Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21062). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p043 RIGHT — 51 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	69	page_number via heuristic_pagenum
3	rī rī gā sama mā mā pā pā	table via surya_layout
4	(8)	table via surya_layout
5	mā pā mā pariga gā gā gā gā	table via surya_layout
6	(9)	table via surya_layout
7	dhā nī pā mā dhā nī sā sā	table via surya_layout
8	(10)	table via surya_layout
9	nī nī nī nī ņī nī nī nī	table via surya_layout
10	(11)	table via surya_layout
11	mā mā dhā nī nī dhā pā pā	table via surya_layout
12	(12)	table via surya_layout
13	mā pā mā pariga gā gā gā gā	table via surya_layout
14	(13)	table via surya_layout
15	nī nī pā dhani gā gā gā gā	table via surya_layout
16	(14)	table via surya_layout
17	sā rī gā sā nī nī nī nī	table via surya_layout
18	(15)	table via surya_layout
19	nī nī dhā dhā pā pā pā pā	table via surya_layout
20	(16)	table via surya_layout
21	Thus ends Kārmāravī.	section_header via surya_layout
22	[7.Gāndhārapañcami]	section_header via surya_layout
23	Pañcama is the amsa in gandharapañcami. The wise should produce	main via surya_layout
24	concert (among svaras) here also as in gāndhārī and pancamī.	main via surya_layout
25	(19)	annotation_inline parent ligne 24 via heuristic_short
26	Caccatpuța ( is the tāla), there are sixteen kalās here. The mūrchanā	main via surya_layout
27	beginning with gandhara obtains. Application is (prescribed) in the singing	main via surya_layout
28	of dhruvās pertaining to the fourth act.	main via surya_layout
29	(20)	annotation_inline parent ligne 28 via heuristic_short
30	Gāndhārais the nyāsain this (jāti). Ŗṣabhaand pañcamaare apanyāsas. The	main via surya_layout
31	prastāra is thus -	main via surya_layout
32	mā mā pama dhanī dhapa mā dhā nī	table via surya_layout
33	(1)	table via surya_layout
34	sani dhā pā pā pā pā pā	table via surya_layout
35	(2)	table via surya_layout
36	dhā nī sā sā mā mā pā pā	table via surya_layout
37	(3)	table via surya_layout
38	ការី ការី ការី ការី ការី ការី ការី ការី	table via surya_layout
39	(4)	table via surya_layout
40	nī nī dhapa mā nidha nidha pā pā	table via surya_layout
41	(5)	table via surya_layout
42	pā pā rī rī rī rī pā pā	table via surya_layout
43	(6)	table via surya_layout
44	mā riga sā sadha nī nī nī nī	table via surya_layout
45	(7)	table via surya_layout
46	nī rī sā risa rī rī rī rī	table via surya_layout
47	(8)	table via surya_layout
48	ni gā sā niga sā nī nī nī	table via surya_layout
49	(9)	table via surya_layout
50	nī mā nī mā pā pā gā gā	table via surya_layout
51	(10)	table via surya_layout

