Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21018). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p041 RIGHT — 47 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	65	page_number via heuristic_pagenum
3	dhā nī sā sā rī rī rī rī	table via surya_layout
4	(3)	table via surya_layout
5	sā sā sā rī gā mā mā mā	table via surya_layout
6	(4)	table via surya_layout
7	mā dhā nī dhā mā dhā mā pā	table via surya_layout
8	.	annotation_inline parent ligne 24 via heuristic_height
9	<b>(5)</b>	table via surya_layout
10	gā rī sā dhani rī rī rī rī	table via surya_layout
11	(6)	table via surya_layout
12	gā rī sā sā pā dhā mā mā	table via surya_layout
13	(7)	table via surya_layout
14	gā gā gā mā pā nidhani nī nī	table via surya_layout
15	(8)	table via surya_layout
16	gã gã nĩ nĩ gã gã gã gã	table via surya_layout
17	(9)	table via surya_layout
18	gā gā nī nī nidha pā pā pā	table via surya_layout
19	(10)	table via surya_layout
20	mā pā mā pā pā pā mā mā	table via surya_layout
21	(11)	table via surya_layout
22	sā mā gā nidha nī nī gā gā	table via surya_layout
23	(12)	table via surya_layout
24	Thus ends <i>Kaišikī</i>.	section_header via surya_layout
25	[5. Madhyamodicyavā]	section_header via surya_layout
26	Madhyamodīcyavā is known to be always complete and having pañcama as	main via surya_layout
27	amsa.	annotation_inline parent ligne 26 via heuristic_short
28	(14)	main via surya_layout
29	The remaining lakṣaṇa should be known to be as in gāndhārodīcyavā. The	main via surya_layout
30	mūrchanā beginning with madhyama obtains. Caccatpuța is known as the	main via surya_layout
31	(prescribed) <i>tāla</i>.	main via surya_layout
32	(15)	annotation_inline parent ligne 31 via heuristic_short
33	The application is (prescribed) in the dhruvā of the fourth act.	main via surya_layout
34	Madhyama is the nyāsa in this jāti. Ṣadja and dhaivata are the apanyāsas. The	main via surya_layout
35	prastāra is thus –	main via surya_layout
36	pā dhani nī nī mā mā nī pā	table via surya_layout
37	(1)	table via surya_layout
38	rī rī rī gā sā riga gā gā .	table via surya_layout
39	(2)	table via surya_layout
40	nī nī nī nī nī nī nī nī	table via surya_layout
41	(3)	table via surya_layout
42	nī nī dhapa mā nidha nidha pā pā	table via surya_layout
43	<b>(4)</b>	table via surya_layout
44	pā pā rī rī rī rī rī rī	table via surya_layout
45	(5)	table via surya_layout
46	mā riga sā sadha nī nī nī nī	table via surya_layout
47	(6)	table via surya_layout

