Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20886). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p115 RIGHT — 27 lignes

page vol_II_p115 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 213 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [9. Dodhaka] table
via surya_layout
4 Having sung the (first) half, the latter half is comprised of a stretching of svaras. table
via surya_layout
5 (391) table
via surya_layout
6 [10. <i>Totaka</i>] table
via surya_layout
7 [11. <i>Vastu</i>] section_header
via surya_layout
8 Where there are pāṭas and tennas 16 and the rest is comprised of a main
via surya_layout
9 stretching (elaboration) of svaras, that is vastu<sup>17</sup> used in desī gītas as well as main
via surya_layout
10 in drama. annotation_inline
parent ligne 9
via heuristic_short
11 (392) main
via surya_layout
12 [12. Krauńcapada] section_header
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13 Krauñcapada is known to those proficient in gandharva as that which is main
via surya_layout
14 sung in pratitāla, being comprised of pada and svara. main
via surya_layout
15 (393) main
via surya_layout
16 [13. Haṁsapada] section_header
via surya_layout
17 Where there is one foot in Sainskṛta and the second (foot) is composed in main
via surya_layout
18 a regional (language) (and) which is sung with rhyme, that song is known main
via surya_layout
19 as hamsapada. annotation_inline
parent ligne 18
via heuristic_short
20 (394) main
via surya_layout
21 [14. Śukasārika] section_header
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22 That which is combined with <i>tāla</i> (and) <i>pada</i>, bedecked with <i>pada</i> (and) main
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23 pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19. main
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24 (395) annotation_inline
parent ligne 23
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25 That which is composed in the Karnāta language or is mixed (with other main
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26 languages) (and) is comprised of pada (text) embodying dialogue, is śukasārika. main
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27 (396) main
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vol_II_p053 LEFT — 35 lignes

page vol_II_p053 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 88 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 मुख्य इति षाडवः ? तत्र नायम्। एकः । कुतः ? सम्पूर्णत्वादमुष्य रागस्य । तस्मादुत्तरपक्ष एव main
via surya_layout
4 ज्यायान्। ननु कथं षट्सु रागेषु मुख्योऽयम्? उच्यते पूर्व-[रङ्गे तु] शुद्धषाडव: प्रयोक्तव्य इति editorial_bracket
parent ligne 3
via heuristic_brackets
5 (कथनुकथन? कथं) main
via surya_layout
6 पुष annotation_inline
parent ligne 5
via heuristic_height
7 वचनात् पूर्वरङ्गे प्रचुरप्रयोगत्वादस्य शुद्धषाडवस्यादौ निर्देश:। main
via surya_layout
8 विकारिमध्यमाजाते: सम्भूत: शुद्धषाडव: । main
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9 न् annotation_inline
parent ligne 8
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10 न्यासोऽस्य मध्यमोंऽशश्च गान्धारेण च दुर्बल: ॥ ३००॥ main
via surya_layout
11 <b>णांश</b>श annotation_inline
parent ligne 10
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12 (तु? दु) annotation_inline
parent ligne 10
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13 [अनु॰ १६५] section_header
via surya_layout
14 अस्यार्थः - शुद्धषाडवो मध्यमग्रामसम्बन्धः। तारमध्यमो ग्रहः। मध्यमोऽशो न्यासश्च । main
via surya_layout
15 गान्धारस्य चाल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । पूर्वरङ्गेऽस्य main
via surya_layout
16 (इन ? इने) annotation_inline
parent ligne 15
via heuristic_short
17 मध्यमो वादी । षड्जः संवादी । ऋषभपञ्चमावनुवादिनौ । विवादी नास्ति । main
via surya_layout
18 प्रयोग:। annotation_inline
parent ligne 17
via heuristic_short
19 शृङ्गारहास्यौ रसौ । मध्यमादिमूर्छना । अवरोही वर्ण: । प्रसन्नान्तोऽलङ्कार: । main
via surya_layout
20 त्रिषु मार्गेषु main
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21 गीयते। दक्षिणे कला, वृत्तौ कला, चित्रे कला। ३८स्वरपदगीते चच्चत्पुटादिताल: । unknown
via fallback
22 <b>ण्पदेप</b> annotation_inline
parent ligne 20
via heuristic_height
23 आक्षिप्तिका<sup>३९</sup> main
via surya_layout
24 ॰सका annotation_inline
parent ligne 23
via heuristic_markers
25 [२. शुद्धपञ्चम:] section_header
via surya_layout
26 ДO annotation_inline
parent ligne 25
via heuristic_height
27 [अनु॰ १६६] editorial_bracket
parent ligne 25
via heuristic_brackets
28 शुद्धपञ्चमः षड्जोदीच्यवतीजातेः स्मृतः। main
via surya_layout
29 र्गत: annotation_inline
parent ligne 28
via heuristic_height
30 [३. शुद्धसाधारित: ] section_header
via surya_layout
31 षड्जांशो मध्यमन्यासः स्वल्पद्विश्रुतिकस्वरः। main
via surya_layout
32 (बि?हि) unknown
via fallback
33 स्यात् षड्जमध्यमाजाते: शुद्धः साधारितस्तथा ॥ ३०१॥ main
via surya_layout
34 erte Arresto de la composição de la composição de la composição de la composição de la composição de la composição de la annotation_inline
parent ligne 33
via heuristic_height
35 . . . annotation_inline
parent ligne 33
via heuristic_height

