Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)
5 demi-pages random (seed 20838). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p106 LEFT — 33 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 6
via heuristic_height
2 BRHADDEŚĪ page_header
via surya_layout
3 194 page_number
via heuristic_pagenum
4 .....मालवी । [३]<sup>२४</sup> editorial_bracket
parent ligne 6
via heuristic_brackets
5 .....गुर्जरी । [४]<sup>२५</sup> editorial_bracket
parent ligne 6
via heuristic_brackets
6 मध्यामांशा २६धैवतान्ता षाडवा ऋषभोज्झिता । main
via surya_layout
7 ऋषभान्विता annotation_inline
parent ligne 6
via heuristic_height
8 गीयते यज्ञकाले या सा ख्याता बाह्यषाडवा ॥ २४॥ main
via surya_layout
9 उदाहरणम् - माधा । मानिनि पामापाधाधा । माधामागा गागागामा ममनिधा मापापानिधा- main
via surya_layout
10 धाधा । बाह्यषाडवा । [५] editorial_bracket
parent ligne 9
via heuristic_brackets
11 निषादांशा धैवतान्ता षाडवा स्याद्रिवर्जिता<sup>२७</sup>। main
via surya_layout
12 षद्द्जवर्जिता annotation_inline
parent ligne 11
via heuristic_short
13 कौसली देशसम्भूता प्रतीहारेषु गीयते ॥ २५॥ main
via surya_layout
14 कौसलदेश॰ annotation_inline
parent ligne 13
via heuristic_markers
15 उदाहरणम् – निनिधा । पामामा । मागमा । सासासासासा । मागमानिधाधा । कौसली । [६] editorial_bracket
parent ligne 13
via heuristic_brackets
16 गान्धारांशा मध्यमान्ता गान्धारी मध्यमाश्रिता<sup>२८</sup>। main
via surya_layout
17 (श?शा) annotation_inline
parent ligne 16
via heuristic_height
18 एकान्तवासिभिर्गीता मूलभाषा तु षड्जगा ॥ २६॥ main
via surya_layout
19 उदाहरणम् - गामापानीसासा । निधाधामा मामागामाधा । निसारी । सापामामा । धानीसारी । main
via surya_layout
20 गारीसानी । धामामा । गान्धारी । [७] editorial_bracket
parent ligne 19
via heuristic_brackets
21 २९धैवताद्यन्तसंयुक्ता रिहीना षाडवस्वरा । main
via surya_layout
22 ॰ पह्जर्पभहीना annotation_inline
parent ligne 21
via heuristic_markers
23 स्वरविवितका एषा गीयते दृढमानसै: ॥ २७॥ main
via surya_layout
24 + + बलितगा annotation_inline
parent ligne 23
via heuristic_height
25 उदाहरणम् - धाधामापा । गागामाधा निसानिधाधा पापागामा धासनिधानिसासागामा पापा- main
via surya_layout
26 धाधा । मधापामामा गधगामधानिसासा। निसानिगागा मासानीधा धापमामागाधा । सामाधा- main
via surya_layout
27 नी ससाधापामाधाधा । स्वरवलिता । [८] editorial_bracket
parent ligne 26
via heuristic_brackets
28 धैवताद्यन्तललिता पञ्चमर्षभवर्जिता । main
via surya_layout
29 षह्जपश्चम ॰ annotation_inline
parent ligne 28
via heuristic_markers
30 ३॰पञ्चस्वरा तु गीयेत प्रकृष्टा सा मता क्रमात् ॥ २८॥ annotation_inline
parent ligne 28
via heuristic_markers
31 - Paragraphy (Fig. 25) Apply (Head Co. 19) Apply (The Section 25) (25) annotation_inline
parent ligne 28
via heuristic_height
32 All the second second second second second second second second second second second second second second second second annotation_inline
parent ligne 28
via heuristic_height
33 والمراجع والمراكب والمراكب والمراجع والمراجع والمراجع والمراجع والمناكب annotation_inline
parent ligne 28
via heuristic_height

