Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21055). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p140 LEFT — 51 lignes

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1 r annotation_inline
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2 ### ### 100 mg 2 annotation_inline
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3 262 page_number
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4 BRHADDEŚĪ page_header
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5 शुद्धपङ्जाया एव विवक्षितत्वेन तत्प्रयुक्तमन्द्रव्याप्तपङ्जग्रामसम्बन्धोऽनुमेय इति । main
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6 Kalā on SR II.2.30-32, p.30. main
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7 78. P.t. repeats (śruti?) main
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8 79. cf. मान्तोऽल्पगः main
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9 SR II.2.51a, where gāndhāra is said to be sparse. main
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10 80. cf. annotation_inline
parent ligne 9
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11 केचिद् ऋषभलोपेन हिन्दोलं षड्जसंश्रितम्। main
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12 वदन्ति, तन्मतं नाहं मतङ्गादिविरोधत:। main
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13 धैवतस्याविलोपेन द्विग्रामत्वेऽपि मध्यगम् ॥ main
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14 मध्यमग्रामजात्युत्थं शुद्धमध्याख्यमूर्च्छनम् । main
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15 S.Rāj II.2.1.502c-504b. main
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16 81. ८. यथाह मतङ्ग: - ‘‘भरतकोहलादिभिराचार्यैधैवतलोपस्यानिष्टत्वात् केचित् पङ्जग्रामाश्रित एवायमिति main
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17 मन्यन्ते चतुःश्रुतिकस्य पञ्चमस्यात्रोपलम्भाद् धैवतस्यास्तित्वं वा नास्तित्वं वा न विशेषप्रदर्शकं सर्वत्र । एवं च सित main
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18 ग्राममूर्छनाभेदो वा धैवतेन न स्यादिति भाव:।" main
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19 C.r. in Kalā on SR II.2.30-32, p. 31. main
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20 82.cf. अत्र टीकाकार: शङ्कते । योऽयं जात्यंशकानां विनियोग उक्त: स कश्यपमुनिमतङ्गादिभिविंरुध्यते । main
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21 तथाहि तैरुक्तम् -सम्भोगे चैव शृङ्गारे प्रेङ्खोलितकमेव च । main
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22 Abhi Bhā on NŚ XXIX. 8, p.69 main
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23 83. cf. यद्यपि सम्पूर्णस्वरस्यास्य प्रयोगे च चतुःश्रुतिकस्य पञ्चमस्योपलम्भात् पूर्वोक्तन्यायेन पड्जग्रामसम्बद्ध main
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24 एवायमिति मतङ्गमतम्, तथापि कश्यपमतेन निषादगान्धारयोर्लोपादयमौडुवित इति मतङ्गेनोक्तत्वात् तदा “रिधाभ्यां main
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25 द्विश्रुतिभ्यां च मध्यमग्रामगास्तु ते । हीनाश्चतुर्दशैव स्युः'' इत्यौडुवशुद्धतानलक्षणं मध्यमग्रामेऽपि साक्षादवगम्यत main
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26 इत्याचार्यद्वयमतानुसारिणा नि:शङ्कसूरिणा 'द्विग्रामष्टककैशिक:' इति सुष्ट्रदिष्टम् । main
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27 Kalā on SR II.2.30-32, p.30. main
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28 84.cf. annotation_inline
parent ligne 27
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29 थैवतांश(स्तदन्तश्च)स्वल्पद्विश्रुतिकस्वर:। main
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30 मध्यमाधैवतीजात्योर्जायते टक्ककेशिक:॥ main
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31 Cited in the name of Kasyapa on Bha Bhā Vol. II, VI. 102. main
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32 85. cf. annotation_inline
parent ligne 31
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33 पङ्जांशकग्रहन्यासमन्द्रतारोपशोभित: । main
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34 ----- तदा मालवकैशिक:॥ unknown
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35 C.r. in Bha Bhā Vol . VII MS folio no. 203. main
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36 86. cf. annotation_inline
parent ligne 35
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37 केचित् पञ्चमविश्रामं मन्यन्ते केचन त्विमम् । main
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38 गान्धारकृतसम्पूर्तिमेतन्नादरमहीत । main
via surya_layout
39 गान्धारस्य विवादित्वात्र्यासस्तत्र न युज्यते ॥ main
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40 S Rāj II.2.1.467c-468. main
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41 87. cf. अत्र टीकाकार: शङ्कते । योऽयं जात्यंशकानां विनियोग उक्त: स कश्यपमुनिमतङ्गादिभिर्विरुध्यते । main
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42 तथाहि तैरुक्तम् - कामभूतेषु सर्वेषु कुर्यान् मालवकैशिकम् । main
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43 Abhi Bhā on NŚ XXIX. 8, p. 69. main
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44 88. cf. annotation_inline
parent ligne 43
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45 कथिता यत्र तान् वक्ष्ये सप्त साधारणांस्तत: । main
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46 C.r. in Kalā on SR II.2.23-26,p.26. main
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47 89. cf. annotation_inline
parent ligne 46
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48 मतङ्गो रेवगुप्तं च टक्कसैन्धवमेव च। main
