Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21031). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p085 LEFT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 152 page_number
via heuristic_pagenum
3 षड्जाद्यन्तसमायुक्ता सम्पूर्णा देशसम्भवा । main
via surya_layout
4 <sup>५४</sup>ऋषभषड्जसंवादो द्विश्रुती चाल्परूपिणौ ॥ main
via surya_layout
5 +++षड्जासंवादो annotation_inline
parent ligne 4
via heuristic_short
6 िद्विश्रुति चाल्यरूपिणौ(?) main
via surya_layout
7 साधारणकृता होषा त्वाभीरी गीयते जनै: ॥६८॥ main
via surya_layout
8 आभीरी annotation_inline
parent ligne 7
via heuristic_height
9 उदाहरणम् - सासारीरी । सासारीरी । सासारीसारी । सासानीसारीरी। सारीसारीसासानीसरीरीगारीगारी। main
via surya_layout
10 सनिसासा । गारीरी । गामागरी। गपापगारी । सनिसासा । सनीसासा धारीगगमासा । पमागारी। main
via surya_layout
11 सनीसासा । धनीधानी । साधनिसा । रिरिगामा । गामारिरि । गापामापा । मागारीरी । सासारिसारी। main
via surya_layout
12 सासानीसारी । रीरीसासा सानिरीरिगारि । रिगारिरि । सनि । सासागारीरि । गामगारी । सानि । main
via surya_layout
13 गारीरी। मागागारी । गापागारी। सनीसासासनी । सासा । रिगगमासा । पमागारी । सनिससा । main
via surya_layout
14 संधनिसासा । सनिधानिधाधनिसारीरी । गामागमारिरी । गापामापा । मपमा । मगारिरी । मपागारि। main
via surya_layout
15 सनिसासा । आभीरी । [६] editorial_bracket
parent ligne 14
via heuristic_brackets
16 <sup>५५</sup>खञ्जनी पञ्चमांशा तु षड्जान्ता <sup>५६</sup>धैवतोज्झिता । main
via surya_layout
17 खण्डनी annotation_inline
parent ligne 16
via heuristic_height
18 षड्जनिषादसंवादो मध्यमर्षभयोस्तथा ॥ main
via surya_layout
19 सङ्कीर्णा षाडवा ज्ञेया सर्वलोकस्य रञ्जिका ॥६९॥ main
via surya_layout
20 उदाहरणम् - पानीमारीसरि । सासासरीरि । सनि । रिरी । सनिसनि । रि । पापापानि । सरिसनि। main
via surya_layout
21 सगसस्। सनिरीसनीरीरी । मागारिगमा । नीपापानीसनीपापामग । पापा । नि । निमनिसरिसगसासा। main
via surya_layout
22 । खञ्जनी ।[७] editorial_bracket
parent ligne 21
via heuristic_brackets
23 खण्डनी annotation_inline
parent ligne 21
via heuristic_height
24 निषादांशा तु षड्जान्ता गुर्जरी देशसम्भवा । main
via surya_layout
25 निषादर्षभसंयोगो मध्यमर्षभयोस्तथा ॥ main
via surya_layout
26 सम्पूर्णा चैव विज्ञेया <sup>५७</sup>भाषा वै गेयवेदिभि:॥७०॥ main
via surya_layout
27 पाडवा annotation_inline
parent ligne 26
via heuristic_height
28 उदाहरणम् - निधानीनी । रिगानिधा । निसासाधनि । धाग । रि । सागरी । सानीधानी । main
via surya_layout
29 गधासारी । गारीमागारी । सनिधाधानिधासरिगारी । सनीसासा । निधासानीगरी । मगरि । main
via surya_layout
30 मगारि । पापागारीमामा । रिधानिधानिधासरि । गरिसानीसासानीधासरीरि । निधासासा । main
via surya_layout
31 धनीसागा । गारीरि । मगरीमगरि । मापागरि । मगरिसनी धाधानिधासरिगरि । सनिसासा । main
via surya_layout
32 [गुर्जरी]।[८] editorial_bracket
parent ligne 31
via heuristic_brackets

vol_II_p092 RIGHT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 167 page_number
via heuristic_pagenum
3 Kaiśikī has pañcama as nyāsa, madhyama as amśa, is weak in ni(niṣāda), main
via surya_layout
4 there is (mutual) movement between madhyama-dhaivata and abundance of main
via surya_layout
5 pancama. This bhāṣā is born of pancama (rāga) and is always sankīrṇā main
via surya_layout
6 (mixed). annotation_inline
parent ligne 5
via heuristic_short
7 (102) main
via surya_layout
8 Illustration-Pรับหลัdhลับidhลัpลีpลิpลิdhลับidhaัdhaัdhลับหลับกลับกลัdhลับกลัdhลัdhลับโรรั- main
via surya_layout
9 sārirīpāpā mādhāmādhamadhadhamāmādhā. Niripāpā. Kaišikī [x] editorial_bracket
