Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21068). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p057 LEFT — 49 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	96	page_number via heuristic_pagenum
3	निधधनि २२धपपध पममप	page_header via surya_layout
4	मगगम गरिरिंग रिसंसरि [ इति ]	page_header via surya_layout
5	सनिनिस	page_header via surya_layout
6	अथवा—	page_header via surya_layout
7	१६ \|	page_header via surya_layout
8	प्रसादः ।	page_header via surya_layout
9	\| अन्₀ ८६ \|	page_header via surya_layout
10	द्वौ द्वौ स्वरौ द्विकलौ २३सञ्चरन्तावारोहक्रमेणावरोहाच्चोद्वाहितः । [ यथा— ]	page_header via surya_layout
11	वि॰	page_header via surya_layout
12	∙डु	page_header via surya_layout
13	<sup>21</sup>सरि रिंग गम मप पध धनि निस सनि निध धप पम मग गरि रिस [ इति ]	page_header via surya_layout
14	उद्वाहितः।	page_header via surya_layout
15	\| १७ \|	page_header via surya_layout
16	अनु₀ ८७	page_header via surya_layout
17	द्विरभ्यस्तैरुपलोलकः। यथा—सरिसरि रिगरिग	page_header via surya_layout
18	अयमेव	page_header via surya_layout
19	गमगम	page_header via surya_layout
20	मपमप	page_header via surya_layout
21	पधपध	page_header via surya_layout
22	धनिधनि निसनिस सनिसनि निधनिध धपधप पमपम मगमग गरिगरि रिसरिस	page_header via surya_layout
23	[ १८ ]	page_header via surya_layout
24	<b>इति । उपलोलकः।</b>	page_header via surya_layout
25	। अनु₀ ८८ ।	page_header via surya_layout
26	एकादिक्रमेणान्तरस्वरेष्वारुह्य	page_header via surya_layout
27	पुनरवरोहणक्रमण	page_header via surya_layout
28	स्थायिन	page_header via surya_layout
29	स्वर	page_header via surya_layout
30	गत्वा	page_header via surya_layout
31	प्रस्तारक्रमेणैव एकैकाभिवृद्ध्या यत्र स्वरा उच्चार्यन्ते तत्र स क्रमः। अयमेकरूपत्वात्	page_header via surya_layout
32	परिवा	page_header via surya_layout
33	प्रस्तारेण [न] भिद्यते। [ यथा ] सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस	page_header via surya_layout
34	्रगा	page_header via surya_layout
35	॰मा॰	page_header via surya_layout
36	ुपा	page_header via surya_layout
37	सरिगमपधधपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस-सनिधपमगरिस	page_header via surya_layout
38	्नीनी,	page_header via surya_layout
39	धा	page_header via surya_layout
40	क्रमः। अथवान्तरस्वरमारुह्य काकलीं गत्वा तेनैव क्रमेणावरुह्य स्थायिन्यागम्यते स	page_header via surya_layout
41	<sub>व</sub>के	page_header via surya_layout
42	क्रमः [ यथा - ] सगनिनिगस [ इति ] क्रमः।	page_header via surya_layout
43	[ १९ ]	page_header via surya_layout
44	[ अनु。 ८९ ]	editorial_bracket via heuristic_brackets
45	अाद्यं तृतीयं ततो द्वितीयं ततश्च चतुर्थमनेनैव क्रमेणान्यानप्यारुह्य मन्द्राव्निष्कृजितः।	unknown via fallback
46	₀रो₀	annotation_inline via heuristic_markers
47	कोहलमते च एकान्तरस्वरारोहान्निष्कूजितः । [ यथा - ] सग रिम गप मध पनि धस	editorial_bracket via heuristic_brackets
48	[ इति निष्कृजितः ]	editorial_bracket via heuristic_brackets
49	[ २० ]	editorial_bracket via heuristic_brackets

