Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20990). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p006 RIGHT — 112 lignes

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1 ٠ page_number
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2 CONTENTS table
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3 xiii table
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4 ii. table
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5 Paurālī table
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6 185 page_number
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7 iii. table
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8 Trāvaņī table
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9 185 page_number
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10 Tānavalitikā table
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11 iv. table
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12 185 page_number
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13 Dolyā table
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14 187 page_number
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15 ٧. table
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16 Sărdülî table
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17 vi. table
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18 187 page_number
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19 vii. Alaghvi table
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20 187 page_number
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21 2. Bhāṣās in hindola table
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22 187 page_number
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23 Bhinnayalitikā table
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24 i. table
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25 187 page_number
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26 Ravicandrā table
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27 ii. table
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28 189 page_number
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29 iii. table
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30 Bhinnapaurālī table
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31 189 page_number
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32 Drāvidī table
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33 iv. table
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34 189 page_number
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35 Piñjarī (vibhāṣā) table
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36 189 page_number
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37 V. table
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38 vi. Pārvatī table
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39 189 page_number
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40 3. Bhāṣāsin mālavapañcama table
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41 191 page_number
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42 Vibhāvinī table
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43 i. table
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44 191 page_number
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45 Paurālī table
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46 ii. table
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47 191 page_number
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48 iii. table
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49 Vegavatī table
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50 191 page_number
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51 Paicani table
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52 iv. table
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53 191 page_number
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54 Āndhrī table
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55 193 page_number
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56 ٧. table
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57 Gändhäri table
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58 193 page_number
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59 vi. table
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60 4. Bhāṣāsin bhinnaṣaḍja table
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61 193 page_number
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62 Trāvaņī table
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63 193 page_number
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64 i. table
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65 Şadjabhāşā table
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66 ii. table
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67 193 page_number
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68 Mālavī table
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69 iii. table
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70 195 page_number
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71 Gürjari table
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72 195 page_number
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73 iv. table
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74 Bāhyaṣāḍavā table
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75 195 page_number
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76 V. table
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77 Kausalī table
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78 vi. table
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79 195 page_number
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80 vii. table
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81 Gàndhàri table
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82 195 page_number
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83 viii. table
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84 Svaravallitā table
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85 195 page_number
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86 Lalitā table
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87 197 page_number
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88 ix. table
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89 Niṣādavatī table
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90 197 page_number
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91 x. table
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92 Tumbuu table
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93 197 page_number
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94 xi. table
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95 * annotation_inline
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96 xii. Gāndhāralalitā table
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97 197 page_number
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98 . . annotation_inline
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99 xiii. Kalingā table
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100 197 page_number
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101 xiv. Suddhā table
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102 199 page_number
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103 Madhyamā table
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104 199 page_number
