Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)
5 demi-pages random (seed 20992). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p144 LEFT — 51 lignes

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1 2"-WH - - * annotation_inline
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2 270 page_number
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3 BRHADDEŚĪ page_header
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4 54. Reconstruction based on Kalā (appendix) on SR II, p. 139, list_item
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5 reading sa-ri-sangatā. list_item
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6 55. Both S Rāj II.2.1.999 c and Kalā (appendix) on SR, p.119 read list_item
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7 khañjanī. list_item
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8 56. S Rāj II.2.1.999b reads 'gāndhāreņa vivarjitā', thus describing it list_item
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9 as being devoid of 'gāndhāra'. list_item
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10 57. Gūrjarī is described as complete in S Rāj II.2.1.1001f and Kalā list_item
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11 (appendix) on SR II, p. 138, hence our reconstruction. list_item
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12 ककुभे मध्यमग्रामभाषा धैवतविश्रमा। main
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13 58. cf. annotation_inline
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14 मध्यमांशग्रहा पूर्णा सङ्कीर्णा रिधसङ्गता ॥ main
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15 S. Rāj II. 2. 1. 683. main
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16 59. Bha Bhā Vol. II,VII, 47 c reads śalavāhinī, enumerating it under the list_item
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17 five antarabhāṣās of ṣadjagrāma. S. Rāj II.2.1.123a reads sālavāhanī under the list_item
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18 uddeśa(enumeration) of the bhāṣās of kakubha and ibid 686 f reads śātavāhanī list_item
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19 while giving its lakṣaṇa (description). It also reads śālavāhanī while enumerating list_item
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20 it in verse 79 d as an <i>antarabhāṣā</i> of <i>kakubha</i>. Kalā (appendix) on SR II, p. 134 list_item
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21 reads śālavāhanī while describing it as an antarabhāṣā of kakubha. list_item
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22 60. Kalā (appendix) on SR II, p.134 reads ri-ga-sangatā, describing a list_item
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23 concert between rṣabha and gāndhāra. list_item
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24 विभाषा ककुभे भोगवर्धनी तारमन्द्रगा ॥ list_item
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25 61. cf. (i) list_item
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26 धैवतांशग्रहन्यासा मापन्यासा रिवर्जिता । list_item
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27 धनिभ्यां गमपैभृंरिवैराग्ये विनियुज्यते ॥ list_item
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28 SR II. 2. 112 c-113. main
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29 (ii) annotation_inline
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30 निषादांशग्रहा भाषा ककुभे भोगवर्धनी । main
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31 स्वल्पर्पभसमायुक्ता धैवतन्यासभूपिता ॥ main
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32 निगयोर्गपयोर्युक्ता सङ्गत्या गानमाश्रिता । main
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33 षड्जग्रामे .....॥ annotation_inline
parent ligne 32
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34 S Rāj II.2.1.690,691.c. main
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35 तथैव याष्टिकेनोक्ता विभाषा भोगवर्धनी । main
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36 (iii) annotation_inline
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37 पङ्जग्रामेण सम्बद्धा ककुभे तारमन्द्रगा ॥ main
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38 धैवतांशग्रहन्यासा ऋषभेण विवर्जिता । main
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39 षड्जान्यस्वरभूयिष्ठा गापन्यासा, नियोजिता ॥ main
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40 वैराग्येऽप्यथवा संन्यासे .....ं। main
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41 Ibid. 707, 708.c. annotation_inline
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42 मधुरी ककुभोद्भूता सांशा धान्ताखिल स्वरा। main
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43 62. cf. (i) annotation_inline
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44 गपयोर्निपयोर्युका सङ्कीर्णा याष्ट्रिकोदिता ॥ main
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45 Kalā (appendix) on SR II,p.133. main
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46 Carl man Carlo man a March and unknown
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47 · 西西州市,1920年11日,1920年,1920年,1920年,1920年,1920年,1920年,1920年,1920年,1920年,1920年,1920年,1920年,1920年,1920年,1920年,1920年 annotation_inline
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48 2012/09/09 8:44 annotation_inline
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49 (vide) annotation_inline
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50 -0.0 annotation_inline
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51 . . . . . . . . . . . . . . . . . . . . annotation_inline
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vol_II_p050 RIGHT — 34 lignes

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1 83 page_number
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2 TRANSLATION page_header
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3 [3. Gaudī giti and its component ohāțī] section_header
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4 The svaras of gaudi are beautiful and are attractive with ohāṭī. Ohāṭiī is said main
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5 to consist of a combination of the sound 'ha' and 'o'. main
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6 (277) annotation_inline
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7 Ohāţī belongs to the low (register); (it is produced) by placing the chin on main
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8 the chest. It is to be made fast and faster, being pressed with the shake 15 of main
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9 svara. annotation_inline
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10 (278) annotation_inline
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11 And ohāţī is also beautiful with seen and unseen actions; it comprises of main
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12 actions <math>^{16}</math> in the three registers and is confounded (<math>\bar{a}kula^{17}</math>) with movements main
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13 in the three registers. annotation_inline
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14 (279) annotation_inline
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15 Similarly, ohāţī has to be used by the knowledgeable ones in vocal music main
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16 in a four-fold manner, viz. samākṣara (with even syllables), sama 18 (smooth), main
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17 in ascent and in descent. Ohāṭī is obtained in performance as being born in main
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18 the low (register) with shakes 19 of sound. main
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19 (280) annotation_inline
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20 Gaudī gīti is said to subsist without rest in the three registers. main
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21 (281) annotation_inline
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22 [4. Rāga giti] section_header
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23 Rāgagīti is said to be with attractive gamakas,20 with variegated low main
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24 (prasanna)<sup>21</sup> (svaras) pertaining to the chest-region, even, colourful or main
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25 delightful arrangements of svaras. main
