Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

vol_II_p127 LEFT — 36 lignes

L#	Texte OCR	Role auto
1	236	page_number via heuristic_pagenum
2	BRHADDEŠĪ	page_header via surya_layout
3	[५. द्राविडैला]	section_header via surya_layout
4	भावाभिनयतालाढ्या विचित्रध्वनिरञ्जिता ।	main via surya_layout
5	प्रासहीना रसस्था च<sup>४७</sup> एला द्रविडदेशजा ॥ ४७२॥	main via surya_layout
6	॥ इति देशाख्यैलापञ्चकम् ॥	editorial_bracket parent ligne 5 via heuristic_brackets
7	[एलासङ्खया]	section_header via surya_layout
8	गणैला तु चतुर्धोक्ता पञ्चमी सङ्करात्मका ।	main via surya_layout
9	(यत?तु) चतु(थॉं?धॉं) का	annotation_inline parent ligne 8 via heuristic_height
10	मात्रैला तु चतुर्भेदै: कथिता गीतकोविदै: ॥ ४७३॥	main via surya_layout
11	चतुर्दशविभेदेन वर्णेला परिगीयते ।	main via surya_layout
12	पञ्चधा देशभेदेन देशैला: समुदीरिता: ॥ ४७४॥	main via surya_layout
13	(शैलरश?देशै)ला:	annotation_inline parent ligne 12 via heuristic_height
14	एकत्र मिलितास्त्वेता अष्टाविंशतिसंख्यया ।	main via surya_layout
15	विज्ञाता गीतशास्त्रज्ञै: स्वस्वलक्षणसंयुता: ॥ ४७५॥	main via surya_layout
16	(वि)ज्ञाता	annotation_inline parent ligne 15 via heuristic_height
17	<b>भी (:स्वस्व)</b>	main via surya_layout
18	[इत्येलाभेदा:]	editorial_bracket parent ligne 17 via heuristic_brackets
19	[३६. झोम्बड:]	section_header via surya_layout
20	आवृत्त्या यत्र पादार्धं गीत्वा तदनुगीयते ।	main via surya_layout
21	आ(वि?वृ)त्या (धं?धं)	main via surya_layout
22	अर्धं द्वितीयमस्यापि प्रासस्तु स्याद् द्वयोरिप ॥ ४७६॥	main via surya_layout
23	<b>पादस्य</b>	annotation_inline parent ligne 22 via heuristic_height
24	एवमेव द्वितीयोऽपि अस्य पाद: प्रगीयते ।	main via surya_layout
25	एवं तृतीयपादश्च पादो यश्च चतुर्थक: ॥ ४७७॥	main via surya_layout
26	(द्वि?तृ)	annotation_inline parent ligne 25 via heuristic_short
27	प्रत्येकं सर्वपादानामन्तेऽसौ यत्र गीयते ।	main via surya_layout
28	स तु झोम्बडको नाम गीतज्ञैरिभधीयते ॥ ४७८॥	main via surya_layout
29	कङ्कालो नाम तालश नैव झोम्बडके भवेत्।	main via surya_layout
30	तारश	annotation_inline parent ligne 29 via heuristic_height
31	॰को	annotation_inline parent ligne 29 via heuristic_markers
32	अन्ये तु देशिसम्बन्धास्तालाः सर्वे भवन्ति हि ॥	main via surya_layout
33	देशी॰	annotation_inline parent ligne 32 via heuristic_markers
34	तेनकालङ्कृता भेदा झोम्बडस्य भवन्ति हि ॥ ४७९॥	main via surya_layout
35	ताना +	annotation_inline parent ligne 34 via heuristic_height
36	•डेस्य	annotation_inline parent ligne 34 via heuristic_height