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49 साधारणेषु निक्षिप्य न तान(व) ब्रबीदथ ॥ main
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50 S Rāj II.2.1.62c,63b. main
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51 Terminate and the control of the control of the control of the control of the control of the control of the control of t annotation_inline
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1 175 page_number
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2 TRANSLATION page_header
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3 Illustration-.....Sādhāritā [iii] editorial_bracket
parent ligne 4
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4 Gāndhārī has niṣāda as amśa, ṣadja as the concluding note, (and) is main
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5 complete in svaras. This is a bhāṣā in sauvīraka (rāga) and is always sung in main
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6 karuna (rasa).<sup>57</sup> main
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7 (123) annotation_inline
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8 Illustration - Ninigāgāpāmāmānisāmāgānī dhāsāsāsā. Gāndhārī [iv] editorial_bracket
parent ligne 6
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9 Thus end the <i>bhāṣās</i> of <i>sauvīraka</i>. main
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10 [8. After this are being described the bhāṣās in bhinna-paācama] section_header
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11 Śuddhabhinnakā has dhaivata as amśa and the same as the concluding note, main
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12 is complete, there is concert between dhaivata-ṛṣabha and similarly between main
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13 șadja-madhyama. This śuddhabhinnā is said to be born of bhinnapañcama. It main
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14 is always sung by the Kinnaras<sup>58</sup> in view of its being delightful to the people. main
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15 (124-125) annotation_inline
parent ligne 14
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16 Illustration - Dhānidhānisasadhā nīdhānisāgāsanigānidhā main
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17 pāpāninimapāmāpāpamādhā dhāpādhāpādhādhā. Śuddhabhinnā [i] editorial_bracket
parent ligne 16
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18 Having madhyama as amśa, dhaivata as the concluding note, weak in ṛṣabha, main
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19 this bhāṣā is hexatonic with profuse dhaivata and madhyama. There is concert main
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20 between şadja-dhaivata and the svaras comprised of two śrutis each alongwith main
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21 dhaivata. It is well-known as varāṭī and is verily sung by the vidyādharas. 59 main
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22 <math>(126-127)</math> annotation_inline
parent ligne 21
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23 Illustration - Mādhāsadhānidhā pānimāmāgāsāsāgāmāgā sādhānīdhā. main
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24 Dhādhā dhādhāsādhānī pāpāmāgāsāsāgāmā [dhādhā]. Varāṭī [ii] editorial_bracket
parent ligne 23
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25 Lower (mandra) ṛṣabha should be used and so also dhaivata again and main
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26 again. (The gamaka) sphurita60 should be used there as fast, medium and main
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27 One should bring about movement in high and low and similarly main
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28 slow.<sup>61</sup> annotation_inline
parent ligne 27
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29 ascentand descent. Eshould be known as a vibhāṣā born of bhinnapañcama. main
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30 <math>(128-129)</math> main
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L#Texte OCRRole autoCorriger si incorrect
1 programme. annotation_inline
parent ligne 4
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2 BRHADDEŠĪ page_header
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3 164 page_number
via heuristic_pagenum
4 ऋषभांशा पञ्चमान्ता विज्ञेया षड्जदुर्बला । main
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5 প্লা annotation_inline
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6 निषादकाकलीरूपा कर्तव्या सा तु नित्यशः॥ ९७॥ main
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7 साधारणकृता ह्येषा विभाषा गीतवेदिभि:। main
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8 ८७अन्थाली विश्रुता लोके कित्रराणां च वल्लभा ॥ ९८॥ main
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9 अमाली annotation_inline
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10 उदाहरणम् - रीमापापाधाधाधाधापा धाधासापापापा धानिनिपा। पासापाधापापापा मरिमरि- main
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11 धाधापधपसाधाधापापा धधपधपापाधापा। पामारिरिसाधापापापा मपधममारिरिधाधपपाप। main
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12 मामाधपपापममरिरिमपापा धपापापधपधसासारिगरिधपापापा । अन्धाली। [७] editorial_bracket