vol_II_p129 LEFT — 28 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	240	page_number via heuristic_pagenum
3	[४३. वर्णस्वर:]	section_header via surya_layout
4	निबद्धो हस्तपाटैर्य: संयुतस्तेनकै: पुन:५१।	main via surya_layout
5	संयुतैस्तैर्नकै:	annotation_inline parent ligne 4 via heuristic_short
6	स्वरै: पदैश्च पाटैश्च तेनकैश्च समन्वित: ॥	main via surya_layout
7	तेन्त्र॰	annotation_inline parent ligne 6 via heuristic_markers
8	गीयते तालयुक्तो य: स वर्णस्वरक: स्मृत: ॥ ४८६॥	main via surya_layout
9	वर्णासरक:	annotation_inline parent ligne 8 via heuristic_height
10	[४४. मुक्तावली]	section_header via surya_layout
11	देशिकारपदै रम्यै: सानुप्रासै: प्रगीयते ।	main via surya_layout
12	नामानुवर्णनीयस्य सा मुक्तावलिसंज्ञिता ॥ ४८७॥	main via surya_layout
13	[४५. प्रतापवर्धन:]	section_header via surya_layout
14	उत्साहजननै: पाटै: स्वरैश्चापि सुसंयुत: ।	main via surya_layout
15	॰कै: पार्द: स्वरैध +	annotation_inline parent ligne 14 via heuristic_markers
16	तेनकैर्बिरुदैर्यत्र वर्णनीयस्य गीयते ॥	main via surya_layout
17	तेन्तकै॰	annotation_inline parent ligne 16 via heuristic_markers
18	प्रतापवर्धनो नाम प्रबन्धः परिकीर्तितः ॥ ४८८॥	main via surya_layout
19	(तो?नो)	annotation_inline parent ligne 18 via heuristic_short
20	अष्टाभिरधिका रम्याश्चत्वारिंशदिति स्फुटम् ॥ ४८९॥	main via surya_layout
21	[गीतदोषाः]	section_header via surya_layout
22	लोकदुष्टं शास्त्रदुष्टं पुनरुक्तं च वर्जयेत्।	main via surya_layout
23	॰शास्त्र +++ पञ्च	annotation_inline parent ligne 22 via heuristic_markers
24	छन्दोदुष्टं[?] तथा ग्राम्यं गतक्रममपार्थकम् ॥	editorial_bracket parent ligne 22 via heuristic_brackets
25	+ गोदुष्टं	main via surya_layout
26	पदं चार्थं तु सन्दिग्धं कलाबाह्यं विभक्तकम् <sup>५२</sup>॥ ४९०॥	main via surya_layout
27	काप्यमसन्दिग्धं	annotation_inline parent ligne 26 via heuristic_height
28	चाभ्यशि ॰	annotation_inline parent ligne 26 via heuristic_markers

