Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21078). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p046 LEFT — 50 lignes

page vol_II_p046 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 Ą unknown
via fallback
2 • annotation_inline
parent ligne 48
via heuristic_height
3 74 page_number
via heuristic_pagenum
4 BRHADDEŚĨ page_header
via surya_layout
5 • annotation_inline
parent ligne 48
via heuristic_height
6 धा नी सनि धा पा पा पा पा table
via surya_layout
7 (१३) table
via surya_layout
8 į unknown
via fallback
9 धा नी मा पा गा गा गा गा table
via surya_layout
10 (१४) table
via surya_layout
11 į annotation_inline
parent ligne 48
via heuristic_height
12 गा पा पा पा धा मा गा मा table
via surya_layout
13 (१५) table
via surya_layout
14 धा धा नी धा पा पा पा पा table
via surya_layout
15 (१६) table
via surya_layout
16 री गा मा पा पम पा पा नी table
via surya_layout
17 (१७) table
via surya_layout
18 री री री री पा पा पा पा table
via surya_layout
19 (१८) table
via surya_layout
20 पा पा पा धा मा मा मा table
via surya_layout
21 (१९) table
via surya_layout
22 नी पा मा गम गां गां गां गां table
via surya_layout
23 (२०) table
via surya_layout
24 रों रों गा गा मा मा मा मा table
via surya_layout
25 (२१) table
via surya_layout
26 नी पा नी मा नी धा पा पा table
via surya_layout
27 (२२) table
via surya_layout
28 सा सा धनि धा पा पा पा पा table
via surya_layout
29 (२३) table
via surya_layout
30 मा पा मा परिग गा गा सां सां table
via surya_layout
31 (38) table
via surya_layout
32 री री गा गा मा मा पा मा table
via surya_layout
33 (२५) table
via surya_layout
34 रीं रीं रीं गा मा रिग मा मा table
via surya_layout
35 (२६) table
via surya_layout
36 मा नी पा नी गा गा गा गा table
via surya_layout
37 ( २७) table
via surya_layout
38 मा मा पा पा धा धनि निध मा table
via surya_layout
39 (२८) table
via surya_layout
40 धा धा सा नी धा नी पा पा table
via surya_layout
41 (२९) table
via surya_layout
42 रीं रीं रीं रीं मा पा धा मा table
via surya_layout
43 (३०) table
via surya_layout
44 नी नी नी धा पा मा मा table
via surya_layout
45 (38) table
via surya_layout
46 मा परि गा गा गा गा गा गा table
via surya_layout
47 (३२) table
via surya_layout
48 ॥ [इति] नन्दयन्ती ॥ section_header
via surya_layout
49 । म ॥१९१ main
via surya_layout
50 [॥१९२इति जातिर्नाम द्वितीयोऽध्याय:॥] editorial_bracket
parent ligne 49
via heuristic_brackets

vol_II_p089 RIGHT — 31 lignes

page vol_II_p089 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 161 page_number
via heuristic_pagenum
3 Illustration-Sāpāpādhāmāmā pāgāmagāpadhādhāpāgamā gāpāpāpādhāpāsā main
via surya_layout
4 sāpādhāpamagāmāmā gāmasāsāsāgāgāmāgāmāmā. Şadjamadhyamā [iv] editorial_bracket
parent ligne 3
via heuristic_brackets
5 Having madhyama as amśa, ṣaḍja as the concluding note, being weak in main
via surya_layout
6 pañcama, with profusion of dhaivata - niṣāda and similarly of ṣaḍja-dhaivata, main
via surya_layout
7 this bhāṣā, madhurī, should be known to be hexatonic in prenkhaka34 (a main
via surya_layout
8 synonym of hindolaka). main
via surya_layout
9 (88) annotation_inline
parent ligne 8
via heuristic_short
10 Illustration - Māpāpādhādhādhāmādhaninipāsanidhasāsā main
via surya_layout
11 māpādhanisa annotation_inline
parent ligne 10
via heuristic_short
12 nisāsā māpānisāsārirīgamagārīsāsā nidhāpāpāpādhanidhāsāsā rirīgamāgari main
via surya_layout
13 sāsā. Madhurī [v] editorial_bracket
parent ligne 12
via heuristic_brackets
14 Thus end the <i>bhāṣās</i> of <i>hindolaka</i>. main
via surya_layout
15 [5. Now the bhāṣās in pañcama] section_header
via surya_layout
16 Having pancama as amsa and the same as the concluding note, replete main
via surya_layout
17 with <i>niṣāda</i>, being complete, this <i>ābhīrī bhāṣā</i> is born of <i>deśa</i><sup>35</sup> (region), rises main
via surya_layout
18 out of pañcama (rāga) and should be known to be the first one arising out of main
via surya_layout
19 pañcama. Mutual concert between șadja-dhaivata is to be seen here. main
via surya_layout
20 <math>(89-90)</math> main
via surya_layout
21 Illustration - Pādhāmādhanidhāpāpāpā padhanidhāmāmādhānisāsā main
via surya_layout
22 sanidhanisadhānisānidhāsā dharimāmādhāninidhāpāpā pamamadhanisāsā main
via surya_layout
23 saninisāsāsanigarimamamāgarisasa sadhanipādhāmāmāsarimādhārimapāpā. main
via surya_layout
24 Abhīrī [i] editorial_bracket
parent ligne 23
via heuristic_brackets
25 Bhāvinī has pañcama as nyāsa, gāndhāra as amśa (and) is weak in dhaivata. main
via surya_layout
26 Where the mutual movement of madhyama-pañcama is seen to be dense, the main
via surya_layout
27 bhāṣā bhāvinī should be known to be complete by the knowledgeable ones main
via surya_layout
28 in gändharva.36 annotation_inline
parent ligne 27
via heuristic_short
29 (91) main
via surya_layout
30 Illustration-Gāmāpāgamapānidhā [pā]. Gamapāmāgāgārī rīgāmīdhāpāpāpāpā editorial_bracket
parent ligne 29
via heuristic_brackets
31 Māmāgāmāpāpā māpāpāmādhārisagagamāpā māgāriripāpā. Bhāvini [ii] editorial_bracket
parent ligne 29
via heuristic_brackets

