Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20805). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p109 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	[Chapter V]	section_header via surya_layout
2	[Desī rāgas]	section_header via surya_layout
3	[Propitiation]	section_header via surya_layout
4	I make obeisance to the Devīl who bears a red hue like that of the bandhūka	main via surya_layout
5	(flower), has three eyes, wears a crest of the kalā (part) of the one having rays	main via surya_layout
6	of ampta (nectar) (crescent moon), wears red clothes, is bent with the weight	main via surya_layout
7	of breasts that are becoming plump and elevated, is conventionally associated	main via surya_layout
8	with the begininning of youth, is adorned with all ornaments, has abode in	main via surya_layout
9	the lotus, whose body bears association with the citron fruit, whose (two)	main via surya_layout
10	hands hold the snare (pāśa) (and) hook (ankuśa) (and the other two) hands	main via surya_layout
11	are held in the abhaya (granting of freedom from fear) and vara (granting	main via surya_layout
12	of boons) gestures and who is the yoni (origin, birth-place) of the universe.	main via surya_layout
13	(345)	annotation_inline parent ligne 12 via heuristic_height
14	[Threefold desi ragās]	section_header via surya_layout
15	After this I shall speak of the group of desī rāgas, which embodies the	main via surya_layout
16	combination of practice (laksya) and theory (laksana) and is threefold4; viz.	main via surya_layout
17	rāgānga, bhāṣānga and kriyānga as the third one.	main via surya_layout
18	(346, 347)	annotation_inline parent ligne 17 via heuristic_height
19	I shall speak of the description of each of them one after another.	main via surya_layout
20	(348)	annotation_inline parent ligne 19 via heuristic_height
21	All rāgāngas are so called by the experts in music because they bear only	main via surya_layout
22	a reflection or shadow (chāyā) of the grāmarāgas that have been spoken of.	main via surya_layout
23	(349)	annotation_inline parent ligne 22 via heuristic_height
24	Bhāṣāṅgas are so called by the singers devoted to the rendering of	main via surya_layout
25	panegyrics because they are based on the reflection or shadow (châyā) of	main via surya_layout
26	bhāṣās<sup>7</sup> and hence become similar to the same (bhāṣās).	main via surya_layout
27	(350)	annotation_inline parent ligne 26 via heuristic_height
28	Kriyāngas are so called because they are born of the kriyā<math>^8</math> (special way of	main via surya_layout
29	rendering), born of karuna (pathos), utsāha 9 (enthusiasm) and the like.	main via surya_layout
30	(351)	annotation_inline parent ligne 29 via heuristic_height
31	The set of regulations prescribed earlier for the mārga-rāgas, could	main via surya_layout
32	sometimes become otherwise in desī-rāgas, bhāṣās and the like.	main via surya_layout
33	(352)	annotation_inline parent ligne 32 via heuristic_height
34	[Bhāṣāṅgarāgas<sup>10</sup>]	editorial_bracket parent ligne 32 via heuristic_brackets
35	[1. Kacchelli]	section_header via surya_layout
36	Kacchelli 11 is known to have madhyama as amsa, graha (and) nyāsa,	main via surya_layout
37	has low(mandra) ri (rṣabha) (and) has leaning towards high (tāra), is devoid	main via surya_layout
38	of ga-dha (gāndhāra-dhaivata) and should be known to have profuse	main via surya_layout
39	movement of pa-ri (pañcama-ṛṣabha).	main via surya_layout
40	(353)	annotation_inline parent ligne 39 via heuristic_height
41	(vide)	annotation_inline parent ligne 39 via heuristic_height

