Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21026). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p115 RIGHT — 27 lignes

page vol_II_p115 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 213 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [9. Dodhaka] table
via surya_layout
4 Having sung the (first) half, the latter half is comprised of a stretching of svaras. table
via surya_layout
5 (391) table
via surya_layout
6 [10. <i>Totaka</i>] table
via surya_layout
7 [11. <i>Vastu</i>] section_header
via surya_layout
8 Where there are pāṭas and tennas 16 and the rest is comprised of a main
via surya_layout
9 stretching (elaboration) of svaras, that is vastu<sup>17</sup> used in desī gītas as well as main
via surya_layout
10 in drama. annotation_inline
parent ligne 9
via heuristic_short
11 (392) main
via surya_layout
12 [12. Krauńcapada] section_header
via surya_layout
13 Krauñcapada is known to those proficient in gandharva as that which is main
via surya_layout
14 sung in pratitāla, being comprised of pada and svara. main
via surya_layout
15 (393) main
via surya_layout
16 [13. Haṁsapada] section_header
via surya_layout
17 Where there is one foot in Sainskṛta and the second (foot) is composed in main
via surya_layout
18 a regional (language) (and) which is sung with rhyme, that song is known main
via surya_layout
19 as hamsapada. annotation_inline
parent ligne 18
via heuristic_short
20 (394) main
via surya_layout
21 [14. Śukasārika] section_header
via surya_layout
22 That which is combined with <i>tāla</i> (and) <i>pada</i>, bedecked with <i>pada</i> (and) main
via surya_layout
23 pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19. main
via surya_layout
24 (395) annotation_inline
parent ligne 23
via heuristic_short
25 That which is composed in the Karnāta language or is mixed (with other main
via surya_layout
26 languages) (and) is comprised of pada (text) embodying dialogue, is śukasārika. main
via surya_layout
27 (396) main
via surya_layout

vol_II_p107 LEFT — 35 lignes

page vol_II_p107 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŠĪ page_header
via surya_layout
3 196 page_number
via heuristic_pagenum
4 उदाहरणम् – धासाधागा सानिसामानि । मानिधामागा । गामाधानी । धामामागा । निनि- main
via surya_layout
5 R annotation_inline
parent ligne 4
via heuristic_height
6 धाधा। ललिता। [९] editorial_bracket
parent ligne 4
via heuristic_brackets
7 ३५निषादवतिका ख्याता धैवताद्यन्तरा[जिता]। editorial_bracket
parent ligne 4
via heuristic_brackets
8 ॰पतरख्याता(?) annotation_inline
parent ligne 4
via heuristic_markers
9 सम्पूर्णाऽन्तरभाषा च गीताऽन्यैश्च रिवर्जिता<sup>३२</sup> ॥ २९॥ main
via surya_layout
10 गीतान्येन विवर्जिता annotation_inline
parent ligne 9
via heuristic_short
11 + + + म्या annotation_inline
parent ligne 9
via heuristic_height
12 उदाहरणम् – धामागापा । पासापापा । गमामापानि धापाधाधा । पामाधागागा । सनिधाधापापा main
via surya_layout
13 धासा- annotation_inline
parent ligne 12
via heuristic_short
14 गमागाप निधाधानीसरि सामापानिधापा मामागाप सधानिधाधा । निषादवती । [१०] editorial_bracket
parent ligne 12
via heuristic_brackets
15 धैवताद्यन्तसंयुक्ता षाडवा ३३तुम्बुरु [:] स्मृता । editorial_bracket
parent ligne 12
via heuristic_brackets
16 ऋषभेण विहीना तु गीयते <sup>३४</sup> ब्रह्मवादिभिः ॥ ३०॥ main
via surya_layout
17 उदाहरणम् - धानिसागा गामाधापा मागनि सनीधाधा । तुम्बुरु[:]। [११] editorial_bracket
parent ligne 16
via heuristic_brackets
18 ३५गान्धारललिता पूर्णा <sup>३६</sup>मध्यमांशा[ऽ]न्तधैवता । editorial_bracket
parent ligne 16
via heuristic_brackets
19 ल्पधैयता annotation_inline
parent ligne 16
via heuristic_height
20 गीयते पितृकार्येषु ३७षड्जधैवतसङ्गतिः ॥ ३१॥ main
via surya_layout
21 ॰मक्रमात् annotation_inline
parent ligne 20
via heuristic_markers
22 उदाहरणम्-माधापा । पासासामग सासारीरी सानिधाधा सासारिगामा गारिरि सागरीसारी । main
via surya_layout
23 ॰का॰ annotation_inline
parent ligne 22
via heuristic_markers
24 साधा । गान्धारललिता । [१२] editorial_bracket
parent ligne 22
via heuristic_brackets
25 <b>•प</b>िलता annotation_inline
parent ligne 22
via heuristic_height
26 ..... main
via surya_layout
27 उदाहरणम्- धाधाधापा । गरिरिधापधानिनिरिगा पपानिधाधा रिगरिगधापधा रिपागा रिनिधा main
via surya_layout
28 ॰नि annotation_inline
parent ligne 27
via heuristic_markers
29 पाधाधा । कलिङ्गा । [१३] editorial_bracket
parent ligne 27
via heuristic_brackets
30 oth annotation_inline
parent ligne 27
via heuristic_height
31 धैवताद्यन्तभाषा [स्याच्छुद्धा] धैवतमध्यमौ<sup>३९</sup>[?]। editorial_bracket
parent ligne 27
via heuristic_brackets
32 ॰मा शुभा annotation_inline
parent ligne 27
via heuristic_markers
33 धैवतान्तरः annotation_inline
parent ligne 27
via heuristic_height
34 मूलभाषा भिन्नषड्जे गीयते नारदादिभिः॥ ३२॥ main
via surya_layout
35 नारदतुम्बुरू(?) main
via surya_layout

