Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20783). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p092 RIGHT — 29 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	167	page_number via heuristic_pagenum
3	Kaiśikī has pañcama as nyāsa, madhyama as amśa, is weak in ni(niṣāda),	main via surya_layout
4	there is (mutual) movement between madhyama-dhaivata and abundance of	main via surya_layout
5	pancama. This bhāṣā is born of pancama (rāga) and is always sankīrṇā	main via surya_layout
6	(mixed).	annotation_inline parent ligne 5 via heuristic_short
7	(102)	main via surya_layout
8	Illustration-Pรับหลัdhลับidhลัpลีpลิpลิdhลับidhaัdhaัdhลับหลับกลับกลัdhลับกลัdhลัdhลับโรรั-	main via surya_layout
9	sārirīpāpā mādhāmādhamadhadhamāmādhā. Niripāpā. Kaišikī [x]	editorial_bracket parent ligne 8 via heuristic_brackets
10	These are the ten <i>bhāṣās</i> in <i>pancama</i> (<i>rāga</i>) described by Yāṣṭika.	main via surya_layout
11	(103)	main via surya_layout
12	[6. Bhāṣāsin bhinnaṣaḍja]	section_header via surya_layout
13	After this, I shall speak of the <i>bhāṣās</i> in <i>bhinnaṣaḍja</i>.	main via surya_layout
14	(104)	annotation_inline parent ligne 13 via heuristic_short
15	Having dhaivata as amsa and the same as concluding note, being devoid	main via surya_layout
16	of pañcama and ṛṣabha,45 having to and fro movement between ṣaḍja-	main via surya_layout
17	gāndhāra, this śuddhā (bhāṣā) should be known by the performers to subsist	main via surya_layout
18	in bhinnaṣadja and it becomes pentatonic when devoid of ṣadja.46	main via surya_layout
19	(105)	annotation_inline parent ligne 18 via heuristic_short
20	lllustration-Dhādhāmāgāmāmāgagasanisanisanidhanidhādhāmānimāmāg	main via surya_layout
21	ลังกลัฐจรรับก่ฝาลฝาลัปกลับก่รรัปกลเกล้ฐริธาก่าก่าเปกลีปกลิปกลัฐริธาลปกลากลัฐริธาฐริธาลี	main via surya_layout
22	gamadhamadhasigāsisimādhāmāmadhamagāgamasisisigāsinininismidhādhā	main via surya_layout
23	dhānidhāmanadhamadhamasīgāmadhāmāsā. Sānidhānidhānīgāsānidhānidhā	main via surya_layout
24	Suddhā [i]	editorial_bracket parent ligne 23 via heuristic_brackets
25	Having dhaivata as amsa, dhaivata as the concluding note, the concert	main via surya_layout
26	between sadja-dhaivata, there being (mutual) movement between sadja-	main via surya_layout
27	dhaivata and ṛṣabha-madhyama, the vibhāṣā dākṣiṇātyā bears the name of deśa	main via surya_layout
28	(region)<sup>47</sup> and is born of (bhinna) şadja.	main via surya_layout
29	(106)	main via surya_layout

