Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21038). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p100 RIGHT — 22 lignes

L#	Texte OCR	Role auto
1	183	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	15. Now the bhāṣās in pañcamaṣāḍava	section_header via surya_layout
4	Having ṛṣabha as amśa, madhyama as the concluding note, this śakabhāṣā is	main via surya_layout
5	said to be complete (and) having abundant gändhära-pañcama. The profusion	main via surya_layout
6	of dhaivata-ṛṣabha is seen again and again. (This) bhāṣā (subsists) in	main via surya_layout
7	pancamaṣāḍava, being born of śakarāga. 71	main via surya_layout
8	(142-143)	annotation_inline parent ligne 7 via heuristic_height
9	Illustration - Ririsānini. Pānīririri [ . . . ma ]. Šakabhāṣā.	editorial_bracket parent ligne 7 via heuristic_brackets
10	[Thus in pañcamaṣāḍava]	section_header via surya_layout
11	Thus are the bhāṣās manifested in (this)world, that are known to be	main via surya_layout
12	accepted by many. That <math>(bh\bar{a}s\bar{a})</math> is so modified as it is performed by one.<sup>72</sup>	main via surya_layout
13	(144)	annotation_inline parent ligne 12 via heuristic_height
14	Similarly, (a bhāṣā) should be sung in accordance with its lakṣaṇas, with all	main via surya_layout
15	effort. It should always be listened to by the singers in the context of wit and	main via surya_layout
16	humour and whatever is seen in fighting or sacrifice (yajña), all that is shown	main via surya_layout
17	by that (bhāṣā). Bhāṣās are obtained everywhere in grāmarāgas.	main via surya_layout
18	<math>(145-146)</math>	annotation_inline parent ligne 17 via heuristic_height
19	Thus ends in sarvāgamasamhita the fourth chapter dealing with bhāṣā-	main via surya_layout
20	lakṣaṇa where Yāṣṭika is the leader.	main via surya_layout
21	[ B. Bhāṣās according to Śārdūla]	section_header via surya_layout
22	After this I shall speak of the description of bhāṣā according to Śārdūla.	main via surya_layout

vol_II_p038 RIGHT — 51 lignes

L#	Texte OCR	Role auto
1	1	page_number via heuristic_pagenum
2	59	page_number via heuristic_pagenum
3	TRANSLATION	page_header via surya_layout
4	(3)	table via surya_layout
5	mā gā rī gā mā mā sā sā	table via surya_layout
6	<b>(4)</b>	table via surya_layout
7	[mā magama mā mā nidha padha pama gamama]	table via surya_layout
8	(5)	table via surya_layout
9	dhā padha pari riga maga riga sadhasa sā	table via surya_layout
10	(6)	table via surya_layout
11	nidha sā rī magama mā mā mā mā	table via surya_layout
12	(7)	table via surya_layout
13	mā mā magama madha dhapa padha pama gamaga	table via surya_layout
14	(8)	table via surya_layout
15	dhā padha pari riga maga riga sadhasa sā	table via surya_layout
16	(9)	table via surya_layout
17	mā mā dhani dhasa dhapa mapa pā pā	table via surya_layout
18	(10)	table via surya_layout
19	mā magama mā nidha padha pamaga gā mā	table via surya_layout
20	(11)	table via surya_layout
21	dhā padha pari riga maga riga sadhasa sā	table via surya_layout
22	(12)	table via surya_layout
23	nidha sā rī magama mā mā mā mā	table via surya_layout
24	Thus ends <i>şadjamadhyamā</i>.	section_header via surya_layout
25	[2. Gāndhārodīcyavā]	section_header via surya_layout
26	In gāndhārodīcyavā, ṣadjaand madhyama are the two amśas. The hexatonic	main via surya_layout
27	is known to be with the omission of rşabha. In the state of completeness there	main via surya_layout
28	is the sparseness of svaras other than those that are anisas.	main via surya_layout
29	(4)	annotation_inline parent ligne 28 via heuristic_short
30	In the hexatonic form, niṣāda, dhaivata, pañcama and gāndhāra are said to	main via surya_layout
31	be sparse. Saigati (concert) between ṛṣabha and dhaivata should be known	main via surya_layout
32	and the mūrchanā beginning with dhaivata obtains.	main via surya_layout
33	(5)	annotation_inline parent ligne 32 via heuristic_short
34	The tāla should be known as caccatpuța. Sixteen kalās (time units) are said	main via surya_layout
35	to obtain. Its application (viniyoga) is accepted to be in the singing of dhruvā	main via surya_layout
36	in the fourth act.	annotation_inline parent ligne 35 via heuristic_short
37	(6)	main via surya_layout
38	Madhyamais the nyāsain this (jāti). Ṣaḍja and dhaivata are apanyāsas. The	main via surya_layout
39	prastāra is thus -	main via surya_layout
40	(1)	table via surya_layout
41	sā sā pā mā pā dhapa pā mā	table via surya_layout
42	(2)	table via surya_layout
43	dhā pā mā mā sā sā sā sā	table via surya_layout
44	(3)	table via surya_layout
45	dhã nĩ sã sã mã mã pã pã	table via surya_layout
46	(4)	table via surya_layout
47	ករី ករី ករី ករី ករី ករី ករី ករី	table via surya_layout
48	(5)	table via surya_layout
49	mã mã dhã nisa nĩ nĩ nĩ	table via surya_layout
50	(6)	table via surya_layout
51	mā pā mā pari gā gā sā sā	table via surya_layout

