Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20824). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p110 RIGHT — 31 lignes

L#	Texte OCR	Role auto
1	203	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[2. Māngālī]	section_header via surya_layout
4	Having gāndhāra as graha and nyāsa, şadja as amśa, devoid of tāra, sa (şadja)	main via surya_layout
5	being mandra (low), it is always devoid of pa-ri (pañcama-ṛṣabha).	main via surya_layout
6	(354)	annotation_inline parent ligne 5 via heuristic_height
7	Having şadja as amsa, dha (dhaivata) as graha (and) nyāsa, having dha	main via surya_layout
8	(dhaivata) as low (mandra), leaning towards high (tāra), formed with even	main via surya_layout
9	svaras and being complete, <math>m\bar{a}ng\bar{a}\bar{u}^{12}</math> is sung by the people.	main via surya_layout
10	(355)	annotation_inline parent ligne 9 via heuristic_height
11	[3. Bhammānikā]	section_header via surya_layout
12	Bhammānikā 13 should be known by the wise to have pañcama as amsa, graha	main via surya_layout
13	and nyāsa, low ga (gāndhāra) (and) high şadja, being devoid of ri (ṛṣabha) and	main via surya_layout
14	with sparse dha-ga (dhaivata- gāndhāra).	main via surya_layout
15	(356)	annotation_inline parent ligne 14 via heuristic_height
16	[4. Pulindikā]	section_header via surya_layout
17	Pulindikā14 has dhaivata as nyāsa, is devoid of ga-pa (gāndhāra-pañcama)	main via surya_layout
18	(and) there is concert between sadja-dhaivata and similarly between dhaivata-	main via surya_layout
19	rşabha.	annotation_inline parent ligne 18 via heuristic_short
20	(357)	main via surya_layout
21	[5. Gāndhārasindhu]	section_header via surya_layout
22	Gāndhārasindhu<sup>15</sup> .....	table via surya_layout
23	(358)	main via surya_layout
24	[6. Kārņāţī]	section_header via surya_layout
25	Having sadja as nyāsa and graha, dha (dhaivata) as amsa, high ga	main via surya_layout
26	(gāndhāra) and low madhyama, with even svaras and complete, is (the bhāṣā)	main via surya_layout
27	karnāļi<sup>16</sup> by name.	main via surya_layout
28	(359)	main via surya_layout
29	,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,	annotation_inline parent ligne 28 via heuristic_height
30	Thus ends the fifth chapter entitled desi-rāgādhyāya in	main via surya_layout
31	Bṛhaddesī composed by Matanga Muni.	main via surya_layout