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105 XV. table
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106 <i>Pârvatî</i> unknown
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107 xvi. unknown
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108 199 page_number
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109 1 page_number
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110 . . . annotation_inline
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111 1 2 3<br>13<br>2 2 2 4 unknown
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112 ٠. annotation_inline
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vol_II_p061 LEFT — 32 lignes

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1 . 4 unknown
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2 2 a - annotation_inline
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3 104 page_number
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4 BRHADDEŚĪ page_header
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5 [ग. गौडरागाः] section_header
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6 [अनु॰ १८६] editorial_bracket
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7 नन् गौडाः कथम् ? उच्यते, गौडगीतिसम्बन्धत्वात् । main
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8 किं लक्षणम् ? उच्यते । तद्यथा - main
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9 ओहाटी मन्द्रजोपात्ता प्रयोगे ध्वनिकम्पितै:। * main
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10 ओहाडी मन्त्रजा(?)+तु प्रयोगै (दूं?र्हू)तकम्पितै:। main
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11 अविश्रामेण त्रिस्थाने गौडी गीतिरुदाहृता ॥३१५॥ main
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12 गौह॰ annotation_inline
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13 [१.गौडपञ्चम:] section_header
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14 गौडपञ्चमस्य लक्षणम् - main
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15 गौडपञ्चमनिष्पत्तौ धैवतीषड्जमध्यमे । main
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16 धैवतांशो मध्यमान्तो रहित: पञ्चमेन तु ६३॥३१६॥ main
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17 (वि? र)हित: annotation_inline
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18 [अन्॰ १८७] editorial_bracket
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19 अस्यार्थ: -गौडपञ्चम: षड्जग्रामसम्बन्ध:,धैवतीषड्जमध्यमाजात्यो: समुत्पन्नत्वात्। main
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20 धैवतोंऽशो ग्रहश्च। मध्यमो न्यासः। निषादगान्धारौ काकल्यन्तरौ । पञ्चमरहितोऽयं षट्स्वरः । main
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21 प्र(ह)स annotation_inline
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22 उद्भटनाट्ये विप्रलम्भशृङ्गारे चास्य विनियोग:।बीभत्सभयानकरसौ।धैवतादिमूर्छना।आरोही main
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23 (क)रसो रसः annotation_inline
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24 प्रसन्नमध्योऽलङ्कार: । दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते main
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25 वर्णः। annotation_inline
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26 चच्चत्पुटादिताल:। main
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27 चचत्पुटताल: annotation_inline
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28 [२.गौडकैशिक:] section_header
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29 उत्पन्नः कैशिकीषड्जमध्यमाजातितो मतः। main
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30 षड्जांशः पञ्चमन्यासः सम्प्रोक्तो गौडकैशिकः ॥३१७॥ main
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31 (स:) annotation_inline
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32 (vide) annotation_inline
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vol_II_p014 RIGHT — 38 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 n er annotation_inline
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2 11 page_number
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3 TRANSLATION page_header
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4 the jātis (castes). Just as in human beings there are castes such as brahmin main
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5 and the like, that are both pure and mixed (or altered), similarly these jātis main
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6 are also (twofold). annotation_inline
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7 [Thus ends the general definition.] editorial_bracket
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8 [4. The tenfold lakṣaṇas or characteristics] section_header
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9 Now he (the author) spoke (speaks) about the tenfold lakṣaṇa - main
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10 Graha (initial note), amśa (fundamental note), tāra (high), mandra (low) main
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11 and ṣāḍava (hexatonic) and similarly auḍuvita (pentatonic) and similarly main
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12 alpatva (sparseness), bahutva (profusion) and nyāsa and apanyāsa - these are main
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13 said to form the group of ten jāti-lakṣaṇas that operate in the respective jātis. main
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14 The definition of this group of ten is being given in brief. main
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15 <math>(209-210)</math> annotation_inline
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16 [1. The definition of graha] section_header
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17 [Anu.119] editorial_bracket
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18 Out of these (lakṣaṇas), graha is that with which the performance of jāti main
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19 and the like is begun (lit . held or caught). That ( graha ) should be known main
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20 to have sixty-three varieties just like aniśa. main
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21 (Objection) What is the difference between graha and anisa? It is being main
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22 answered - amśa is vādī alone i.e. only the vādī 10 is prescribed to be the main
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23 amsa,but graha is fourfold according to the distinction of vādī and the like main
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24 1 page_number
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25 (samvādī, vivādī and anuvādī). Or there is the distinction of predominance main
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26 and subordination between the two. Graha is subordinate ( to amśa). main
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27 ŧ annotation_inline
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28 (Objection) Why is the predominance of amsa alone being spoken of? main
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29 Because of its being the progenitor 11 of raga (delight or colour) and main
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30 because of its being pervasive, the predominance of anisa alone (is accepted). main
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31 Although graha and anisa are predominant in all the jatis and this is proved main
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32 by utsarga<sup>12</sup> (general rule), yet it is being prescribed through the vidhi<sup>13</sup> main