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13 अल्पर्षभा मध्यमांशा पञ्चमन्याससंयुता । main
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14 मध्यमांशाल्पऋपभा annotation_inline
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15 मध्यधैवतसंवादो बाहुल्यं पञ्चमस्य तु ॥ main
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16 ॰वादस्तुल्यं स्यात् annotation_inline
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17 मध्यमः annotation_inline
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18 ८८ सम्पूर्णा पञ्चमाच्चेयं भाषा तानोद्भवा भवेत् ॥ ९९॥ main
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19 सम्पूर्णपाड(वा) चेयं annotation_inline
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20 उदाहरणम् - मामामगासारिरिनिसागरि । सानिनिगागागसानिपापा पासानिसासासानिसानि - main
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21 निधधनिनिसा। गरिसासासानिनिसाधानिपापा धानिनिगगसासासासासागासानीधामापापा । main
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22 तानोद्भवा। [८] editorial_bracket
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23 त्रावणी पञ्चमन्यासा पञ्चमर्षभदुर्बला । main
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24 त्रापणी annotation_inline
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25 द्विश्रुतीनां स्वरूपेण गमनं तत्प्रयोक्तृभि: ॥ १००॥ main
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26 तु annotation_inline
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27 षड्जमध्यमबाहुल्यं पञ्चमर्षभयोस्तथा । main
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28 साधारणकृता होषा त्रावणी देशसम्भवा ८९॥१०१॥ main
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29 उदाहरणम् -सासासापापापा धाधाधाधानीनीनीसासानिधानिधाधारिसासा नीधानीधासाममरि main
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30 मारिमागागारिसा सनिपापापा निधानिसासनिसनिमधधसनिधामागामाधानीसासाधानीसामधा - main
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31 मागामाधानीसास। सससनिसासानिगासनिधामामाधारीसासा सधानीधापा । त्रावणी । [९] editorial_bracket
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32 त्रापणी annotation_inline
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L#Texte OCRRole autoCorriger si incorrect
1 ٠ page_number
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2 TRANSLATION page_header
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3 145 page_number
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4 performed as to involve mutual movement between rşabha-gandhara and main
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5 similarly <i>şadja-madhyama</i>. main
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6 <math>(52-53)</math> main
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7 Illustration - Gāgāgāmā. Sāsī. Māgāmāmāgāmāsīsāsī. Gāgādhānisīsīgādhanisā main
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8 dhādhāmārīmāgārīgasā sāsāsāmā sārīdhādhādhādhadhamāgārīgāgā dhārīsāsīsā. main
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9 Māgāmāmāgā Māsīsimāgā dhādhādhāparīgamarīgamasīsisīmāgārīdhā dhamagari main
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10 gamadhanī. Sāsāgādhānisāsā. Ravicandrā [xi] editorial_bracket
parent ligne 9
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11 Ambāherī is said to have madhyama as its amśa, ṣadja as its concluding note, main
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12 gāndhāra and dhaivata as profuse, incomplete in svaras, being always devoid main
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13 of pa (pancama), this bhāṣā is said to bear the name <math>desi^{20}</math> (regional). main
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14 (54) annotation_inline
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15 Illustration – Māmāsā. Nīnī. Nidhādhāni dhādhāni. Dhānidhādhānī. main
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16 Sāgāgārī. Sanīsanīdhā. Nidhānigāgā māgānisāsāni. Sādhānīgā gānisāsā. main
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17 Sāninisanīdhā dhāmānīmā dhāsanini. Nisādhānīmādhādhāmāgāsānisānidhā. main
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18 Mādhādhā. Sādhānīdhānīsāsā. Māmādhāsāsā. Māmāgārīmāgāsāsā. main
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19 Māsāmāmāgārīmāgāsāsā. Masānī ninimāni dhādhānidhāmāgā. Sānīmādhā. main
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20 Sāsanīdhā dhanisādhādhā. Dhanidhānīsā. Ambāherī [xii] editorial_bracket
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21 Being combined with sadja in the beginning and having madhyama and main
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22 dhaivata as abundant and with the omission of rşabha, this bhāṣā, lalitā, is main
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23 sankīrņā (mixed) and hexatonic. There is (mutual) movement between the main
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24 svaras comprised of two śrutis each. main
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25 (55) annotation_inline
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26 Illustration - Sāgāgādhāgāmāmāgā. Dhamādhānīsāsā. Nidhāgāgā. main
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27 Säsäsämäpädhäni dhäpämäsä sädhäpädhänidhädhäsä nidhägänigädhanisasasa. main
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28 Lalitā [xiii] editorial_bracket
