Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20786). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p125 RIGHT — 30 lignes

page vol_II_p125 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 233 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [D. Once again the group of seven Varņailās] section_header
via surya_layout
4 Ramaņī, candrikā, lakṣmī, padminī, similarly rañjinī, mālatī and mohinī - main
via surya_layout
5 thus is the group of seven varņailās. main
via surya_layout
6 (459) main
via surya_layout
7 [1. <i>Ramaņi</i>] section_header
via surya_layout
8 Where there is samā yati<sup>68</sup> in the first and second foot and that which is main
via surya_layout
9 adorned with nāda in each foot, that satpadī 69 is ramaņī. main
via surya_layout
10 (460) main
via surya_layout
11 [2. Candrikā] section_header
via surya_layout
12 Where srotogată<sup>70</sup> and samā yati obtain in two feet and (that which) is main
via surya_layout
13 combined with bindu-gamakas, that is called candrini. main
via surya_layout
14 (461) main
via surya_layout
15 [3. Lakşmi] section_header
via surya_layout
16 Where gopucchā, 71 sumā and srotogatā (yatis) obtain in the three feet (respectively) main
via surya_layout
17 (and) there is mūrchanā <sup>72</sup> accompanied by nāda, that clā is known as laksmī. main
via surya_layout
18 (462) main
via surya_layout
19 [4. <i>Padminī</i> ] section_header
via surya_layout
20 (That) elä which is comprised of varņadhvani<sup>73</sup> in the first, second and main
via surya_layout
21 third and fourth foot, is said to be padminī. main
via surya_layout
22 (463) main
via surya_layout
23 [5. Rañjini] section_header
via surya_layout
24 (Where) there is samā (yati) in the first and second (feet) and gopucchā main
via surya_layout
25 (yati) in the third (foot) and that which is adorned with gamakas is rañjinī. main
via surya_layout
26 (464) main
via surya_layout
27 [6. Mālatī] section_header
via surya_layout
28 That elā which is composed with short and long syllables and with alliterations, main
via surya_layout
29 having four feet at will, i.e. of variable length, is held to be malati. main
via surya_layout
30 (465) main
via surya_layout

vol_II_p120 RIGHT — 36 lignes

page vol_II_p120 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 223 page_number
via heuristic_pagenum
3 In the opinion of some, it (elā) is combined with the (name of the) object main
via surya_layout
4 of description (alone). Elā should be made full of charming qualities of main
via surya_layout
5 song, embodying the gaņas (textual units)<sup>31</sup> of metre (and) endowed with main
via surya_layout
6 alankāra and rasa, by the wise. main
via surya_layout
7 (422) annotation_inline
parent ligne 6
via heuristic_short
8 [The types of <i>Elā</i>] editorial_bracket
parent ligne 6
via heuristic_brackets
9 [A. Out of them the varieties of Gaṇailā] editorial_bracket
parent ligne 6
via heuristic_brackets
10 First, nādāvatī has been said, then is known hamsāvatī, nandāvatī is the main
via surya_layout
11 third and bhadrāvatī is known as the fourth. main
via surya_layout
12 (423) annotation_inline
parent ligne 11
via heuristic_short
13 Derived out of Rgveda and the like, 'coloured' with variegated sounds, main
via surya_layout
14 thus has elā been said to be fourfold by the wise, in accordance with the main
via surya_layout
15 'path'<math>^{32}</math> (order) of ganas. main
via surya_layout
16 (424) main
via surya_layout
17 [1. Nādāvatī] section_header
via surya_layout
18 The elā (named) nādāvatī is charming, bedecked with varņa (and) main
via surya_layout
19 alankāra, is sung with manthatāla (and) is full of nāda 33 in every foot. There main
via surya_layout
20 takkarāga becomes delightful to all. main
via surya_layout
21 (425) annotation_inline
parent ligne 20
via heuristic_short
22 (Its) colour should be known to be white and śṛṅgāra has been said to be main
via surya_layout
23 the rasa; kaišikī vṛtti<sup>34</sup> has been spoken of (and) pañcālī rīti<sup>35</sup> is accepted. main
via surya_layout
24 (426) annotation_inline
parent ligne 23
via heuristic_short
25 Bhāratī is its devatā (presiding deity) and the lineage of brāhmaņas prevails. main
via surya_layout
26 Where five candraganas 36 combined with one svargana 37 are there, that cla main
via surya_layout
27 is known to be nādāvatī, by the foregoing learned ones. main
via surya_layout
28 (427) main
via surya_layout
29 [2. Hamsāvatī] section_header
via surya_layout
30 Making movement like a swan, with nāda and pada, it is known as main
via surya_layout
31 hamsāvatī, because it proceeds smoothly. Dvitīyaka is the tāla there and (it) main
via surya_layout
32 is sung in <i>hindola (rāga</i>). main
via surya_layout
33 (428) annotation_inline
parent ligne 32
via heuristic_short
34 Red colour has been said to prevail. Caṇḍikā is the devatā (presiding main
via surya_layout
35 deity), ārabhaţī is the vṛtti<sup>38</sup> (and) lāṭīyā rīti<sup>39</sup> is accepted. main
via surya_layout
36 (429) main
via surya_layout