vol_II_p162 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	<b>VIMARŚA</b>	annotation_inline parent ligne 3 via heuristic_height
2	307	page_number via heuristic_pagenum
3	52. The word gamaka seems to stand for shake here.	list_item via surya_layout
4	53. Dānavīra is one of the four varieties of vīra, the other three being	list_item via surya_layout
5	dharmavīra, yuddhavīra and dayāvīra.	list_item via surya_layout
6	54. The import seems to be that śuddha-bhinna has an independent	list_item via surya_layout
7	form and that it is not the modified form of a suddharaga.	list_item via surya_layout
8	55. Here the distinction of a bhinna raga is established only on the	list_item via surya_layout
9	basis of giti or distinctive tonal rendering.	list_item via surya_layout
10	56. Syasthāna is a word used in SR III.140 and III.191-192 in the	list_item via surya_layout
11	context of sthāya and ālapti respectively; it stands for the sections of rāgālapti	list_item via surya_layout
12	formed on the basis of the units of tonal range within an octave, the first unit	list_item via surya_layout
13	being formed in the range from the tonic and from below it upto the svara	list_item via surya_layout
14	preceding the fourth, the second unit touching the fourth, the third	list_item via surya_layout
15	reaching below the octave and the fourth touching the octave.	list_item via surya_layout
16	57. 'Leaving the svasthana' seems to imply that the lower register will	list_item via surya_layout
17	be used in this rāga, as distinct from śuddhakaiśika which is performed with	list_item via surya_layout
18	tāra svaras. Here svasthāna does not seem to signify the units of tonal range	list_item via surya_layout
19	described in note 56 above, rather it appears to mean ' the own sthana or	list_item via surya_layout
20	register' of a raga.	list_item via surya_layout
21	58. "Niṣāda taking up the two śrutis of pañcama" is a prima facie	list_item via surya_layout
22	fallacious statement because pañcama is not adjacent to niṣāda. But there	list_item via surya_layout
23	could be a hidden meaning, taking the two grāmas together, as follows -	list_item via surya_layout
24	Şadjagrāma sa - ri- antaraga - ma - pa - dha - ni.	main via surya_layout
25	Madhyamagrāma ma - pa - dha - ni - sa - ri - ga.	main via surya_layout
26	Niṣāda of madhyamagrāma is adjacent to pañcama of ṣadjagrāma. The	main via surya_layout
27	above statement could be valid in terms of the two grāmas taken together.	main via surya_layout
28	59. The 'omission' of pancama comprised of three śrutis in	list_item via surya_layout
29	ṣaḍjagrāma actually means that this pañcama is not admissible in ṣaḍjagrāma.	list_item via surya_layout
30	60. 'Mature' karuṇa rasa is a notable expression.	list_item via surya_layout
31	61. Our text mentions ohāṭī for the second time here. SR (II.1.4,5)	list_item via surya_layout
32	also mentions it while describing the gaudi gita and defines it as the	list_item via surya_layout
33	"Sound combining 'ha' and 'o' produced b, placing the chin on the chest."	list_item via surya_layout
34	62. There is a striking contradiction between the viniyoga or	list_item via surya_layout
35	application in terms of śringāra and the rasas mentioned separately, viz.	list_item via surya_layout
36	bībhatsa and bhayānaka that are incompatible to śṛṅgāra.	list_item via surya_layout
37	63. Here again the viniyoga is given in terms of karuņa and the rasa	list_item via surya_layout
38	is mentioned as vīra in accordance with the amśa that is ṣaḍja.	list_item via surya_layout
39	64. 'Rāga' is another name for vesarā gīti; this alternative name is also	list_item via surya_layout
40	mentioned in later texts like SR II.1.6. The basis of this alternative name as	list_item via surya_layout
41	cited in the name of Kasyapa seems to be that the ragas that are not	list_item via surya_layout