vol_II_p042 RIGHT — 50 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	67	page_number via heuristic_pagenum
3	sā pā nī mā pā pā gā gā	table via surya_layout
4	<b>(7)</b>	table via surya_layout
5	mā pā mā nidha nī nī sā sā	table via surya_layout
6	(8)	table via surya_layout
7	pā pā mā dhani pā pā pā pā	table via surya_layout
8	(9)	table via surya_layout
9	mā pā mā riga gā gā gā gā	table via surya_layout
10	(10)	table via surya_layout
11	gā pā mā pā nī nī nī nī	table via surya_layout
12	(11)	table via surya_layout
13	mā pā mā pariga gā gā gā gā	table via surya_layout
14	(12)	table via surya_layout
15	gā gā gā mā mā nidha nī nī	table via surya_layout
16	(13)	table via surya_layout
17	nī nī dhapa mā nidha nidha pā pā	table via surya_layout
18	(14)	table via surya_layout
19	rī gā sā sā mā nidhani nī nī	table via surya_layout
20	(15)	table via surya_layout
21	nī nī dhā pā dhā pā mā mā	table via surya_layout
22	(16)	table via surya_layout
23	Thusends<i>inadhyamodīcyavā</i>.	section_header via surya_layout
24	[6. Kārmāravi]	section_header via surya_layout
25	In kārmāravī, niṣāda, ṛṣabha, pañcama and dhaivata become the ainśas.	main via surya_layout
26	(16)	annotation_inline parent ligne 25 via heuristic_short
27	Many (svaras) are said to be non-amsas on account of antara-marga.	main via surya_layout
28	Gāndhāra is excessively abundant. There is concert among all the amśa	main via surya_layout
29	svaras.	annotation_inline parent ligne 28 via heuristic_height
30	(17)	main via surya_layout
31	Caccatpuța (is the tāla), there are sixteen kalās. The mūrchanā beginning	main via surya_layout
32	with şadja obtains. The application is (prescribed) in the dhruvā of the fifth	main via surya_layout
33	act.	annotation_inline parent ligne 32 via heuristic_short
34	(18)	main via surya_layout
35	Pañcama is the nyāsa in this (jāti). The amsás themselves are apanyāsas.	main via surya_layout
36	The prastāra is thus-	main via surya_layout
37	ri ri ri ri ri ri ri ri	table via surya_layout
38	(1)	table via surya_layout
39	mā gā sā gā sā nī nī nī	table via surya_layout
40	(2)	table via surya_layout
41	nī mā nī mā pā pā gā gā	table via surya_layout
42	(3)	table via surya_layout
43	gā pā mā pā nī nī nī nī	table via surya_layout
44	(4)	table via surya_layout
45	rī gā sā nī rī gā rī gā	table via surya_layout
46	(5)	table via surya_layout
47	rī gā rī sā nī dhani pā pā	table via surya_layout
48	(6)	table via surya_layout
49	mā pā mā pariga gā gā gā gā	table via surya_layout
50	<b>(7)</b>	table via surya_layout

vol_I_p040 LEFT — 38 lignes

L#	Texte OCR	Role auto
1	62	page_number via heuristic_pagenum
2	<b>BRHADDESI</b>	page_header via surya_layout
3	स X गमप ध नि	main via surya_layout
4	निस X गमप ध	annotation_inline parent ligne 3 via heuristic_short
5	धनिसxगमप	main via surya_layout
6	प ध नि स 🗶 ग म	annotation_inline parent ligne 5 via heuristic_short
7	म प ध नि स 🗶 ग	main via surya_layout
8	गमपधनिस 🗶	main via surya_layout
9	.	annotation_inline parent ligne 8 via heuristic_height
10	x गमप ध नि स	main via surya_layout
11	ऋषभहीनाः।	annotation_inline parent ligne 10 via heuristic_short
12	[सरिगम 🗶 धनि	editorial_bracket parent ligne 10 via heuristic_brackets
13	निसरिगम 🗶 ध	main via surya_layout
14	ध निसरिगम 🗶	annotation_inline parent ligne 13 via heuristic_short
15	X ध निस रिगम	main via surya_layout
16	म X ध नि स रि ग	annotation_inline parent ligne 15 via heuristic_short
17	गम 🗶 ध निस रि	main via surya_layout
18	रिगम 🗶 ध नि स	annotation_inline parent ligne 17 via heuristic_short
19	पञ्चमहीनाः।	main via surya_layout
20	सरिगमपध 🗶	annotation_inline parent ligne 19 via heuristic_short
21	<b>X</b> स रिगम प ध	main via surya_layout
22	ध X स रिगमप	annotation_inline parent ligne 21 via heuristic_short
23	पध X स रिगम	main via surya_layout
24	म प ध 🗶 स रि ग	annotation_inline parent ligne 23 via heuristic_short
25	गमपध X सरि	main via surya_layout
26	1	page_number via heuristic_pagenum
27	रिगमपध 🗶 स	main via surya_layout
28	निषादहीनाः । इति षाडवाः।	main via surya_layout
29	.	annotation_inline parent ligne 28 via heuristic_height
30	.	annotation_inline parent ligne 28 via heuristic_height
31	[ X रिगम X ध नि ]	editorial_bracket parent ligne 28 via heuristic_brackets
32	नि x रिगम x ध	main via surya_layout
33	ध नि X रिगम X	annotation_inline parent ligne 32 via heuristic_short
34	[ Хधनि X रिगम	editorial_bracket parent ligne 32 via heuristic_brackets
35	म X ध नि X रि ग	main via surya_layout
36	गम X ध नि X रि	annotation_inline parent ligne 35 via heuristic_short
37	रिगम 🗶 ध नि 🗶	main via surya_layout
38	सपहीनाः। ]	editorial_bracket parent ligne 37 via heuristic_brackets