vol_I_p030 RIGHT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 , annotation_inline
parent ligne 4
via heuristic_height
2 43 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 The vivādi-maṇḍala in madhyama-grāma is thus — main
via surya_layout
5 ma annotation_inline
parent ligne 4
via heuristic_height
6 pa annotation_inline
parent ligne 4
via heuristic_height
7 ga unknown
via surya_layout
8 ц unknown
via surya_layout
9 dha unknown
via surya_layout
10 ni annotation_inline
parent ligne 4
via heuristic_height
11 sa annotation_inline
parent ligne 4
via heuristic_height
12 [The sevenfold combination of svaras according to the types beginning with editorial_bracket
parent ligne 4
via heuristic_brackets
13 ārcika] editorial_bracket
parent ligne 4
via heuristic_brackets
14 (Anu. 28) main
via surya_layout
15 Now the names of the sevenfold combination of svaras are being spoken of - main
via surya_layout
16 ārcika,45 gāthika,46 sāmika,47 svarāntara,48 auduva,49 şādava50 and sampūrņa.51 main
via surya_layout
17 Nārada has said so - main
via surya_layout
18 "Ārcika, gāthika, sāmika, svarāntara, auduva, sādava and the seventh is main
via surya_layout
19 sampūrņa. That which (involves) the use of one svara is called ārcika. Gāthika main
via surya_layout
20 should be known as being comprised of two svaras, the (combination of) three main
via surya_layout
21 svaras itself is sāmika. The use of four svaras is spoken of as svarāntara. Auduva is main
via surya_layout
22 with five (svaras), şāḍava is with six svaras and sampūrņa is known with seven main
via surya_layout
23 (svaras) by the designers (yoktṛns) of gīta 52 (music)." main
via surya_layout
24 [The etymology of svara-names] section_header
via surya_layout
25 ŧ annotation_inline
parent ligne 24
via heuristic_height
26 The producer of six svaras, or the one produced by six svaras, or that which main
via surya_layout
27 (55) annotation_inline
parent ligne 26
via heuristic_short
28 is born of six angas is called sadja.53 main
via surya_layout

vol_II_p115 RIGHT — 27 lignes

page vol_II_p115 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 213 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [9. Dodhaka] table
via surya_layout
4 Having sung the (first) half, the latter half is comprised of a stretching of svaras. table
via surya_layout
5 (391) table
via surya_layout
6 [10. <i>Totaka</i>] table
via surya_layout
7 [11. <i>Vastu</i>] section_header
via surya_layout
8 Where there are pāṭas and tennas 16 and the rest is comprised of a main
via surya_layout
9 stretching (elaboration) of svaras, that is vastu<sup>17</sup> used in desī gītas as well as main
via surya_layout
10 in drama. annotation_inline
parent ligne 9
via heuristic_short
11 (392) main
via surya_layout
12 [12. Krauńcapada] section_header
via surya_layout
13 Krauñcapada is known to those proficient in gandharva as that which is main
via surya_layout
14 sung in pratitāla, being comprised of pada and svara. main
via surya_layout
15 (393) main
via surya_layout
16 [13. Haṁsapada] section_header
via surya_layout
17 Where there is one foot in Sainskṛta and the second (foot) is composed in main
via surya_layout
18 a regional (language) (and) which is sung with rhyme, that song is known main
via surya_layout
19 as hamsapada. annotation_inline
parent ligne 18
via heuristic_short
20 (394) main
via surya_layout
21 [14. Śukasārika] section_header
via surya_layout
22 That which is combined with <i>tāla</i> (and) <i>pada</i>, bedecked with <i>pada</i> (and) main
via surya_layout
23 pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19. main
via surya_layout
24 (395) annotation_inline
parent ligne 23
via heuristic_short
25 That which is composed in the Karnāta language or is mixed (with other main
via surya_layout
26 languages) (and) is comprised of pada (text) embodying dialogue, is śukasārika. main
via surya_layout
27 (396) main
via surya_layout