vol_II_p147 RIGHT — 43 lignes

L#	Texte OCR	Role auto
1	277	page_number via heuristic_pagenum
2	PĂTHAVIMARŚA	page_header via surya_layout
3	पांशग्रहान्ता सम्पूर्णा भाषा मालवपञ्चमे ।	main via surya_layout
4	वनेषु कामिनीसङ्गे नियोज्या ऋषिकैनरै:॥	main via surya_layout
5	विभावनीति तामेवाचष्ट याष्टिकसत्तमः॥	main via surya_layout
6	122. The name of this bhāṣā is read as mālavā at the end of the	main via surya_layout
7	illustration and so it is in S Rāj II.2.1.905.	main via surya_layout
8	123,124. cf. सञ्चार: सधयोर्यस्यां रिधयोधैव दृश्यते ।	main via surya_layout
9	Kalā (appendix) on SR II, p. 137.	main via surya_layout
10	125. In spite of this adjective indicating the completeness of this	main via surya_layout
11	bhāṣā, the illustration omits ṣaḍja.	main via surya_layout
12	126. SR II. 1. 30 cd reads this name as bhinnavalitā and so does S Rāj	main via surya_layout
13	II.2.1.131 c; ibid 88a reads bhinnalalitā and ibid 907c reads bhinnavallikā.	main via surya_layout
14	Our text seems to change bhinnavalikā to bhinnavālikā in verse 34 c in order	main via surya_layout
15	to meet the demand of metre, the sixth syllable being required to be long.	main via surya_layout
16	At this point of our text the change to bhinnalālikā or bhinnalālitā seems to	main via surya_layout
17	involve an error of deciphering or copying.	main via surya_layout
18	127. Kalā (appendix) on SR II, p.137 reads 'magrahāmśā' describing	main via surya_layout
19	madhyama as graha and aṁśa.	main via surya_layout
20	128. cf. पञ्चमांशग्रहा धान्ता पूर्णा मध्यमभूयसी ।	main via surya_layout
21	मध्यमग्रामगा भाषा धनिसङ्गतिराजिता ॥	main via surya_layout
22	द्राविडी देशनाम्रेयं विख्याता याष्ट्रिकोदिता ॥	main via surya_layout
23	S Rāj II.2.1.912.	annotation_inline parent ligne 22 via heuristic_short
24	The illustration in our text is not in accordance with any of the three	main via surya_layout
25	divergent descriptions viz. those in our text, Kalā and S Rāj.	main via surya_layout
26	129. The dual number of the instrumental case has been changed to	main via surya_layout
27	the same number of the genitive case, because the instrumental case would	main via surya_layout
28	require reference to some other svara with which the two svaras composed	main via surya_layout
29	of two śrutis each are supposed to have to and fro movement. Kalā (appen-	main via surya_layout
30	dix) on SRII, p. 141 reads 'nigayo rigayoryuktā'.	main via surya_layout
31	्सम्पूर्णा, यं विना बाह्मपाडवा कैधिदिप्यते ।	main via surya_layout
32	130. cf.	annotation_inline parent ligne 31 via heuristic_short
33	S Rāj II.2.1.107 cf.	main via surya_layout
34	131. Corresponding to this, S Rāj II.2.1.1081 gives a bhāṣā named	main via surya_layout
35	națță, which is described as being complete.	main via surya_layout
36	पञ्चमांशान्तिमा ताना भिन्नताने रिवर्जिता ।	main via surya_layout
37	132. cf.	annotation_inline parent ligne 36 via heuristic_short
38	सकाकलिका शृङ्गारे विनियुक्ता पुरातनै: ॥	main via surya_layout
39	ताना भाषैकिका भिन्नताने याष्ट्रिकसम्मता ॥	main via surya_layout
40	S Rāj 11.2.1.1097,1099.	main via surya_layout
41	The illustration of this bhāṣā is not available in our text; the illustration	main via surya_layout
42	contained in p.t. at this point as follows seems to be out of place, since rşabha	main via surya_layout
43	--------------------------------------	annotation_inline parent ligne 42 via heuristic_height

vol_II_p082 RIGHT — 26 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	147	page_number via heuristic_pagenum
3	of takkarāga is well-known as kolāhalī, being sung by the knowledgeable ones	main via surya_layout
4	in music.	annotation_inline parent ligne 3 via heuristic_short
5	<math>(56-57)</math>	main via surya_layout
6	Illustration - Sāmāsāmā. Māmāgādhāmāgārisāsā. Dhāsāgāgārisāsā.	main via surya_layout
7	Mādhasāsā-rirīrigāgāmāmāgārī gādhāmārīsāsā. Dhārīsāsāmādharīmādharīrī	main via surya_layout
8	dhādhāgarīgāsāsāsāmāgārīsāsā gārīmāgārīsā dhādhāmāgārīsā. Kolāhalī [xiv]	editorial_bracket parent ligne 7 via heuristic_brackets
9	The bhāṣā madhyamagrāmadehā<sup>21</sup> (madhyamagrāmikā) is known to be	main via surya_layout
10	always complete, has madhyama as amśa and sadja as the concluding note,	main via surya_layout
11	bears the concert between <i>ṣaḍja</i> and <i>madhyama</i>. This <i>bhāṣā</i> is always <i>saṅkīrṇā</i>	main via surya_layout
12	(mixed) and is placed in takkarāga.	main via surya_layout
13	(58)	annotation_inline parent ligne 12 via heuristic_short
14	Illustration - Mādhānī, Gādhānī, Sānīdhā, Māmāmādhānīmādhā	main via surya_layout
15	nīsāsāmādhānī. Mā. Dhānīnī. Dhāpāgārīgāsāsā. Gāsāsā. Nīnīsānī. Dhādhā.	main via surya_layout
16	Nidhāmāmāmādhānīdhāmāmā dhanīmādhānīsāsā. Madhyamadehā (xv)	main via surya_layout
17	Gāndhārapahācamī should be known to have dhaivata as amśa, sadja as the	main via surya_layout
18	concluding note, is embellished with the svara gandhara, has the combination	main via surya_layout
19	between ṣaḍja-madhyama, is complete and saṅkīrṇā (mixed), being sung by	main via surya_layout
20	the <i>Nāgas</i><sup>22</sup> and <i>Kinnaras</i>.<sup>23</sup>	main via surya_layout
21	(59)	annotation_inline parent ligne 20 via heuristic_short
22	Illustration - Dhadhāpāpādhāmāmā. Dhāpāmāmā dhāpāmāgārī. Gāgā.	main via surya_layout
23	Dhāpamāgāsā. Sāmāsānīdhādhā. Mādhānīsāsā. Sāgāgasāgāgadharidhā	main via surya_layout
24	māmādhārīgāgāmādhāpāmāgāsā nidhānisāsāpāsā. Gāndhārapancami [xvi]	editorial_bracket parent ligne 23 via heuristic_brackets
25	These are the sixteen (bhāṣās) of ṭakkarāga spoken of by Yāṣṭika.	main via surya_layout
26	(60)	page_footer via surya_layout