vol_I_p006 RIGHT — 36 lignes

L#	Texte OCR	Role auto
1	xiii	page_header via surya_layout
2	INTRODUCTION	page_header via surya_layout
3	A word about the translation. It has been my attempt to bring the original to	main via surya_layout
4	the reader with its flavour and nuances; if in this attempt the idiom of the	main via surya_layout
5	English language has been violated, I owe an apology. My only submission	main via surya_layout
6	would be that this is not a transcreation of creative literature, this is a	main via surya_layout
7	presentation of 'scientific' literature in a different language. Hence the criteria	main via surya_layout
8	of judgement should be different from those applied to translation of creative	main via surya_layout
9	literature.	annotation_inline parent ligne 8 via heuristic_height
10	Technical terms have not been translated because that is virtually impossible;	main via surya_layout
11	rough equivalents have generally been given in paranthesis and if an equivalent	main via surya_layout
12	has been found adequate, the original word has been given in paranthesis in	main via surya_layout
13	order to help the reader in indentifying the equivalence.	main via surya_layout
14	The indebtedness to Dr. Anil Bihari Beohar, Lecturer in Musicology, Indira	main via surya_layout
15	KalaSangitaVishwavidyalaya,Khairagarh(M.P.,) has been acknolwedged in the	main via surya_layout
16	title page. Once again, I acknowledge with affection his labour and patience	main via surya_layout
17	with the onerous task undertaken by him. To Dr. Kapila Vatsyayan, I owe a	main via surya_layout
18	deep debt of gratitude for her constant inspiration and encouragement. My	main via surya_layout
19	sincere apologies are due to her for the delay in completing this work, caused	main via surya_layout
20	by both personal and professional reasons. To Dr. Bettina Bäumer, Hony.	main via surya_layout
21	Co-ordinator, Kalākoša office of I.G.N.C.A. in Varanasi, goes my heartfelt	main via surya_layout
22	gratitude for her constant support, both moral and material. My younger sister	main via surya_layout
23	Dr. Urmila Sharma has provided valuable assistance in reading the proofs; I	main via surya_layout
24	express my loving gratitude to her. My affectionate thanks go to Dr. N.	main via surya_layout
25	Ramanathan, Reader, Department of Music, Madras University, my former	main via surya_layout
26	student, for going through the first half of the press-copy (upto the section on	main via surya_layout
27	grāma-mūrchanā) in 1988, while I was at Khairagarh.	main via surya_layout
28	I thank Dr. C.B. Pandey, Editor, and Dr. (Smt.) Advaitavadini Kaul, Asstt.	main via surya_layout
29	Editor, for seeing the book through the Press.	main via surya_layout
30	Prem Lata Sharma.	annotation_inline parent ligne 29 via heuristic_height
31	Vasanta Pañcami	annotation_inline parent ligne 29 via heuristic_height
32	'Āmnāya', Karaundi,	annotation_inline parent ligne 29 via heuristic_height
33	Magha Sukla 5, V.S. 2048	annotation_inline parent ligne 29 via heuristic_height
34	Varanasi-221 005	annotation_inline parent ligne 29 via heuristic_height
35	<b>Feburary 8, 1992</b>	annotation_inline parent ligne 29 via heuristic_height
36	The second of the second of the second of the second of the second of the second of the second of the second of the seco	annotation_inline parent ligne 29 via heuristic_height

vol_II_p098 LEFT — 29 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	178	page_number via heuristic_pagenum
3	[११. अथ टककैशिके]	section_header via surya_layout
4	धैवताद्यन्तसंयुक्ता ज्ञेया <sup>१२२</sup>मालवपञ्चमी ।	main via surya_layout
5	<sup>१२३</sup>षड्जर्षभसंवाद: स्यात् <sup>१२४</sup>षड्जधैवतयोस्तथा ॥	main via surya_layout
6	बहुधैव तयोस्तथा	annotation_inline parent ligne 5 via heuristic_height
7	<sup>१२५</sup>सम्पूर्णा सुस्वरा ह्येषा देशभाषा मनोहरा ॥ १३३॥	main via surya_layout
8	उदाहरणम्-धैवत धापाधैवत धाधाधारिमामाधा । पामधाधापामागरिमाधापाधा। मालवा [१]	editorial_bracket parent ligne 7 via heuristic_brackets
9	षड्जांशा धैवतन्यासा विज्ञेया <sup>१२६</sup>भित्रवालिका ।	main via surya_layout
10	भित्रलालिका	annotation_inline parent ligne 9 via heuristic_height
11	धैवतनिषादबाहुल्यं दृश्यते च परस्परम् ॥ १३४॥	main via surya_layout
12	•बाहु<del>ल्</del>या	annotation_inline parent ligne 11 via heuristic_height
13	क्वचिद् दृष्टं न दृष्टं च भित्रपञ्चमसंज्ञिता[?]।	editorial_bracket parent ligne 11 via heuristic_brackets
14	किशिद् प्रष्टं	annotation_inline parent ligne 11 via heuristic_height
15	एषा तु कथिता लोके भाषा सङ्कीर्णशोभना ॥ १३५॥	main via surya_layout
16	उदाहरणम् - सासासागासाधा नीसासाधानीमधा निधाधाधा निधामाधा निमधापाधाधाधा	main via surya_layout
17	भित्रवालिका।[२]	editorial_bracket parent ligne 16 via heuristic_brackets
18	भित्रलालिता	annotation_inline parent ligne 16 via heuristic_height
19	<sup>१२७</sup>गान्धारांशा धैवतान्ता द्राविडी सम्प्रकीर्तिता ।	main via surya_layout
20	द्विश्रुतीनां च गमनं षड्जधैवतयोस्तथा ॥	main via surya_layout
21	द्राविडविषये होषा देशाख्या सुमनोहरा<sup>१२८</sup> ॥ १३६॥	main via surya_layout
22	उदाहरणम्-[गा]धानिमधानिधाधाधानिधामधापाधाधा पामाधाधागामाधाधा सागासानि-	editorial_bracket parent ligne 21 via heuristic_brackets
23	धाधा पामागाममनि[धा] । द्राविडी । [३]	editorial_bracket parent ligne 21 via heuristic_brackets
24	॥ एताष्ट्रक्ककैशिकभाषास्तिस्र: ॥	main via surya_layout
25	[१२. अथ वेसरपाडवे ]	editorial_bracket parent ligne 24 via heuristic_brackets
26	मध्यमाद्यन्तसंयुक्ता विज्ञेया बाह्यषाडवा ।	main via surya_layout
27	॰पाडवं	annotation_inline parent ligne 26 via heuristic_markers
28	१२९द्विश्रुत्यो: स्याच्च संवादो मध्यमर्पभयोस्तथा ॥ १३७॥	main via surya_layout
29	वि? द्वित्र्तिभ्यां च	annotation_inline parent ligne 28 via heuristic_height