vol_II_p034 RIGHT — 35 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	51	page_number via heuristic_pagenum
3	pañcama and șadja. In the complete state there is the sparseness of șadja,	main via surya_layout
4	madhyama, pañcama and dhaivata. In the ṣāḍava state, there is the sparseness	main via surya_layout
5	of şadja, madhyama and dhaivata. In the auduvita form there is the sparseness	main via surya_layout
6	of madhyama and dhaivata. The tāra extends upto five svaras. The mandra is	main via surya_layout
7	upto the nyāsa or upto the svara next to it.	main via surya_layout
8	[Anu. 153]	section_header via surya_layout
9	The mūrchanā beginning with gāndhāra obtains. Caccatpuṭa is the tāla.	main via surya_layout
10	There are thirty-two kalās in the dakṣiṇa (mārga), sixteen in vārtika (mārga),	main via surya_layout
11	eight in citra (mārga). It is ten-fold. There are ten amśas. Šuddhā (is one).	main via surya_layout
12	There are three vikṛtās in the complete state, three in the ṣāḍava state and	main via surya_layout
13	three in the auduva state. Karuna is the rasa. Its application (viniyoga) 68 is	main via surya_layout
14	prescribed in the singing of dhruvās in the first scene (or act).	main via surya_layout
15	[5. Şadjakaisiki]	section_header via surya_layout
16	[Anu. 154]	section_header via surya_layout
17	Ṣaḍja, gāndhāra and pañcama are the grahas and amsas of ṣaḍjakaisikī. The	main via surya_layout
18	tāra extends upto five svaras. The mandra is upto the nyāsa or upto the svara	main via surya_layout
19	next to it. It is always complete. There is the sparseness of dhaivata, niṣāda	main via surya_layout
20	and madhyama. Rṣabha is even more sparse, there is abundance of the	main via surya_layout
21	remaining ones. Gāndhāra is the nyāsa. And şadja, niṣāda, pañcama are	main via surya_layout
22	apanyāsas.	main via surya_layout
23	[Anu. 155]	section_header via surya_layout
24	It has no śuddhā state, there are three amśas in the complete state.	main via surya_layout
25	Caccatpuța is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī	main via surya_layout
26	gīti. In dvikala (tāla), in the vārtika (mārga), there is sambhāvitā (gīti). In	main via surya_layout
27	catușkala (tāla), in the dakșiņa (mārga), there is pṛthulā (gīti) and the rasa is	main via surya_layout
28	karuṇa. Its application (viniyoga) is (prescribed) in the first song associated	main via surya_layout
29	with entry in the second scene (or act).	main via surya_layout
30	[6. Şadjodicyava]	section_header via surya_layout
31	[Apu. 156]	section_header via surya_layout
32	Şadja, madhyama, dhaivata and nişāda are the grahas and amsas of şadjodīcyavā.	main via surya_layout
33	The tara extends up to five svaras. The mandra is upto the nyasa or the svara	main via surya_layout
34	next to it. The şādava formation is devoid of rṣabha, the auduvita formation	main via surya_layout
35	is devoid of ṛṣabha-pañcama. In the complete state there is the sparseness of	main via surya_layout