vol_II_p138 LEFT — 41 lignes

L#	Texte OCR	Role auto
1	1. *****	annotation_inline parent ligne 4 via heuristic_height
2	258	page_number via heuristic_pagenum
3	BRHADDEŚĨ	page_header via surya_layout
4	38. Reconstuction based on the reading found in all subsequent	list_item via surya_layout
5	rāgas.	list_item via surya_layout
6	39. P.t. breaks here. Ākṣiptikā is thus defined in SR	list_item via surya_layout
7	चच्चत्पुटादितालेन मार्गत्रयविभूपिता।	list_item via surya_layout
8	आक्षिप्तिका स्वरपदग्रथिता कथिता बुधै: ॥	list_item via surya_layout
9	SR II.2.25 cd, 26 ab.	main via surya_layout
10	स्वरपदग्रधिता, पड्जादिस्वरोपेतै: पदै: पदार्थवाचकै: शब्दैग्रंथिता रचिता	main via surya_layout
11	पदतालाद्याक्षिप्तत्वादाक्षिप्तिकेत्यर्था । वुधैर्मतङ्गादिभि: कथिता ।	main via surya_layout
12	Kalā on ibid, p. 22.	main via surya_layout
13	40. P.t. breaks here. The following extracts would be pertinent -	main via surya_layout
14	मध्यमापञ्चमीजात्यो: सम्भूत: शुद्धपञ्चम: ।	main via surya_layout
15	अंशोऽस्य पञ्चमो न्यास: स्वल्पद्विश्रुतिकस्वर:॥	main via surya_layout
16	BhaKo, p. 666, ascribed to Kaśyapa.	main via surya_layout
17	यदि पञ्चमो विरमते गान्धारधान्तरस्वरो भवति ।	main via surya_layout
18	ऋपभो निपादसहितस्तं पञ्चममीदृशं विद्यात् ॥	main via surya_layout
19	Nā Śi 1.4.6.	annotation_inline parent ligne 18 via heuristic_short
20	मध्यमापञ्चमीजातः काकल्यन्तरसंयुतः ॥	main via surya_layout
21	पञ्चमांशग्रहन्यासो मध्यसप्तकपञ्चम:।	main via surya_layout
22	<b>इ</b>ष्यकामूर्च्छनोपेतो ज्ञेय: कामादिदैवत: ॥	main via surya_layout
23	चारुसञ्चारिवर्णश्च ग्रीप्मेऽहः प्रहरेऽग्रिमे ।	main via surya_layout
24	शृङ्गारहास्ययो: सन्धाववमर्शे प्रयुज्यते ॥	main via surya_layout
25	SR.II.2. 148c-150.	main via surya_layout
26	41. Reconstruction based on the succeeding prose portion, where	list_item via surya_layout
27	the omission of rṣabha and pañcama is prescribed.	list_item via surya_layout
28	42. The 'jātyoḥ' of p.t. could be taken to be the dual number of the	list_item via surya_layout
29	genitive or locative case, though locative would be more appropriate	list_item via surya_layout
30	according to the context. We have changed it to the dual number of the	list_item via surya_layout
31	ablative case which was felt to be more idiomatic, but the locative case is not	list_item via surya_layout
32	misplaced.	list_item via surya_layout
33	43. This sentence has been cited by Kallinātha in Kalā on SR II. 2.30-	list_item via surya_layout
34	32, p. 29 for refuting the opinion that the rāga śuddhakaiśikamadhyama	list_item via surya_layout
35	belongs to two grāmas.	list_item via surya_layout
36	पड्जांशो मध्यमन्यासः कैशिकीजातिसम्भवः।	list_item via surya_layout
37	44. cf.	list_item via surya_layout
38	तथा कार्मारवीजात: सम्पूर्ण इति कैशिक: ॥	list_item via surya_layout
39	BhaKo p. 149, ascribed to Matanga.	main via surya_layout
40	45. ' Pañcamo nyāsaḥ 'of p.t. has been changed to pañcamanyāsaḥ in	main via surya_layout
41	order to make a compound matching ' ṣadjāmśaḥ '.	main via surya_layout