vol_I_p043 LEFT — 32 lignes

page vol_I_p043 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 68 page_number
via heuristic_pagenum
2 <b>BRHADDES!</b> page_header
via surya_layout
3 मूर्छनेत्युच्यते, अवतानस्त्वारोहक्रमेण भवतीति भेदः। main
via surya_layout
4 ₀नाऽऽरोह्₀ नोऽयरोहक्रमेण annotation_inline
parent ligne 3
via heuristic_markers
5 [ तानानां यज्ञनामानि ] section_header
via surya_layout
6 अधुना तानानां यज्ञनामानि कथ्यन्ते— main
via surya_layout
7 अग्निष्टोमोऽत्यग्निष्टोमो वाजपेयोऽथ षोडशी। main
via surya_layout
8 पुण्डरीकोऽश्वमेधश्च राजसूयश्च सप्तमः॥१०४॥ main
via surya_layout
9 ॥ इति षड्जहीनषाडवताननामानि ॥३1 editorial_bracket
parent ligne 8
via heuristic_brackets
10 <sup>32</sup>स्विष्टकृद् <sup>33</sup>बहुसौवर्णो गोसवश्च महाव्रतः। main
via surya_layout
11 —वृद ब्हः सु annotation_inline
parent ligne 10
via heuristic_height
12 विश्वजिद् अब्रह्मयज्ञश्च प्राजापत्यस्तथैव च ॥१०५॥ main
via surya_layout
13 बहु annotation_inline
parent ligne 12
via heuristic_height
14 ॥ इति ऋषभहीनषाडवताननामानि ॥ editorial_bracket
parent ligne 12
via heuristic_brackets
15 अश्वक्रान्तो रथक्रान्तो विष्णुक्रान्तस्तथैव च। main
via surya_layout
16 सूर्यक्रान्तो गजक्रान्तो अबलिभिन्नागयज्ञकः॥१०६॥ main
via surya_layout
17 वलतीनाम वज्रको annotation_inline
parent ligne 16
via heuristic_short
18 ॥ इति पञ्चमहीनषाडवताननामानि ॥ editorial_bracket
parent ligne 16
via heuristic_brackets
19 <sup>36</sup>चातुर्मास्योऽथ <sup>37</sup>संस्थाऽऽख्यः <sup>36</sup>शास्त्रश्चैवोक्थकस्तथा। main
via surya_layout
20 ₄सिक्₀ annotation_inline
parent ligne 19
via heuristic_markers
21 संज्ञन्च annotation_inline
parent ligne 19
via heuristic_height
22 ०कोत्थ₀ annotation_inline
parent ligne 19
via heuristic_markers
23 सौत्रामणिश्च चित्रा च उद्भिद्यागश्च सप्तमः॥१०७॥ main
via surya_layout
24 39<sub>0</sub>णी च पि. main
via surya_layout
25 ।। इति निषादहीनषाडवताननामानि ।। list_item
via surya_layout
26 ॥ इति षड्जग्रामे षाडवताननामानि अष्टाविंशतिः ॥ list_item
via surya_layout
27 सावित्री ४०चार्धसावित्री सर्वतोभद्र एव च। list_item
via surya_layout
28 o To annotation_inline
parent ligne 27
via heuristic_height
29 [ 41 आदित्यानामयनश्च गवामयननामकः। ] list_item
via surya_layout
30 <b>+</b>य्सर्पाणामयनः षष्ठः सप्तमः कौणपायनः॥१०८॥ list_item
via surya_layout
31 ॰पॉयजनसज्ञष्य तथा वेकुण्ठवायनः list_item
via surya_layout
32 ।। इति मध्यमग्रामे षर्जहीनताननामानि ।। list_item
via surya_layout

