}da</math> is <math>k\bar{a}kal\bar{t}</math> he	main via surya_layout
22	svaras. Its application is prescribed in the passionate performance of cārīs,	main via surya_layout
23	mandalas and (situations of) combat. Vira and the like is the rasa. The	main via surya_layout
24	mūrchanā beginning with ṛṣabha obtains. Ārohin is the varṇa. Prasannānta is	main via surya_layout
25	the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in	main via surya_layout
26	the vārtika (mārga) and the kalā prevails in the citra (mārga). A tāla like	main via surya_layout
27	caccatputa obtains in the songs comprised of svara and pada.	main via surya_layout
28	[10. Takkasaindhava]	section_header via surya_layout
29	The rāga takka qualified by saindhava is born of ṣāḍjī and dhaivatī jātis, is	main via surya_layout
30	combined with sadja as amsa and nyāsa and is weak in pancama.	main via surya_layout
31	(341)	annotation_inline parent ligne 30 via heuristic_height
32	[Anu. 212]	editorial_bracket parent ligne 30 via heuristic_brackets
33	Its meaning is thus - takkasaindhava rāga is related to şadjagrāma on	main via surya_layout
34	account of being born of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, amśa and	main via surya_layout
35	nyāsa. Niṣāda and gāndhāra are kākalī and antara. There is the sparseness of	main via surya_layout
36	pañcama and this (rāga) is complete in svaras. Its application is prescribed	main via surya_layout

vol_II_p124 LEFT — 29 lignes

L#	Texte OCR	Role auto
1	(vide)	unknown via fallback
2	BRHADDEŚĪ	page_header via surya_layout
3	230	page_number via heuristic_pagenum
4	[४.मालती]	section_header via surya_layout
5	एला गुरुलघुरचिता मधुरध्वनिशोभिता तथा सरला ।	main via surya_layout
6	(वि)रचिता	annotation_inline parent ligne 5 via heuristic_height
7	बहुगमकालङ्कारा रमणीया मालती भवति ॥४५२॥	main via surya_layout
8	<sup>४२</sup>बहुग(य?)म(का)	main via surya_layout
9	[५. ललिता]	section_header via surya_layout
10	गातव्या गन्धर्वैर्ललिता ललितेन वर्णनियमेन ।	main via surya_layout
11	प्रथमिव चरणयुगलं <sup>४३</sup>सगमकमथ बिन्दुमूर्छनायुक्तम् ॥ ४५३॥	main via surya_layout
12	सयमकमथ	annotation_inline parent ligne 11 via heuristic_height
13	1	page_number via heuristic_pagenum
14	[६.हेमवती ?]	section_header via surya_layout
15	लिलतपदं बिरुदान्तं तथा च यतिसंस्थितगमकम्।	main via surya_layout
16	बिरुतां कथं(?)	annotation_inline parent ligne 15 via heuristic_height
17	oतं	annotation_inline parent ligne 15 via heuristic_height
18	चरणयुगक्रममेवं नाम ततो भवति वर्णनीयस्य ॥ ४५४॥	main via surya_layout
19	°त्रयः	annotation_inline parent ligne 18 via heuristic_markers
20	[७.कुसुमवती ?]	section_header via surya_layout
21	लघुवर्णपदनिबद्धं तत् पुनरिप गीयते, गीत्वा ।	main via surya_layout
22	गातृजननामधेयं वीरविलासादिवर्णनापूर्वम् ॥४५५॥	main via surya_layout
23	यस्यां वर्णेला सा कथिता क्रमतो मतङ्गेन ।	main via surya_layout
24	प्रतापोत्साहधैर्यादिवर्णनागुणगौरवम् ॥ ४५६॥	main via surya_layout
25	क्रमशो दृश्यते यस्यां वर्णेला सा प्रकीर्तिता ।	main via surya_layout
26	मण्ठद्वितीयकङ्कालै: प्रतितालेन गीयते ॥४५७॥	main via surya_layout
27	मद्रद्वितीयं(कं)काल॰	annotation_inline parent ligne 26 via heuristic_markers
28	प्रकारेणैकेन कथिता येनाधुना स्फुटम् ।	main via surya_layout
29	कथ्यते तु समरसेन वर्णेलासप्तकं पुन: ॥४५८॥	main via surya_layout

