Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21036). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p050 RIGHT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 83 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [3. Gaudī giti and its component ohāțī] section_header
via surya_layout
4 The svaras of gaudi are beautiful and are attractive with ohāṭī. Ohāṭiī is said main
via surya_layout
5 to consist of a combination of the sound 'ha' and 'o'. main
via surya_layout
6 (277) annotation_inline
parent ligne 5
via heuristic_height
7 Ohāţī belongs to the low (register); (it is produced) by placing the chin on main
via surya_layout
8 the chest. It is to be made fast and faster, being pressed with the shake 15 of main
via surya_layout
9 svara. annotation_inline
parent ligne 8
via heuristic_height
10 (278) annotation_inline
parent ligne 8
via heuristic_height
11 And ohāţī is also beautiful with seen and unseen actions; it comprises of main
via surya_layout
12 actions <math>^{16}</math> in the three registers and is confounded (<math>\bar{a}kula^{17}</math>) with movements main
via surya_layout
13 in the three registers. annotation_inline
parent ligne 12
via heuristic_height
14 (279) annotation_inline
parent ligne 12
via heuristic_height
15 Similarly, ohāţī has to be used by the knowledgeable ones in vocal music main
via surya_layout
16 in a four-fold manner, viz. samākṣara (with even syllables), sama 18 (smooth), main
via surya_layout
17 in ascent and in descent. Ohāṭī is obtained in performance as being born in main
via surya_layout
18 the low (register) with shakes 19 of sound. main
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19 (280) annotation_inline
parent ligne 18
via heuristic_height
20 Gaudī gīti is said to subsist without rest in the three registers. main
via surya_layout
21 (281) annotation_inline
parent ligne 20
via heuristic_height
22 [4. Rāga giti] section_header
via surya_layout
23 Rāgagīti is said to be with attractive gamakas,20 with variegated low main
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24 (prasanna)<sup>21</sup> (svaras) pertaining to the chest-region, even, colourful or main
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25 delightful arrangements of svaras. main
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26 (282) annotation_inline
parent ligne 25
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27 The rāgas (melodic configurations) are so called because the beautiful main
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28 rāga (colourfulness or delightfulness) that comes about in all the four varņas main
via surya_layout
29 is seen in them in its completeness. main
via surya_layout
30 (283) annotation_inline
parent ligne 29
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31 [5. Sādhāraṇī gīti] section_header
via surya_layout
32 (This gīti) should be made with straight, attractive, somewhat minute and main
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33 large, properly audible, slightly fast, similarly soft, attractive, 22 smooth (or main
via surya_layout
34 soft<sup>23</sup>) and minute<sup>24</sup> prayogas<sup>25</sup> (melodic phrases?) that are well combined main
via surya_layout

vol_II_p054 LEFT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
via surya_layout
2 90 page_number
via heuristic_pagenum
3 [अन्॰ १६७] editorial_bracket
parent ligne 4
via heuristic_brackets
4 अस्यार्थ: -शुद्धसाधारितो राग: षड्जग्रामसम्बन्ध: षड्जमध्यमाजातेरुत्पत्रत्वात्। तारषड्जो main