vol_I_p016 RIGHT — 33 lignes

L#	Texte OCR	Role auto
1	15	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	"Some who are adept in the knowledge of śrutis, speak of twenty-two śrutis;	main via surya_layout
4	some (speak of them) as being differentiated into sixty-six. Others propound	main via surya_layout
5	their infinity itself."	annotation_inline parent ligne 4 via heuristic_height
6	(Anu. 7)	annotation_inline parent ligne 4 via heuristic_height
7	But then, what is the measure of śruti? It is being explained. Pañcama is	main via surya_layout
8	known as being seated in the two grāmas.19 The difference of that (pañcama)	main via surya_layout
9	through utkarşa 20 (augmentation) and apakarşa 21 (diminution) through	main via surya_layout
10	mārdava 22 (lit. softness) and āyatatva 23 (lit. the state of being stretched or	main via surya_layout
11	extended) is the measure of śruti (lit. śruti is of that measure).	main via surya_layout
12	(Anu. 8)	annotation_inline parent ligne 11 via heuristic_height
13	Now the nidarsana 24 (demonstration) of the twenty-two-fold nature of srutis	main via surya_layout
14	is thus (being given). Having made two viņās equal in measure,25 string,26	main via surya_layout
15	upavādana 27 (the place where the strings are tied up at the lower end of the	main via surya_layout
16	viņā), daņļa28 (rod or board) and mūrchanā29 (tuning), they (two viņās) should	main via surya_layout
17	be established in şadjagrāma.50 On one of these, having made the śruti	main via surya_layout
18	madhyamagrāmiki31 (belonging to madhyama-grāma) on account of the apakarşa	main via surya_layout
19	(lowering) of pañcama, (one) should make the same śruti şadjagrāmikī 32	main via surya_layout
20	(belonging to sadjagrāma) on account of pañcama.35 Thus (the vinā) becomes	main via surya_layout
21	lowered by (one) śruti, but there is no special gain,34 because of there being	main via surya_layout
22	only the perception of high and low. Again one should lower in the same	main via surya_layout
23	manner<sup>35</sup> so that gāndhāra and niṣāda that are the subjects (kartṛ in dual no.)	main via surya_layout
24	on one viņā will 'enter' the rabha-dhaivata 36 that have attained objectification	main via surya_layout
25	(karmatā) on the unchanged (sthirā) viņā on account of their (of gāndhāra-	main via surya_layout
26	niṣāda) being 'more's7 (higher) by two śrutis (each, in relation to ṛṣabha-	main via surya_layout
27	dhaivata). Again also, the dhaivata-ṛṣabha on the cala (mobile) viṇā that is	main via surya_layout
28	lowered in the same manner, will enter the pañcama-şadja on the other (viņā),	main via surya_layout
29	on account of their being 'more's8 (higher) (than the latter) by three śrutis	main via surya_layout
30	(each). Again also, on the (cala) viņā that is lowered in the same way, pañcama,	main via surya_layout
31	madhyama and şadja enter madhyama, gandhara and nişada respectively on the	main via surya_layout
32	other on account of their being 'more'39 (higher) (than the latter) by four	main via surya_layout
33	śrulis.	annotation_inline parent ligne 32 via heuristic_height

