Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21014). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p115 RIGHT — 27 lignes

page vol_II_p115 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 213 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [9. Dodhaka] table
via surya_layout
4 Having sung the (first) half, the latter half is comprised of a stretching of svaras. table
via surya_layout
5 (391) table
via surya_layout
6 [10. <i>Totaka</i>] table
via surya_layout
7 [11. <i>Vastu</i>] section_header
via surya_layout
8 Where there are pāṭas and tennas 16 and the rest is comprised of a main
via surya_layout
9 stretching (elaboration) of svaras, that is vastu<sup>17</sup> used in desī gītas as well as main
via surya_layout
10 in drama. annotation_inline
parent ligne 9
via heuristic_short
11 (392) main
via surya_layout
12 [12. Krauńcapada] section_header
via surya_layout
13 Krauñcapada is known to those proficient in gandharva as that which is main
via surya_layout
14 sung in pratitāla, being comprised of pada and svara. main
via surya_layout
15 (393) main
via surya_layout
16 [13. Haṁsapada] section_header
via surya_layout
17 Where there is one foot in Sainskṛta and the second (foot) is composed in main
via surya_layout
18 a regional (language) (and) which is sung with rhyme, that song is known main
via surya_layout
19 as hamsapada. annotation_inline
parent ligne 18
via heuristic_short
20 (394) main
via surya_layout
21 [14. Śukasārika] section_header
via surya_layout
22 That which is combined with <i>tāla</i> (and) <i>pada</i>, bedecked with <i>pada</i> (and) main
via surya_layout
23 pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19. main
via surya_layout
24 (395) annotation_inline
parent ligne 23
via heuristic_short
25 That which is composed in the Karnāta language or is mixed (with other main
via surya_layout
26 languages) (and) is comprised of pada (text) embodying dialogue, is śukasārika. main
via surya_layout
27 (396) main
via surya_layout

vol_II_p066 RIGHT — 39 lignes

page vol_II_p066 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1.50 4 1 annotation_inline
parent ligne 5
via heuristic_height
2 TRANSLATION page_header
via surya_layout
3 115 page_number
via heuristic_pagenum
4 [Anu. 198] editorial_bracket
parent ligne 5
via heuristic_brackets
5 Ṣaḍjais its graha, amśa and nyāsa. Niṣādais kākalī here. It is pentatonic with main
via surya_layout
6 the omission of dhaivata and ṛṣabha. Its application is prescribed in sambhoga- main
via surya_layout
7 śṛṅgāra (love in union). Vīra<sup>72</sup> and the like are the rasas. The mūrchanā main
via surya_layout
8 beginning with sadja obtains. Ārohin is the varņa. Prasannādi is the alankāra. main
via surya_layout
9 The kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) main
via surya_layout
10 and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in main
via surya_layout
11 songs comprised of svara and pada. main
via surya_layout
12 [7. Ţakkakaiśika] section_header
via surya_layout
13 Ţakkakaiśika is born of dhaivatī and madhyamā jātis, has dhaivata as its amśa main
via surya_layout
14 and concluding note and is weak in the svaras comprised of two śrutis each main
via surya_layout
15 (gāndhāra and niṣāda). main
via surya_layout
16 (326) annotation_inline
parent ligne 15
via heuristic_short
17 [Anu. 199] editorial_bracket
parent ligne 15
via heuristic_brackets
18 Takkakaišika is related to sadjagrāma. (Contention) This rāga is born of main
via surya_layout
19 jātis related to both the grāmas, how is it proper to say that it is related to main
via surya_layout
20 șadjagrāma? [Answer] În its performance pañcama related to four śrutis is editorial_bracket
parent ligne 19
via heuristic_brackets
21 obtained. Pañcama and dhaivata are the two that bring about a distinction main
via surya_layout
22 between the two grāmas. Hence, this rāga is related to sadjagrāma alone on main
via surya_layout
23 account of pañcama being comprised of four śrutis. Dhaivata is the graha, main
via surya_layout
24 amśa and nyāsa. Niṣāda and gāndhāra are kākalī and antara here. This (rāga) main
via surya_layout
25 is complete in svaras. In the opinion of Kasyapa it becomes auduvita main
via surya_layout
26 (pentatonic) with the omission of <i>niṣāda</i> and <i>gāndhāra</i>. Its application is main
via surya_layout
27 prescribed in passionate acting (or dance) and in the entry of a love-lorn one main
via surya_layout
28 and his kañcukin (attendant of the female apartments). <math>\dot{B}\bar{\imath}bhatsa^{73}</math> and the main
via surya_layout
29 like are the rasas. The mūrchanā beginning with dhaivata obtains. Ārohin is main
via surya_layout
30 the varna. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the main
via surya_layout
31 vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa main
via surya_layout
32 obtains in songs comprised of svara and pada. main
via surya_layout
33 [8. Mālavakaisika] section_header
via surya_layout
34 The rāga mālavakaišika is born of kaišikī jāti, is combined with ṣaḍja as amša main
via surya_layout
35 and nyāsa and is weak in dhaivata. main
via surya_layout
36 (327) annotation_inline
parent ligne 35
via heuristic_short
37 Some prefer pancama for the function of nyāsa in it and others prefer main
via surya_layout
38 găndhāra, but that is not seen in practice. main
via surya_layout
39 (328) main
via surya_layout