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29 Combined with şadja as the initial and concluding note, omitting main
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30 pañcama, being devoid of the seventh (niṣāda), having the concert of main
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31 madhyamawith ṣaḍja there, the saii kīrṇā (mixed) and pentatonic bhāṣā, born main
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1 311 page_number
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2 VIMARŠA page_header
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3 22,23. Nāga and kinnara are names of ethnic groups. Our text is the list_item
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4 first one to mention ethnic names in the context of music. list_item
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5 24. Paurāla is not a known geographical name. One approximate list_item
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6 name is paurava, "a country on the eastern bank of the jhelam including the list_item
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7 Gujrat district, the original seat of the Purus, the kingdom of Porus who list_item
via surya_layout
8 fought with Alexander " (Nando Lal De). Purālī was an ancient name of list_item
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9 Travancore (ibid). list_item
via surya_layout
10 25. Harşapūra is not known as a geographical name. list_item
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11 26. <math>\bar{A}bh\bar{i}ra</math> is both a geographical and ethnic name. It is identified as list_item
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12 "the south-eastern portion of Gujrat about the mouths of the Narmada" list_item
via surya_layout
13 (Nando Lal De). list_item
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14 27. 'Samyoga' is another expression for sancara or sangati. list_item
via surya_layout
15 28. Kāmboja is identified as Afghanistan (Nando Lal De). list_item
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16 29. Sātavāhana or Sātavāha is "the name of a king fabled to have been list_item
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17 discovered, when a child, riding a Gandharva called Sāta, who, according to list_item
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18 one legend, was changed into a lion" (Monier Williams). Also known as list_item
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19 Sālivāhana, the Śaka ruler who founded the Śaka era i.e samvat. list_item
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20 30. Gāndhāra and niṣāda are implied. list_item
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21 31. Chāyā is used while describing the resemblance of one rāga with list_item
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22 another at a given point. list_item
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23 32. Kākalī is prescribed to be always sparse in the grāma system. The list_item
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24 prescription here of kākalī being frequent is a notable departure. list_item
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25 33. Again the ethnic name kinnara appears here. See notes 22,23. list_item
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26 34. The basic name is hindola or hindolaka meaning a swing; its list_item
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27 synonym is sometimes used to meet the exigency of metre. list_item
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28 35. See note 26. list_item
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29 36. Gāndharva is a rigorously guarded tradition. The inclusion of list_item
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30 bhāṣā in this corpus is incongruous, unless gāndharva is taken to stand for list_item
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31 music in general. list_item
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32 37. "Mangala - called also Mangali or Mangalapura, the capital of list_item
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33 Udyāna, identified by Wilford with Mangora or Manglora. Cunningham list_item
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34 thought it could be identified with Minglaur (Mangalore) " (Nando Lal list_item
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35 De). list_item
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36 38. The word samvāda has been used here again for sancara or sangati. list_item
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37 39. The origin of this vibhāṣā is traced directly to pañcama rāga, where list_item
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38 as it should really be related to a bhāṣā of that rāga. It is treated as a bhāṣā list_item
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39 in SR and S Rāj. list_item
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40 40. Gändhärapañcama has been mentioned here under pañcama. list_item
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41 41. "Dākṣiṇātya is identified with Deccan; that part of India that lies list_item
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185 lignes a valider — change uniquement les roles incorrects.