vol_II_p048 LEFT — 27 lignes

L#	Texte OCR	Role auto
1	BRHADDEŠĪ	page_header via surya_layout
2	78	page_number via heuristic_pagenum
3	१९रञ्जनाज्जायते रागो व्युत्पत्तिः समुदाहता ।	main via surya_layout
4	इत्येवं रागशब्दस्य व्युत्पत्तिरभिधीयते ॥२६६॥	main via surya_layout
5	अश्वकर्णादिवद्रुढो यौगिको <sup>१२</sup>मण्डपादिवत् ।	main via surya_layout
6	यापि वाचकः	annotation_inline parent ligne 5 via heuristic_height
7	मन्थवत्	annotation_inline parent ligne 5 via heuristic_height
8	योगरूढोऽथवा रागो ज्ञेय: पङ्कजशब्दवत् ॥२६७॥	main via surya_layout
9	१३ ०रूदश्च वा	annotation_inline parent ligne 8 via heuristic_height
10	[गीति-भेदाः]	section_header via surya_layout
11	[तत्र मतङ्गमतम् ]	section_header via surya_layout
12	इदानीं सम्प्रवक्ष्यामि सप्तगीतीर्मनोहरा: ।	main via surya_layout
13	(त ? ती)	annotation_inline parent ligne 12 via heuristic_height
14	प्रथमा शुद्धगीति: स्याद् द्वितीया भिन्नका भवेत् ॥२६८॥	main via surya_layout
15	(त ? ति:)	annotation_inline parent ligne 14 via heuristic_height
16	तृतीयां गौडिका चैव रागगीतिश्चतुर्थिका ।	main via surya_layout
17	साधारणी तु विज्ञेया गीतज्ञै: पञ्चमी तथा ॥२६९॥	main via surya_layout
18	(त ?ति)	annotation_inline parent ligne 17 via heuristic_height
19	भाषागीतिस्तु षष्ठी स्याद् विभाषा चैव सप्तमी ।	main via surya_layout
20	१४गीतय: सप्त हि प्रोक्ता इदानीं भेद उच्यते ॥२७०॥	main via surya_layout
21	सप्तगीत्यो मया	annotation_inline parent ligne 20 via heuristic_height
22	[॥ इति मतङ्गमतम्॥]	editorial_bracket parent ligne 20 via heuristic_brackets
23	[दुर्गशक्तिमतम्]	section_header via surya_layout
24	गीतय: पञ्च विज्ञेया: शुद्धा भिन्नाऽथ वेसरा ।	main via surya_layout
25	ं गौडी साधारिता प्रोक्ता <sup>१५</sup>दुर्गामतिमदं मतम् ॥२७१॥	main via surya_layout
26	याष्ट्रिकेन महात्मना	annotation_inline parent ligne 25 via heuristic_height
27	॥ <sup>१६</sup>इति दुर्गशक्तिमतम् ॥	main via surya_layout

184 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p043 RIGHT — 51 lignes

vol_II_p162 RIGHT — 41 lignes

vol_I_p006 RIGHT — 36 lignes

vol_II_p098 LEFT — 29 lignes

vol_II_p048 LEFT — 27 lignes