vol_I_p045 RIGHT — 35 lignes

L#	Texte OCR	Role auto
1	73	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Trailokyamohana, vīra, kandarpabalašātana, šankhacūda, gajacchāya, raudra and	main via surya_layout
4	(114)	annotation_inline parent ligne 3 via heuristic_height
5	vișnuvikrama.	annotation_inline parent ligne 3 via heuristic_height
6	Thus end the names of audava tanas devoid of dhaivata and rabha in madhyama-	main via surya_layout
7	grāma.	annotation_inline parent ligne 6 via heuristic_height
8	Bhairava, kāmada and avabhṛtha, aṣṭakapālaka, sviṣṭakṛt, vaṣaṭkāra and the	main via surya_layout
9	(115)	annotation_inline parent ligne 8 via heuristic_height
10	seventh is known as mokşada.	annotation_inline parent ligne 8 via heuristic_height
11	[ Thus end the names of auduvita tanas devoid of ni and ga in madhyama-	editorial_bracket parent ligne 8 via heuristic_brackets
12	grāma.]	editorial_bracket parent ligne 8 via heuristic_brackets
13	Thus end the fourteen names of auduvita tānas in madhyamagrāma.	main via surya_layout
14	[Thus end the thirty-five names of auduvita tanas seated in the two gramas.]	editorial_bracket parent ligne 13 via heuristic_brackets
15	(Anu. 46)	annotation_inline parent ligne 13 via heuristic_height
16	The auduvita (tānas) of both the grāmas are thirty-five. The sādava and	main via surya_layout
17	auduva (tānas) of both the grāmas taken together are eithty-four tānas.	main via surya_layout
18	(Anu. 47)	annotation_inline parent ligne 17 via heuristic_height
19	Now in order to explain sādhāraņakṛtā mūrchanās he (the author) has said -	main via surya_layout
20	sādhāraņa svaras are gāndhāra and niṣāda. Sādhāraņā mūrchanās are those that	main via surya_layout
21	begin with them40 (gāndhāra and niṣāda in their sādhāraņa states as antara and	main via surya_layout
22	kākalī) and they are included in the same (mūrchanās of gāndhāra and niṣāda).	main via surya_layout
23	How? The sādhāraṇatā (commonness) of mūrchanās with tānas is implied in or	main via surya_layout
24	already expressed through 'sādhāraṇa' (the term forming part of the name of	main via surya_layout
25	the fourth type of murchanā viz. sadharaņakṛtā).	main via surya_layout
26	(116)	annotation_inline parent ligne 25 via heuristic_height
27	And thus I have spoken of the fourfold mūrchanās.	main via surya_layout
28	[The performance of tanas]	section_header via surya_layout
29	(Anu. 48)	annotation_inline parent ligne 28 via heuristic_height
30	How should the performance of these tanas be made, if this be asked, it is	main via surya_layout
31	being answered. The performance 41 of tana is twofold viz. with pravesa (lit.	main via surya_layout
32	entering) and nigraha (lit. restraint).	main via surya_layout
33	Pravesa is the viprakarşa (augmentation) of şadja that is lower and has to be	main via surya_layout
34	omitted i.e. it (şadja) is made to attain (the position of) rşabha. Thus is the	main via surya_layout
35	pravesa through viprakarşa. With mārdava (lit. softening) it is thus: the same	main via surya_layout

vol_I_p025 LEFT — 29 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	32	page_number via heuristic_pagenum
3	[ अनु. १८ ]	editorial_bracket parent ligne 4 via heuristic_brackets
4	नन् चतुर्दशानां स्वराणां मध्ये आकारादीनां कथं ग्रहणम् ? सत्यमुक्तम्।	main via surya_layout
5	एतेषामसाधारणत्वेन ग्रहणं कृतम्। असाधारणत्वं	main via surya_layout
6	चैतेषामूर्ध्वध्वनिगामित्वेन। यद्वा षड्जादीनां व्यञ्जनानां स्वरत्वमुक्तम्।	main via surya_layout
7	१ननु - - - सङ्केतमात्रमेतदुक्तं भवति। आचार्याणां परिभाषेत्यर्थः।	main via surya_layout
8	[वाद्यादिभेदेन स्वराणां चातुर्विध्यम् ]	section_header via surya_layout
9	[ अनु. १९ ]	editorial_bracket parent ligne 8 via heuristic_brackets
10	इदानीमवसरप्राप्तं चातुर्विध्यं स्वराणां १०दर्शयामि।	main via surya_layout
11	11सन्दर्गः	annotation_inline parent ligne 10 via heuristic_height
12	तद्यथा—	annotation_inline parent ligne 10 via heuristic_height
13	वदनाद् वादी स्वामिवत्। संवदनात् संवादी अमात्यवत्।	main via surya_layout
14	अनुवदनादनुवादी परिजनवत्। विवदनाद् विवादी शत्रुवत्।	main via surya_layout
15	[ अनु. २० ]	editorial_bracket parent ligne 14 via heuristic_brackets
16	नन् वदनादिकं प्राणिधर्मः कथमचेतनानां स्वराणां सम्भवति ?	main via surya_layout
17	सत्यमुक्तम्। वदनं हि नामात्राः [ राग- ] प्रतिपादकत्वं विवक्षितम्, न	editorial_bracket parent ligne 16 via heuristic_brackets
18	12नाम	annotation_inline parent ligne 16 via heuristic_height
19	वचनमिति। किं तत् प्रतिपादयति ? रागस्य रागत्वं जनयति। ते च	main via surya_layout
20	14亩	annotation_inline parent ligne 19 via heuristic_height
21	वादिनः स्वराः सप्तेव।	main via surya_layout
22	स च वाद्यंशवद्दशविधो बोद्धव्यः। वादिमण्डलं यथा—	main via surya_layout
23	सरिगमप धनि।	annotation_inline parent ligne 22 via heuristic_short
24	[ अनु २१ ]	editorial_bracket parent ligne 22 via heuristic_brackets
25	संवादिनस्तु पुनः समश्रुतिकत्वे सति त्रयोदश नवान्तरत्वेनावबोद्धव्याः। किं	main via surya_layout
26	<sup>15</sup>वाऽन्योऽन्य	annotation_inline parent ligne 25 via heuristic_height
27	तत् संवादित्वं नाम?	main via surya_layout
28	यद् वादिस्वरेण रागस्य रागत्वं जनितं तन्निर्वाहकत्वं	main via surya_layout
29	नाम संवादित्वम्। संवादिमण्डलं यथा-	main via surya_layout