vol_II_p157 RIGHT — 40 lignes

L#	Texte OCR	Role auto
1	VIMARŚA	annotation_inline parent ligne 3 via heuristic_height
2	297	page_number via heuristic_pagenum
3	35. Lack of regulation i.e. scope for free will in rendering is a	main via surya_layout
4	characteristic of desi, but the import of 'sruti' is not clear. It could, perhaps,	main via surya_layout
5	stand for 'aural appearance'.	main via surya_layout
6	36. See citation in the name of Nărada under Anu. 28 in chapter one	list_item via surya_layout
7	of our text Vol. I. 'Svarāntara' literally means a different svara; its relation	list_item via surya_layout
8	with the number four of svaras could thus be explained. The first three svaras	list_item via surya_layout
9	are repeated as the last three of a heptad. The fourth known as madhyama	list_item via surya_layout
10	comes in-between these two triads. Hence the fourth adds a 'different or	list_item via surya_layout
11	new svara'. This could be the reason for giving the name svarantara to a	list_item via surya_layout
12	group of four svaras. This name is relevant only for the first triad + the	list_item via surya_layout
13	fourth, but its secondary application could be related to any group of four	list_item via surya_layout
14	svaras.	list_item via surya_layout
15	37. Avakṛṣṭā dhruvā is described and illustrated in NS V on p.157,	list_item via surya_layout
16	158 of the supplement (variant reading) to the said chapter. The description	list_item via surya_layout
17	' (in terms of upohana or introductory portion and metre) is given below -	list_item via surya_layout
18	"Five dhruvās should be performed in Pūrvaranga (preliminaries of	main via surya_layout
19	drama), viz. utthāpanī in the beginning, then parivarta, avakṛṣṭā, aḍḍitā and	main via surya_layout
20	<i>vikşiptă”</i> (p. 251).	annotation_inline parent ligne 19 via heuristic_height
21	"The upohana in avakṛṣṭā dhruvā should be done in five kalās (time-	main via surya_layout
22	units) with the syllabic units dingle dingle, two units of four short syllables	main via surya_layout
23	each and jhantum in the end. Each foot of the dhruva is composed of sixteen	main via surya_layout
24	syllables, the third, sixth, ninth, eleventh, fifteenth and sixteenth being guru	main via surya_layout
25	(long) and the rest being laghu (short)." The illustration is as follows-	main via surya_layout
26	Varadam saganam tripurāntakam vṛṣabhaketum/	main via surya_layout
27	Gajacarmapaṭamviṣamekṣaṇambhuvananātham/	main via surya_layout
28	Bhujagābharaṇaṁjagatāṁhitaṁbhuvanayoniṁ/	main via surya_layout
29	Praṇato'smi bhavantamumāpatim tvasitakantham/	main via surya_layout
30	38. Antaramārga is mentioned in NŚ XXVIII (prose portion preceding	main via surya_layout
31	verse 74 and in verse 75). The context is the same as that in our text, viz.	main via surya_layout
32	alpatva-bahutva. The manipulation of sparseness and abundance of svaras	main via surya_layout
33	in jātis on account of which a non-amsa svara also becomes abundant in a	main via surya_layout
34	special context is antara-mārga.	main via surya_layout
35	The literal meaning of this word is 'search for the inner path'. The root	main via surya_layout
36	'mārg' means searching. Abhi has said that 'antara-mārgaņa 'i.e. the search	main via surya_layout
37	of the inner is antara-marga. What is this inner? This has to be understood	main via surya_layout
38	in two ways. The first is in relation to the seven jātis named after svaras, which	main via surya_layout
39	assume a two-fold form viz. śuddha and vikṛta. The second is in the context	main via surya_layout
40	of eleven samsargajā vikṛtā jātis that are formed with a mixture of the above	main via surya_layout

vol_II_p125 RIGHT — 30 lignes

L#	Texte OCR	Role auto
1	233	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[D. Once again the group of seven Varņailās]	section_header via surya_layout
4	Ramaņī, candrikā, lakṣmī, padminī, similarly rañjinī, mālatī and mohinī -	main via surya_layout
5	thus is the group of seven varņailās.	main via surya_layout
6	(459)	main via surya_layout
7	[1. <i>Ramaņi</i>]	section_header via surya_layout
8	Where there is samā yati<sup>68</sup> in the first and second foot and that which is	main via surya_layout
9	adorned with nāda in each foot, that satpadī 69 is ramaņī.	main via surya_layout
10	(460)	main via surya_layout
11	[2. Candrikā]	section_header via surya_layout
12	Where srotogată<sup>70</sup> and samā yati obtain in two feet and (that which) is	main via surya_layout
13	combined with bindu-gamakas, that is called candrini.	main via surya_layout
14	(461)	main via surya_layout
15	[3. Lakşmi]	section_header via surya_layout
16	Where gopucchā, 71 sumā and srotogatā (yatis) obtain in the three feet (respectively)	main via surya_layout
17	(and) there is mūrchanā <sup>72</sup> accompanied by nāda, that clā is known as laksmī.	main via surya_layout
18	(462)	main via surya_layout
19	[4. <i>Padminī</i> ]	section_header via surya_layout
20	(That) elä which is comprised of varņadhvani<sup>73</sup> in the first, second and	main via surya_layout
21	third and fourth foot, is said to be padminī.	main via surya_layout
22	(463)	main via surya_layout
23	[5. Rañjini]	section_header via surya_layout
24	(Where) there is samā (yati) in the first and second (feet) and gopucchā	main via surya_layout
25	(yati) in the third (foot) and that which is adorned with gamakas is rañjinī.	main via surya_layout
26	(464)	main via surya_layout
27	[6. Mālatī]	section_header via surya_layout
28	That elā which is composed with short and long syllables and with alliterations,	main via surya_layout
29	having four feet at will, i.e. of variable length, is held to be malati.	main via surya_layout
30	(465)	main via surya_layout

