Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)
5 demi-pages random (seed 21006). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p041 LEFT — 48 lignes

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1 BRHADDEŚĪ page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 धा नी सां सा रीं रीं रीं रीं table
via surya_layout
4 (३) table
via surya_layout
5 सां सां सां री गा मा मा मा table
via surya_layout
6 (8) table
via surya_layout
7 मां धां नीं धां मां धां मां पां table
via surya_layout
8 (4) table
via surya_layout
9 गारी साधित रीरीरीरी table
via surya_layout
10 (६) table
via surya_layout
11 गां रीं सां सां पा धा मा मा table
via surya_layout
12 (v) table
via surya_layout
13 गा गा गा मा पा निधनि नी नी table
via surya_layout
14 (८) table
via surya_layout
15 गा गा नी नी गा गा गा गा table
via surya_layout
16 (९) table
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17 गा गा नी नी निध पा पा पा table
via surya_layout
18 (१०) table
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19 मां पो मो पो पो मो मो table
via surya_layout
20 (११) table
via surya_layout
21 सा मा गा निध नी नी गा गा table
via surya_layout
22 (१२) table
via surya_layout
23 ॥ [इति] कैशिकी ॥ table
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24 1 म ॥ annotation_inline
parent ligne 25
via heuristic_height
25 [५. मध्यमोदीच्यवा] section_header
via surya_layout
26 पञ्चमांशा सदा पूर्णा, मध्यमोदीच्यवा मता ॥१४॥ main
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27 ंपञ्च(मा: ? मां) annotation_inline
parent ligne 26
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28 [मता] editorial_bracket
parent ligne 26
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29 लक्ष्म शेषं विजानीयाद् गान्धारोदीच्यवागतम् । main
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30 (म्) annotation_inline
parent ligne 29
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31 मध्यमादिर्मूर्छना स्यात् तालश्चचत्पुटो मत: ॥१५॥ main
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32 ॰(मंरीन ? मूर्छना) annotation_inline
parent ligne 31
via heuristic_markers
33 चतुर्थस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् । main
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34 ্ক annotation_inline
parent ligne 33
via heuristic_height
35 <sup>१७६</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । <sup>१७७</sup>प्रस्तार:- main
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36 अस्या annotation_inline
parent ligne 35
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37 पा धनि नी नी मा मा नी पा table
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38 (१) table
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39 री री री गा सा रिग गा गा table
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40 (२) table
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41 नी नी नी नी नी नी नी table
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42 (3) table
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43 नी नी धप मा निध निध पा पा table
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44 (8) table
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45 पांपारी री री री री री table
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46 (4) table
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47 मा रिग सा सधं नीं नीं नीं नीं table
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48 <b>(६)</b> table
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vol_I_p101 RIGHT — 49 lignes

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1 185 page_number
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2 <b>VIMARŠA</b> page_header
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3 45. In the absence of any notational sign, all the three viz. kampita, kuharita main
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4 and recita are identically illustrated. main
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5 46. Here kalā stands not only for a phrase, but for a component unit of a main
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6 phrase, if sani risa these two are taken to complete a phrase. main
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7 47. The word 'amsa' means the initial note of a phrase and this is a limited list_item
via surya_layout
8 meaning because amsa stands for the fundamental svara of a jāti or rāga which list_item
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9 is a much bigger and much more complex structure. list_item
via surya_layout
10 48. The name tāra-mandra-prasanna is interesting because it uses both mandra list_item
via surya_layout
11 and prasanna which individually stand for 'low'. unknown
via fallback
12 49. The sa belongs to the tāra-sthāna. list_item
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13 50. The second sa here belongs to the tāra-sthāna. list_item
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14 51. The sthāyin varņa spoken of here could be understood only in the sense list_item
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15 that the phrase begins and ends at the same svara all throughout. list_item
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16 52. The sa at the end of the preceding phrase and at the beginning of the list_item
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17 succeeding one belongs to tāra-sthāna. list_item
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18 53. The ascent operates upto nisa and descent starts with sani. list_item
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19 54. Identical with note 52 above. list_item
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20 55. The word sthāyin is used here as a synonym of amsa. BrD is the first list_item
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21 extant text to introduce this word. S R (III, 191, 193) uses it in the decription list_item
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22 of Rāgālapti. list_item
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23 56. Different names for identical forms are also found in abundance in desi list_item
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24 tālas. (cf. deśī-tāla section of SRV) list_item
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25 57. Identical with note 52 above. list_item
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26 58. The word kalā is used here both as a time-unit and a phrase-unit. list_item
via surya_layout
27 59. sa in the beginning of the three phrase-units belongs to tāra-sthāna. list_item
via surya_layout
28 60. If kalā is taken here to stand for a two-mātrā-unit, then half a kalā would list_item
via surya_layout
29 mean one mātrā. If kalā is taken as one mātrā, then half a kalā would be half a list_item
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30 mālrā. list_item
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31 61. The sa belongs to tāra-sthāna. list_item
via surya_layout
32 62. Here kalā stands both for a time-unit and phrase because there are eight list_item
via surya_layout
33 phrases and each phrase is of the duration of one kalā (two-mātrā-unit). list_item
