Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21046). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p031 LEFT — 30 lignes

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1 44 page_number
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2 <b>BRHADDESI</b> page_header
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3 प्राप्नोति हृदयं शीघ्रमन्यस्मादृषभः स्मृतः। main
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4 स्त्रीगवीषु यथा तिष्ठन् विभाति ऋषभो महान्।। main
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5 स्वरग्रामे समुत्पन्नः स्वरोऽयमृषभस्तथा ॥५६॥ main
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6 वाचं गानात्मिकां धत्त इति गान्धारसंज्ञकः। main
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7 स्वराणां मध्यमत्वाच्च मध्यमः स्वर इष्यते।।५७॥ main
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8 स्वरान्तराणां विस्तारं यो मिमीते स पञ्चमः। main
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9 पाठक्रमेण गणने संख्यया पञ्चमोऽथवा।।५८।। main
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10 धीरस्यास्तीति धीमांस्तत्सम्बन्धी धैवतः स्मृतः । main
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11 यद्वा annotation_inline
parent ligne 10
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12 २१षष्ठस्थाने धृतो यस्मात्तेनासौ धैवतो मतः॥५९॥ main
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13 पञ्चमेन annotation_inline
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14 <sup>30</sup>•त्ततोऽसी annotation_inline
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15 ललाटे धैवत इत्यर्थः। main
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16 निषीदन्ति स्वराः सर्वे निषादस्तेन कथ्यते।।६०॥ main
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17 [ स्वराणां सप्तसंख्यानियमः ] section_header
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18 [ अनु. २९ ] editorial_bracket
parent ligne 17
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19 31 ननु कथं सप्त स्वरा इति नियमः ? उच्यते— main
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20 यथा सप्तधात्वाश्रितत्वेन सप्तैव धातवो main
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21 रसादयो जेयाः । तथा चाह सुश्रुतः — main
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22 'त्वगसृङ्मांसमेदोऽस्थिमज्जाशुक्राणि धातवः' । main
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23 इति। तथा सप्तचक्राश्रितत्वेन सप्तद्वीपाश्रितत्वेन वा सप्तैव स्वरा इति। main
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24 स्वरजातयः ] section_header
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25 चतुःश्रुतिस्वरा विप्रास्त्रिश्रुती क्षत्रियौ मतौ। main
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26 वैश्यौ द्विश्वतिकौ ज्ञेयौ शूद्रौ चान्तरकौ स्वरौ ३२।।६१।। main
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27 [ आगमस्थः स्वरोद्धारः ] editorial_bracket
parent ligne 26
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28 वर्गाष्टकं तु सम्प्राप्य अकारादियशान्तकम्। main
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29 वर्णमात्राः अन्समायुक्तमुद्धरेत् स्वरसप्तकम् ॥६२॥ main
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30 স page_footer
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vol_I_p105 RIGHT — 20 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA page_header
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2 193 page_number
via heuristic_pagenum
3 Mārga main
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4 Threefold duration of kalā represented by corresponding mārgas main
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5 Daksiņa annotation_inline
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6 8, 4, 2 dakşina, vartika and citra main
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7 Vārtika or Vṛtti annotation_inline
parent ligne 6
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8 4, 2, 1 vārtika, citrā and dhruva. main
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9 Citra annotation_inline
parent ligne 8
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10 2, 1, 1/2 Citra, dhruva and śūnya. main
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11 The introduction of sunya paves the way for the unit druta (1/2 mātrā) in main
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12 desi tālas. It is notable that the notational sign for druta in later texts is 0 that main
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13 represents zero or śūnya. (cf. SRV, section on deśi tālas) main
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14 • annotation_inline
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15 - annotation_inline
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16 . annotation_inline
parent ligne 13
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17 • annotation_inline
parent ligne 13
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18 • unknown
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19 • annotation_inline
parent ligne 13
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20 • annotation_inline
parent ligne 13
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vol_II_p060 RIGHT — 35 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 103 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 [Anu. 183] editorial_bracket