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26 (282) annotation_inline
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27 The rāgas (melodic configurations) are so called because the beautiful main
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28 rāga (colourfulness or delightfulness) that comes about in all the four varņas main
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29 is seen in them in its completeness. main
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30 (283) annotation_inline
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31 [5. Sādhāraṇī gīti] section_header
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32 (This gīti) should be made with straight, attractive, somewhat minute and main
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33 large, properly audible, slightly fast, similarly soft, attractive, 22 smooth (or main
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34 soft<sup>23</sup>) and minute<sup>24</sup> prayogas<sup>25</sup> (melodic phrases?) that are well combined main
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vol_II_p161 RIGHT — 46 lignes

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1 ٠ page_number
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2 <b>VIMARŚA</b> page_header
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3 305 page_number
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4 central part of present Madhya Pradesh. The special preference for Mālavā main
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5 requires further investigation. annotation_inline
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6 29. The word gamaka is used here in the sense of vocal embellishments list_item
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7 including shakes; it is not restricted to shake. list_item
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8 30. See note 22. list_item
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9 31. Each grāmarāga is said to be born of one or more jātis. list_item
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10 32. Pūrvaranga has been described in NS IV and V; it embodies list_item
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11 instrumental rendering, song, dance, dialogue etc. presented as a preliminary list_item
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12 to drama. It has both ritualistic and psychological value as it ensures the list_item
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13 success of drama by propitiating the gods and prepares the audience for list_item
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14 being receptive to drama. list_item
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15 33. Kākalī and antara are always prescribed to be sparse, but here only list_item
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16 the sparseness of gandhara is prescribed, although both antara and kakali are list_item
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17 present. It could be construed that gandhara stands for the original list_item
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18 gāndhāra and not antara. See note 91. list_item
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19 annotation_inline
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20 34,35. The prescription of a specific varņa and alankāra in a rāga is list_item
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21 not easy to comprehend. It could only be surmised that the peculiar form list_item
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22 of a raga in some cases becomes manifest in ascent, in other cases in descent list_item
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23 and similarly a specific alankāra could be assigned to a rāga on account of list_item
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24 having a special role in establishing the same. list_item
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25 36. Mārga literally means path; it stands for the span of a tāla. NŠ list_item
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26 describes three mārgas of each tāla, citra being the shortest, vārtika or vṛtti list_item
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27 being its double and dakṣiṇa again being its double. Our text describes two list_item
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28 additional mārgas viz. dhruva being half of the length of citra and śūnya list_item
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29 being half of dhruva. (See Vol.I. Anu.113) list_item
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30 37. Kalā has many meanings; the main ones are-firstly, the time-unit list_item
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31 that is equal to a guru i.e. two mātrās of tāla, secondly, the 'action' (kriyā) in list_item
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32 tāla, sounded or unsounded and thirdly, the unsounded action. Here the list_item
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33 first meaning is relevant because the length of kalā depends on the mārga in list_item
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34 use at a given time. list_item
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35 38. Caccatpuța is the first among the five tālas described in NŠ XXXI. list_item
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36 This is the only caturasra (lit. square) tala, being composed of four kalas or list_item
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37 eight mātrās. list_item
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38 39. Garbha-sandhi is the third among the five sandhis or junctures in list_item
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39 drama described in NŚ XIX; the first two being mukha and pratimukha and list_item
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40 the last two being vimarsa and nirvahana. Garbha literally means 'womb', list_item
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41 the inside or interior of something. In drama garbha-sandhi stands for that list_item
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42 juncture where the 'sprouting' of the 'seed' has taken place, but the fruit list_item
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43 is still enshrouded in the 'garbha'. list_item
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44 40. Our text does not uphold the relationship of any raga to both the list_item
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45 grāmas; the decision always rests with the interval of pañcama, if it is list_item
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46 composed of four śrutis, then relationship with ṣadjagrāma is confirmed and list_item
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vol_I_p037 RIGHT — 193 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>TRANSLATION</b> page_header
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2 57 page_number
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3 dha - ni main
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4 - n annotation_inline
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5 - sa main
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6 - ga annotation_inline
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7 ma main
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8 - pa annotation_inline
parent ligne 7
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9 - annotation_inline
parent ligne 7
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10 - dha - ni main
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11 - sa annotation_inline
parent ligne 10
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12 n main
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13 - annotation_inline
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14 • - main
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15 ga annotation_inline
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16 рa main
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17 (vide) annotation_inline
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18 ma main
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19 dha - ni annotation_inline