vol_I_p041 LEFT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 सरि 🗶 म प ध 🗶 main
via surya_layout
4 [ ४ सरि ४ म प ध ] editorial_bracket
parent ligne 3
via heuristic_brackets
5 ध 🗶 स रि 🗶 म प main
via surya_layout
6 पध X स रि X म annotation_inline
parent ligne 5
via heuristic_short
7 मपध X स रि X main
via surya_layout
8 [ хमपध editorial_bracket
parent ligne 7
via heuristic_brackets
9 निगहीनाः। main
via surya_layout
10 रि 🗶 म प ध 🗶 स unknown
via fallback
11 स 🗙 गम 🗶 ध नि main
via surya_layout
12 निस X ग म X ध annotation_inline
parent ligne 11
via heuristic_short
13 धनिस X गम X main
via surya_layout
14 [хधनसхगम]. editorial_bracket
parent ligne 13
via heuristic_brackets
15 म 🗶 ध नि स 🗶 ग main
via surya_layout
16 गम 🗶 ध नि स 🗶 annotation_inline
parent ligne 15
via heuristic_short
17 परिहीनाः। इत्यौडुवाः। योगाः। main
via surya_layout
18 [ 🗶 गम 🗶 ध निस ] editorial_bracket
parent ligne 17
via heuristic_brackets
19 [ अथ ] मध्यमग्रामे-- editorial_bracket
parent ligne 17
via heuristic_brackets
20 ٠ page_number
via heuristic_pagenum
21 मपधनि X रिग main
via surya_layout
22 गमपधनि 🗙 रि annotation_inline
parent ligne 21
via heuristic_short
23 रिगमपधनि X main
via surya_layout
24 [ x रिगमपधनि ] editorial_bracket
parent ligne 23
via heuristic_brackets
25 नि X रिगमपध main
via surya_layout
26 ध नि x रिगम प annotation_inline
parent ligne 25
via heuristic_short
27 षड्जहीनाः। main
via surya_layout
28 प ध नि X रि ग म unknown
via fallback
29 म प ध नि स X ग main
via surya_layout
30 गमपधनिस X annotation_inline
parent ligne 29
via heuristic_short
31 [ Xगमपधनिस] editorial_bracket
parent ligne 29
via heuristic_brackets
32 स X गमप ध नि main
via surya_layout
33 निस X गम प ध annotation_inline
parent ligne 32
via heuristic_short
34 ध निस X गमप main
via surya_layout
35 ारहानाः। annotation_inline
parent ligne 34
via heuristic_short
36 प ध नि स 🗶 ग म main
via surya_layout