vol_II_p045 LEFT — 51 lignes

page vol_II_p045 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 72 page_number
via heuristic_pagenum
3 नी नी नी नी री री री री table
via surya_layout
4 (११) table
via surya_layout
5 री री मा नी सा सा नी नी table
via surya_layout
6 (१२) table
via surya_layout
7 पा पा मा गरि गा गा गा गा table
via surya_layout
8 (१३) table
via surya_layout
9 री री गा सम मा मा पा पा table
via surya_layout
10 (१४) table
via surya_layout
11 मा मा नी नी सा री गा पा table
via surya_layout
12 (१५) table
via surya_layout
13 (१६) table
via surya_layout
14 रिग मा मा मा मा मा मा मा table
via surya_layout
15 [॥ इत्यान्ध्री॥] section_header
via surya_layout
16 अन्ध्री । म॥ section_header
via surya_layout
17 [९. नन्दयन्ती] section_header
via surya_layout
18 नन्दयन्त्यां पञ्चमोंऽशो गान्धारस्तु ग्रह: स्मृत: । main
via surya_layout
19 कैश्चितु पञ्चम: प्रोक्तो ग्रहोऽस्यां गीतवेदिभि: ॥ २३॥ main
via surya_layout
20 मन्द्रर्षभस्य बाहुल्यं षाडवं षड्जलोपत:। main
via surya_layout
21 (मन्द्र) annotation_inline
parent ligne 20
via heuristic_height
22 हृष्यका मूर्छना ताल: पूर्ववद् द्विगुणा: कला: ॥ २४॥ main
via surya_layout
23 <sup>१८८</sup>पूर्वावद् main
via surya_layout
24 <b>॰</b>ना annotation_inline
parent ligne 23
via heuristic_markers
25 विनियोगो ध्रुवागाने प्रथमप्रेक्षणे भवेत् ॥ २५॥ main
via surya_layout
26 <sup>१८९</sup>अस्यां गान्धारो न्यास: । मध्यमपञ्चमावपन्यासौ । <sup>१९०</sup>प्रस्तार: - main
via surya_layout
27 गा गा गा पा पा धप मा main
via surya_layout
28 <b>(१)</b> unknown
via fallback
29 धा धा धा धा नी सनि धा table
via surya_layout
30 (२) table
via surya_layout
31 पा पा पा पा पा पा पा table
via surya_layout
32 (3) table
via surya_layout
33 धा नी मा पा गां गां गां गां table
via surya_layout
34 (8) table
via surya_layout
35 मारी गा गा गा गा गा गा table
via surya_layout
36 (4) table
via surya_layout
37 मा पा मा पा धा धनि पा पा table
via surya_layout
38 <b>(६)</b> table
via surya_layout
39 धा नी मा पा गा गा गा गा table
via surya_layout
40 (৩) table
via surya_layout
41 (८) table
via surya_layout
42 गम पा पा पा मा मा गा गा table
via surya_layout
43 धा नी मा पा गा गा गा गा table
via surya_layout
44 (9) table
via surya_layout
45 (१०) table
via surya_layout
46 मा मा मा मा मा मा मा table
via surya_layout
47 री गा मा पा पम पा पा नी table
via surya_layout
48 (११) table
via surya_layout
49 री री री री पा पा मा मा table
via surya_layout
50 (१२) table
via surya_layout
51 The state of the state of the state of the state of the state of the state of the state of the state of the state of the annotation_inline
parent ligne 27
via heuristic_height