via surya_layout
34 63. Identical with note 52 above. list_item
via surya_layout
35 64. SR (III, 1.4,5) speaks about ohāţī in the description of the gaudī gîti of list_item
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36 rāga. That is a kind of gamaka, but here in the description of the alankāra there list_item
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37 is no mention of any shake or any similar thing. Suddenly, the mention of ohāḍī list_item
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38 comes in which is hard to comprehend; at the most it could be understood to list_item
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39 ¥ unknown
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40 indicate special voice-production similar to ohāţī, which could be identified with list_item
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41 1 page_number
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42 the hudaka of present-day oral tradition of dhrupad which also is associated with list_item
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43 the 'ha' sound (cf. DA I, p. 46). list_item
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44 (vide) unknown
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45 65,66. Identical with note 52 above. list_item
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46 7 page_number
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47 67. There are twelve phrases in this alankara. From the way they are notated, list_item
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48 the duration of each of them could be taken to be either a kalā composed of list_item
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49 two mātrās or four mātrās, as follows- list_item
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vol_II_p037 RIGHT — 41 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 ¶ Visi annotation_inline
parent ligne 4
via heuristic_height
2 57 page_number
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3 TRANSLATION page_header
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4 abundance comes about on account of the stated prescription. In the main
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5 hexatonic form, there is the non-abundance of dhaivata but it is never so in main
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6 the case of ṛṣabha. In the auduvita form, sparseness does not obtain in the main
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7 case of any svara on acount of all of them being amsas. In this way there is main
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8 the abundance of all the svaras. Nyāsa is gāndhāra alone. Apanyāsa is main
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9 madhyama alone. There is the sancāra 76 or to and fro movement of sadja main
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10 and gändhära. main
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11 [Anu. 163] section_header
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12 It is ten-fold. There are ten amsas - five pertain to the complete state, four main
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13 to the hexatonic state, on account of there being an exception when pañcama main
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14 is the ainsa. One pertains to the auduvita state. The mūrchanā beginning main
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15 with ṛṣabha obtains here. Karuṇa is the rasa. Pañcapāṇi is the tāla. In the main
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16 ekakala citra (mārga), māgadhī is the gīti. In the dvikala vārtika (mārga), main
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17 sambhāvitā is the gīti. In the catuṣkala dakṣiṇa (mārga), pṛthulā is the gīti. It main
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18 is applied in the dhruva gana in the third act. main
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19 . . . . . . . . . . . . . . . . . . . . annotation_inline
parent ligne 18
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20 [12. 77 Description of nine jātis in the interpolated portion] section_header
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21 ٠ page_number
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22 [1.Şadjamadhyamā] section_header
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23 Seven svaras are amśas in şadjamadhyamā and they have mutual to and fro main
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24 movement. Niṣāda is sparse excepting when gāndhāra is the aniśa; (in other main
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25 words) except the vādin state of (gāndhāra). main
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26 (1) annotation_inline
parent ligne 25
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27 The hextatonic and pentatonic states are known to be when niṣāda and main
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28 niṣāda-gāndhāra are omitted. The two-śruti svaras (niṣāda and gāndhāra) are main
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29 the adversaries of the hexatonic and pentatonic states. main
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30 (2) annotation_inline
parent ligne 29
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31 The gīta, tāla, kalā etc. are like those in ṣāḍjī, and the mūrchanā is that which main
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32 annotation_inline
parent ligne 31
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33 begins with madhyama and the viniyoga is as (prescribed) before. main
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34 (3) annotation_inline
parent ligne 33
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35 Ṣadja (and) madhyama are nyāsas in this. Seven svaras are apanyāsas. The main
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36 prastāra is thus - main
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37 ı annotation_inline
parent ligne 36
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38 (1) annotation_inline
parent ligne 36
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39 mā gā saga pā dhapa mā nidha nima main
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40 (2) annotation_inline
parent ligne 39
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41 mā mā sā riga maga nidha padha pā main
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vol_II_p046 LEFT — 50 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 Ą unknown
via fallback
2 annotation_inline
parent ligne 48
via heuristic_height
3 74 page_number
via heuristic_pagenum
4 BRHADDEŚĨ page_header
via surya_layout
5 annotation_inline
parent ligne 48
via heuristic_height
6 धा नी सनि धा पा पा पा पा table
via surya_layout
7 (१३) table
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8 į unknown
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9 धा नी मा पा गा गा गा गा table
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10 (१४) table