parent ligne 8
via heuristic_brackets
10 These are the ten <i>bhāṣās</i> in <i>pancama</i> (<i>rāga</i>) described by Yāṣṭika. main
via surya_layout
11 (103) main
via surya_layout
12 [6. Bhāṣāsin bhinnaṣaḍja] section_header
via surya_layout
13 After this, I shall speak of the <i>bhāṣās</i> in <i>bhinnaṣaḍja</i>. main
via surya_layout
14 (104) annotation_inline
parent ligne 13
via heuristic_short
15 Having dhaivata as amsa and the same as concluding note, being devoid main
via surya_layout
16 of pañcama and ṛṣabha,45 having to and fro movement between ṣaḍja- main
via surya_layout
17 gāndhāra, this śuddhā (bhāṣā) should be known by the performers to subsist main
via surya_layout
18 in bhinnaṣadja and it becomes pentatonic when devoid of ṣadja.46 main
via surya_layout
19 (105) annotation_inline
parent ligne 18
via heuristic_short
20 lllustration-Dhādhāmāgāmāmāgagasanisanisanidhanidhādhāmānimāmāg main
via surya_layout
21 ลังกลัฐจรรับก่ฝาลฝาลัปกลับก่รรัปกลเกล้ฐริธาก่าก่าเปกลีปกลิปกลัฐริธาลปกลากลัฐริธาฐริธาลี main
via surya_layout
22 gamadhamadhasigāsisimādhāmāmadhamagāgamasisisigāsinininismidhādhā main
via surya_layout
23 dhānidhāmanadhamadhamasīgāmadhāmāsā. Sānidhānidhānīgāsānidhānidhā main
via surya_layout
24 Suddhā [i] editorial_bracket
parent ligne 23
via heuristic_brackets
25 Having dhaivata as amsa, dhaivata as the concluding note, the concert main
via surya_layout
26 between sadja-dhaivata, there being (mutual) movement between sadja- main
via surya_layout
27 dhaivata and ṛṣabha-madhyama, the vibhāṣā dākṣiṇātyā bears the name of deśa main
via surya_layout
28 (region)<sup>47</sup> and is born of (bhinna) şadja. main
via surya_layout
29 (106) main
via surya_layout

vol_I_p028 RIGHT — 28 lignes

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1 39 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 (Anu.25) annotation_inline
parent ligne 4
via heuristic_height
4 Now, upon anuvāditva being applicable to gāndhāra and niṣāda on account main
via surya_layout
5 of their being less45 by one śruti, vivāditva has been spoken of on account of the main
via surya_layout
6 interval of two (srutis) (pertaining to them). What is that vivāditva indeed? main
via surya_layout
7 Vivaditva is indeed the state of being the destroyer of the state of vadin, main
via surya_layout
8 samvādin and anuvādin of the rāga (concerned) attained by the svaras main
via surya_layout
9 (qualified as) vādin and the like. The vivādi-maņļala is thus - main
via surya_layout
10 şa annotation_inline
parent ligne 9
via heuristic_height
11 ni annotation_inline
parent ligne 9
via heuristic_height
12 ga annotation_inline
parent ligne 9
via heuristic_height
13 dha annotation_inline
parent ligne 9
via heuristic_height
14 ma annotation_inline
parent ligne 9
via heuristic_height
15 pa annotation_inline
parent ligne 9
via heuristic_height
16 Thus ends the vivādi-maṇḍala [ in ṣadjagrāma ]. editorial_bracket
parent ligne 9
via heuristic_brackets
17 (Anu. 26) annotation_inline
parent ligne 9
via heuristic_height
18 The use of the vivadins 44 is thus - gandhara being used in the place of main
via surya_layout
19 ṛṣabha and ṛṣabha being used in the place of gāndhāra brings about the loss of main
via surya_layout
20 jāti and rāga. Niṣāda being used in the place of dhaivata and dhaivata being main
via surya_layout
21 used in the place of niṣāda brings about the loss of jāti and rāga. main