parent ligne 5
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4 [This means -] when niṣāda takes up the two śrutis of pañcama<sup>58</sup> that is editorial_bracket
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5 comprised of four śrutis, then it is called śrutibhinna. (Contention)-Because main
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6 pañcamais comprised of three śrutisin madhyamagrāma, how does niṣāda take main
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7 up two śrutis? It is being answered. It is said to be comprised of four śrutis main
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8 on the analogy of its former position. Just as in bhinnakaiśika rāga, the main
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9 pañcama comprised of three śrutis has been omitted in şadjagrāma, 59 taking main
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10 recourse to its form comprised of four śrutis, similarly it will happen here also main
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11 and hence there is no fault. And its description is thus - main
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12 . . . . . . . . . . . . . . . . . . . . annotation_inline
parent ligne 11
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13 [5. Bhinnatāna] section_header
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14 Tāna has madhyama as nyāsa, pañcama as amsa, is with sparse seventh main
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15 (niṣāda), comes of madhyamā and pañcamī jātis and is weak in respect of main
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16 rsabha. annotation_inline
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17 (313) annotation_inline
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18 [Anu. 184] editorial_bracket
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19 This means-bhinnatāna is related to madhyamagrāma on account of being main
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20 born of madhyamā and pañcamī jātis. Pañcama is the graha and amśa, main
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21 madhyama is the nyāsa. There is the sparseness of madhyama and niṣāda. main
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22 Niṣāda is kākalī here and this (rāga) is complete. It is used in mature karuņa main
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23 (rasa).60 The mūrchanā beginning with pañcama obtains. Sañcārin is the main
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24 varņa, prasannādi is the alarikāra. The kalā is formed in the dakṣiṇa (mārga), main
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25 the <math>kal\bar{a}</math> obtains in the <math>v_itti</math> (<math>m\bar{a}rga</math>) and the <math>kal\bar{a}</math main
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26 A tāla like caccatpuţa obtains in the songs comprised of svara and pada. main
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27 [The assignment of bhinna-rāgas to grāmas] section_header
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28 [Anu. 185] editorial_bracket
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29 The assignment of bhinna (rāgas) to grāmas has been said by Kāsyapa. That main
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30 is thus - annotation_inline
parent ligne 29
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31 ٠ page_number
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32 "Bhinna-ṣaḍja pertains to ṣaḍja (grāma) and so does bhinnakaiśikamadhyama. main
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33 (Bhinna) pañcama, (bhinna) kaiśika, (bhinna) tāna are seated in madhyamagrāma." main
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34 Thus bhinnas have been explained, now listen to the gaudas. main
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35 (314) annotation_inline
parent ligne 34
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vol_II_p105 LEFT — 30 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESĪ page_header
via surya_layout
2 192 page_number
via heuristic_pagenum
3 उदाहरणम् - मामपामा पापानिधाधा निपापानिपमा रिसानिधापामा सामाधानि धापापापा main
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4 सः annotation_inline
parent ligne 3
via heuristic_height
5 सापानिगारिसा निनीसानिसानिधामा मानिधापापा । आन्ध्री । [५] editorial_bracket
parent ligne 3
via heuristic_brackets
6 गान्धारांशा तु गान्धारी सम्पूर्णा पञ्चमान्तिमा । main
via surya_layout
7 विभाषा र॰सानुरो[हे च] गीयते मालपञ्चमे ॥ १९॥ editorial_bracket
parent ligne 6
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8 (?) मालवपञ्चमे annotation_inline
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9 सानुना annotation_inline
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10 उदाहरणम् - गागानिनिधा धाधानिरिरिगा पमागरि रिसनीसासा । धाधासाधानी । सागासा main
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11 निधापापा । गान्धारी । [६] editorial_bracket
parent ligne 10
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12 ॥ इति शार्दुलमते[मालव] पञ्चमभाषा: समाप्ता: ॥ editorial_bracket
parent ligne 10
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13 [४. अथ भित्रपड्जे] section_header