vol_I_p057 LEFT — 49 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	96	page_number via heuristic_pagenum
3	निधधनि २२धपपध पममप	page_header via surya_layout
4	मगगम गरिरिंग रिसंसरि [ इति ]	page_header via surya_layout
5	सनिनिस	page_header via surya_layout
6	अथवा—	page_header via surya_layout
7	१६ \|	page_header via surya_layout
8	प्रसादः ।	page_header via surya_layout
9	\| अन्₀ ८६ \|	page_header via surya_layout
10	द्वौ द्वौ स्वरौ द्विकलौ २३सञ्चरन्तावारोहक्रमेणावरोहाच्चोद्वाहितः । [ यथा— ]	page_header via surya_layout
11	वि॰	page_header via surya_layout
12	∙डु	page_header via surya_layout
13	<sup>21</sup>सरि रिंग गम मप पध धनि निस सनि निध धप पम मग गरि रिस [ इति ]	page_header via surya_layout
14	उद्वाहितः।	page_header via surya_layout
15	\| १७ \|	page_header via surya_layout
16	अनु₀ ८७	page_header via surya_layout
17	द्विरभ्यस्तैरुपलोलकः। यथा—सरिसरि रिगरिग	page_header via surya_layout
18	अयमेव	page_header via surya_layout
19	गमगम	page_header via surya_layout
20	मपमप	page_header via surya_layout
21	पधपध	page_header via surya_layout
22	धनिधनि निसनिस सनिसनि निधनिध धपधप पमपम मगमग गरिगरि रिसरिस	page_header via surya_layout
23	[ १८ ]	page_header via surya_layout
24	<b>इति । उपलोलकः।</b>	page_header via surya_layout
25	। अनु₀ ८८ ।	page_header via surya_layout
26	एकादिक्रमेणान्तरस्वरेष्वारुह्य	page_header via surya_layout
27	पुनरवरोहणक्रमण	page_header via surya_layout
28	स्थायिन	page_header via surya_layout
29	स्वर	page_header via surya_layout
30	गत्वा	page_header via surya_layout
31	प्रस्तारक्रमेणैव एकैकाभिवृद्ध्या यत्र स्वरा उच्चार्यन्ते तत्र स क्रमः। अयमेकरूपत्वात्	page_header via surya_layout
32	परिवा	page_header via surya_layout
33	प्रस्तारेण [न] भिद्यते। [ यथा ] सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस	page_header via surya_layout
34	्रगा	page_header via surya_layout
35	॰मा॰	page_header via surya_layout
36	ुपा	page_header via surya_layout
37	सरिगमपधधपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस-सनिधपमगरिस	page_header via surya_layout
38	्नीनी,	page_header via surya_layout
39	धा	page_header via surya_layout
40	क्रमः। अथवान्तरस्वरमारुह्य काकलीं गत्वा तेनैव क्रमेणावरुह्य स्थायिन्यागम्यते स	page_header via surya_layout
41	<sub>व</sub>के	page_header via surya_layout
42	क्रमः [ यथा - ] सगनिनिगस [ इति ] क्रमः।	page_header via surya_layout
43	[ १९ ]	page_header via surya_layout
44	[ अनु。 ८९ ]	editorial_bracket via heuristic_brackets
45	अाद्यं तृतीयं ततो द्वितीयं ततश्च चतुर्थमनेनैव क्रमेणान्यानप्यारुह्य मन्द्राव्निष्कृजितः।	unknown via fallback
46	₀रो₀	annotation_inline via heuristic_markers
47	कोहलमते च एकान्तरस्वरारोहान्निष्कूजितः । [ यथा - ] सग रिम गप मध पनि धस	editorial_bracket via heuristic_brackets
48	[ इति निष्कृजितः ]	editorial_bracket via heuristic_brackets
49	[ २० ]	editorial_bracket via heuristic_brackets

vol_II_p077 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	137	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	Sauvīrī should be known as the first one, vega-madhyamā the second,	main via surya_layout
4	sādhāritā is the third one and gāndhārī the fourth. Thus should be known the	main via surya_layout
5	four <i>bhāṣās</i> born of <i>sauvīraka</i>.	main via surya_layout
6	<math>(30c-31)</math>	main via surya_layout
7	Suddhabhinnā, vārāṭī, similarly dhaivatabhūṣitā and then viśālā are said	main via surya_layout
8	to be born of <i>bhinnapañcama</i>.	main via surya_layout
9	(32)	annotation_inline parent ligne 8 via heuristic_short
10	The bhāṣā called māṅgalī is born of boṭṭa-rāga. In mālavapañcama is born	main via surya_layout
11	bhāvinī, the one that is beautiful for the people.	main via surya_layout
12	(33)	annotation_inline parent ligne 11 via heuristic_short
13	Mālavā (and) bhinnavālikā should be known to be born of ṭakkakaiśika,	main via surya_layout
14	and drāvidī is the third bhāṣā there that is described with characteristics	main via surya_layout
15	(lakṣaṇas).	annotation_inline parent ligne 14 via heuristic_short
16	(34)	main via surya_layout
17	The two known as bāhyaṣāḍavā and nādākhyā are born in vesaraṣāḍava.	main via surya_layout
18	Tānodbhavā should be known as being assigned to bhinnatāna.	main via surya_layout
19	(35)	annotation_inline parent ligne 18 via heuristic_height
20	In gāndhārapañcama, gāndhārikā is the one bhāṣā that is accepted.	main via surya_layout
21	Gāndhārī is with profuse gāndhāra and is delightful to the people in	main via surya_layout
22	pañcama (gāndhārapañcama). In revagupta<sup>13</sup> (?) śakākhyā is the one	main via surya_layout
23	spoken of in <i>pañcamaṣāḍav</i>a.	main via surya_layout
24	(36)	annotation_inline parent ligne 23 via heuristic_short
25	Thus are obvious the bhāṣās that are born in manifold ways. Now listen	main via surya_layout
26	to their description alongwith illustration for each one.	main via surya_layout
27	(37)	main via surya_layout
28	[The description of bhāṣās]	section_header via surya_layout
29	[1. Bhāṣās in ṭakka-rāga]	section_header via surya_layout
30	It has madhyama as its amśa, şadja as its concluding note, is devoid of	main via surya_layout
31	pañcama and there is to be seen here again and again the mutual	main via surya_layout
32	movement<sup>14</sup> of dhaivata-niṣāda and similarly ṣadja - dhaivata. This should	main via surya_layout
33	be known as hexatonic. Travaņā should bear the name mūlā.	main via surya_layout
34	(38-39)	annotation_inline parent ligne 33 via heuristic_height

