Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21041). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p058 LEFT — 30 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	98	page_number via heuristic_pagenum
3	[ जातिभिन्न:]	section_header via surya_layout
4	इदानीं जातिभिन्नस्य लक्षणमाह -	main via surya_layout
5	जातीनामंशक: स्थाप्य: स्वल्पकस्तु बहुस्तथा ।	main via surya_layout
6	॰कं स्थाय(?)	annotation_inline parent ligne 5 via heuristic_markers
7	अल्पत्वं च बहुत्वं च प्रयोगाल्पबहुत्वतः ॥	main via surya_layout
8	सूक्ष्मातिसूक्ष्मैर्वक्रैश्च जातिभिन्नः स उच्यते ॥ ३०८॥	main via surya_layout
9	[अनु॰ १७८]	editorial_bracket parent ligne 8 via heuristic_brackets
10	अस्यार्थ: - शुद्धकैशिकमध्यमो हि कैशिकीषड्जमध्यमाजात्योर्जात:।भित्रकैशिकमध्य [म]स्तु	editorial_bracket parent ligne 8 via heuristic_brackets
11	<b>र्जात(य?):</b>	annotation_inline parent ligne 8 via heuristic_height
12	न्मध्यो	annotation_inline parent ligne 8 via heuristic_height
13	पड्जमध्यमाजातेर्जातत्वात् तदंशग्राहित्वेन स्थायिवर्णग्राहित्वेन च सूक्ष्मातिस्क्ष्मै: प्रयोगैश्च	main via surya_layout
14	(ति)	annotation_inline parent ligne 13 via heuristic_height
15	जातिभिन्नो भवेदित्यर्थ:। लक्षणं चास्य यथा -	main via surya_layout
16	(दि)	annotation_inline parent ligne 15 via heuristic_height
17	[३.भिन्नकैशिकमध्यमः]	section_header via surya_layout
18	स्यात् षड्जमध्यमाजातेभित्रकैशिकमध्यमः।	main via surya_layout
19	(तै?ते)	main via surya_layout
20	षङ्जांशो मध्यमन्यासो मन्द्रैस्तु गमकैर्युत: ॥३०९॥	unknown via fallback
21	[अन्॰ १७९]	editorial_bracket parent ligne 19 via heuristic_brackets
22	[अस्यार्थ:-] भित्रकैशिकमध्यमः षड्जग्रामसम्बन्धः षड्जमध्यमाजातेरुत्पन्नत्वात् ।	editorial_bracket parent ligne 19 via heuristic_brackets
23	षङ्जोऽस्य ग्रहोंऽशश्च । मध्यमो न्यासः । मन्द्रगमकश्च । निषादोऽत्र काकली । पूर्णश्चायम् । दानवीर	main via surya_layout
24	पह्(जॉऽश ? जो)स्य	annotation_inline parent ligne 23 via heuristic_short
25	चास्य प्रयोगः । वीररौद्रादिको रसः । षड्जादिमूर्छना । वर्णः सञ्चारी । प्रसन्नादिरलङ्कारः । दक्षिणे	main via surya_layout
26	कला, वार्तिके कला, चित्रे कला। [स्वरपदगीते] चच्चत्पुटादिताल:।	editorial_bracket parent ligne 25 via heuristic_brackets
27	[शुद्धभिनः]	section_header via surya_layout
28	[इदानी]शुद्धभित्रस्य लक्षणमाह -	section_header via surya_layout
29	परित्यजन्नन्यजातिं स्वजातिकुलभूषणः।	main via surya_layout
30	स्वकं कुलं तु संगृह्धन् शुद्धभित्रः प्रकीर्तितः ॥३१०॥	main via surya_layout