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33 (operation) of samvādī and anuvādī. main
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34 Similarly said Bharata – annotation_inline
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35 "Graha is said to be like the amsa in all the jātis. The amsa that becomes the main
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36 starting point of geya (melodic organisation and performance) assumes an main
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37 alternative form as graha." main
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38 (NŚ XXVIII.67) main
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vol_II_p063 LEFT — 27 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 108 page_number
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3 [घ. रागगीतिगता वेसरागीतिगता वा रागा:] section_header
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4 [अनु॰ १९०] section_header
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5 नन् वेसराणां कथं रागशब्द: प्रवर्तते ? आसोपदेशात् । तथा चाह कश्यप: - main
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6 आ(टो?प्तो)फ annotation_inline
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7 <sup>६७</sup> ‘चतुर्णामपि वर्णानां यो राग: शोभनो भवेत् । main
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8 योगा राग:+शोभना(?) annotation_inline
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9 स सर्वो दृश्यते येषु तेन रागा इति स्मृता: ॥'' main
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10 [अनु॰ १९१] section_header
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11 दुर्गशक्तिमते रागा एव वेसरा गण्यन्ते । तथा चाह दुर्गशक्ति: - main
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12 ६८‘‘स्वरा: सरन्ति यद्वेगात् तस्माद् वेसरका: स्मृता: ।’’ main
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13 दुर्गशक्तिमते वेसरषाडव एव मुख्य:, षाडवत्वेन क्रमायातत्वात् । कश्यपमते तु टक्कराग main
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14 एव मुख्य:, लक्ष्मीप्रीतिकरत्वात् । तद्यथा - main
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15 [१. टक्करागः] section_header
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16 <sup>६९</sup>षड्जांशन्याससंयुक्तष्टक्करागोऽल्पपञ्चम: । main
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17 कारणं चास्य निर्दिष्टे धैवतीषड्जमध्यमे ॥३२०॥ main
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18 कार(णा?णं चा)स्य annotation_inline
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19 [अनु॰ १९२] section_header
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20 अस्यार्थः - टक्करागः षड्जग्रामसम्बन्धः , धैवतीषड्जमध्यमासमुत्पत्रत्वात् । षड्जोऽस्य main
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21 ग्रहोंऽशश्च न्यासश्च। निषादपञ्चमयोरत्राल्पत्वम् <sup>७९</sup> निषादगान्धारावत्र काकल्यन्तरौ। पूर्णश्चायम् । main
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22 युद्धवीरेऽस्य प्रयोग: । वीराद्धुतौ रसौ । षड्जादिमूर्छना । वर्ण: सञ्चारी । प्रसन्नान्तोऽलङ्कार: । main
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23 शुद्ध annotation_inline
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24 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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25 [२. सौवीर:] section_header
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26 अंशश्च षड्जो न्यासश्च कारणं षड्जमध्यमा । main
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27 सौवीरकस्य गान्धारो निषादश्चापि दुर्बल: ॥३२१॥ main
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vol_I_p034 RIGHT — 35 lignes

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1 51 page_number
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2 <b>TRANSLATION</b> page_header
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3 V (the Section on Grāma-mūrchanā) section_header
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4 [The treatment of grama] section_header
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5 (Anu. 30) annotation_inline
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6 Then, what is spoken of by the word grāma? How many grāmas are there? main
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7 From where is grāma born? And what is its objective? main
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8 (84) annotation_inline
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9 It is being answered. annotation_inline
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10 The two grāmas stand for a group! composed of svara, śruti and the like. main
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11 (85) annotation_inline
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12 Just as all members of families live together, (similarly) grāma? is known as main
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13 (86) annotation_inline
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14 that by all the people where there is an abiding settlement. main
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15 Two grāmas named şadja and madhyama are definitely well-known. Nārada main
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16 speaks of gandhara (grama)3, but that is not 'sung' (used) by the mortals. main
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17 (87) annotation_inline
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18 ٠ page_number
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19 Şvaras are born of Sāmaveda, grāma is born of svaras, and these (grāmas) are main
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20 known to be two5 characterised by (the names) şadja and madhyama. main
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21 (88) annotation_inline
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22 (Anu. 31) annotation_inline
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23 The objective is thus - the systematisation<sup>6</sup> of svara, śruti, mūrchanā, tāna, jāti main
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24 (and) rāga is indeed the objective. main
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25 (Anu. 32) annotation_inline
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26 But why are the gramas named after the svaras sadja and madhyama? It is main
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27 being answered. Because of (their) uncommonness the grāmas are named after main
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28 them. And the uncommonness is on account of their being born of devakula? main
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29 (the community of gods). main
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30 The same has been said by Nārada - main
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31 "Ṣadja, gāndhāra" and madhyama are born of devakula. Brahmā, Viṣṇu and main
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32 Maheśvara should be known as their presiding deities." main
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33 Out of the two grāmas which one is known to be prominent? From the main
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34 statement by the muni (Bharata?), the prominence of şadja-(grāma)9 is known. main
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35 (89) annotation_inline
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244 lignes a valider — change uniquement les roles incorrects.