vol_II_p065 RIGHT — 37 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	113	page_number via heuristic_pagenum
3	[5. Boţţa-rāga]	section_header via surya_layout
4	Boṭṭarāgashould be known to be born of ṣaḍjamadhyamājāti and pancamī,	main via surya_layout
5	has pañcama as its amsa and madhyama as the concluding note.	main via surya_layout
6	(324)	annotation_inline parent ligne 5 via heuristic_height
7	[Anu. 196]	section_header via surya_layout
8	This means-bottarāga is related to ṣaḍjagrāma on account of being born of	main via surya_layout
9	şadjamadhyamā and pancamī jātis. Although it is born of two jātis arising out	main via surya_layout
10	of the two grāmas, yet it is related to sadjagrāma because of pañcama being	main via surya_layout
11	comprised of four śrutis. Pañcama is the graha and aniśa, madhyama the nyāsa.	main via surya_layout
12	There is sparseness of niṣāda and gāndhāra. Niṣāda is kākalī here and this	main via surya_layout
13	(rāga) is complete in svaras. Its application is prescribed in festivities.	main via surya_layout
14	Śānta<sup>69</sup> and the like is the rasa. The mūrchanā beginning with paūcama	main via surya_layout
15	obtains. Ārohin is the varņa. Prasannānta is the alankāra. The kalā is formed	main via surya_layout
16	in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga), and the kalā	main via surya_layout
17	prevails in the citra (mārga). A tāla like caccatpuţa obtains in songs comprised	main via surya_layout
18	of svara and pada.	annotation_inline parent ligne 17 via heuristic_height
19	[6. Hindola]	section_header via surya_layout
20	Hindolais combined with ṣaḍja as amśa and nyāsa, is devoid of dhaivata and	main via surya_layout
21	ṛṣabha and is formed with jātis excepting dhaivatī and ārṣabhī, in drama.	main via surya_layout
22	(325)	annotation_inline parent ligne 21 via heuristic_height
23	[Anu. 197]	section_header via surya_layout
24	This means -hindolaka is related to madhyamagrāma. (Contention) Its	main via surya_layout
25	relation with the two grāmas alone is proper on account of its being born of	main via surya_layout
26	all the jātis (of both the grāmas) bearing the names of svaras excluding	main via surya_layout
27	dhaivatī and ārṣabhī and carrying the residue of relationship with ṣaḍjagrāma.	main via surya_layout
28	Why is it said to be based on madhyamagrāma? (Answer) On account of its	main via surya_layout
29	being devoid of dhaivata and ṛṣabha, its relation with madhyamagrāma alone	main via surya_layout
30	is justified because authorities like Bharata and Kohala have treated the	main via surya_layout
31	omission of dhaivata and ṛṣabha in ṣadjagrāma as undesirable.70	main via surya_layout
32	Some hold that it is based in sadjagrāma alone because pañcama comprised	main via surya_layout
33	of four śrutis is obtained here. The inomissibility of dhaivata should be	main via surya_layout
34	viewed only with respect to tāna and does not hold good everywhere. This	main via surya_layout
35	is improper. If this be so, then there would be no distinction between grāma	main via surya_layout
36	and mürchanā<sup>71</sup>	annotation_inline parent ligne 35 via heuristic_height
37	,	annotation_inline parent ligne 35 via heuristic_height