vol_I_p025 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	33	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	(Anu. 18)	annotation_inline parent ligne 4 via heuristic_height
4	But why are (vowels) beginning with ākāra 21 accepted out of fourteen 22	main via surya_layout
5	svaras? Truly has this been said. These have been accepted because of their	main via surya_layout
6	uncommonness. Their uncommonness is because of their movement in upward	main via surya_layout
7	sound.23 Or, the svaratva of vyanjanas beginning with şadja has been spoken of.	main via surya_layout
8	But .... this is said to be only a sign 24 (by convention), that is to say, (the names	main via surya_layout
9	of svaras) are the paribhāṣā 25 (list of abbreviations or signs) used by ācāryas	main via surya_layout
10	(teachers).	annotation_inline parent ligne 9 via heuristic_height
11	[The fourfold-ness of svaras according to kinds beginning with vadin ]	editorial_bracket parent ligne 9 via heuristic_brackets
12	(Anu. 19)	section_header via surya_layout
13	Now I show the fourfold-ness of svaras, that befits the occasion or context.	main via surya_layout
14	That is thus -	annotation_inline parent ligne 13 via heuristic_height
15	Vādin 26 is so because of vadana 27 (speaking), like the master. The	main via surya_layout
16	saṃvādin<sup>28</sup> is so because of saṃvadana<sup>29</sup> (supportive speaking), like the minister.	main via surya_layout
17	The anuvādin<sup>50</sup> is so because of anuvadana<sup>51</sup> (following or obedient speaking)	main via surya_layout
18	like the attendants. Vivādin 52 is so because of vivadana 53 (opposite speaking),	main via surya_layout
19	like the enemy.	annotation_inline parent ligne 18 via heuristic_height
20	(Anu. 20)	section_header via surya_layout
21	But vadana and the like are the nature (dharma) of living beings, how are they	main via surya_layout
22	possible in insentient svaras? Truly has this been said. Vadana is here intended to	main via surya_layout
23	mean the exposition of raga 34 (melody-matrix), not talking. What does it (vadana	main via surya_layout
24	and the like) expound? It produces the ragatva 35 of raga.36 Those vadin svaras	main via surya_layout
25	are only seven. That vādin should be understood as tenfold like the amśa.57 The	main via surya_layout
26	vādi-maņdala (cycle of vādins) is thus - sa, ri, ga, ma, pa, dha, ni.	main via surya_layout
27	(Anu. 21)	section_header via surya_layout
28	The samvadins should again be understood according to the interval of	main via surya_layout
29	thirteen and nine śrutis, when there is sama-śrutikatva 38 (equal interval of the	main via surya_layout
30	two svaras concerned, in terms of number of śrutis). What indeed is that	main via surya_layout
31	samuāditua? The carrying forward or accomplishment<sup>59</sup> of the rāgatua of rāga	main via surya_layout
32	1	page_number via heuristic_pagenum
33	produced by the vādi-svara is indeed samvāditva (the nature of samvādin). The	main via surya_layout
34	samvādi-mandala is thus —	main via surya_layout