via surya_layout
5 ग्रहोंऽशश्च । मध्यमो न्यासश्च । निषादगान्धारयोरल्पत्वम् । पूर्णश्चायम् । गर्भसन्धौ विनियोगः । वीररौद्रादिको main
via surya_layout
6 रसः । षड्जादिमूर्छना । अवरोही वर्णः । प्रसन्नान्तोऽलङ्कारः । दक्षिणे कला । वृत्तौ कला , चित्रे कला main
via surya_layout
7 (ति ? दि) annotation_inline
parent ligne 6
via heuristic_height
8 स्वरपदगीते चच्चत्पुटादिताल:। main
via surya_layout
9 [४. शुद्धकैशिकमध्यम:] section_header
via surya_layout
10 कैशिकीषड्जमध्याभ्यां शुद्धकैशिकमध्यमः। main
via surya_layout
11 ॰शुद्ध॰ annotation_inline
parent ligne 10
via heuristic_markers
12 षड्जांशो मध्यमन्यासस्त्यक्तावृषभपञ्चमौ४१ ॥ ३०२॥ main
via surya_layout
13 ॰क (स्त्रि ? त्रि) त्रुतिपञ्चम: annotation_inline
parent ligne 12
via heuristic_markers
14 [अनु॰ १६८] editorial_bracket
parent ligne 12
via heuristic_brackets
15 अस्यार्थ: - शुद्धकैशिकमध्यमो राग: षड्जग्रामसम्बन्ध: कैशिकीषड्जमध्याजातिभ्यां<sup>४२</sup> main
via surya_layout
16 ॰ जात्यो: annotation_inline
parent ligne 15
via heuristic_markers
17 समुत्पन्नत्वात् । ननु कैशिको मध्यमग्रामसम्बद्धा , षड्जमध्यमा षड्जग्रामसम्बन्धा, अत main
via surya_layout
18 (ननु ?) annotation_inline
parent ligne 17
via heuristic_height
19 उभयग्रामता[ऽ]स्तीति भाव:।[ऋषभपञ्चमहीनत्वात् षड्जग्रामसम्बद्ध एवायम् , मध्यमग्रामे editorial_bracket
parent ligne 17
via heuristic_brackets
20 ऋषभपञ्चमयोर्लोपो नास्तीति भाव: ।]<sup>४३</sup> तारषड्जोऽस्य ग्रहोंऽशश्च । मध्यमो न्यास: । editorial_bracket
parent ligne 17
via heuristic_brackets
21 निषादगान्धारयोरल्पत्वम् । पञ्चमर्षभयोर्लोप: । निषादोऽत्र काकली, औडुवश्च । निर्वहणे चास्य main
via surya_layout
22 काकलिपाडवश annotation_inline
parent ligne 21
via heuristic_height
23 प्रयोग: । षड्जादिमूर्छना । रौद्रवीरादिको रस: । प्रसन्नान्तोऽलङ्कार: । ..... main
via surya_layout
24 [५. शुद्धकैशिक: ] section_header
via surya_layout
25 ४४षड्जांश: ४५पञ्चमन्यास: कैशिकीजातिसम्भव:। main
via surya_layout
26 पड्जांशै: annotation_inline
parent ligne 25
via heuristic_height
27 पञ्चमो annotation_inline
parent ligne 25
via heuristic_height
28 तथा कार्मारवीजाते: स्वरै: पूर्णेश्च कैशिक: ॥३०३॥ main
via surya_layout

vol_I_p032 LEFT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 46 page_number
via heuristic_pagenum
3 अष्टमस्य तृतीयं तु हरिबीजसमन्वितम्। main
via surya_layout
4 आद्यं स्वरं स्वरज्ञस्तूद्धरेत् उभ्सर्वप्रयत्नतः ।।६३।। main
via surya_layout
5 •स्तु उद्धरेत् तु annotation_inline
parent ligne 4
via heuristic_height
6 सप्तमस्य द्वितीयं तु कामबीजसमन्वितम्। main
via surya_layout
7 द्वितीयं तु स्वरं विद्धि ब्रह्मस्थानसमुद्भवात्॥६४॥ main
via surya_layout
8 द्वितीयस्यापि वर्गस्य तृतीयं विष्णुसंयुतम्। main
via surya_layout
9 उद्धरेच्च स्वरं नित्यं स्वरभेदमनोहरम्॥६५॥ main
via surya_layout
10 षष्ठस्यापि हि वर्गस्य अन्तिमं अन्तिमं अन्तिसंयुतम्। main
via surya_layout
11 •मग्चाः annotation_inline
parent ligne 10
via heuristic_height
12 अविनष्टं विजानीयान् मध्यमं स्वरसत्तमम्।६६॥ main
via surya_layout
13 <sup>36</sup>₀मुत्तमम् annotation_inline
parent ligne 12
via heuristic_markers
14 <sup>37</sup>॰सप्तकम् annotation_inline
parent ligne 12
via heuristic_markers
15 <b>म्बतदादिप्रथमोपेतं स्वरं संविद्धि शोभनम्।</b> main
via surya_layout
16 था annotation_inline
parent ligne 15
via heuristic_height
17 व्योमसंख्यासमायुक्तमोष्ठस्थानसमुद्भवम् ॥६७॥ main
via surya_layout
18 पञ्चमस्यापि वर्गस्य चतुर्थं चादिसंयुतम्। main
via surya_layout
19 कोदण्डद्वयसम्भूतमुद्धरेत् स्वरमुत्तमम्।।६८॥ main
via surya_layout
20 अकारान्यान्तसम्भिन्नं पञ्चमान्तं समुद्धरेत्। main