vol_II_p161 RIGHT — 46 lignes

L#	Texte OCR	Role auto
1	٠	page_number via heuristic_pagenum
2	<b>VIMARŚA</b>	page_header via surya_layout
3	305	page_number via heuristic_pagenum
4	central part of present Madhya Pradesh. The special preference for Mālavā	main via surya_layout
5	requires further investigation.	annotation_inline parent ligne 4 via heuristic_height
6	29. The word gamaka is used here in the sense of vocal embellishments	list_item via surya_layout
7	including shakes; it is not restricted to shake.	list_item via surya_layout
8	30. See note 22.	list_item via surya_layout
9	31. Each grāmarāga is said to be born of one or more jātis.	list_item via surya_layout
10	32. Pūrvaranga has been described in NS IV and V; it embodies	list_item via surya_layout
11	instrumental rendering, song, dance, dialogue etc. presented as a preliminary	list_item via surya_layout
12	to drama. It has both ritualistic and psychological value as it ensures the	list_item via surya_layout
13	success of drama by propitiating the gods and prepares the audience for	list_item via surya_layout
14	being receptive to drama.	list_item via surya_layout
15	33. Kākalī and antara are always prescribed to be sparse, but here only	list_item via surya_layout
16	the sparseness of gandhara is prescribed, although both antara and kakali are	list_item via surya_layout
17	present. It could be construed that gandhara stands for the original	list_item via surya_layout
18	gāndhāra and not antara. See note 91.	list_item via surya_layout
19	•	annotation_inline parent ligne 18 via heuristic_height
20	34,35. The prescription of a specific varņa and alankāra in a rāga is	list_item via surya_layout
21	not easy to comprehend. It could only be surmised that the peculiar form	list_item via surya_layout
22	of a raga in some cases becomes manifest in ascent, in other cases in descent	list_item via surya_layout
23	and similarly a specific alankāra could be assigned to a rāga on account of	list_item via surya_layout
24	having a special role in establishing the same.	list_item via surya_layout
25	36. Mārga literally means path; it stands for the span of a tāla. NŠ	list_item via surya_layout
26	describes three mārgas of each tāla, citra being the shortest, vārtika or vṛtti	list_item via surya_layout
27	being its double and dakṣiṇa again being its double. Our text describes two	list_item via surya_layout
28	additional mārgas viz. dhruva being half of the length of citra and śūnya	list_item via surya_layout
29	being half of dhruva. (See Vol.I. Anu.113)	list_item via surya_layout
30	37. Kalā has many meanings; the main ones are-firstly, the time-unit	list_item via surya_layout
31	that is equal to a guru i.e. two mātrās of tāla, secondly, the 'action' (kriyā) in	list_item via surya_layout
32	tāla, sounded or unsounded and thirdly, the unsounded action. Here the	list_item via surya_layout
33	first meaning is relevant because the length of kalā depends on the mārga in	list_item via surya_layout
34	use at a given time.	list_item via surya_layout
35	38. Caccatpuța is the first among the five tālas described in NŠ XXXI.	list_item via surya_layout
36	This is the only caturasra (lit. square) tala, being composed of four kalas or	list_item via surya_layout
37	eight mātrās.	list_item via surya_layout
38	39. Garbha-sandhi is the third among the five sandhis or junctures in	list_item via surya_layout
39	drama described in NŚ XIX; the first two being mukha and pratimukha and	list_item via surya_layout
40	the last two being vimarsa and nirvahana. Garbha literally means 'womb',	list_item via surya_layout
41	the inside or interior of something. In drama garbha-sandhi stands for that	list_item via surya_layout
42	juncture where the 'sprouting' of the 'seed' has taken place, but the fruit	list_item via surya_layout
43	is still enshrouded in the 'garbha'.	list_item via surya_layout
44	40. Our text does not uphold the relationship of any raga to both the	list_item via surya_layout
45	grāmas; the decision always rests with the interval of pañcama, if it is	list_item via surya_layout
46	composed of four śrutis, then relationship with ṣadjagrāma is confirmed and	list_item via surya_layout

vol_II_p052 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	87	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Şāḍava, pañcama, similarly kaiśikamadhyama, cokṣasādhārita and similarly,	main via surya_layout
4	also cokṣakaiśika, these should be known as cokṣa (pure). Now listen about	main via surya_layout
5	the bhinnaones.	annotation_inline parent ligne 4 via heuristic_height
6	(293)	annotation_inline parent ligne 4 via heuristic_height
7	Bhinnaṣadja ,(bhinna-) tāna, bhinnakaiśikamadhyama, the one named	main via surya_layout
8	bhinnapañcama, and the fifth is bhinnakaiśika.	main via surya_layout
9	(294)	annotation_inline parent ligne 8 via heuristic_height
10	One is gaudapañcama, gaudakaiśika and also gaudakaiśika madhyama, are	main via surya_layout
11	said to be the three gaudas.	main via surya_layout
12	(295)	annotation_inline parent ligne 11 via heuristic_height
13	Ţakkarāga, similarly sauvīra, mālavapancama, ṣāḍava and boṭṭarāga, similarly	main via surya_layout
14	the other one is hindolaka, ţakkakaiśika has thus been said, similarly	main via surya_layout
15	mālavakaišika - these rāgas (pertaining to the rāgagīti) have been spoken of	main via surya_layout
16	by their names, by the excellent munis.	main via surya_layout
17	<math>(296-297)</math>	annotation_inline parent ligne 16 via heuristic_height
18	Narta, the one named śaka, kakubha, similarly harmāṇapañcama and	main via surya_layout
19	itself, similarly gändhärapañcama and the one named	main via surya_layout
20	rūpasādhārita	annotation_inline parent ligne 19 via heuristic_height
21	ṣaḍjakaiśika are known as the seven sādhāraṇa (rāgas).	main via surya_layout
22	(298)	annotation_inline parent ligne 21 via heuristic_height
23	[Thus is the number and nomenclature of rāgas]	editorial_bracket parent ligne 21 via heuristic_brackets
24	[The specific description of ragas]	section_header via surya_layout
25	[A. Out of them śuddharagas]	section_header via surya_layout
26	Now he (the author) has spoken about the description of suddha (rāgas)-	main via surya_layout
27	Those that are in accordance with their 'own' jāti 31 (from which they are	main via surya_layout
28	born), without any reference to other jātis and those that are one out of the	main via surya_layout
29	many (individual forms) of their own jāti, they are called śuddha (rāgas).	main via surya_layout
30	(299)	annotation_inline parent ligne 29 via heuristic_height
31	[1. Suddhaşādava]	section_header via surya_layout
32	[Anu. 164]	editorial_bracket parent ligne 31 via heuristic_brackets
33	Why is sadava so called? Is it because it is sung with six svaras and is hence	main via surya_layout
34	ṣāḍava or is it ṣāḍava on account of being prominent among the six rāgas?	main via surya_layout