vol_I_p005 RIGHT — 39 lignes

L#	Texte OCR	Role auto
1	INTRODUCTION	section_header via surya_layout
2	Bṛhaddeśi and more so its Puranic author Matanga Muni have been well	main via surya_layout
3	known in Sangītasāstra for more than one millenium. The text has been	main via surya_layout
4	profusely quoted in texts of Sangītaśāstra upto the 17th century. But for two or	main via surya_layout
5	three centuries it had gone into oblivion. There was no access to it in the	main via surya_layout
6	nineteenth century and the first quarter of the present century, until Pt. K.	main via surya_layout
7	Sāmbaśiva Śāstrī edited and published it in the Anantaśayana Granthāvalī No. 94	main via surya_layout
8	(Trivandrum Sanskrit Series) in 1928. The following excerpts from his	main via surya_layout
9	introduction would throw light on the MSS retrieved by him.	main via surya_layout
10	"I would add, before concluding, that the present work though incomplete	main via surya_layout
11	has been published on account of its rare merit and that the manuscript of this	main via surya_layout
12	work was Travancore's contribution to the exhibition held at the All India	main via surya_layout
13	Conference of Scholars and Artists at Indore in 1921.	main via surya_layout
14	"The edition of the work is based on two palm-leaf manuscripts in Malayalam	main via surya_layout
15	characters obtained from the poonjar Raja, North Travancore. One of these	main via surya_layout
16	manuscripts marked as ka is exceedingly worn out; it is about four centuries old	main via surya_layout
17	and wanting in the first leaf as well as four leaves from the 41st. The other	main via surya_layout
18	manuscript marked as kha is fragmentary, ending with a portion of the	main via surya_layout
19	Jātiprakaraņa*.	annotation_inline parent ligne 18 via heuristic_height
20	"The work ends abruptly saying इदानीं कथियध्यामि बाह्यस्य निर्णयो यथा (p. 154) and so we	main via surya_layout
21	conclude that there are subsequent parts of the text yet to be discovered."	main via surya_layout
22	The text, available to Pt. K. Sāmbaśiva Śāstrī, is incomplete and it has not	main via surya_layout
23	been possible to discover another manuscript in the last seventy years, that	main via surya_layout
24	could accord access to the complete text.	main via surya_layout
25	In 1980 I suggested to my student Sri Anil Bihari Beohar to take up a critical	main via surya_layout
26	study of Brhaddesi including reconstruction of the text on the basis of citations	main via surya_layout
27	or references available in various texts from Abhinava-Bhāratī of Abhinavagupta	main via surya_layout
28	to Rāga-Vibodha of Somanātha. He took up this subject for his doctoral research	main via surya_layout
29	and started collecting and collating citations and references. As his supervisor,	main via surya_layout
30	I continued to struggle and grapple with the problems of reconstruction of the	main via surya_layout
31	text on the basis of the material collected by him, in collation with the	main via surya_layout
32	Trivandrum edition. Sri Beohar was awarded the Ph.D. degree in 1986. Almost	main via surya_layout
33	immediately after this Dr. Kapila Vatsyayan, Member Secretary of the Indira	main via surya_layout
34	Gandhi National Centre for the Arts, New Delhi, conceived the publication of	main via surya_layout
35	a series of Kalāmūlaśāstra (Fundamental Texts on the Arts). It was decided that	main via surya_layout
36	so far as Sangītasāstra was concerned, Dattilam and Brhaddesī should be in the	main via surya_layout
37	first priority.	annotation_inline parent ligne 36 via heuristic_height
38	*We have recorded the reading of these two MSS on the testimony of the editor of the	footnote via surya_layout
39	Trivandrum edition referring to them as MS A and MS B for ka and kha respectively.	footnote via surya_layout