vol_II_p044 RIGHT — 46 lignes

page vol_II_p044 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 71 page_number
via heuristic_pagenum
3 gā pā mā pā nī nī nī nī table
via surya_layout
4 (11) table
via surya_layout
5 mă pă mă pariga gā gā gā gā table
via surya_layout
6 (12) table
via surya_layout
7 ni ni pā dhā ni gā gā gā table
via surya_layout
8 (13) table
via surya_layout
9 nî nî nî nî nî nî nî nî table
via surya_layout
10 (14) table
via surya_layout
11 mã mã dhã nĩ sani dhã pã pã table
via surya_layout
12 (15) table
via surya_layout
13 mā pā mā pariga gā gā gā gā table
via surya_layout
14 (16) table
via surya_layout
15 Thusends gāndhārapancami. section_header
via surya_layout
16 [8. Āndhrī] section_header
via surya_layout
17 In <i>āndhrī, niṣāda, ṛṣabha, gāndhāra</i> and <i>pañcama</i> are the <i>aniśas</i>. There is main
via surya_layout
18 concert between ṛṣabha-gāndhāra and niṣāda-dhaivata. One should proceed main
via surya_layout
19 upto the nyāsa according to the order of the respective amsas. main
via surya_layout
20 (21) annotation_inline
parent ligne 19
via heuristic_short
21 The hexatonic form comes into being with the omission of sadja. The main
via surya_layout
22 mūrchanā beginning with madhyama obtains. The kalās, tāla and viniyoga main
via surya_layout
23 (application) are said to be as in the previous one (gāndhārapañcamī). main
via surya_layout
24 (22) annotation_inline
parent ligne 23
via heuristic_short
25 Gāndhāra is the nyāsa in this āndhrī. The amsas themselves are apanyāsas. main
via surya_layout
26 The <i>prastāra</i> is thus – main
via surya_layout
27 gārirīrīrīrīrīrī table
via surya_layout
28 (1) table
via surya_layout
29 rī gā rī gā rī rī rī rī table
via surya_layout
30 (2) table
via surya_layout
31 rī rī gā gā rī rī mā mā table
via surya_layout
32 (3) table
via surya_layout
33 rī gā sā dhani nī nī nī nī table
via surya_layout
34 (4) table
via surya_layout
35 ni ri ni ri dhani dhani pā pā table
via surya_layout
36 (5) table
via surya_layout
37 mā pā mā riga gā gā gā gā table
via surya_layout
38 (6) table
via surya_layout
39 rī rī gā sa ma mā mā pā pā table
via surya_layout
40 <b>(7)</b> table
via surya_layout
41 mā pā mā riga gā gā gā gā table
via surya_layout
42 (8) table
via surya_layout
43 dhā nī gā gā gā gā gā gā table
via surya_layout
44 (9) table
via surya_layout
45 pā pā mā riga gā gā gā gā table
via surya_layout
46 (10) table
via surya_layout