vol_II_p053 LEFT — 35 lignes

L#	Texte OCR	Role auto
1	88	page_number via heuristic_pagenum
2	BRHADDEŚĪ	page_header via surya_layout
3	मुख्य इति षाडवः ? तत्र नायम्। एकः । कुतः ? सम्पूर्णत्वादमुष्य रागस्य । तस्मादुत्तरपक्ष एव	main via surya_layout
4	ज्यायान्। ननु कथं षट्सु रागेषु मुख्योऽयम्? उच्यते पूर्व-[रङ्गे तु] शुद्धषाडव: प्रयोक्तव्य इति	editorial_bracket parent ligne 3 via heuristic_brackets
5	(कथनुकथन? कथं)	main via surya_layout
6	पुष	annotation_inline parent ligne 5 via heuristic_height
7	वचनात् पूर्वरङ्गे प्रचुरप्रयोगत्वादस्य शुद्धषाडवस्यादौ निर्देश:।	main via surya_layout
8	विकारिमध्यमाजाते: सम्भूत: शुद्धषाडव: ।	main via surya_layout
9	न्	annotation_inline parent ligne 8 via heuristic_height
10	न्यासोऽस्य मध्यमोंऽशश्च गान्धारेण च दुर्बल: ॥ ३००॥	main via surya_layout
11	<b>णांश</b>श	annotation_inline parent ligne 10 via heuristic_height
12	(तु? दु)	annotation_inline parent ligne 10 via heuristic_height
13	[अनु॰ १६५]	section_header via surya_layout
14	अस्यार्थः - शुद्धषाडवो मध्यमग्रामसम्बन्धः। तारमध्यमो ग्रहः। मध्यमोऽशो न्यासश्च ।	main via surya_layout
15	गान्धारस्य चाल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । पूर्वरङ्गेऽस्य	main via surya_layout
16	(इन ? इने)	annotation_inline parent ligne 15 via heuristic_short
17	मध्यमो वादी । षड्जः संवादी । ऋषभपञ्चमावनुवादिनौ । विवादी नास्ति ।	main via surya_layout
18	प्रयोग:।	annotation_inline parent ligne 17 via heuristic_short
19	शृङ्गारहास्यौ रसौ । मध्यमादिमूर्छना । अवरोही वर्ण: । प्रसन्नान्तोऽलङ्कार: ।	main via surya_layout
20	त्रिषु मार्गेषु	main via surya_layout
21	गीयते। दक्षिणे कला, वृत्तौ कला, चित्रे कला। ३८स्वरपदगीते चच्चत्पुटादिताल: ।	unknown via fallback
22	<b>ण्पदेप</b>	annotation_inline parent ligne 20 via heuristic_height
23	आक्षिप्तिका<sup>३९</sup>	main via surya_layout
24	॰सका	annotation_inline parent ligne 23 via heuristic_markers
25	[२. शुद्धपञ्चम:]	section_header via surya_layout
26	ДO	annotation_inline parent ligne 25 via heuristic_height
27	[अनु॰ १६६]	editorial_bracket parent ligne 25 via heuristic_brackets
28	शुद्धपञ्चमः षड्जोदीच्यवतीजातेः स्मृतः।	main via surya_layout
29	र्गत:	annotation_inline parent ligne 28 via heuristic_height
30	[३. शुद्धसाधारित: ]	section_header via surya_layout
31	षड्जांशो मध्यमन्यासः स्वल्पद्विश्रुतिकस्वरः।	main via surya_layout
32	(बि?हि)	unknown via fallback
33	स्यात् षड्जमध्यमाजाते: शुद्धः साधारितस्तथा ॥ ३०१॥	main via surya_layout
34	erte Arresto de la composição de la composição de la composição de la composição de la composição de la composição de la	annotation_inline parent ligne 33 via heuristic_height
35	. . .	annotation_inline parent ligne 33 via heuristic_height

172 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p110 RIGHT — 31 lignes

vol_II_p147 RIGHT — 43 lignes

vol_II_p082 RIGHT — 26 lignes

vol_II_p065 RIGHT — 37 lignes

vol_II_p053 LEFT — 35 lignes