vol_II_p059 LEFT — 34 lignes

L#	Texte OCR	Role auto
1	BŖHADDEŚĪ	page_header via surya_layout
2	100	page_number via heuristic_pagenum
3	[अनु॰ १८०]	editorial_bracket parent ligne 4 via heuristic_brackets
4	अस्यार्थः - अन्यां जातिं परिहरन् स्वजातिकुलभूषितं स्वमूलं तु संगृह्णिति ।	main via surya_layout
5	[४. भिन्नकैशिकः]	section_header via surya_layout
6	[अनुः १८१]	editorial_bracket parent ligne 5 via heuristic_brackets
7	शुद्धस्य लक्षणं समग्रं भिन्नकैशिकस्यापि विद्यते । तर्हि को भेदः । गीतिकृतो भेदः	main via surya_layout
8	(कटी?गी)	annotation_inline parent ligne 7 via heuristic_height
9	शुद्धकैशिको हि शुद्धगीत्या गीयते, भिन्नकैशिकस्तु भिन्नगीत्या गीयते। एतदुक्तं भवति - येन	main via surya_layout
10	स्वस्थानेन रागीयते शुद्धकैशिके न तेन स्वस्थानेन भित्रकैशिके रागीयत इति। लक्षणं चास्य यथा-	main via surya_layout
11	<b>(?)</b>	annotation_inline parent ligne 10 via heuristic_height
12	(स्थं ?)संस्थानेन	main via surya_layout
13	•केन	annotation_inline parent ligne 12 via heuristic_height
14	<b>ण्य</b>ने	annotation_inline parent ligne 12 via heuristic_height
15	संस्थानेन	annotation_inline parent ligne 12 via heuristic_height
16	शुद्धकैशिकवदूप[:] स्वरज्ञैर्धित्रकैशिक:।	editorial_bracket parent ligne 12 via heuristic_brackets
17	षड्जांशः पञ्चमन्यासः सम्पूर्णः सप्तभिः स्वरैः ॥३११॥	main via surya_layout
18	[अन्॰ १८२]	editorial_bracket parent ligne 17 via heuristic_brackets
19	अस्यार्थ: - भित्रकैशिको मध्यमग्रामसम्बन्ध: कैशिकीकार्मारवीजात्युत्पत्रत्वात् ।	main via surya_layout
20	ग्रहोंऽशश्च षड्जः । पञ्चमो न्यासः । निषादोऽत्र काकली । पूर्णश्चायम् । शुद्धैकेशिकवदयं यद्यपि रागः	main via surya_layout
21	उदयं(?)	annotation_inline parent ligne 20 via heuristic_height
22	तथापि भेदोऽस्ति । मन्द्रबहुलोऽयम् । येन स्वस्थानेन शुद्धकैशिके स्वरालापः क्रियते, तत्स्वस्थानं	main via surya_layout
23	संस्थाने(न)	annotation_inline parent ligne 22 via heuristic_height
24	विहाय तैरेव स्वरैरालाप: कर्तव्य:। शुद्धकैशिके हि तारस्वरैरालाप: कर्तव्य इति रूपान्यत्वेनायं	main via surya_layout
25	विभिन्नकैशिके	annotation_inline parent ligne 24 via heuristic_height
26	(य)	annotation_inline parent ligne 24 via heuristic_height
27	भिद्यते । दानवीरे चास्य विनियोगः । वीररौद्रादिको रसः । षड्जादिमूर्छना । वर्णः सञ्चारी ।	main via surya_layout
28	प्रसन्नादिरलङ्कार:। दक्षिणे कला, वार्तिके कला,चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल:।	main via surya_layout
29	[श्रुतिभिन्नः]	section_header via surya_layout
30	साम्प्रतं श्रुतिभिन्नस्य लक्षणमाह -	main via surya_layout
31	भिन्नतानस्य	annotation_inline parent ligne 30 via heuristic_height
32	६०चतु:श्रुतिस्वरो यत्र भिन्नो द्विश्रुतिकेन तु ।	main via surya_layout
33	गान्धारो द्विश्रुतिश्चैव श्रुतिभिन्न: स उच्यते ॥ ३१२॥	main via surya_layout
34	(आधा ? गान्या)रो	annotation_inline parent ligne 33 via heuristic_height

204 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p041 RIGHT — 47 lignes

vol_II_p042 RIGHT — 50 lignes

vol_I_p040 LEFT — 38 lignes

vol_II_p034 RIGHT — 35 lignes

vol_II_p059 LEFT — 34 lignes