Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21066). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p078 LEFT — 44 lignes

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1 (vide) unknown
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2 138 page_number
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3 <b>BRHADDES!</b> page_header
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4 19. This sentence has been repeated in the MSS; the ed. has put it in list_item
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5 paranthesis with a sign of interrogation. list_item
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6 20. MS A reading as recorded by the ed. list_item
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7 21. Verses 102 and 103 are both in the āryā metre, but they have been list_item
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8 treated as prose in the P.t. list_item
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9 22. P.t. gives the first two sets of hexatonic tanas in the descending order like list_item
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10 ni-dha-pa-ma-ga-ri etc. These have been changed by us into the ascending order; list_item
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11 the crosses indicating the omitted svaras have also been added by us for the sake list_item
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12 of clarity. list_item
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13 23. cf. (a) ननु कथ मूर्छनातानयोर्भेदः प्रतिपादितः, उच्यते । list_item
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14 आरोहाबरोहक्रमयुक्तः स्वरसमुदायो मूर्छनेत्युच्यते । list_item
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15 तानस्तु आरोहक्रमेण भवतीति भेदः । list_item
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16 ( Saṃ S Sā, p. 18 ) main
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17 (b) यद्यपि मूर्छना एव शुद्धास्तानाः स्युरित्युक्तौ तानेष्वारोहावरोहत्व प्रतीयते, तथापि मतङ्गमतेनारोह एव main
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18 तान इति जेयम्। तथा च मतङ्गः —ननु कथ मूर्छनातानयोर्भेद ? उच्यते। आरोहावरोहक्रमयुक्तः स्वरसमुदायो main
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19 मुर्छनेत्युच्यते, तानस्त्वारोहण भवतीति भेदः । main
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20 ( Rā Vi, p. 31 ) main
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21 24. C.r. in S R I Sudhā, p. 114. list_item
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22 25. C.r. in Bha Ko, p. 502. list_item
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23 26. C.r. ( as in no. 24 ). list_item
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24 27. C.r. in Bha Ko, p. 502 adds 'bharatasya' in the beginning of the sentence. list_item
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25 28. C.r. in S R I Sudhā, p. 114 reads - list_item
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26 ननु कथ मूर्छनातानयोर्भेदः ? वूमः । main
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27 29. Portion added from Sam S Sa, p. 18; S R I Sudha, p. 114 and Ra Vi, p. list_item
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28 31. list_item
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29 30. P.t. modified on the basis of ibid. list_item
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30 31. P.t. adds 'svarasystih?' after this, but it is totally out of context. list_item
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31 32,33,34. Our reconstruction is based on S R I, 4. 74. list_item
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32 35. Our reconstruction is based on S. Raj II, 1.1.457. The chart illustrating list_item
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33 these tānas in S. Rāj I, p. 133 reads 'balabhṛt' and 'nāgayakşa'; S R I,4.76 reads list_item
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34 balabhinnāgapakṣakaḥ. list_item
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35 36,37,38. Our reconstruction is based on S R I, 4.77. list_item
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36 39. S R I, 4.77. list_item
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37 40,41,42. Our reconstruction is based on S R I, 4.79. list_item
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38 43. ibid., verse 80. list_item
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39 44. Reconstruction based on S R I, 4.82 and S. Rāj II, 1.1.465. list_item
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40 45,46. Reconstruction based on S R I, 4. 83 and S. Rāj II, 1.1.467. list_item
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41 47. Reading in S R I, 4.84 and S. Rāj II, 1.1.468. list_item
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42 48. ibid. list_item
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43 49. Reconstruction based on ibid. list_item
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44 50. Reconstruction based on S R I, 4.85 and S. Rāj II, 1.1.469. list_item
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vol_II_p154 RIGHT — 44 lignes