via surya_layout
22 Thus it is for şadjagrāma. annotation_inline
parent ligne 21
via heuristic_height
23 (Anu. 27) annotation_inline
parent ligne 21
via heuristic_height
24 Now the state of being vādin, samvādin, anuvādin and vivādin is being shown main
via surya_layout
25 in madhyamagrāma. Out of them, vādins are the seven svaras beginning with main
via surya_layout
26 madhyama. Those ending at ninth and thirteenth (śrutis) are samvādins. main
via surya_layout
27 Anuvadins are so on account of being less by one sruti. The svaras having an main
via surya_layout
28 interval of two (śrutis) are vivādins. main
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vol_II_p101 LEFT — 38 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 -- 1 annotation_inline
parent ligne 4
via heuristic_height
2 History of the State of the State of the State of the State of the State of the State of the State of the State of the S annotation_inline
parent ligne 4
via heuristic_height
3 184 page_number
via heuristic_pagenum
4 BRHADDEŚĪ section_header
via surya_layout
5 [१. अथ टके] section_header
via surya_layout
6 पञ्चमांशा तु षड्जान्ता रभाषा टक्के प्रयोजयेत्। main
via surya_layout
7 ..(ता? न्ता) annotation_inline
parent ligne 6
via heuristic_height
8 भाषे annotation_inline
parent ligne 6
via heuristic_height
9 <sup>३</sup>देवालवर्धनी पूर्णा भाषा चासामनुक्रमात् ॥ १॥ main
via surya_layout
10 चैषा ॰ annotation_inline
parent ligne 9
via heuristic_markers
11 उदाहरणम् - पापानीसासा । नीसारीरीघापापामामा मामाधासासासनिसरिरिरि रीनिधमागापा main
via surya_layout
12 धासासानीधानीधा[सा सा]। देवालवर्धनी । [१] editorial_bracket
parent ligne 11
via heuristic_brackets
13 मध्यमांशा तु षड्जान्ता पौराली देशसम्भवा । main
via surya_layout
14 सम्पूर्णा गीयते नित्यं भाषा वै टक्करागजा ॥ २॥ main
via surya_layout
15 उदाहरणम् - मामामामा गारीरीरी सारिमारि गागारिगरिग सासा निधामा धामामाधा धनि- main
via surya_layout
16 सानिगागागागानिधानिसा सामानी गमापधानी निधापधानि धापाममामा मामागामागारिरिगा- main
via surya_layout
17 सानिसा। पौराली । [२] editorial_bracket
parent ligne 16
via heuristic_brackets
18 धैवतांशा तु षड्जान्ता पञ्चमर्षभवर्जिता । main
via surya_layout
19 (वैध ? धैव) annotation_inline
parent ligne 18
via heuristic_height
20 टक्कभाषा त्वौडुविता त्रावणी कामिनीषु च ॥ ३॥ main
via surya_layout
21 शकभाषा annotation_inline
parent ligne 20
via heuristic_height
22 उदाहरणम् – धामगाधा मागमामाग धानिसासा । गागामधामागसासा । मागा सागा । गामा- main
via surya_layout
23 माधमागसासासा । त्रावणी । [३] editorial_bracket
parent ligne 22
via heuristic_brackets
24 मध्यमांशा तु षड्जान्ता तानवलितिकाऽपि वा । main
via surya_layout
25 विपा annotation_inline
parent ligne 24
via heuristic_height
26 मान annotation_inline
parent ligne 24
via heuristic_height
27 विभाषा टक्करागस्य गीयते ४मध्यमाश्रिता ॥ ४॥ main
via surya_layout
28 ॰रागस्यैपा annotation_inline
parent ligne 27
via heuristic_markers
29 मूढलालिता annotation_inline
parent ligne 27
via heuristic_height
30 उदाहरणम् – मापाधापामासा पधानीधापापामामागरिसा धामाधाधामाधामाधानीसासा । main
via surya_layout
31 रिरिधारिरिमागामारीसासा । साधाधनिसासा । तानवलितिका । [४] editorial_bracket
parent ligne 30
via heuristic_brackets
32 तानल॰ annotation_inline
parent ligne 30
via heuristic_markers
33 भगान्धारांशा तु षड्जान्ता दोह्या पञ्चस्वरा शृभा । main
via surya_layout
34 साधारणा तु पङ्जांशान्ता main
via surya_layout
35 पञ्चमर्षभहीना तु देशाख्या टक्करागजा ॥ ५॥ main