vol_I_p062 LEFT — 42 lignes

page vol_I_p062 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 106 page_number
via heuristic_pagenum
3 विधुतो ३१ गात्रवर्णश्च उद्गीतोद्वाहितौ वेणुः। main
via surya_layout
4 ₄ता annotation_inline
parent ligne 3
via heuristic_height
5 ०धृ० main
via surya_layout
6 पञ्चैते चाप्यलङ्कारा विज्ञेयाश्चावरोहिणि॥१२९॥ main
via surya_layout
7 ₀णी annotation_inline
parent ligne 6
via heuristic_markers
8 प्रसन्नादिः प्रसन्नान्तो बिन्दुः कम्पितरेचितौ। main
via surya_layout
9 प्रेङ्कोलितस्तारमन्द्रो मन्द्रतारः समस्तथा।।१३०।। main
via surya_layout
10 सि्रवृत्तप्रवृत्तश्च उपलोलकवेणुकौ। main
via surya_layout
11 ₀त्तः annotation_inline
parent ligne 10
via heuristic_markers
12 द्वादशैतेऽप्यलङ्काराः सर्ववर्णाश्रयाः स्मृताः ॥१३१॥ main
via surya_layout
13 मन्द्रो मध्यश्च तारश्च अवलोकित एव च। main
via surya_layout
14 ०मे० annotation_inline
parent ligne 13
via heuristic_short
15 (त?) main
via surya_layout
16 अपाङ्गाख्यस्तथोर्मिश्च सर्ववर्णगताः स्मृताः ॥१३२॥ main
via surya_layout
17 •योभि• annotation_inline
parent ligne 16
via heuristic_short
18 ৹ল৹ main
via surya_layout
19 ०मा० annotation_inline
parent ligne 18
via heuristic_short
20 सप्तरूपगता ज्ञेया अलङ्कारा बुधैरिमे। main
via surya_layout
21 ৹ব৹ annotation_inline
parent ligne 20
via heuristic_short
22 नैते सर्वे4० ध्रुवास्विष्टा 41अतिवर्णप्रकर्षणात्।।१३३।। main
via surya_layout
23 42列。 annotation_inline
parent ligne 22
via heuristic_short
24 ₀षा तु annotation_inline
parent ligne 22
via heuristic_markers
25 . <sup>43</sup>नेष्यन्ते हि           <sup>43</sup>,स्वेते       <sup>43</sup>जा。 main
via surya_layout
26 44न हि वर्णप्रकर्षस्तु ध्रुवाणां सम्प्रशस्यते। main
via surya_layout
27 णा (?) annotation_inline
parent ligne 26
via heuristic_short
28 श्येनो वाऽप्यथवा बिन्दुर्ये चान्ये प्रतिकर्षणाः ॥१३४॥ main
via surya_layout
29 सतेमा annotation_inline
parent ligne 28
via heuristic_short
30 ₀न्दुःरे (?) annotation_inline
parent ligne 28
via heuristic_markers
31 45[ ते ध्रुवाणां प्रयोगेषु न कार्याः स्वप्रमाणतः।] editorial_bracket
parent ligne 28
via heuristic_brackets
32 ध्वाणां च प्रयोगे46ं तु कार्याश्चारोहिणः स्वराः ॥ १३५॥ main
via surya_layout
33 स्ण₃ unknown
via fallback
34 यस्मादर्थानुरूपा हि ध्रुवा कार्यार्थदर्शिका। main
via surya_layout
35 ०भिः annotation_inline
parent ligne 34
via heuristic_short
36 गुरुः सा++++ भिर्पुवा main
via surya_layout
37 वर्णानां तु पुनः कार्यं कृशत्वं च ध्रुवास्वलम्।।१३६॥ main
via surya_layout
38 (यः ? यं ) annotation_inline
parent ligne 37
via heuristic_short
39 येऽत्र प्रयोगं47 गच्छन्ति तांश्च वर्णान् निबोधत। main
via surya_layout
40 ०गे annotation_inline
parent ligne 39
via heuristic_short
41 यः annotation_inline
parent ligne 39
via heuristic_height
42 स्थायिवर्णादृते चैषां सम्प्रवक्ष्यामि लक्षणम्।।१३७।। main
via surya_layout

vol_I_p023 RIGHT — 27 lignes

page vol_I_p023 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 29 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 expound antara - mūrchanā 66 in both the grāmas, or in both the grāmas, şadja main
via surya_layout
4 and madhyama svaras become grāmanīs67 (leader of grāma), the other svaras main
via surya_layout
5 become their agre-sara 68 (movers in front). main
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6 (52) annotation_inline
parent ligne 5
via heuristic_height
7 Thus I have spoken of the śrutis that are seated in grāma.69 main
via surya_layout
8 Here ends the section on srutis. annotation_inline
parent ligne 7
via heuristic_height
9 IV [The Section on Svaras] section_header
via surya_layout
10 [The laksana of svaras] section_header
via surya_layout
11 Now I shall speak of the ascertainment of svaras. In this context, initially, the main
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12 (53) annotation_inline
parent ligne 11
via heuristic_height
13 etymology of the word 'svara' is being spoken about. main
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14 From the root raje, meaning brilliance, to which is prefixed the word sva main
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15 (the word 'svara' is derived); because (the meaning is) that which shines by main
via surya_layout
16 (54) annotation_inline
parent ligne 15
via heuristic_height
17 itself, hence it is known as svara. main
via surya_layout
18 [ Anu. 15 ] editorial_bracket
parent ligne 17
via heuristic_brackets
19 But what is meant by svara? It is being answered - the dhvani (sound) which main
via surya_layout
20 is the progenitor of raga? (lit. colour, delight) is svara. Similarly, also said main
via surya_layout
21 Kohala. annotation_inline
parent ligne 20
via heuristic_height
22 "By the will of the atman, the vayu (that is) moving upward from the base of main
via surya_layout
23 the 'earth's (nābhi, navel) (and) is held on the 'wall'4 of the nādīs and in the main
via surya_layout
24 space, is known as svara, the delightful<sup>5</sup> sound." main
via surya_layout
25 (Anu. 16) annotation_inline
parent ligne 24
via heuristic_height
26 But svara in this way is one or many, pervasive or non-pervasive or is it main
via surya_layout
27 eternal or non-eternal? annotation_inline
parent ligne 26
via heuristic_height
171 lignes a valider — change uniquement les roles incorrects.