vol_II_p077 LEFT — 32 lignes

L#	Texte OCR	Role auto
1	* 1	annotation_inline parent ligne 4 via heuristic_height
2	BRHADDEŚĪ	page_header via surya_layout
3	136	page_number via heuristic_pagenum
4	साधारिता तृतीया तु गान्धारी च चतुर्थिका ।	main via surya_layout
5	एवं ज्ञेयाश्चतस्रो हि भाषा: सौवीरकोद्भवा: ॥३१॥	main via surya_layout
6	भाषा सैन्यविकी ज्ञेया ज्ञेया: <sup>१४</sup>	main via surya_layout
7	शुद्धिभन्ना तु वाराटी तथा धैवतभूषिता ।	main via surya_layout
8	न्हो	annotation_inline parent ligne 7 via heuristic_height
9	ক্ট	annotation_inline parent ligne 7 via heuristic_height
10	१५विशाला च तत: प्रोक्ता भित्रपञ्चमसम्भवा: ॥३२॥	main via surya_layout
11	वराटी	annotation_inline parent ligne 10 via heuristic_height
12	माङ्गल्याख्या तु या भाषा बोट्टरागोद्भवा तु सा ।	main via surya_layout
13	TPo	annotation_inline parent ligne 12 via heuristic_height
14	मालवपञ्चमे जाता भाविनी लोकभाविनी<sup>र६</sup>॥३३॥	main via surya_layout
15	टक्ककैशिकजा ज्ञेया मालवा <sup>१७</sup>भित्रवालिका ।	main via surya_layout
16	तृतीया वेगमध्यमा	annotation_inline parent ligne 15 via heuristic_height
17	तृतीया द्राविडी तत्र भाषा लक्षितलक्षणा ॥३४॥	main via surya_layout
18	मालवा भित्रवालीका ++++++	annotation_inline parent ligne 17 via heuristic_height
19	बाह्यषाडवनादाख्ये जाते वेसरषाडवे ।	main via surya_layout
20	•पाडनदाख्या	annotation_inline parent ligne 19 via heuristic_height
21	तानोद्भवा तु विज्ञेया भित्रताने व्यवस्थिता ॥३५॥	main via surya_layout
22	गान्धारपञ्चमे ह्येका भाषा गान्धारिका मता ।	main via surya_layout
23	गान्धारी <sup>१८</sup>बहुगान्धारा पञ्च[मे?]लोकरञ्जिका ॥	editorial_bracket parent ligne 22 via heuristic_brackets
24	+++++	annotation_inline parent ligne 22 via heuristic_height
25	१९रेवगुप्ते शकाख्यैका प्रोक्ता पञ्चमषाडवे ॥३६॥	main via surya_layout
26	इत्येता: प्रकटा भाषा: प्रजायन्ते ह्यनेकश: ।	main via surya_layout
27	सोदाहरणमेतासां लक्षणं चाधुना शृणु ॥३७॥	main via surya_layout
28	[भाषाणां लक्षणानि]	editorial_bracket parent ligne 27 via heuristic_brackets
29	[१.अथ टकरागे]	editorial_bracket parent ligne 27 via heuristic_brackets
30	मध्यमांशा तु षड्जा[न]ता पञ्चमेन विवर्जिता ।	editorial_bracket parent ligne 27 via heuristic_brackets
31	धैवतस्य निषादस्य <sup>२०</sup>षड्जधैवतयोस्तथा ॥३८॥	main via surya_layout
32	<del>व्</del>तरेश	page_footer via surya_layout

179 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p057 LEFT — 49 lignes

vol_II_p129 LEFT — 28 lignes

vol_II_p157 RIGHT — 40 lignes

vol_II_p125 RIGHT — 30 lignes

vol_II_p077 LEFT — 32 lignes