vol_I_p055 LEFT — 40 lignes

L#	Texte OCR	Role auto
1	92	page_number via heuristic_pagenum
2	BRHADDESI	page_header via surya_layout
3	[ अनु₀ ७५ ]	editorial_bracket parent ligne 4 via heuristic_brackets
4	स्वरे षड्जादिरूपे स्थित्वा तदीयतारमग्निवत् स्पृष्ट्वा कलामेकां च	main via surya_layout
5	चिरमेकस्मिन्	annotation_inline parent ligne 4 via heuristic_short
6	स्थित्वा यत्र पुनरपि सहसा मन्द्र आगम्यते, स बिन्दुः । यथा - सा [ स ] सा इति	editorial_bracket parent ligne 4 via heuristic_brackets
7	ुमा	annotation_inline parent ligne 4 via heuristic_height
8	या	annotation_inline parent ligne 4 via heuristic_height
9	[६]	editorial_bracket parent ligne 4 via heuristic_brackets
10	बिन्दुः।	main via surya_layout
11	[ अनु₀ ७६ ]	editorial_bracket parent ligne 10 via heuristic_brackets
12	एककलान्तरं स्पृष्ट्वा बिन्दोरेव विपर्ययोच्चारणा [ -त् ]	editorial_bracket parent ligne 10 via heuristic_brackets
13	प्रवृत्तविनिवृत्तत्वान्निवृत्तप्रवृत्ताख्यः। यथा— सा सासा [ इति ] निवृत्तप्रवृत्तः ।	editorial_bracket parent ligne 10 via heuristic_brackets
14	[ 9 ]	editorial_bracket parent ligne 10 via heuristic_brackets
15	द्निवृत्तास्यः।	main via surya_layout
16	,तो,	annotation_inline parent ligne 15 via heuristic_short
17	₀त (?)	annotation_inline parent ligne 15 via heuristic_markers
18	[ अनु₀ ७७ ]	editorial_bracket parent ligne 15 via heuristic_brackets
19	आक्रीडितवदारोहावरोहक्रमेण सप्तकलो वेणुः। यथा—सरिगमपधनि निधपमगरिस ।	main via surya_layout
20	ष (ष्क ? द्क ) लो	annotation_inline parent ligne 19 via heuristic_short
21	6	page_number via heuristic_pagenum
22	इति विणुः।	main via surya_layout
23	[ अनु。 ७८ ]	editorial_bracket parent ligne 22 via heuristic_brackets
24	मन्द्रसप्तकमध्ये पवननिरोधेन १६त्रिश्रुतेः कम्पनात् कम्पितस्त्रिकलः। यथा-	main via surya_layout
25	<b>.म. ्नी (?)</b> हि	main via surya_layout
26	सरिगमपधनिस [ इति ] कम्पितः।	editorial_bracket parent ligne 25 via heuristic_brackets
27	[९]	editorial_bracket parent ligne 25 via heuristic_brackets
28	सा₀	annotation_inline parent ligne 25 via heuristic_markers
29	[ अनु₀ ७९ ]	editorial_bracket parent ligne 25 via heuristic_brackets
30	मध्यसप्तके त्रिश्रुतेः कम्पनात् त्रिकलः कुहरितः। यथा—सरिगमपधनिस [ इति ]	editorial_bracket parent ligne 25 via heuristic_brackets
31	,सा	main via surya_layout
32	कुहरितः।	annotation_inline parent ligne 31 via heuristic_short
33	[ 80 ]	editorial_bracket parent ligne 31 via heuristic_brackets
34	[ अनु。 ८० ]	editorial_bracket parent ligne 31 via heuristic_brackets
35	तारसप्तके त्रिश्रुतेः कम्पनात् त्रिकलो रेचितः । [ यथा - ] सरिगमपधनिसा [ इति ]	editorial_bracket parent ligne 31 via heuristic_brackets
36	रेचितः।	main via surya_layout
37	[ ११ ]	editorial_bracket parent ligne 36 via heuristic_brackets
38	[ अनु₀ ८१ ]	editorial_bracket parent ligne 36 via heuristic_brackets
39	द्वयोः स्वरयोर्बहुनां च स्वराणां समकलगमागमाच्चतुर्दशकलः प्रेङ्खोलितः। यथा—	unknown via fallback
40	ο₹ο	annotation_inline parent ligne 36 via heuristic_height