vol_II_p125 LEFT — 28 lignes

L#	Texte OCR	Role auto
1	L	annotation_inline parent ligne 5 via heuristic_height
2	· - 1 1 1	annotation_inline parent ligne 5 via heuristic_height
3	232	page_number via heuristic_pagenum
4	BRHADDESĪ	page_header via surya_layout
5	[घ. पुनर्वर्णेला-सप्तकम्]	section_header via surya_layout
6	रमणी चन्द्रिका लक्ष्मी: पद्मिनी रञ्जिनी तथा।	main via surya_layout
7	मालती मोहिनी चेति वर्णेलासप्तकं तथा ॥ ४५९॥	main via surya_layout
8	[१. रमणी]	section_header via surya_layout
9	समा यत्र यति: पादे प्रथमे च द्वितीयके ।	main via surya_layout
10	द्विगिद्वितीयके(?)	annotation_inline parent ligne 9 via heuristic_height
11	पादे पादे च नादाढ्या षट्पदी रमणीति सा ॥४६०॥	main via surya_layout
12	॰द्यो॰	annotation_inline parent ligne 11 via heuristic_markers
13	[२.चन्द्रिका]	section_header via surya_layout
14	स्रोतोगता समा चैव यत्र पादद्वये भवेत्।	main via surya_layout
15	बिन्दुभिर्गमकैर्युक्ता चन्द्रिणीति प्रकीर्तिता ॥४६१॥	main via surya_layout
16	[३.लक्ष्मी]	section_header via surya_layout
17	गोपुच्छा च समा स्रोता यत्र पादत्रयेऽपि च ।	main via surya_layout
18	मूर्छना नादसहिता सैला लक्ष्मीरिति स्मृता ॥४६२॥	main via surya_layout
19	[४.पद्मिनी]	section_header via surya_layout
20	आद्ये पादे द्वितीये च तृतीये च चतुर्थके ।	main via surya_layout
21	वर्णध्वनिसमायुक्ता पद्मिन्येला निगद्यते ॥ ४६३॥	main via surya_layout
22	[५.रञ्जिनी]	section_header via surya_layout
23	प्रथमे च समा प्रोक्ता द्वितीये च तृतीयके ।	main via surya_layout
24	स्रोता	annotation_inline parent ligne 23 via heuristic_height
25	गोपुच्छा गमकाढ्या च रञ्जिनी नाम सा भवेत् ॥४६४॥	main via surya_layout
26	[६. मालती]	section_header via surya_layout
27	लघुभिर्गुरुभिर्वर्णैयां तु प्रासैर्विनिर्मिता ।	main via surya_layout
28	यथेष्टका चतुष्पादा सा चैला मालती मता ॥ ४६५॥	main via surya_layout

185 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p109 RIGHT — 41 lignes

vol_I_p016 RIGHT — 33 lignes

vol_I_p057 LEFT — 49 lignes

vol_II_p077 RIGHT — 34 lignes

vol_II_p125 LEFT — 28 lignes