vol_II_p133 LEFT — 46 lignes

L#	Texte OCR	Role auto
1	<b>F</b>	unknown via fallback
2	age grant in the	annotation_inline parent ligne 5 via heuristic_height
3	248	page_number via heuristic_pagenum
4	BRHADDEŚĪ	page_header via surya_layout
5	ग्रहापन्यासविन्याससंन्याससन्यासगोचर:।	main via surya_layout
6	अनुवृत्तश्च यस्येह सोंऽशः स्याद्दशलक्षणः ॥	main via surya_layout
7	XXVIII. 69.	annotation_inline parent ligne 6 via heuristic_height
8	37. P.t. adds here - 'syādityādi', which is out of context.	main via surya_layout
9	38. Reconstruction based on Datti . 142.	main via surya_layout
10	39,40. Reconstruction based on c.r. in Sudhā on SR I.7.47cd,p.190.	main via surya_layout
11	41-44. C.r. in Sudhā on SRI.7.47cd, p.190.	main via surya_layout
12	45. Reconstruction based on c.r. in Kalā on SR I.7.29-34, p.180,181.	main via surya_layout
13	46. cf.(i)	annotation_inline parent ligne 12 via heuristic_short
14	यस्मिन् भवति रागश्च यस्माच्चैव प्रवर्तते ।	main via surya_layout
15	मन्द्रश्च तारमन्द्रश्च योऽत्यर्थं चोपलभ्यते ॥	main via surya_layout
16	[अनेकस्वरसंयोगो योऽत्यर्थमुपलभ्यते ।	editorial_bracket parent ligne 15 via heuristic_brackets
17	अन्यश्च बलिनो यस्य संवादी चानुवाद्यपि ॥]	editorial_bracket parent ligne 15 via heuristic_brackets
18	ग्रहापन्यासविन्याससंन्यासन्यासगोचर:।	main via surya_layout
19	अनुवृत्तश्च यस्येह सोंऽशः स्याद्दशलक्षणः॥	main via surya_layout
20	NŚ XXVIII. 68,69.	annotation_inline parent ligne 19 via heuristic_short
21	(ii)	main via surya_layout
22	यस्मिन् वसति रागस्तु यस्माच्चैव प्रवर्तते ।	main via surya_layout
23	तेन वै तारमन्द्राणां योऽत्यर्थमुपलभ्यते ॥	main via surya_layout
24	मन्द्रश्च तारविषया पञ्चस्वरपरा गति: ॥	main via surya_layout
25	अनेकस्वरसंयोगो योऽत्यर्धमुपलभ्यते ।	main via surya_layout
26	अन्यच्च बलिनो यस्य संवादी चानुवाद्यपि ।	main via surya_layout
27	ग्रहोपन्यासविन्यासविन्यासाभ्यासगोचर: ।	main via surya_layout
28	परिवार्य स्थितो यस्तु सोंऽश: स्याद् दशलक्षण:॥	main via surya_layout
29	NŚ Chau. XXVIII.72 -74.	main via surya_layout
30	(iii)	annotation_inline parent ligne 29 via heuristic_height
31	यद्यपि भरतमतङ्गादिभिः संन्यासविन्यासयोर्विदार्याश्रयत्वादपन्यासेऽन्तर्भावेणान्तर-	main via surya_layout
32	मार्गस्याप्यंशकाद्यवयवानामन्योन्यसंघटनात्मकस्यांशादिसम्बन्धाधीनसिद्धेः पृथगुद्देशो नापेक्षित इति दशकं जातिलक्षणमित्युक्त	main via surya_layout
33	तथापि संन्यासिवन्यासयो: पृथगवयवत्वेनान्तरमार्गस्य तु सत्स्वंशादिष्ववयवेषु तेन विना प्रयोगासिद्धेस्तस्यावश्यिकत्वाक्षक्षण	main via surya_layout
34	पृथगुद्दिश्य त्रयोदशेत्युक्तं ग्रन्थकारेण ।	main via surya_layout
35	Kalā on SR I. 7.3.29-34 p.180,181.	main via surya_layout
36	In the last passage above the inclusion of samnyāsa-vinyāsa and antaramārga in	main via surya_layout
37	jāti-lakṣaṇas by Śārṅgadeva in addition to the ten lakṣaṇas accepted by	main via surya_layout
38	Bharata and Matanga is noticed and justified.	main via surya_layout
39	47. P.t. begins - balavati ca śrutike 'mśe durbalem' śāmśe, which is redun-	main via surya_layout
40	dant and has been dropped.	main via surya_layout
41	cf.तत्पूर्वावधित्वे त्वातारषड्जं तारषड्जमारभ्यारोहः सामान्यतः प्राप्तचतुर्थस्वरारोहः। सामान्यतः प्रकीर्तितो स्द्रटादिभि	main via surya_layout
42	यावत्पड्जमेव तारगतिर्मध्यमस्याप्यत्र संवादित्वादनाशित्वाच्च तारगती रुद्रटेन कृता मध्यमस्येति न दोष इति मतङ्गोक्तम् ।	main via surya_layout
43	C.r.in Kalā on SR I. 7.35,36, p.185.	main via surya_layout
44	48. MS B reading as recorded by the ed. is - 'evamatra vinyāsau'.	main via surya_layout
45	والمعالم والمعالي والمعالي والمعالي والمعالي والمعالي والمعالي والمعالية والمعالية والمعالية والمعالية والمعالية والمعال	annotation_inline parent ligne 44 via heuristic_height
46	and the second second second	annotation_inline parent ligne 44 via heuristic_height

173 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p092 RIGHT — 29 lignes

vol_I_p045 RIGHT — 35 lignes

vol_I_p025 LEFT — 29 lignes

vol_I_p025 RIGHT — 34 lignes

vol_II_p133 LEFT — 46 lignes