vol_I_p022 LEFT — 24 lignes

page vol_I_p022 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 26 page_number
via heuristic_pagenum
2 <b>BRHADDES!</b> page_header
via surya_layout
3 इदानी सम्प्रवक्ष्यामि मध्यमश्रुतिमण्डलम् । main
via surya_layout
4 ज्ञेयस्तिस्रो ह्यतिक्रम्य मध्यमोऽयं चतुःश्रुतिः॥४८॥ main
via surya_layout
5 श्रुतिद्वयमतिक्रम्य तृतीया पञ्चमो भवेत्। main
via surya_layout
6 ०यः annotation_inline
parent ligne 5
via heuristic_height
7 ततस्तिस्रो ह्यतिक्रम्य चतुर्थी धैवतो भवेत्॥४९॥ main
via surya_layout
8 ॰र्यो annotation_inline
parent ligne 7
via heuristic_markers
9 ज्ञेयस्त्वेकामतिक्रम्य निषादस्तु द्वितीयिका। main
via surya_layout
10 •यकः annotation_inline
parent ligne 9
via heuristic_height
11 श्रुतित्रयमतिक्रम्य ततः षड्जश्चतुर्थिका॥५०॥ main
via surya_layout
12 <b>ः</b>र्थकः annotation_inline
parent ligne 11
via heuristic_height
13 ऋषभस्तु द्वयं त्यक्त्वा तृतीया परतो भवेत् । main
via surya_layout
14 • यः annotation_inline
parent ligne 13
via heuristic_height
15 श्रुतिमेकामतिक्रम्य गान्धारः स्याद् द्वितीयिका॥५१॥ main
via surya_layout
16 •यकः annotation_inline
parent ligne 15
via heuristic_height
17 [ तद्यथा — ] मध्यमग्रामे श्रुतिमण्डलम्— editorial_bracket
parent ligne 15
via heuristic_brackets
18 म annotation_inline
parent ligne 15
via heuristic_height
19 ग annotation_inline
parent ligne 15
via heuristic_height
20 रि unknown
via surya_layout
21 स annotation_inline
parent ligne 15
via heuristic_height
22 नि unknown
via surya_layout
23 [ अनु. १४ ] editorial_bracket
parent ligne 15
via heuristic_brackets
24 भरतस्तु पुनऋषभादिश्रुतिमण्डलं दर्शयति। main
via surya_layout