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36 <b>ल्होनं</b> annotation_inline
parent ligne 35
via heuristic_height
37 স্ত(?) annotation_inline
parent ligne 35
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38 1 A STATE OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE annotation_inline
parent ligne 35
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vol_II_p070 RIGHT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 Electric and the annotation_inline
parent ligne 4
via heuristic_height
2 123 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 [Anu. 208] section_header
via surya_layout
5 Its meaning is thus - Rūpasādhārita is related to şadjagrāma on account of main
via surya_layout
6 being born of şadjamadhyamā and niṣādavatī. Şadja is its graha and amśa. main
via surya_layout
7 Madhyama is the nyāsa. There is the sparseness of pañcama and ṛṣabha. main
via surya_layout
8 Niṣāda is kākalī here and this (rāga) is complete. It is used in vīra and karuņa main
via surya_layout
9 (rasas). Vīra and the like is the rasa84 The mūrchanā begininng with ṣaḍja main
via surya_layout
10 obtains. Arohin is the varna. Prasannamadhya is the alankāra. The kalā is main
via surya_layout
11 formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) and the main
via surya_layout
12 kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs main
via surya_layout
13 comprised of svara and pada. main
via surya_layout
14 (338) main
via surya_layout
15 [6. Gāndhārapañcama] section_header
via surya_layout
16 Gāndhārapañcama isborn of gāndhārī and raktagāndhārī (jātis). Gāndhāra is main
via surya_layout
17 its <i>amśa</i> and <i>gāndhāra</i> alone is <i>nyāsa</i>. main
via surya_layout
18 [Anu. 209] section_header
via surya_layout
19 Itsmeaning is thus-gāndhārapañcama is related to madhyamagrāma on account main
via surya_layout
20 of being born of gāndhārī and raktagāndhārī jātis. Although it is born of dhaivatī main
via surya_layout
21 (jāti) in the opinion of Durgaśakti, yet on account of pañcama being comprised main
via surya_layout
22 of three śrutis, it is related to madhyama (grāma) alone in spite of being born of main
via surya_layout
23 jātis belonging to both the grāmas. Gāndhāra is its graha, amśa and nyāsa. With main
via surya_layout
24 relevance to the performer, gāndhāra may become dhaivata.85 Niṣāda is main
via surya_layout
25 kākalī here and this (rāga) is complete. Its application is prescribed in main
via surya_layout
26 adbhuta, vismaya<sup>86</sup> and hāsya (rasas). Karuṇa is the rasa<sup>87</sup> The mūrchanā main
via surya_layout
27 beginning with gāndhāra obtains. Sañcārin is the varņa. Prasannamadhya is main
via surya_layout
28 the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in main
via surya_layout
29 the vārtika(mārga) and the kalā prevails in the citra (mārga). A tāla like main
via surya_layout
30 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
31 [7.Şadjakaisika] section_header
via surya_layout
32 *************** annotation_inline
parent ligne 31
via heuristic_height
33 [8. Pañcamaṣāḍava] section_header
via surya_layout
34 Pañcamaṣāḍavaisborn of dhaivatī and ārṣabhī jātis. It is combined with ṛṣabha main
via surya_layout
35 as the amśa and madhyama alone is the nyāsa. main
via surya_layout
36 (339) main
via surya_layout
163 lignes a valider — change uniquement les roles incorrects.