vol_II_p120 LEFT — 30 lignes

L#	Texte OCR	Role auto
1	(vide)	annotation_inline parent ligne 4 via heuristic_height
2	BRHADDEŚĪ	page_header via surya_layout
3	222	page_number via heuristic_pagenum
4	वर्णनीयसमायुक्ता मते केषाञ्चिदिष्यते ।	main via surya_layout
5	रम्यगीतगुणैर्युक्ता छन्दोगणसमन्विता ॥	main via surya_layout
6	अलङ्काररसोपेता कर्तव्यैला मनीषिभि: ॥४२२॥	main via surya_layout
7	[एलाभेदा:]	section_header via surya_layout
8	[क. तत्र गणैला- प्रकारा:]	section_header via surya_layout
9	आदौ नादावती प्रोक्ता ततो हंसावती मता।	main via surya_layout
10	नन्दावती तृतीया च तुर्या भद्रावती स्मृता ॥४२३॥	main via surya_layout
11	ऋग्वेदादिसमुद्भूता विचित्रध्वनिरञ्जिता ।	main via surya_layout
12	इत्येला गणमार्गेण बुधैरुक्ता चतुर्विधा ३२॥ ४२४॥	main via surya_layout
13	[१. नादावती]	section_header via surya_layout
14	एला नादावती रम्या वर्णालङ्कारशोभिता ।	main via surya_layout
15	गीयते मण्ठतालेन नादयुक्ता पदे पदे ॥	main via surya_layout
16	टक्करागो भवेत्तत्र सर्वेषामनुरञ्जकः ॥४२५॥	main via surya_layout
17	श्वेतो वर्णश्च विज्ञेय: शृङ्गार: कथितो रस: ।	main via surya_layout
18	कैशिकी वृत्तिराख्याता पाञ्चाली रीतिरिष्यते ॥४२६।	main via surya_layout
19	(तिरिप्यते)	annotation_inline parent ligne 18 via heuristic_height
20	भारती देवता तस्या ब्राह्मणानां कुलं तथा ।	main via surya_layout
21	यत्र चन्द्रगणा: पञ्च स्वर्गणैकेन संयुता[:] ॥	editorial_bracket parent ligne 20 via heuristic_brackets
22	(में?र्ग)	annotation_inline parent ligne 20 via heuristic_height
23	एला नादावती नाम सा स्मृता पूर्वसूरिभि: ॥४२७॥	main via surya_layout
24	[२. हंसावती]	section_header via surya_layout
25	हंसस्येव गतिं कृत्वा नादेन च पदेन च ३३।	main via surya_layout
26	का सा (?)	annotation_inline parent ligne 25 via heuristic_height
27	समं प्रवर्तते यस्मात् ततो हंसावती स्मृता ॥	main via surya_layout
28	तालो द्वितीयकस्तत्र हिन्दोलेन च गीयते ॥४२८॥	main via surya_layout
29	रक्तो वर्ण: समाख्यातश्चण्डिका देवता भवेत् ।	main via surya_layout
30	वृत्तिरारभटी प्रोक्ता लाटीया रीतिरिष्यते ॥४२९॥	main via surya_layout

184 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p100 RIGHT — 22 lignes

vol_II_p038 RIGHT — 51 lignes

vol_II_p138 LEFT — 41 lignes

vol_I_p055 LEFT — 40 lignes

vol_II_p120 LEFT — 30 lignes