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1 ŀ annotation_inline
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2 PATHAVIMARŚA page_header
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3 291 page_number
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4 दस्रवेदास्तृतीयेऽङ्ग्री .....। section_header
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5 Ibid. 158. main
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6 39. Mānaso IV.16. 508, SR IV.108 and S Rāj II.4.2.165 read bhogavatī in list_item
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7 the place of hemavatī. list_item
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8 40. Reconstruction based on probable meaning and proximity to list_item
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9 p.t. list_item
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10 41. Reconstruction based on the uddeśa (enumeration) given in verse list_item
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11 449 of our text. list_item
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12 42. The ed. has suggested 'yamaka' in the place of 'gamaka', taking list_item
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13 'alankāra' as standing for śabdālankāra in poetry, but here the context list_item
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14 demands the melodic alankāra and gamaka is a corollary of the same. list_item
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15 43. Our reconstruction as 'gamaka' in the place of 'yamaka' of p.t. is list_item
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16 corroborated by Mānaso IV.16. 505. list_item
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17 44. Śārngadeva (SR IV.112c, 113) refers to these seven varieties as list_item
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18 having been spoken of by Matanga, but says that they are not described by list_item
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19 him because their distinctive nature lies only in the difference caused by yati list_item
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20 (splitting or pause). list_item
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21 P.t. adds the following two verses after this, which are out of place - main
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22 लोकदुष्टं शास्त्र शास्त्र पञ्च वर्जयेत्। main
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23 + गोदुष्टं (?) तथा ग्राम्यं गतक्रममपार्थकम् ॥४८५॥ main
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24 पदं काप्यमसन्दिग्धं कला चाभ्यश्चि भक्तकम् । main
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25 प्राकारेण तताश्चोका वर्णे तालचतुष्टयम् ॥ ४८६॥ main
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26 We have given a reconstructed version at the end of this chapter as verse 490 main
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27 (three lines). annotation_inline
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28 45. Reconstruction based on SR IV.127a. main
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29 46. cf. गमकप्रासिनमुक्ता एला स्याद गौडदेशजा। main
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30 SR IV.127 cd. annotation_inline
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31 ानाप्रयोगरागांशरसभावोत्कटाऽऽन्धिका । main
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32 47. cf. annotation_inline
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33 भूरिभावरसोत्कर्षा द्राविडी प्रासवर्जिता ॥ main
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34 Ibid. 128. annotation_inline
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35 48. cf. मातृकाक्षरमेकैकं पदादौ विनियोज्य च। main
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36 Mānaso IV.16.310. annotation_inline
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37 49. cf. उद्ग्राहो ध्रुवकश्चेति यत्र खण्डद्वयं भवेत्। main
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38 Ibid. 431. main
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39 1 page_number
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40 50. cf. करणं करपाटेन तालेन किल गीयते । main
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41 Sam Sa Sā V.137. annotation_inline
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42 51. cf. हस्तपाटैस्तथा तेनपदस्वरसमन्वित: । main
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43 गीयते तालयुक्तो य: स वर्णस्वरको भवेत् ॥ main
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44 Mānaso IV.16.437. main
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vol_II_p052 LEFT — 33 lignes

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1 86 page_number
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2 BRHADDEŚĪ page_header
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3 षाडव: पञ्चमश्चैव तथा कैशिकमध्यम:। main
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4 चोक्षसाधारितश्चैव चोक्षकैशिक इत्यपि ॥ main
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5 एते चोक्षास्तु विज्ञेया, भिन्नकान् साम्प्रतं शृणु ॥२९३॥ main
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6 भित्रषड्जश्च तानश्च भित्रकैशिकमध्यम:। main
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7 भित्रपञ्चमसंज्ञश्च पञ्चमो भित्रकैशिक: ॥२९४॥ main
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8 भिन्नपञ्चम इत्युक्तस्त्रयो गौडा: annotation_inline
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9 प्रकीर्तिताः annotation_inline
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10 गौडपञ्चम इत्येको गौडकैशिक इत्यपि । main
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11 गौडकैशिकमध्यमस्त्रयो गौडा: प्रकीर्तिता: ॥२९५॥ main
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12 टकरागश्च सौवीरस्तथा मालवपञ्चम:। main
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13 टङ्क annotation_inline
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14 षाडवो बोट्टरागश्च तथा हिन्दोलक: पर: ॥२९६॥ main
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15 ट[क]ककैशिक इत्युक्तस्तथा मालवकैशिक:। editorial_bracket
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16 एते रागाः समाख्याता नामतो मुनिपुङ्गवैः ॥२९७॥ main
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17 नर्तः शकाख्यः ककुभस्तथा भम्माणपञ्चमः । main
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18 (नर्तः) annotation_inline
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19 हमीण annotation_inline
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20 रूपसाधारितश्चैव तथा गान्धारपञ्चम: । main
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21 षड्जकैशिकसंज्ञश्च सप्त साधारणा: स्मृता: ॥२९८॥ main
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22 [॥ इति रागसङ्ख्या, उद्देशश्च ॥] editorial_bracket
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23 [रागाणां विशेषलक्षणानि] section_header
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24 [क. तत्र शुद्धरागाः] section_header
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25 इदानीं शुद्धानां लक्षणमाह - main
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26 <sup>३५</sup>अनपेक्ष्यान्यजातीर्ये स्वजातिमनुवर्तका: । main
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27 <sup>३६</sup>स्वजा(?) main
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28 निरपेक्षा॰ annotation_inline
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29 स्वजात्यन्यतमाश्चेव ते शुद्धाः परिकीर्तिताः ॥२९९॥ main
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30 [१.शुद्धषाडव:] section_header
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31 [अनु॰ १६४] section_header
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32 तत्र षाडव इति कस्मात्३७ ? किं षड्भि: स्वरैगीयत इति षाडव:, यद् वा षट्सु रागेषु main
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33 (vide) annotation_inline
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vol_I_p103 RIGHT — 49 lignes