vol_II_p120 LEFT — 30 lignes

page vol_II_p120 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŚĪ page_header
via surya_layout
3 222 page_number
via heuristic_pagenum
4 वर्णनीयसमायुक्ता मते केषाञ्चिदिष्यते । main
via surya_layout
5 रम्यगीतगुणैर्युक्ता छन्दोगणसमन्विता ॥ main
via surya_layout
6 अलङ्काररसोपेता कर्तव्यैला मनीषिभि: ॥४२२॥ main
via surya_layout
7 [एलाभेदा:] section_header
via surya_layout
8 [क. तत्र गणैला- प्रकारा:] section_header
via surya_layout
9 आदौ नादावती प्रोक्ता ततो हंसावती मता। main
via surya_layout
10 नन्दावती तृतीया च तुर्या भद्रावती स्मृता ॥४२३॥ main
via surya_layout
11 ऋग्वेदादिसमुद्भूता विचित्रध्वनिरञ्जिता । main
via surya_layout
12 इत्येला गणमार्गेण बुधैरुक्ता चतुर्विधा ३२॥ ४२४॥ main
via surya_layout
13 [१. नादावती] section_header
via surya_layout
14 एला नादावती रम्या वर्णालङ्कारशोभिता । main
via surya_layout
15 गीयते मण्ठतालेन नादयुक्ता पदे पदे ॥ main
via surya_layout
16 टक्करागो भवेत्तत्र सर्वेषामनुरञ्जकः ॥४२५॥ main
via surya_layout
17 श्वेतो वर्णश्च विज्ञेय: शृङ्गार: कथितो रस: । main
via surya_layout
18 कैशिकी वृत्तिराख्याता पाञ्चाली रीतिरिष्यते ॥४२६। main
via surya_layout
19 (तिरिप्यते) annotation_inline
parent ligne 18
via heuristic_height
20 भारती देवता तस्या ब्राह्मणानां कुलं तथा । main
via surya_layout
21 यत्र चन्द्रगणा: पञ्च स्वर्गणैकेन संयुता[:] ॥ editorial_bracket
parent ligne 20
via heuristic_brackets
22 (में?र्ग) annotation_inline
parent ligne 20
via heuristic_height
23 एला नादावती नाम सा स्मृता पूर्वसूरिभि: ॥४२७॥ main
via surya_layout
24 [२. हंसावती] section_header
via surya_layout
25 हंसस्येव गतिं कृत्वा नादेन च पदेन च ३३। main
via surya_layout
26 का सा (?) annotation_inline
parent ligne 25
via heuristic_height
27 समं प्रवर्तते यस्मात् ततो हंसावती स्मृता ॥ main
via surya_layout
28 तालो द्वितीयकस्तत्र हिन्दोलेन च गीयते ॥४२८॥ main
via surya_layout
29 रक्तो वर्ण: समाख्यातश्चण्डिका देवता भवेत् । main
via surya_layout
30 वृत्तिरारभटी प्रोक्ता लाटीया रीतिरिष्यते ॥४२९॥ main
via surya_layout

vol_II_p010 RIGHT — 24 lignes

page vol_II_p010 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 The Great Treatise on Desi Music section_header
via surya_layout
2 Composed by Śrī Matanga Muni section_header
via surya_layout
3 [ Chapter II ] editorial_bracket
parent ligne 2
via heuristic_brackets
4 [ Jātis ] editorial_bracket
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5 [1. Their number, nomenclature and types] editorial_bracket
parent ligne 2
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6 [Number and nomenclature] editorial_bracket
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7 [Anu. 114] editorial_bracket
parent ligne 2
via heuristic_brackets
8 Now he (the author)spoke (speaks) about the nomenclature of jātis at main
via surya_layout
9 the appropriate time and place. The jātis are only eighteen. These become main
via surya_layout
10 one hundred and forty in number according to all the variations of amsa main
via surya_layout
11 svaras. annotation_inline
parent ligne 10
via heuristic_height
12 <math>\it J\bar{a}tis</math> are only eighteen as has been said earlier by Brahmä? I shall explain <math>^3</math> main
via surya_layout
13 them according to the distinction of their graha, amsa and the like. main
via surya_layout
14 (185) main
via surya_layout
15 [The jātis of şadjagrāma] section_header
via surya_layout
16 Ṣāḍjī and ārṣabhī and dhaivatī, then niṣādinī, ṣaḍjodīcyavatī and ṣaḍjakaiśikī main
via surya_layout
17 and ṣadjamadhyā (these are the jātis) based on ṣadjagrāma. main
via surya_layout
18 (186, 187) annotation_inline
parent ligne 17
via heuristic_short
19 Thus end the seven (jātis) based on ṣadjagrāma . main
via surya_layout
20 [The jātis of madhyamagrāma] section_header
via surya_layout
21 After this, I shall speak of the jātis based on madhyamagrāma. main
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22 (188) annotation_inline
parent ligne 21
via heuristic_height
23 Gändhäri, madhyamä and pañcami and similarly gändhärodicyavā and main
via surya_layout
24 gāndhārapañcamī, after that raktagāndhārī and similarly madhyamodīcyavā, main
via surya_layout
140 lignes a valider — change uniquement les roles incorrects.