vol_I_p071 LEFT — 45 lignes

page vol_I_p071 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 124 page_number
via heuristic_pagenum
2 <b>BRHADDES!</b> main
via surya_layout
3 चित्रायामनागतो ग्रहः। [ वृत्तौ समग्रहः, दक्षिणायां चातीतग्रहः। editorial_bracket
parent ligne 2
via heuristic_brackets
4 .त्रे अना. main
via surya_layout
5 गीतप्रयोगस्यादौ कलाचतुष्टये वाद्यग्रहयोग उपरिपाणिरुच्यते। main
via surya_layout
6 गीतप्रयोगस्य सम- ] मभीक्ष्णं वा ] १९वाद्यग्रहयोगः [ समपाणिरुच्यते। editorial_bracket
parent ligne 5
via heuristic_brackets
7 अभिप्रवीं (?) ,प्रयोगः main
via surya_layout
8 गीतप्रयोगस्य ] पश्चात् कलाचतुष्टयेऽतीते सति वाद्यग्रहयोगः editorial_bracket
parent ligne 7
via heuristic_brackets
9 सोऽधःपाणिरुच्यते । main
via surya_layout
10 तत्र [ दक्षिणायां ] मागधी नाम गीतिर्विपरीतयोजनया दृश्यते । editorial_bracket
parent ligne 9
via heuristic_brackets
11 न् main
via surya_layout
12 तद्यथा—दक्षिणे मार्गे प्रवृत्ता गीतिर्यदा चित्रे प्रयुज्यते, तदा पृथुला main
via surya_layout
13 •पा annotation_inline
parent ligne 12
via heuristic_short
14 गीतिर्मागधीत्युच्यते। [ वृत्तौ ] वृत्तिमार्गे च [ प्रवृत्ता गीतिर्यदा] चित्रे editorial_bracket
parent ligne 12
via heuristic_brackets
15 (मना ? मा) main
via surya_layout
16 प्रयुज्यते, तदा सा सम्भाविता मागधी-शब्दवाच्या द्विःपरिवृत्त । main
via surya_layout
17 मागधी सम्भाविताः annotation_inline
parent ligne 16
via heuristic_short
18 यवा annotation_inline
parent ligne 16
via heuristic_height
19 •पा main
via surya_layout
20 शब्दाः वादाव्या (?) annotation_inline
parent ligne 19
via heuristic_short
21 क्रमेण योज्यते। यावद् दक्षिणे [ वार्तिक ] च चित्रे editorial_bracket
parent ligne 19
via heuristic_brackets
22 .मो main
via surya_layout
23 •णा annotation_inline
parent ligne 22
via heuristic_height
24 मार्गे प्रयुज्यते। आवापादिक्रमेणाष्टधा चतुर्धा [ द्विधा ] चेति । editorial_bracket
parent ligne 22
via heuristic_brackets
25 ,र्गः main
via surya_layout
26 [ अनु॰ १११ ] editorial_bracket
parent ligne 25
via heuristic_brackets
27 एवमुक्तं भवति। चित्रे च द्विमात्रा कला। [तद्भता च मागधी, ] editorial_bracket
parent ligne 25
via heuristic_brackets
28 का. annotation_inline
parent ligne 25
via heuristic_height
29 सैव मागधी गीतिः [ यदा ] सम्भावितया गीत्या प्रयुज्यते तदा editorial_bracket
parent ligne 25
via heuristic_brackets
30 चतुर्मात्रिकवृत्ति— [ मार्ग - ] शब्देनोच्यते। यदा तु [ वृत्तिमार्गगता ] editorial_bracket
parent ligne 25
via heuristic_brackets
31 चिने main
via surya_layout
32 सम्भाविता-शब्दवाच्या मागधी गीतिः द्विगुणिता अष्टमात्रा [ भवित editorial_bracket
parent ligne 31
via heuristic_brackets
33 मागधी गीतिः सम्भाविताशब्दवाच्या main
via surya_layout
34 तदा ] पृथुलाशब्दवाच्या दक्षिणमार्गे भवति। editorial_bracket
parent ligne 33
via heuristic_brackets
35 त्रिस्त्रिनिवृत्तिस्त्रिरावृत्तिर्मागधी। यथा देवमिति पदं गीत्वा प्रथमां कलां main
via surya_layout
36 नीनीत्रि, annotation_inline
parent ligne 35
via heuristic_short
37 ,मा, main
via surya_layout
38 ∙मे annotation_inline
parent ligne 37
via heuristic_short
39 निर्वाह्य विलम्बितलयेन, यदा द्वितीयां कलां मध्यमलयेन main
via surya_layout
40 •वयेन (?) unknown
via fallback
41 ,प्प, main
via surya_layout
42 .ला unknown
via fallback
43 या annotation_inline
parent ligne 41
via heuristic_height
44 देवमित्यनेन पदेन शर्वीमिति सहितेन गायति, तत्रापि च तृतीयां unknown
via fallback
45 <b>यरदेन</b> unknown
via fallback