vol_II_p104 RIGHT — 32 lignes

L#	Texte OCR	Role auto
1	ŀ	annotation_inline parent ligne 4 via heuristic_height
2	TRANSLATION	page_header via surya_layout
3	191	page_number via heuristic_pagenum
4	[3. Now in mālavapancama]	section_header via surya_layout
5	Vibhāvinī, paurālī, vegavantī, pañcamī, āndhrī and gāndhārikā alone are the	main via surya_layout
6	six (bhāṣās) in mālavapañcama.	main via surya_layout
7	(14)	annotation_inline parent ligne 6 via heuristic_short
8	Having pañcama as the initial and concluding note vibhāvinī is born of a	main via surya_layout
9	region<sup>11</sup> (and) is sung in (the context of) hair - dressing (and) restrained	main via surya_layout
10	union with an amorous woman.<sup>12</sup>	main via surya_layout
11	(15)	annotation_inline parent ligne 10 via heuristic_short
12	Illustration - Paninimāgā risānirinisārigāmāpāpāmāgārisānini	main via surya_layout
13	dhānīnīdhāmāpāpā. Vibhāvinī [i]	editorial_bracket parent ligne 12 via heuristic_brackets
14	.....Paurālī [ii]	editorial_bracket parent ligne 12 via heuristic_brackets
15	The auspicious vegavatī should be known to have pañcama as amsa, being	main via surya_layout
16	complete, (this) vibhāṣā is sung in karuṇa (rasa) 13 in which dainya (depression	main via surya_layout
17	or affliction) is profuse.	main via surya_layout
18	(16)	annotation_inline parent ligne 17 via heuristic_short
19	Illustration - Pāpānidhādhāni dhāgāsāsāsāsāni dhādhāninipā	main via surya_layout
20	dhāmā.	annotation_inline parent ligne 19 via heuristic_height
21	Gāgādhāmā māpāpādhā nīsāsārīgārī. Sanidhāpāpā. Vegavatī [iii]	editorial_bracket parent ligne 19 via heuristic_brackets
22	Having pañcama as amsa and concluding note (and) being complete,	main via surya_layout
23	pañcamī is a mūlabhāṣā. It is a bhāṣā in mālavapañcama (rāga) in (the context	main via surya_layout
24	of) the song of (one with) a mature mind. 14	main via surya_layout
25	(17)	annotation_inline parent ligne 24 via heuristic_short
26	Illustration - Pāpāpāmāsā ririgāninidhādhā. Dhādhārinigārimāgarinīdhā	main via surya_layout
27	pāpāpādhā pāmāmāpā mādhānirimā gāmāgārī sāsānisāni dhāpāpā. Pañcamī	main via surya_layout
28	[iv]	editorial_bracket parent ligne 27 via heuristic_brackets
29	Having madhyama as amśa (and) pañcama as the concluding note, andhri	main via surya_layout
30	is a bhāṣā born in the Āndhra region, well-known among the people (and)	main via surya_layout
31	is sung in (the context of) those who are corrupted by disease. 15	main via surya_layout
32	(18)	main via surya_layout

vol_I_p061 RIGHT — 29 lignes

L#	Texte OCR	Role auto
1	105	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	(Anu. 102)	annotation_inline parent ligne 4 via heuristic_height
4	Like hunkāra one should ascend (with) three solfa syllables without a gap	main via surya_layout
5	(and) in a combined80 (manner), thence two lower svaras (forming two phrase-	main via surya_layout
6	units each) should be made (pronounced) with shake81 and verily in	main via surya_layout
7	combination with another (next) kalā 82 (phrase-unit). Thus is gātravarņa,	main via surya_layout
8	because of the combination or formulation of ekakala 83 svaras (forming	main via surya_layout
9	temporal units of one kalā or mātrā each). As - dhanisa nini dhadha, padhani	main via surya_layout
10	dhadha papa, mapadha papa mama, gamapa mama gaga, rigama gaga riri,	main via surya_layout
11	(33)	annotation_inline parent ligne 10 via heuristic_height
12	sariga riri sasa. Thus is (ends) gatravarna.	main via surya_layout
13	[ The treatment of Alankaras according to Bharata's opinion ]	section_header via surya_layout
14	I shall now speak of the varnas 84 in which the charming alankāras are	main via surya_layout
15	'seated' (formed), according to the prescription of Bharata.	main via surya_layout
16	(121)	annotation_inline parent ligne 15 via heuristic_height
17	Prasannādi, prasannānta, prasannādyanta, similarly prasannamadhya, sama,	main via surya_layout
18	recita itself, prastāra and prasāda are based on the sthāyivarņa. These alankāras	main via surya_layout
19	(122, 123)	annotation_inline parent ligne 18 via heuristic_short
20	should be known according to their respective definition.	main via surya_layout
21	After this, please understand (the alankāras) born of the sancārin (varņa), as	main via surya_layout
22	they are again and again being described (lit. glorified). Mandratāraprasanna,	main via surya_layout
23	bindu, prenkolita, tāramandraprasanna, nivīttapravītta, kuhara, veņu, ranjita,	main via surya_layout
24	upalolaka, avartaka, paravarta. Thus are the eleven charming alankaras born of	main via surya_layout
25	<math>(124 - 126)</math>	annotation_inline parent ligne 24 via heuristic_height
26	the sancarin (varna).	annotation_inline parent ligne 24 via heuristic_height
27	Nişkūjita, kuhara, hasita, bindu itself, prenkholita, ākṣipta, vidhuta, udvāhita,	main via surya_layout
28	hrādamāna, sampradāna, sandhipracchādana, prasannādi and	main via surya_layout
29	prasannanta—(these) thirteen are (based) on the arohin (varna). (127, 128)	main via surya_layout