vol_II_p035 LEFT — 31 lignes

page vol_II_p035 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
via surya_layout
2 52 page_number
via heuristic_pagenum
3 पञ्चमयोरत्पत्वम् । <sup>१५३</sup>गान्धारस्यांशत्वे[ऽ]प्राप्ते[ऽपि] बाहुत्यम् । षाडवे पञ्चमस्यात्पत्वम् editorial_bracket
parent ligne 4
via heuristic_brackets
4 पद्जागान्धारपञ्चमयोरलपत्वम् , main
via surya_layout
5 औडुविते न कस्याप्यल्पत्वमशेषाणां बहुत्वम् । मध्यमो न्यासः । ऋषभधैवतावपन्यासौ । अंशानां main
via surya_layout
6 परस्परगमनम् । main
via surya_layout
7 [अनु॰ १५७] section_header
via surya_layout
8 १५४एकादशविधत्वमस्या:। एकादशांशका: -पूर्णाश्चत्वार:, षाडवास्त्रयो धैवतांशे तदपवादाद् main
via surya_layout
9 औडुविताश्चत्वार:।शुद्धस्तु नास्ति।गान्धार[ादि]मूर्छना।ताल:पञ्चपाणि:।एककलेन चित्रेण editorial_bracket
parent ligne 8
via heuristic_brackets
10 मागधी, द्विकलेन वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । रसौ शृङ्गारहास्यौ । main
via surya_layout
11 ध्रवागाने द्वितीयप्रेक्षणके विनियोग:। main
via surya_layout
12 [७. पड्जमध्यमा] section_header
via surya_layout
13 [अनु॰ १५८] section_header
via surya_layout
14 षड्जमध्यमाया ग्रहा अंशाश्च सप्तैव स्वरा:। पञ्चस्वरपरस्तार:। न्यासपरस्तत्परो वा मन्द्र: main
via surya_layout
15 ॰हा: annotation_inline
parent ligne 14
via heuristic_markers
16 निषादहीना षाडवा । निषादगान्धारहीना औडुविता । ग्रामाविरोधेन यथेष्टं सञ्चार: । पूर्णावस्थायां main
via surya_layout
17 निषादगान्धारयोरल्पत्वम् । षड्जमध्यमौ न्यासौ । सप्तस्वरा अपन्यासा: । main
via surya_layout
18 <b>क्खरापन्या</b> (स: ? सा) annotation_inline
parent ligne 17
via heuristic_height
19 [अनु॰ १५९] section_header
via surya_layout
20 सप्तदशांशका: – तत्र सप्त पूर्णा:, पञ्च षाडवा:, पञ्च औडवाश्चेति main
via surya_layout
21 <sup>१५५</sup>सप्तदशविधत्वमस्याः । main
via surya_layout
22 एतदंशकाश्रत्वार: पाडवा:। तथैव थैवतेंऽशे पाडवानाम् औदुविताश main
via surya_layout
23 <sup>१५६</sup>दशिंधत्वमस्या annotation_inline
parent ligne 22
via heuristic_height
24 शुद्धत्वं नास्ति । मध्यमादिमूर्छना । ताल: पञ्चपाणि: । एककलेन चित्रेण मागधी, द्विकलेन main
via surya_layout
25 (F) annotation_inline
parent ligne 24
via heuristic_height
26 वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । सर्वरसात्मिका, ध्रुवागाने द्वितीये प्रेक्षणके main
via surya_layout
27 विनियोग: । annotation_inline
parent ligne 26
via heuristic_short
28 ॥ [इति] एता: षड्जग्रामसम्बन्धा: सप्त जातय: ॥ editorial_bracket
parent ligne 26
via heuristic_brackets
29 [अनु॰ १६०] section_header
via surya_layout
30 इदानीं मध्य[म] ग्रामसम्बन्धा जातय उच्यन्ते - editorial_bracket
parent ligne 29
via heuristic_brackets
31 --- annotation_inline
parent ligne 29
via heuristic_height