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11 į annotation_inline
parent ligne 48
via heuristic_height
12 गा पा पा पा धा मा गा मा table
via surya_layout
13 (१५) table
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14 धा धा नी धा पा पा पा पा table
via surya_layout
15 (१६) table
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16 री गा मा पा पम पा पा नी table
via surya_layout
17 (१७) table
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18 री री री री पा पा पा पा table
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19 (१८) table
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20 पा पा पा धा मा मा मा table
via surya_layout
21 (१९) table
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22 नी पा मा गम गां गां गां गां table
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23 (२०) table
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24 रों रों गा गा मा मा मा मा table
via surya_layout
25 (२१) table
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26 नी पा नी मा नी धा पा पा table
via surya_layout
27 (२२) table
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28 सा सा धनि धा पा पा पा पा table
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29 (२३) table
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30 मा पा मा परिग गा गा सां सां table
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31 (38) table
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32 री री गा गा मा मा पा मा table
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33 (२५) table
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34 रीं रीं रीं गा मा रिग मा मा table
via surya_layout
35 (२६) table
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36 मा नी पा नी गा गा गा गा table
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37 ( २७) table
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38 मा मा पा पा धा धनि निध मा table
via surya_layout
39 (२८) table
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40 धा धा सा नी धा नी पा पा table
via surya_layout
41 (२९) table
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42 रीं रीं रीं रीं मा पा धा मा table
via surya_layout
43 (३०) table
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44 नी नी नी धा पा मा मा table
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45 (38) table
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46 मा परि गा गा गा गा गा गा table
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47 (३२) table
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48 ॥ [इति] नन्दयन्ती ॥ section_header
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49 । म ॥१९१ main
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50 [॥१९२इति जातिर्नाम द्वितीयोऽध्याय:॥] editorial_bracket
parent ligne 49
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vol_II_p145 RIGHT — 41 lignes

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1 PĀŢHAVIMARŚA page_header
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2 273 page_number
via heuristic_pagenum
3 याष्ट्रिकेन मुनिनात्र पञ्चमे, भाषितेति कथितात्र सैन्धवी । main
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4 81. cf. annotation_inline
parent ligne 3
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5 सैव गीतपरमार्थवेदिना सैन्धवी निगदिताङ्गसंज्ञया ॥ main
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6 S Rāj II.2.3.21, annotation_inline
parent ligne 5
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7 Saindhavī is mentioned here as a bhāṣāṅga rāga. main
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8 82. Kalā (appendix) on SR II, p. 135 reads pagrahāmšikā. describing main
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9 'pa' as the graha and amśa. S. Rāj. 11.2.1.868 cd reads - main
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10 .....मधनोस्वरभूयसी । main
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11 83. Kalā (appendix) on SR II, p. 135 and S Rāj II.2.1.868, 869 b treat main
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12 it as a bhāṣā. S. Rāj. 869 cd says - main
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13 इमामेव विभाषेति मुनिराचष्ट याष्टिक:। main
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14 84. SR II.2.151b reads - 'grahāniśa- nyāsa- dhaivatā ', describing list_item
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15 dhaivata as the graha, amsa and nyāsa. list_item
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16 85. This line seems to be misplaced here. list_item
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17 86. SR II.2.150 c, 15I c and S Rāj II.2.1, 849, 850 treat is as a bhāṣā. list_item
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18 87. Verse 27 d of our text reads 'āndhrī' in the enumeration (uddeśa). list_item
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19 Kalā (appendix) on SR II, p. 116 and S. Rāj II.2.1. 872 read it as āndhrī, list_item
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20 treating it as a bhāṣā with a description bearing similarity to that in our text list_item
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21 here. Andhālī, treated as a vibhāṣā in SR II.2.151d-153b and S Rāj II.2.1.890, list_item
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22 891 bears a different description. In S Rāj (ibid) Yāṣṭika is cited as the list_item
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23 authority, while giving the viniyoga (application). list_item
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24 मांशाल्पपञ्चमा पान्ता सङ्कीर्णा धमसङ्गता । main
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25 88. cf. annotation_inline
parent ligne 24
via heuristic_short
26 तानोद्भवा पञ्चमस्य भाषा प्रवलपञ्चमा ॥ main
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27 Kalā (Appendix) on SR II, p.136. main
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28 याष्ट्रिके त्रावणी भाषा पञ्चमस्य ग्रहांशता । main
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29 89. cf. (i) annotation_inline
parent ligne 28
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30 पान्ता सरिपमैर्भूरिसङ्गतद्विश्रुतिर्मता ॥ main
via surya_layout
31 एषा भाषाङ्गमन्येषां भ्रग्रहांशा निपोन्झिता । main
via surya_layout
32 अतारा प्रार्थने मन्द्रधगन्यातोरुमध्यमा ॥ main
via surya_layout
33 SR II.2.186,187. annotation_inline
parent ligne 32
via heuristic_short
34 निषादांशग्रहा न्यासपञ्चमा गनिसंयुता । main
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35 (ii) annotation_inline
parent ligne 34
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36 याष्टिकस्य मते चेयं पड्जांशा पञ्चमान्तिका ॥ main
via surya_layout
37 केपाञ्चिदेषा भाषाङ्गं धग्रहांशा रिपोन्झिता । main
via surya_layout
38 आतारमन्द्रधा गाल्पा प्रार्थने चोरुमध्यमा ॥ main
via surya_layout
39 S Rāj II.2.1.881 ab,884, 886. main
via surya_layout
40 90. SR 11.2.170 c reads 'panyāsāmśagrahā' describing 'pa' as the amśa, main
via surya_layout
41 graha and nyāsa and S Rāj. H.2.1.861 has a similar reading. In our text the main
via surya_layout
229 lignes a valider — change uniquement les roles incorrects.