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20 ni main
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21 sa annotation_inline
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22 - pa main
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23 - annotation_inline
parent ligne 22
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24 - main
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25 annotation_inline
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26 - ga main
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27 ma annotation_inline
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28 - dha - main
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29 ni annotation_inline
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30 - pa main
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31 - ni annotation_inline
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32 - ma main
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33 sa annotation_inline
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34 - main
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35 ga main
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36 ŧ annotation_inline
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37 dha - main
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38 ni annotation_inline
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39 ni - sa main
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40 - ma - þa - annotation_inline
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41 - ga main
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42 Thus is in sadjagrāma. main
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43 - dha - ni - annotation_inline
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44 - pa main
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45 - 17 annotation_inline
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46 54 page_number
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47 ma main
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48 - ga annotation_inline
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49 - dha - main
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50 ni annotation_inline
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51 - pa main
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52 ma annotation_inline
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53 - main
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54 sa annotation_inline
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55 main
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56 ga annotation_inline
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57 main
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58 dha - annotation_inline
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59 ni main
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60 ni - annotation_inline
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61 - pa main
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62 - ma annotation_inline
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63 sa main
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64 - ga annotation_inline
parent ligne 63
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65 - main
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66 dha - annotation_inline
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67 pa main
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68 ni annotation_inline
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69 - ni main
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70 - ma annotation_inline
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71 - ga main
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72 - annotation_inline
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73 - main
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74 sa annotation_inline
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75 dha main
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76 - pa annotation_inline
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77 ni main
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78 - n annotation_inline
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79 - ga main
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80 ma annotation_inline
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81 - sa main
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82 - annotation_inline
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83 - main
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84 ١ page_number
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85 dha - ni - sa main
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86 - ni annotation_inline
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87 ga main
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88 annotation_inline
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89 - ma - pa main
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90 pa - dha - ni annotation_inline
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91 - sa main
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92 ni annotation_inline
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93 - main
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94 ga annotation_inline
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95 ma main
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96 - annotation_inline
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97 Thus is in madhyama-grāma. main
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98 ! unknown
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99 Mūrchanā-maņdala (cycle) section_header
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100 dha | pa table
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101 ni table
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102 ni table
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103 ma table
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104 ga table
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105 sa table
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106 dha| pa table
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107 ni table
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108 ni table
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109 ma table
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110 50 page_number
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111 ga table
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112 dha table
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113 ni table
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114 ni table
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115 þa table
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116 50 page_number
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117 ga table
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118 ma table
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119 1 page_number
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120 dha| pa table
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121 ni table
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122 ni table
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123 Sa table
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124 ga table
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125 ma table
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126 dha table
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127 ni table
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128 ni table
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129 pa table
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130 ma table
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131 sa table
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132 ga table
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133 dha table
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134 n table
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135 ni table
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136 pa table
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137 ma table
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138 ga table