via surya_layout
21 ुन्ताः, annotation_inline
parent ligne 20
via heuristic_height
22 ब्रह्मस्थानसमुद्भूतं सुतारध्वनिसंयुतम् ॥६९॥ main
via surya_layout
23 आगमस्थः स्वरोत्द्वार इति तावत् प्रदर्शितः। main
via surya_layout
24 [ स्वराणां कुलवर्णादिनिर्णयः ] editorial_bracket
parent ligne 23
via heuristic_brackets
25 अधुना सम्प्रवक्ष्यामि कुलवर्णादिनिर्णयम्।।७०।। main
via surya_layout
26 <sup>५९</sup>देवकुलसमुत्पन्नाः षड्जगान्धारमध्यमाः। main
via surya_layout
27 पितृवंशसमुत्पन्नः स्वरोऽसौ पञ्चमः किल।।७१।। main
via surya_layout
28 ऋषिवंशसमुत्पन्नौ स्वरावृषभधेवतौ। main
via surya_layout
29 असुराणां कुले जातो निषादः स निसंज्ञितः ।। ७२ ॥ main
via surya_layout
30 4)पद्मपत्रप्रभः षड्ज ऋषभः शुकवर्णकः। main
via surya_layout
31 कनकाभस्तु गान्धारो मध्यमः कुन्दसन्निभः॥७३॥ main
via surya_layout
32 - . . . . . annotation_inline
parent ligne 31
via heuristic_height

vol_I_p091 LEFT — 43 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 164 page_number
via heuristic_pagenum
3 52. Abhivyañjakatā means the process of manifestation of something that is list_item
via surya_layout
4 already in existence. In Grammar Philosophy śabda is eternal and its subtle and list_item
via surya_layout
5 imperceptible element called sphota (lit. 'bursting' or flash on the mind) is list_item
via surya_layout
6 vyangya (object of vyanjanā). Matanga seems to be influenced by this line of list_item
via surya_layout
7 thought which later culminated in the dhvani theory in literature. list_item
via surya_layout
8 53. The visista dharma (specific quality or nature) i.e. the differentia of a list_item
via surya_layout
9 thing is svalakṣaṇa. This is understood at two levels, one is the specific nature of list_item
via surya_layout
10 a thing i.e. it is related to the <i>vyakti</i> or particular or individual, the other is the list_item
via surya_layout
11 dharma or nature that is common to many i.e. the generic nature or jāti. The list_item
via surya_layout
12 first one is according to the Bauddha system and the second one is according to list_item
via surya_layout
13 all those systems that accept jāti, e.g. Mīmāṃsā. Bauddha logic has given list_item
via surya_layout
14 elaborate treatment and discussion of svalakşana in the context of pratyakşa list_item
via surya_layout
15 (perception ). It does not seem probable that Matanga was influenced by this list_item
via surya_layout
16 system, because non-existence of a common quality or attribute or nature of a list_item
via surya_layout
17 thing accepted in majority of the schools of Bauddha logic could not perhaps be list_item
via surya_layout
18 congenial to the explanation of the perception of sruti and svara which would list_item
via surya_layout
19 require a 'continuity' of their common features. list_item
via surya_layout
20 54. Nabhaḥpuṣpa i.e. a flower grown in the sky is a classic example of an list_item
via surya_layout
21 absurdity or impossibility just like vandhyāputra, the son of a sterile woman. list_item
via surya_layout
22 55. Arthāpatti is one of the pramāņas i.e. means of valid knowledge list_item
via surya_layout
23 propounded specially by the mimāmsā system and accepted by Advaita Vedānta. list_item
via surya_layout
24 Nyāya includes it under anumāna. It has been defined as - list_item
via surya_layout
25 अर्थापतिरपि दृष्टः श्रुतो वाऽर्थः अन्यथा नोपपद्यते इत्यर्थकल्पना । main
via surya_layout
26 ( Śabarabhāṣya on Mīm Sū I, 1.5 ) main
via surya_layout
27 When a seen or heard thing is not proved right in another way, then the main