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1 VIMARŚA page_header
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2 189 page_number
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3 117. Conflict with varna is not easily comprehensible. Perhaps the idea is that list_item
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4 whatever pattern is established in an alankāra it should be followed all-through. list_item
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5 If varna is taken to stand for syllabic unit, then the conflict and its prohibition list_item
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6 become clear. list_item
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7 118. Using an alankāra without a varņa ( melodic movement ) is a list_item
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8 contradiction in itself; here also, as above (note 117) the idea seems to be that list_item
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9 an alankāra should not be used without establishing a definite pattern. Here list_item
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10 varna as a syllabic unit does not seem to be relevant. list_item
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11 119. Abhi Bhā on this ( NŚ XXIX, 45 ) says that four functions of alankāra in list_item
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12 relation to varna (the syllabic unit) have been figuratively spoken of as—(i) list_item
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13 the alankāra makes the varņa bright or brilliant ( like the moon ), (ii) it list_item
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14 'threads' or connects the varņa (like a river), (iii) it makes the varņa blossom list_item
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15 (like a flower on a creeper) and (iv) it makes the varna colourful or delightful list_item
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16 (like an ornament on a woman). list_item
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17 120. It is notable that all illustrations begin with sadja and do not extend list_item
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18 beyond the tāra şadja. list_item
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19 121-145. All these notes pertain to 'sa' that belongs to tāra-sthāna. list_item
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20 Section VII ( Pada-giti ) section_header
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21 1,2,3. Giti literally means song or the act of singing, but here it stands for list_item
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22 specific pattern of singing with reference to the text of the song as manifest in list_item
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23 its syllabic units (akşara) and metre (chandas). NŠ mentions only these four list_item
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24 gītis, but BrD speaks of gītis also in the context of grāma-rāgas. In order to list_item
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25 distinguish between these two types of gitis, the first type being related to the list_item
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26 rendering of text and the second type being related to the rendering of raga, we list_item
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27 have qualified the gitis under reference with pada, and the gitis of raga list_item
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28 classification will be qualified with svara or raga. list_item
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29 4. Nivitta lit. means retreated or returned to; in alankāras nivitti means list_item
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30 descent (of svaras); here it means repetition. list_item
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31 5. Nivitta lit. means receded or held back as opposed to pravitta meaning list_item
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32 proceeded or set forth. Here it means accomplished or completed. list_item
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33 6-11. Three mārgas (lit. paths) are accepted in the ancient tāla-system list_item
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34 which represent three 'degrees' of length of a given tāla-cycle, depending on list_item
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35 the duration of kalā or standard time-unit, as follows - list_item
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36 Duration of kalā section_header
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37 Name of marga section_header
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38 2 mātrās annotation_inline
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39 1. Citra main
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40 4 mātrās annotation_inline
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41 2. Vārtika or vṛtti main
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42 8 mātrās annotation_inline
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43 3. Daksina unknown
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44 12,13,14. Ekakala, dvikala and catuşkala have been equated here with citra, vārtika main
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45 and dakṣiṇa mārgas respectively. They lit. mean one 'kalā (2 mātrā )-unit, two-kalā (4 main
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46 mātrā)-unit and four kalā (8 mātrā)-unit. Each of the five tālas of gāndharva have three main
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47 (vide) annotation_inline
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48 T 1 annotation_inline
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49 (vide) annotation_inline
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vol_II_p017 RIGHT — 22 lignes

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1 14 page_number
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2 17 page_number
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3 <b>TRANSLATION</b> page_header
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4 The extent(gati)<sup>25</sup> of tāra should be known up to the fourth, fifth or main
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5 seventh svara from the amśa, it is not desirable beyond that." main
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6 (NŚ XXVIII.70) annotation_inline
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7 [4. The definition of mandra] section_header
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8 [Anu. 125] editorial_bracket
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9 Now mandra is being said - mṛdu<sup>26</sup> (lit. soft, here low) svara is mandra. And main
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10 the extent (gati) of mandra is threefold, viz. amśaparā (followed by amśa), main
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11 nyāsaparā (followed by nyāsa) and apanyāsaparā (followed by apanyāsa). The main
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12 compound<sup>27</sup> bahuvrihi operates here (and the meaning is that which is main
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13 followed by amśa svara i.e. that which precedes the amśa). The svara that main
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14 comes before that (amśa), is mandra. As in dhaivatī<sup>28</sup> - dha - dha - ni - dha - main
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15 ma-pa-dha-mā. Mā-mā-mā. Thus the apanyāsa<sup>29</sup> svara is (operative) here. main
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16 Similar is the case with nyāsa 30 svara. main
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17 [5. The definition of sadava] section_header
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18 [Anu. 126] editorial_bracket
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19 Now şādava is being said - (a structure of) six svaras is şādava. Since it is main
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20 related to (or operates in) fourteenfold jatis, four jatis are always complete main
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21 and hence, on account of their absence, it (sādava)31 has forty-seven main
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22 varieties and similarly has said Bharata - main
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192 lignes a valider — change uniquement les roles incorrects.