vol_II_p114 RIGHT — 27 lignes

page vol_II_p114 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 211 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [3. <i>Gadya</i>] section_header
via surya_layout
4 That in which <math>t\bar{a}la</math> comes at the end along with the name of the object of main
via surya_layout
5 description 10 (divine or human) and is sung as such, is said here to be gadya, main
via surya_layout
6 by the proficient ones in music. main
via surya_layout
7 (385) annotation_inline
parent ligne 6
via heuristic_height
8 [4. Daṇḍaka] section_header
via surya_layout
9 Combined with <math>t\bar{a}la</math>, endowed with svara, bedecked with <math>p\bar{a}ta^{11}</math> in the main
via surya_layout
10 middle (and) again combined with pada, that song is known as daṇḍaka. main
via surya_layout
11 (386) main
via surya_layout
12 [5. Varņa] section_header
via surya_layout
13 Bedecked with birudas12 (eulogistic phrases) related to plenty, main
via surya_layout
14 renunciation, well-being or prosperity and combined also with <math>t\bar{a}la</math>, is varya (composed) in the <math> main
via surya_layout
15 (387) annotation_inline
parent ligne 14
via heuristic_short
16 ******* annotation_inline
parent ligne 14
via heuristic_height
17 [6. Paddhaḍi] section_header
via surya_layout
18 Combined with svara (and) pāṭa and endowed with tāla, composed in any main
via surya_layout
19 language and combined with birudas is that paddhaḍī. main
via surya_layout
20 (388) main
via surya_layout
21 [7. Adilā] section_header
via surya_layout
22 Where there is the brilliant arrangement of svaras at the end of every foot, main
via surya_layout
23 combined with <math>t\bar{a}la</math>, that is <math>a\dot{q}il\bar{a}^{14}</math> by name. main
via surya_layout
24 (389) annotation_inline
parent ligne 23
via heuristic_height
25 [8. Catușpadi] section_header
via surya_layout
26 Where the song is endowed with meaning in every unit of text (pada) main
via surya_layout
27 (and) is combined with <math>t\bar{a}la</math>, having svara and <math>tenaka</math>, that is <math>catuspadik\bar{a}</m main
via surya_layout

vol_I_p040 LEFT — 38 lignes

page vol_I_p040 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 62 page_number
via heuristic_pagenum
2 <b>BRHADDESI</b> page_header
via surya_layout
3 स X गमप ध नि main
via surya_layout
4 निस X गमप ध annotation_inline
parent ligne 3
via heuristic_short
5 धनिसxगमप main
via surya_layout
6 प ध नि स 🗶 ग म annotation_inline
parent ligne 5
via heuristic_short
7 म प ध नि स 🗶 ग main
via surya_layout
8 गमपधनिस 🗶 main
via surya_layout
9 . annotation_inline
parent ligne 8
via heuristic_height
10 x गमप ध नि स main
via surya_layout
11 ऋषभहीनाः। annotation_inline
parent ligne 10
via heuristic_short
12 [सरिगम 🗶 धनि editorial_bracket
parent ligne 10
via heuristic_brackets
13 निसरिगम 🗶 ध main
via surya_layout
14 ध निसरिगम 🗶 annotation_inline
parent ligne 13
via heuristic_short
15 X ध निस रिगम main
via surya_layout
16 म X ध नि स रि ग annotation_inline
parent ligne 15
via heuristic_short
17 गम 🗶 ध निस रि main
via surya_layout
18 रिगम 🗶 ध नि स annotation_inline
parent ligne 17
via heuristic_short
19 पञ्चमहीनाः। main
via surya_layout
20 सरिगमपध 🗶 annotation_inline
parent ligne 19
via heuristic_short
21 <b>X</b> स रिगम प ध main
via surya_layout
22 ध X स रिगमप annotation_inline
parent ligne 21
via heuristic_short
23 पध X स रिगम main
via surya_layout
24 म प ध 🗶 स रि ग annotation_inline
parent ligne 23
via heuristic_short
25 गमपध X सरि main
via surya_layout
26 1 page_number
via heuristic_pagenum
27 रिगमपध 🗶 स main
via surya_layout
28 निषादहीनाः । इति षाडवाः। main
via surya_layout
29 . annotation_inline
parent ligne 28
via heuristic_height
30 . annotation_inline
parent ligne 28
via heuristic_height
31 [ X रिगम X ध नि ] editorial_bracket
parent ligne 28
via heuristic_brackets
32 नि x रिगम x ध main
via surya_layout
33 ध नि X रिगम X annotation_inline
parent ligne 32
via heuristic_short
34 [ Хधनि X रिगम editorial_bracket
parent ligne 32
via heuristic_brackets
35 म X ध नि X रि ग main
via surya_layout
36 गम X ध नि X रि annotation_inline
parent ligne 35
via heuristic_short
37 रिगम 🗶 ध नि 🗶 main
via surya_layout
38 सपहीनाः। ] editorial_bracket
parent ligne 37
via heuristic_brackets
153 lignes a valider — change uniquement les roles incorrects.