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14 त्रावणी षड्जभाषा च मालवी गुर्जरी तथा । main
via surya_layout
15 बाह्यषाडवकौसल्यौ गान्धारी स्वरविक्रता ॥ २०॥ main
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16 ॰(पौढकौसन्थ्ये ? पाडवकौसल्यौ) परवन्दिता annotation_inline
parent ligne 15
via heuristic_markers
17 लिलता निषादवती तुम्बुरुगिन्धारलिलता । main
via surya_layout
18 निषादवत्या च स्वरगान्धारवर्जिता annotation_inline
parent ligne 17
via heuristic_height
19 [कलिङ्गा चैव शुद्धा च मध्यमा पार्वती तथा] ॥ २१॥ editorial_bracket
parent ligne 17
via heuristic_brackets
20 देशाख्या त्रावणी चैव धैवतान्ताऽल्पषड्जिकारा॥ २२॥ main
via surya_layout
21 नीपोम्प च (?) गीयते annotation_inline
parent ligne 20
via heuristic_short
22 उदाहरणम् - रिरिधाधाधनी नीधाधा । मधानिरिधा धानिनिसानिनि धाधानिधामाधा । निरिधा main
via surya_layout
23 धामधा धानि रिरिनिगामागाधा मारीसानिधानिधा निधामामधा निनिरिधाधा । त्रावणी । [१] editorial_bracket
parent ligne 22
via heuristic_brackets
24 त्रीवणी annotation_inline
parent ligne 22
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25 धैवताद्यन्तसंयुक्ता मूलभाषा सदुर्बला<sup>२२</sup>। main
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26 तु दुर्बलम् annotation_inline
parent ligne 25
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27 देवताराधने गीता षड्जभाषा तु षट्स्वरा<sup>२३</sup> ॥ २३॥ main
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28 उदाहरणम् - धानिधाधा । सानिधाधा । समानिधा । मागागामा । निधाधा । गामागामा । main
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29 पा annotation_inline
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30 गमाधाधा । गरिसानिधा । पमामा । पामाधानी । धाधा । षड्जभाषा । [२] editorial_bracket
parent ligne 28
via heuristic_brackets

vol_I_p061 RIGHT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 105 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 (Anu. 102) annotation_inline
parent ligne 4
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4 Like hunkāra one should ascend (with) three solfa syllables without a gap main
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5 (and) in a combined80 (manner), thence two lower svaras (forming two phrase- main
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6 units each) should be made (pronounced) with shake81 and verily in main
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7 combination with another (next) kalā 82 (phrase-unit). Thus is gātravarņa, main
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8 because of the combination or formulation of ekakala 83 svaras (forming main
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9 temporal units of one kalā or mātrā each). As - dhanisa nini dhadha, padhani main
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10 dhadha papa, mapadha papa mama, gamapa mama gaga, rigama gaga riri, main
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11 (33) annotation_inline
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12 sariga riri sasa. Thus is (ends) gatravarna. main
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13 [ The treatment of Alankaras according to Bharata's opinion ] section_header
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14 I shall now speak of the varnas 84 in which the charming alankāras are main
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15 'seated' (formed), according to the prescription of Bharata. main
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16 (121) annotation_inline
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17 Prasannādi, prasannānta, prasannādyanta, similarly prasannamadhya, sama, main
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18 recita itself, prastāra and prasāda are based on the sthāyivarņa. These alankāras main
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19 (122, 123) annotation_inline
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20 should be known according to their respective definition. main
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21 After this, please understand (the alankāras) born of the sancārin (varņa), as main
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22 they are again and again being described (lit. glorified). Mandratāraprasanna, main
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23 bindu, prenkolita, tāramandraprasanna, nivīttapravītta, kuhara, veņu, ranjita, main
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24 upalolaka, avartaka, paravarta. Thus are the eleven charming alankaras born of main
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25 <math>(124 - 126)</math> annotation_inline
parent ligne 24
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26 the sancarin (varna). annotation_inline
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27 Nişkūjita, kuhara, hasita, bindu itself, prenkholita, ākṣipta, vidhuta, udvāhita, main
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28 hrādamāna, sampradāna, sandhipracchādana, prasannādi and main
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29 prasannanta—(these) thirteen are (based) on the arohin (varna). (127, 128) main
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144 lignes a valider — change uniquement les roles incorrects.