vol_II_p008 RIGHT — 63 lignes

L#	Texte OCR	Role auto
1	(vide)	annotation_inline parent ligne 2 via heuristic_height
2	<b>ABBREVIATIONS</b>	section_header via surya_layout
3	Abhi	main via surya_layout
4	Abhinavagupta	annotation_inline parent ligne 3 via heuristic_short
5	Abhinava Bhāratī, Abhinavagupta's commentary	main via surya_layout
6	Abhi Bhā	annotation_inline parent ligne 5 via heuristic_short
7	on Nātya-Šāstra G.O.S., Baroda edition	main via surya_layout
8	Anuccheda, comparable to paragraph	main via surya_layout
9	Anu.	annotation_inline parent ligne 8 via heuristic_short
10	Bha Bhā	main via surya_layout
11	Bharata Bhāṣya of Nānyadeva published upto a	main via surya_layout
12	portion of Chapter VII in two volumes by Indira	main via surya_layout
13	Kala Sangit Vishwavidyalaya, Khairagarh (M.P.)	main via surya_layout
14	and photostat of manuscript in the Deptt. of	main via surya_layout
15	Musicology, B.H.U.	annotation_inline parent ligne 14 via heuristic_short
16	Bha Ko	main via surya_layout
17	Bharata Kośa of M.R. Kavi	main via surya_layout
18	BrD	annotation_inline parent ligne 17 via heuristic_short
19	Brhaddeśi of Matanga Muni	main via surya_layout
20	C.r.	annotation_inline parent ligne 19 via heuristic_short
21	Cited reading	main via surya_layout
22	Dattilam of Dattila	unknown via fallback
23	Datti	unknown via fallback
24	Ed.	main via surya_layout
25	Pt. K. Sāmbaśiva Sāstrī, editor of Bṛhaddeśī,	main via surya_layout
26	published in Anantaśayana Sanskrit Granthāvalī	main via surya_layout
27	No. 94 (Trivandrum Sanskrit Series) in 1928	main via surya_layout
28	<i>Kalānidhi</i> commentary of Kallinātha on	main via surya_layout
29	Kalā	annotation_inline parent ligne 28 via heuristic_short
30	Sangita-Ratnākara	main via surya_layout
31	Kalli	annotation_inline parent ligne 30 via heuristic_short
32	Kallinātha	main via surya_layout
33	Lit.	annotation_inline parent ligne 32 via heuristic_short
34	Literally	main via surya_layout
35	Mānasollāsa of Someśvara, Vol. III	main via surya_layout
36	Mānaso	annotation_inline parent ligne 35 via heuristic_short
37	NŠ	main via surya_layout
38	Nātya Šāstra, G.O.S., Baroda edition, unless	main via surya_layout
39	otherwise indicated	annotation_inline parent ligne 38 via heuristic_short
40	NŠ Chau.	main via surya_layout
41	Nāṭya Śāstra, Chaukhambha, Varanasi edition	main via surya_layout
42	NŠ Kā Mā	annotation_inline parent ligne 41 via heuristic_short
43	Nāţya Sāstra, Kāvya Mālā edition	main via surya_layout
44	P.t.	annotation_inline parent ligne 43 via heuristic_short
45	Printed text of Bṛhaddeśi, Trivandrum edition	main via surya_layout
46	Ra Kau	annotation_inline parent ligne 45 via heuristic_short
47	Rasakaumudi of Šrikantha	main via surya_layout
48	Rā Vi	annotation_inline parent ligne 47 via heuristic_short
49	Rāga Vibodha of Somanātha	main via surya_layout
50	Sam Sa Sā	annotation_inline parent ligne 49 via heuristic_short
51	Sangīta-Samaya-Sāra of Pārsvadeva	main via surya_layout
52	Sam Ši Bhā Ka	annotation_inline parent ligne 51 via heuristic_short
53	Sangīta Siromaņi of Panditamandalī,	main via surya_layout
54	manuscript in Bharat Kala Bhavan, B.H.U.,	main via surya_layout
55	transcript in the Deptt. of Musicology, B.H.U.	main via surya_layout
56	Sam Su P.L.	annotation_inline parent ligne 55 via heuristic_short
57	Sangita Sudhākara, Palm Leaf manuscript,	main via surya_layout
58	Saraswati Mahal Library, Tanjore, transcript in	main via surya_layout
59	the Deptt. of Musicology, B.H.U.	main via surya_layout
60	Simha	annotation_inline parent ligne 59 via heuristic_short
61	Simhabhūpāla	main via surya_layout
62	SR	annotation_inline parent ligne 61 via heuristic_short
63	Sangita Ratnākara of Šārngadeva (Adyar edition)	main via surya_layout