via surya_layout
28 imagination of something is known as arthāpatti. main
via surya_layout
29 For example, if Devadatta is alive and is not at home, it is imagined that he main
via surya_layout
30 is outside, or, the classic example is that if Devadatta is fat, but does not eat main
via surya_layout
31 during the day, then it is imagined that he eats at night, because his fatness that main
via surya_layout
32 is seen could not be explained or proved through non-consumption of food. main
via surya_layout
33 Hence arthāpatti is translated as negative inference. main
via surya_layout
34 56. All the systems of Indian philosophy except the Carvaka system, accept main
via surya_layout
35 anumāna as a pramāņa. The Nyāya system has given its elaborate treatment. It main
via surya_layout
36 has to be preceded by perception ( pratyaksa ). One who has not seen the main
via surya_layout
37 concomitance of smoke and fire, could not infer fire on the basis of the main
via surya_layout
38 perception of smoke. The classic example of anumana is — main
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39 पर्वतोऽयं विश्वमान् धूमवत्त्वात् । main
via surya_layout
40 This hill is fiery because of there being smoke. This inference presumes or main
via surya_layout
41 is preceded by vyāpti-graha (apprehension of universal concomitance) which is main
via surya_layout
42 thus expressed - main
via surya_layout
43 यत्र यत्र धूमस्तत्र तत्र बह्निः । unknown
via fallback

vol_II_p075 LEFT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 132 page_number
via heuristic_pagenum
3 अहं ते कथियध्यामि सर्वं तत्त्वेन लक्षणम् । main
via surya_layout
4 पूर्वं ग्रामह्रयं प्रोक्तं ग्रामरागास्तदुद्भवाः ॥९॥ main
via surya_layout
5 ग्रामरागोद्भवा भाषा भाषाभ्यश्च विभाषिका:। main
via surya_layout
6 विभाषाभ्यश्च सञ्जातास्तथा चान्तरभाषिका: ॥१०॥ main
via surya_layout
7 [ग्रामरागेषु भाषाणां सङ्ख्या, उद्देशश्च] section_header
via surya_layout
8 टक्करागे दश हे च केचिदिच्छन्ति षोडश। main
via surya_layout
9 तत ऊर्ध्वं निगद्यन्ते चाष्टौ मालवकैशिके ॥११॥ main
via surya_layout
10 ककुभे सप्त ये प्रोक्ताः पञ्च हिन्दोलके स्मृताः । main
via surya_layout
11 ० (भै?भे) annotation_inline
parent ligne 10
via heuristic_height
12 पञ्चमे दश विख्याता भित्रषड्जे नव स्मृता: ॥१२॥ main
via surya_layout
13 सौवीरके चतस्रस्तु चतस्रो भिन्नपञ्चमे । main
via surya_layout
14 बोट्टरागे तथाऽप्येका तथा मालवपञ्चमे ॥१३॥ main
via surya_layout
15 टक्ककैशिकजास्तिस्रो द्वे च वेसरषाडवे। main
via surya_layout
16 भिन्नताने तथा ह्येका चैका गान्धारपञ्चमे ॥१४॥ main
via surya_layout
17 पञ्चमषाडवे ह्येका इत्येतास्तु समासत:। main
via surya_layout
18 ॰(मा?म) annotation_inline
parent ligne 17
via heuristic_markers
19 भाषा विभाषा: कथितास्त्र्यधिका सप्ततिर्बुधै: ॥१५॥ main
via surya_layout
20 भाषाणां चैव नामानि लक्षणं च निबोधत। main
via surya_layout
21 प्रथमा त्रवणा ज्ञेया द्वितीया त्रवणोद्भवा॥१६॥ main
via surya_layout
22 वेरिञ्जका तृतीया तु छेवाटी च चतुर्थिका। main
via surya_layout
23 मालवेसरिका तत्र प्रयोक्तव्या तु पञ्चमी ॥१७॥ main
via surya_layout
24 षष्ठी च गूर्जरी ज्ञेया सौराष्ट्री सप्तमी तथा। main
via surya_layout
25 अष्टमी सैन्धवी चैव वेसरी नवमी तथा ॥१८॥ main
via surya_layout
26 पञ्चमाख्या तु दशमी रविचन्द्रा तथा भवेत्। main
via surya_layout
27 <sup>र</sup>अम्बाहेरी तु ललिता स्मृता कोलाहली तत: ॥१९॥ main
via surya_layout
28 <b>न्ही</b>? page_footer
via surya_layout
29 (vide) annotation_inline
parent ligne 27
via heuristic_height
166 lignes a valider — change uniquement les roles incorrects.