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139 Sa table
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140 ni table
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141 ni table
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142 dha pa table
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143 ga table
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144 ma table
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145 sa table
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146 Thus is the mūrchanā-maṇḍala in ṣaḍja-grāma. main
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147 dha | pa table
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148 ni table
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149 ni table
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150 ma table
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151 sa table
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152 ga table
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153 <math>\pi^{i}</math> table
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154 dha| pa table
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155 ni table
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156 ma table
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157 ga table
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158 sa table
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159 ni table
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160 dha table
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161 ni table
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162 рa table
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163 ga table
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164 sa table
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165 ma table
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166 dha| pa table
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167 ni table
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168 ni table
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169 SA table
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170 ma table
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171 ga table
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172 dha table
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173 71 page_number
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174 ni table
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175 рa table
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176 sa table
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177 ma table
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178 ga table
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179 ni table
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180 dha table
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181 ni table
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182 þа table
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183 ma table
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184 ga table
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185 sa table
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186 ni table
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187 ni table
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188 dha pa table
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189 ma table
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190 ga table
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191 Sa table
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192 1 page_number
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193 Thus is the mūrchanā-maṇḍala in madhyama-grāma. main
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vol_I_p076 RIGHT — 43 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 135 page_number
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2 PÄTHA VIMARŠA page_header
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3 100 page_number
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4 80. Bha Ko, p. 755. list_item
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5 81. Suggested by the ed. in the place of 'su'. list_item
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6 82. Bha Ko, p. 755. list_item
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7 83. C.r. in Sam S Sā, p. 10. list_item
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8 84. Bha Ko, p. 756. list_item
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9 85, 86. C.r. in S R I Sudhā, p. 84. list_item
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10 87. C.r. in Sam S Sā, p. 10. list_item
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11 88. Reading suggested by the ed. list_item
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12 89. MS B reading as recorded by the ed. list_item
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13 Section IV (Svara) section_header
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14 1, 2, 3. C.r. in S R I Sudhā, p. 84. list_item
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15 4. Bha Ko, p. 754. list_item
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16 5. C.r. in Sam S Sā, p. 10. list_item
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17 6. Bha Ko, p. 754. list_item
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18 7. Added by the ed. list_item
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19 8. 'Nāda' of the MSS has been replaced with 'pada' because 'nāda' cannot list_item
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20 be said to be the associate of svara, it is only the subtle or undifferentiated form list_item
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21 of svara. The association of pada with svara has been explained in the list_item
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22 annotations. list_item
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23 "l'alamiti' has been modified, as 'tvalamiti' because 'alamiti kṛtau' could be main
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24 construed as standing for alankṛti or alankāra, whereas tālamiti is neither main
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25 grammatically correct, nor does it fit into the context. An alternative reading main
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26 could be 'tālamitaḥ' (cf. Saṃ S Sā, p. 11) meaning that svara is measured with main
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27 tāla, but even then 'kṛtau' would pose a problem. main
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28 9. cf. अत्र मिरगादिप्वाद्याक्षराणा व्यञ्जनत्वात् कथ स्वरत्विमत्याक्षिप्याचार्यपरिभाषया सङ्केतमात्रमेतिर्दित main
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29 पृत्याह मनङ्गः । annotation_inline
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30 (SRI Kalā, p. 82) main
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31 10. The use of first person is notable here. list_item
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32 11. MS B reading as recorded by the ed. list_item
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33 12. C.r. in S R I Kalā, p. 92. list_item
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34 13. Added in accordance with C.r. in ibid. and Sudhā, p. 93. list_item
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35 14. Reading suggested by the ed. as tri (. te? ke). list_item
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36 15. C.r. in S R I Sudhā, p. 94. list_item
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37 16. Bha Ko, p. 765 adds 'rāga-svareņa'. list_item
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38 17. Portion added according to S R I Sudhā, p. 94. list_item
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39 18. Ed. suggests rşabhasya. list_item
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40 19. Ed. suggests dhaivalasya. list_item
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41 20. MS A reading as recorded by the ed. list_item
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42 21. MSS reading, reconstructed by the ed. as 'tadanu'. list_item
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43 Se STATISTICS annotation_inline
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