vol_II_p052 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	87	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Şāḍava, pañcama, similarly kaiśikamadhyama, cokṣasādhārita and similarly,	main via surya_layout
4	also cokṣakaiśika, these should be known as cokṣa (pure). Now listen about	main via surya_layout
5	the bhinnaones.	annotation_inline parent ligne 4 via heuristic_height
6	(293)	annotation_inline parent ligne 4 via heuristic_height
7	Bhinnaṣadja ,(bhinna-) tāna, bhinnakaiśikamadhyama, the one named	main via surya_layout
8	bhinnapañcama, and the fifth is bhinnakaiśika.	main via surya_layout
9	(294)	annotation_inline parent ligne 8 via heuristic_height
10	One is gaudapañcama, gaudakaiśika and also gaudakaiśika madhyama, are	main via surya_layout
11	said to be the three gaudas.	main via surya_layout
12	(295)	annotation_inline parent ligne 11 via heuristic_height
13	Ţakkarāga, similarly sauvīra, mālavapancama, ṣāḍava and boṭṭarāga, similarly	main via surya_layout
14	the other one is hindolaka, ţakkakaiśika has thus been said, similarly	main via surya_layout
15	mālavakaišika - these rāgas (pertaining to the rāgagīti) have been spoken of	main via surya_layout
16	by their names, by the excellent munis.	main via surya_layout
17	<math>(296-297)</math>	annotation_inline parent ligne 16 via heuristic_height
18	Narta, the one named śaka, kakubha, similarly harmāṇapañcama and	main via surya_layout
19	itself, similarly gändhärapañcama and the one named	main via surya_layout
20	rūpasādhārita	annotation_inline parent ligne 19 via heuristic_height
21	ṣaḍjakaiśika are known as the seven sādhāraṇa (rāgas).	main via surya_layout
22	(298)	annotation_inline parent ligne 21 via heuristic_height
23	[Thus is the number and nomenclature of rāgas]	editorial_bracket parent ligne 21 via heuristic_brackets
24	[The specific description of ragas]	section_header via surya_layout
25	[A. Out of them śuddharagas]	section_header via surya_layout
26	Now he (the author) has spoken about the description of suddha (rāgas)-	main via surya_layout
27	Those that are in accordance with their 'own' jāti 31 (from which they are	main via surya_layout
28	born), without any reference to other jātis and those that are one out of the	main via surya_layout
29	many (individual forms) of their own jāti, they are called śuddha (rāgas).	main via surya_layout
30	(299)	annotation_inline parent ligne 29 via heuristic_height
31	[1. Suddhaşādava]	section_header via surya_layout
32	[Anu. 164]	editorial_bracket parent ligne 31 via heuristic_brackets
33	Why is sadava so called? Is it because it is sung with six svaras and is hence	main via surya_layout
34	ṣāḍava or is it ṣāḍava on account of being prominent among the six rāgas?	main via surya_layout

vol_I_p034 LEFT — 31 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	50	page_number via heuristic_pagenum
3	V [ ग्राममूर्छनाप्रकरणम् ]	section_header via surya_layout
4	[ अनु. ३० ]	editorial_bracket parent ligne 3 via heuristic_brackets
5	अथ किमुच्यते ग्रामशब्देन ? ननु कति ग्रामा भवन्ति ?	main via surya_layout
6	कस्मादुत्पद्यते ग्रामः कि वा तस्य प्रयोजनम्।।८४॥	main via surya_layout
7	अश्रोच्यते—	unknown via fallback
8	म्समूहवाचिनौ ग्रामौ स्वरश्रुत्यादिसंयुतौ ॥८५॥	main via surya_layout
9	यथा कुटुम्बिनः सर्व एकीभूत्वा वसन्ति हि।	main via surya_layout
10	₀ता²	annotation_inline parent ligne 9 via heuristic_markers
11	सर्वलोकेषु स ग्रामो यत्र नित्यं व्यवस्थितिः ।।८६॥	main via surya_layout
12	₄तः	annotation_inline parent ligne 11 via heuristic_height
13	षड्जमध्यमसंज्ञौ तु द्वौ ग्रामौ विश्रुतौ किल।	main via surya_layout
14	गान्धारं नारदो बूते स तु मर्त्यैर्न गीयते॥८७॥	main via surya_layout
15	सामवेदात् स्वरा जाताः स्वरभ्यो ग्रामसम्भवः।	main via surya_layout
16	द्वावेतौ च इमौ ज्ञेयौ षड्जमध्यमलक्षितौ॥८८॥	main via surya_layout
17	[ अनु. ३१ ]	editorial_bracket parent ligne 16 via heuristic_brackets
18	प्रयोजनं च यथा—स्वरश्रुतिमूर्छना—तानजातिरागाणां व्यवस्थापनत्वं	main via surya_layout
19	o404	annotation_inline parent ligne 18 via heuristic_height
20	नाम प्रयोजनम्।	main via surya_layout
21	[ अनु. ३२ ]	editorial_bracket parent ligne 20 via heuristic_brackets
22	ननु कथं षड्जमध्यमस्वराभ्यां ग्रामण्यपदेशः ? उच्यते—असाधारणत्वेन ताभ्यां	main via surya_layout
23	ग्रामण्यपदेशः। असाधारणत्वं च देवकुलसमुत्पन्नत्वेन।	main via surya_layout
24	₀लोत्पन्न,<sup>5</sup>	annotation_inline parent ligne 23 via heuristic_markers
25	तथा चाह नारदः –	main via surya_layout
26	"देवकुलसमुत्पन्नाः षड्जगान्धारमध्यमाः।	main via surya_layout
27	एतेपां देवता जेया ब्रह्माविष्णुमहेश्वराः॥ "6	main via surya_layout
28	उभयोग्रामियोर्मध्ये मुख्यत्वं कस्य गम्यते।	main via surya_layout
29	ुण्युः	annotation_inline parent ligne 28 via heuristic_height
30	षड्जस्यैव हि मुख्यत्वं गम्यते वचनान्भुनेः॥८९॥	main via surya_layout
31	__ु•वाह्रि च __	main via surya_layout

193 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p071 RIGHT — 36 lignes

vol_II_p124 LEFT — 29 lignes

vol_II_p008 RIGHT — 63 lignes

vol_II_p052 RIGHT — 34 lignes

vol_I_p034 LEFT — 31 lignes