vol_II_p024 LEFT — 33 lignes

page vol_II_p024 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 30 page_number
via heuristic_pagenum
3 [अनु॰ १३२] editorial_bracket
parent ligne 4
via heuristic_brackets
4 ८१ अस्मद्गुरुमते ऋषभस्तावदपन्यासो भवति । अनंशत्वात् कैश्चित् पुनः अंशवद् main
via surya_layout
5 ऋषभोऽप्यपन्यासः स्वीकृतः। main
via surya_layout
6 (वृ?म्र) annotation_inline
parent ligne 5
via heuristic_height
7 पञ्चमो बलवानस्यां स्यात्रिषादस्तथैव च ४२ main
via surya_layout
8 न स्यात् annotation_inline
parent ligne 7
via heuristic_height
9 अंशवच्च ग्रहा ज्ञेया[:] सर्वासामेव नित्यश: ॥२३८॥ editorial_bracket
parent ligne 7
via heuristic_brackets
10 ८३∞स्तासां main
via surya_layout
11 [६. जातीनां गणनिर्देश:] section_header
via surya_layout
12 सर्वासामेव जातीनां त्रिजातिस्तु गणः स्मृतः । main
via surya_layout
13 (षष्टि? जाति) annotation_inline
parent ligne 12
via heuristic_height
14 लक्षणात् स च विज्ञेयो वर्धमानस्वरो बुधै: ॥२३९॥ main
via surya_layout
15 <sup>८४</sup>ते च सप्त गणा ज्ञेया annotation_inline
parent ligne 14
via heuristic_height
16 नः गा annotation_inline
parent ligne 14
via heuristic_height
17 एकस्वरो द्विस्वरश्च त्रिस्वरश्च चतुःस्वरः। main
via surya_layout
18 पञ्चस्वरश्चतुर्धा च एकधा सप्तषट्स्वरौ<sup>८६</sup>॥२४०॥ main
via surya_layout
19 स्यादेकधा<sup>८५</sup> · main
via surya_layout
20 न्सः annotation_inline
parent ligne 19
via heuristic_height
21 [अनु॰ १३३] editorial_bracket
parent ligne 19
via heuristic_brackets
22 अस्यार्थ: -त्रिजातिको गण इति संख्यानिदर्शनम्, तत्रैकस्वरांशास्तिस्न: - main
via surya_layout
23 (गु?ग) annotation_inline
parent ligne 22
via heuristic_height
24 ः मध्यमोदीच्यवा, गान्धारपञ्चमी, नन्दयन्ती चेति । प प प । main
via surya_layout
25 द्विस्वरांशास्तिस्तः - धैवती, गान्धारोदीच्यवा, पञ्चमी चेति । धरि, सम, परि । main
via surya_layout
26 त्रिस्वरांशास्तिस्न: - आर्षभी, नैषादी, षड्जकैशिकी चेति । धनिरि, गरिनि, सगप । main
via surya_layout
27 (प:?पा:) annotation_inline
parent ligne 26
via heuristic_height
28 सास annotation_inline
parent ligne 26
via heuristic_height
29 चतुःस्वरांशास्तिस्न: -षड्जोदीच्यवत्यान्ध्री कार्मारवी चेति। समधनि, रिगपनि, ८७परिधनि main
via surya_layout
30 (त्य?त्या) annotation_inline
parent ligne 29
via heuristic_height
31 पञ्चस्वरांशाश्चतस्तः - षाड्जी, गान्धारी, रक्तगान्धारी, मध्यमा चेति । सगमपंध, सगमपनि, main
via surya_layout
32 पड् (ज? जा) main
via surya_layout
33 Sec. 15. unknown
via fallback
190 lignes a valider — change uniquement les roles incorrects.