vol_I_p076 RIGHT — 43 lignes

L#	Texte OCR	Role auto
1	135	page_number via heuristic_pagenum
2	PÄTHA VIMARŠA	page_header via surya_layout
3	100	page_number via heuristic_pagenum
4	80. Bha Ko, p. 755.	list_item via surya_layout
5	81. Suggested by the ed. in the place of 'su'.	list_item via surya_layout
6	82. Bha Ko, p. 755.	list_item via surya_layout
7	83. C.r. in Sam S Sā, p. 10.	list_item via surya_layout
8	84. Bha Ko, p. 756.	list_item via surya_layout
9	85, 86. C.r. in S R I Sudhā, p. 84.	list_item via surya_layout
10	87. C.r. in Sam S Sā, p. 10.	list_item via surya_layout
11	88. Reading suggested by the ed.	list_item via surya_layout
12	89. MS B reading as recorded by the ed.	list_item via surya_layout
13	Section IV (Svara)	section_header via surya_layout
14	1, 2, 3. C.r. in S R I Sudhā, p. 84.	list_item via surya_layout
15	4. Bha Ko, p. 754.	list_item via surya_layout
16	5. C.r. in Sam S Sā, p. 10.	list_item via surya_layout
17	6. Bha Ko, p. 754.	list_item via surya_layout
18	7. Added by the ed.	list_item via surya_layout
19	8. 'Nāda' of the MSS has been replaced with 'pada' because 'nāda' cannot	list_item via surya_layout
20	be said to be the associate of svara, it is only the subtle or undifferentiated form	list_item via surya_layout
21	of svara. The association of pada with svara has been explained in the	list_item via surya_layout
22	annotations.	list_item via surya_layout
23	"l'alamiti' has been modified, as 'tvalamiti' because 'alamiti kṛtau' could be	main via surya_layout
24	construed as standing for alankṛti or alankāra, whereas tālamiti is neither	main via surya_layout
25	grammatically correct, nor does it fit into the context. An alternative reading	main via surya_layout
26	could be 'tālamitaḥ' (cf. Saṃ S Sā, p. 11) meaning that svara is measured with	main via surya_layout
27	tāla, but even then 'kṛtau' would pose a problem.	main via surya_layout
28	9. cf. अत्र मिरगादिप्वाद्याक्षराणा व्यञ्जनत्वात् कथ स्वरत्विमत्याक्षिप्याचार्यपरिभाषया सङ्केतमात्रमेतिर्दित	main via surya_layout
29	पृत्याह मनङ्गः ।	annotation_inline parent ligne 28 via heuristic_short
30	(SRI Kalā, p. 82)	main via surya_layout
31	10. The use of first person is notable here.	list_item via surya_layout
32	11. MS B reading as recorded by the ed.	list_item via surya_layout
33	12. C.r. in S R I Kalā, p. 92.	list_item via surya_layout
34	13. Added in accordance with C.r. in ibid. and Sudhā, p. 93.	list_item via surya_layout
35	14. Reading suggested by the ed. as tri (. te? ke).	list_item via surya_layout
36	15. C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
37	16. Bha Ko, p. 765 adds 'rāga-svareņa'.	list_item via surya_layout
38	17. Portion added according to S R I Sudhā, p. 94.	list_item via surya_layout
39	18. Ed. suggests rşabhasya.	list_item via surya_layout
40	19. Ed. suggests dhaivalasya.	list_item via surya_layout
41	20. MS A reading as recorded by the ed.	list_item via surya_layout
42	21. MSS reading, reconstructed by the ed. as 'tadanu'.	list_item via surya_layout
43	Se STATISTICS	annotation_inline parent ligne 42 via heuristic_height

Legende des roles

vol_II_p127 LEFT — 36 lignes

vol_I_p005 RIGHT — 39 lignes

vol_II_p104 RIGHT — 32 lignes

vol_I_p061 RIGHT — 29 lignes

vol_I_p076 RIGHT — 43 lignes