vol_II_p113 LEFT — 42 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	208	page_number via heuristic_pagenum
3	प्रबन्धोऽयं स्वरार्थ: स्याद् ज्ञेयोऽसौ गीतवेदिभि: ।	main via surya_layout
4	चत्वारिंशत्तमं प्रोक्तं करणं पञ्चभिर्युतम् ॥३७८॥	main via surya_layout
5	चत्वारिंशद्युत: षड्भिश्चासौ वर्णस्वर: स्मृत:।	main via surya_layout
6	°ता:	annotation_inline parent ligne 5 via heuristic_markers
7	चत्वारिंशत्सप्तयुता ज्ञेया मुक्तावलीति या ॥ ३७९॥	main via surya_layout
8	प्रतापवर्धनश्चाष्ट्रचत्वारिशः प्रकीर्तितः ।	main via surya_layout
9	(त?न)	annotation_inline parent ligne 8 via heuristic_short
10	॰शत्	annotation_inline parent ligne 8 via heuristic_markers
11	अष्टौ च मुनिना ख्याताश्चत्वारिंशत् सुसंयुता[:] ॥ ३८०॥	editorial_bracket parent ligne 8 via heuristic_brackets
12	पञ्चधा मुनिना	main via surya_layout
13	न्ता चत्वाः	annotation_inline parent ligne 12 via heuristic_height
14	एतेषां लक्षणं विच्य समासाद् विदुषां कृते ।	main via surya_layout
15	चच्छि	annotation_inline parent ligne 14 via heuristic_short
16	विदुषात्तमम्	main via surya_layout
17	यथोक्तं चात्र नियमै[:] [पदतालादिसंयुतै:] ॥	editorial_bracket parent ligne 16 via heuristic_brackets
18	रागैर्यथावदुक्तैस्तु गातव्या गीतकोविदै: ॥ ३८१॥	main via surya_layout
19	[प्रबन्धानां लक्षणानि]	section_header via surya_layout
20	[१.कन्द:]	section_header via surya_layout
21	तालशून्यस्तु य: पाटैर्बिरुदेश्च समन्वित:।	main via surya_layout
22	॰ता:	annotation_inline parent ligne 21 via heuristic_markers
23	स कन्द इति कर्णाटभाषादिपदिमश्रित: ॥३८२॥	main via surya_layout
24	कन्दादिप्रबन्धा लक्ष्यत: प्रसिद्धा एव ।	main via surya_layout
25	क(दा?न्दा)	main via surya_layout
26	[२. वृत्त:]	section_header via surya_layout
27	आर्यायां द्विपथे वृत्तो गाथायां दोघके तथा।	main via surya_layout
28	वृते गाधाया जेधके तथा(?)	main via surya_layout
29	्याः	annotation_inline parent ligne 28 via heuristic_height
30	तोटके[ ऽथ] च तालस्य नियमो नास्ति कदाचन ॥	editorial_bracket parent ligne 28 via heuristic_brackets
31	•केन	main via surya_layout
32	मुख्यता तेषु निर्दिष्टा मुनिभिश्छन्दस: स्फुटम्<sup>४</sup>॥ ३८३॥	main via surya_layout
33	॰सा	annotation_inline parent ligne 32 via heuristic_markers
34	अन्ते च स्वरविन्यास: [स्वरहीनं स्मृतं परै:] ।	editorial_bracket parent ligne 32 via heuristic_brackets
35	अन्त: स्वर + विन्यास: + + + + +	main via surya_layout
36	[वृत्ते छन्दिस यच्चान्ये] वङ्क्ति तदिप सम्मतम् ॥३८४॥	editorial_bracket parent ligne 35 via heuristic_brackets
37	. . . . . . . . .	annotation_inline parent ligne 35 via heuristic_height
38	न्तः	annotation_inline parent ligne 35 via heuristic_height
39	NAME OF TAXABLE PARTY.	annotation_inline parent ligne 35 via heuristic_height
40	محفظ ماملا دي ماسي الراكات المار	annotation_inline parent ligne 35 via heuristic_height
41	4 . . . . . . . . .	annotation_inline parent ligne 35 via heuristic_height
42	(vide)	annotation_inline parent ligne 35 via heuristic_height