vol_II_p033 RIGHT — 32 lignes

page vol_II_p033 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1400 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 49 page_number
via heuristic_pagenum
4 citra (mārga) there is māgadhī (gīti), with the dvikala (tāla) in the vārtika main
via surya_layout
5 (mārga) there is sambhāvitā (gīti), with the catuṣkala (tāla) in the dakṣiṇa main
via surya_layout
6 (mārga) there is pṛthulā (gīti). Vīra, raudra, adbhuta are the rasas. Its main
via surya_layout
7 application (viniyoga) is (prescribed) in the singing of the naiskrāmiki<sup>65</sup> main
via surya_layout
8 (associated with exit) dhruvā in the first scene (or act). main
via surya_layout
9 [3. Dhaivati] section_header
via surya_layout
10 [Anu. 150] section_header
via surya_layout
11 In dhaivati, dhaivata and ṛṣabha are the two grahas and aṁśas. In the śuddhā main
via surya_layout
12 state, dhaivataitself is the apanyāsa and in the vikrtā state, dhaivata, ṛṣabha and main
via surya_layout
13 madhyama are the apanyāsas, dhaivata is the nyāsa. The ṣāḍava formation is main
via surya_layout
14 devoid of pañcama and the auduva formation is devoid of pañcama, șadja. main
via surya_layout
15 The same two svaras, viz. şadja and pañcama should be made weak and should main
via surya_layout
16 sometimes be leapt over. The tara is upto five svaras. The mandra is upto the main
via surya_layout
17 nyāsa<sup>66</sup> or upto the svara next to nyāsa. main
via surya_layout
18 [Anu. 151] section_header
via surya_layout
19 It (dhaivatī) is seven-fold. There are seven amśas. Śuddhā (is one), vikṛtās main
via surya_layout
20 in the complete state are two and ṣāḍava-auḍuva are two each. The mūrchanā main
via surya_layout
21 beginning with ṛṣabha obtains (in it). Pañcapāṇi is the tāla. Ekakala (tāla), main
via surya_layout
22 citra mārga and māgadhī gīti (go together). Dvikala (tāla), vārtika (mārga) and main
via surya_layout
23 sambhāvitā (gīti) (go together). Catuṣkala (tāla), dakṣiṇa (mārga) and pṛthulā main
via surya_layout
24 (gīti) (go together). The kalās are twelve in the citra (mārga), twenty-four in main
via surya_layout
25 the vārtika (mārga) and forty-eight in dakṣiṇa (mārga). Vīra, bībhatsa, main
via surya_layout
26 bhayānaka are the rasas. Its application is (prescribed) in the singing of main
via surya_layout
27 dhruvā in the first scene (or act). main
via surya_layout
28 [4. Naisādī] section_header
via surya_layout
29 [Anu. 152] section_header
via surya_layout
30 In niṣādavatī,67 niṣāda, ṛṣabha and gāndhāra are the grahas and aniśas. main
via surya_layout
31 Niṣāda, gāndhāra and ṛṣabha are apanyāsas. Niṣāda alone is nyāsa. The ṣāḍava main
via surya_layout
32 formation is devoid of pañcama and the auduvita formation is devoid of main
via surya_layout
157 lignes a valider — change uniquement les roles incorrects.