vol_I_p013 LEFT — 37 lignes

L#	Texte OCR	Role auto
1	8	page_number via heuristic_pagenum
2	BRHADDESI	page_header via surya_layout
3	नकारः प्राण इत्याहुर्दकारश्चानलो भतः ।	main via surya_layout
4	%र	annotation_inline parent ligne 3 via heuristic_short
5	नादस्य द्विपदार्थोऽयं समीचीनो मयोदितः ॥२०॥	main via surya_layout
6	10हि	annotation_inline parent ligne 5 via heuristic_short
7	ग्गनादोऽयं नदतेर्धातोः स च पञ्चविधो भवेत् ।	main via surya_layout
8	<sup>12</sup>सूक्ष्मश्चैवातिसूक्ष्मश्च व्यक्तोऽव्यक्तश्च कृत्रिमः ॥२१॥	main via surya_layout
9	सूक्ष्मो नादो गुहावासी हृदये चातिसूक्ष्मकः	main via surya_layout
10	कण्ठमध्ये स्थितो । ३२॥	main via surya_layout
11	॰क्तः अ॰	annotation_inline parent ligne 10 via heuristic_markers
12	1471:	annotation_inline parent ligne 10 via heuristic_height
13	कृत्रिमो मुखदेशे तु ज्ञेयः पञ्चविद्यो बुधैः।	main via surya_layout
14	इति तावन्मया प्रोक्ता नादोत्पत्तिर्मनोहरा ॥२३॥	main via surya_layout
15	।। इति नादोत्पत्तिः	annotation_inline parent ligne 14 via heuristic_short
16	П	main via surya_layout
17	III [ श्रुति-प्रकरणम् ]	section_header via surya_layout
18	[ तत्र श्रुतिलक्षणम्, तत्संख्या च ]	section_header via surya_layout
19	---------------------------------------	unknown via fallback
20	इदानी तु प्रवक्ष्यामि श्रुतीनां च विनिश्चयम् ।	main via surya_layout
21	श्रु श्रवणे चास्य धातोः क्ति [ न् ] प्रत्ययसमुद्भवः ॥	editorial_bracket parent ligne 20 via heuristic_brackets
22	<sup>1</sup> अवणार्पस्य धातोः क्तिन्प्रत्यये च सुसक्रिते ॥	main via surya_layout
23	श्रुतिशब्दः प्रसाध्योऽयं शब्दज्ञैः य्कर्मसाधनः ॥२४॥	main via surya_layout
24	नेर्मावः	annotation_inline parent ligne 23 via heuristic_short
25	[ अनु. १ ]	editorial_bracket parent ligne 23 via heuristic_brackets
26	श्र्यतः इति श्रुतिः । सा चैकाऽनेका वा ।	main via surya_layout
27	न्त	annotation_inline parent ligne 26 via heuristic_height
28	•तयः	annotation_inline parent ligne 26 via heuristic_height
29	तत्रैकैव श्रुतिरिति । तद्यथा-श्तत्रादौ तावद्देहाग्निपवनसंयोगात्	main via surya_layout
30	<b>‘देहाकाश</b>	annotation_inline parent ligne 29 via heuristic_short
31	पुरुषप्रयत्नप्रेरितो ध्वनिर्नाभेरूध्वमाकाशदेशमाक्रामन् धूमवत्	main via surya_layout
32	नामेरूध्वकार	unknown via fallback
33	र्घ	annotation_inline parent ligne 31 via heuristic_height
34	₹	annotation_inline parent ligne 31 via heuristic_height
35	सोपानपदक्रमेण पवनेच्छयाऽनेकधाऽऽरोह्नन्नर्न्यूतपूरणप्रत्ययार्थतया	unknown via fallback
36	🛥 "पदावस्थान -	annotation_inline parent ligne 31 via heuristic_height
37	- भाइह् रोइद्स्तर्भृत प्रातिनिपार्याखतया (?)	unknown via fallback

189 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p058 LEFT — 30 lignes

vol_II_p161 RIGHT — 46 lignes

vol_II_p052 RIGHT — 34 lignes

vol_II_p113 LEFT — 42 lignes

vol_I_p013 LEFT — 37 lignes