vol_I_p052 RIGHT — 41 lignes

page vol_I_p052 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 87 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 When in the gita (melodic rendering) the svaras move (to and fro) in main
via surya_layout
4 mutual7 (directions) along with the last one8 (of the preceding phrase forming main
via surya_layout
5 the beginning of the succeeding phrase), or two by two, that is known as the main
via surya_layout
6 (119) annotation_inline
parent ligne 5
via heuristic_height
7 sañcārin9 (circulatory) varņa. annotation_inline
parent ligne 5
via heuristic_height
8 (Anu. 65) section_header
via surya_layout
9 Just as in mālavakaišika-sāsā sanipa pani nipa nisā sādharīpā pani nini; in main
via surya_layout
10 various (phrases) like this, on account of mutual movement (the sañcārin varņa main
via surya_layout
11 is formed). annotation_inline
parent ligne 10
via heuristic_height
12 (Anu. 66) section_header
via surya_layout
13 Where the svaras of the gita ascend one by one or with intervening gaps, main
via surya_layout
14 that varņa is called ārohin (ascending). Just as in mālavapancama - pāpasa, main
via surya_layout
15 dharī sama ripa mapa mapadha māmā pasāri sāsama māpā rigā sā dhani pāri main
via surya_layout
16 mama dhani nini pāri mama dhani pādhani riripā — thus on account of main
via surya_layout
17 'mutual'10 (gapless) ascent or with a gap of one or two svaras the arohin main
via surya_layout
18 (ascending) varņa (comes into being). main
via surya_layout
19 Where the svaras descend in one order alone, that is called avarohin with main
via surya_layout
20 (120) annotation_inline
parent ligne 19
via heuristic_height
21 'equal' (gapless) svaras (or) with gaps. annotation_inline
parent ligne 19
via heuristic_height
22 pāma mamagā gaga mama mari riri ri pāmā mama papā papa pa māmama main
via surya_layout
23 nini dhadha papa pama gagā riri ninidhā pāpā — thus is avarohin varņa on main
via surya_layout
24 account of 'mutual' (gapless) descent or with a gap of one or two svaras. main
via surya_layout
25 Hence it has been said - annotation_inline
parent ligne 24
via heuristic_height
26 "These varnas ought to be known for the sake of the structuring" of main
via surya_layout
27 alankāras and the like, as being born of svaras produced by the human body 12 main
via surya_layout
28 (and) adorned by repetition13 (in the) three registers." (NŚ XXIX. 17) main
via surya_layout
29 (Anu. 67) section_header
via surya_layout
30 How is varna brought about? It is being answered. When the svaras stretch main
via surya_layout
31 the syllable<sup>14</sup> due to the demand<sup>15</sup> of melodic rendering through (their) main
via surya_layout
32 steadiness, circulatory movement, ascent (and) descent, then varņa (pattern of main
via surya_layout
33 melodic movement) is effected. annotation_inline
parent ligne 32
via heuristic_height
34 Just as, in śādjī (jātī) the sthāyin (steady) varņa (is illustrated by) sāsāsā 16. main
via surya_layout
35 Sancārin (circulatory varņa) is there, as in dhaivatī (jātī) — dhā 17 dhā nidha main
via surya_layout
36 padha mā mā mā. Ārohin (ascending varņa) (is illustrated) in nandayantī main
via surya_layout
37 — 18 gā gā gā pā pā dhapa mā, dhā dhā dhā dhā nī sani nidha, pā pā main
via surya_layout
38 pā pā pā pā pā. Avarohin (descending varņa) is (illustrated) there itself (in main
via surya_layout
39 nandayanti) with svaras that are equal (gapless) or are having gaps — 19pā pā main
via surya_layout
40 pā pā pā pā pā pā, dhā nī mā pā gā gā gā. main
via surya_layout
41 These varņas obtain also in the wooden20 (viņā), just as they are main
via surya_layout

vol_II_p114 RIGHT — 27 lignes

page vol_II_p114 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 211 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [3. <i>Gadya</i>] section_header
via surya_layout
4 That in which <math>t\bar{a}la</math> comes at the end along with the name of the object of main
via surya_layout
5 description 10 (divine or human) and is sung as such, is said here to be gadya, main
via surya_layout
6 by the proficient ones in music. main
via surya_layout
7 (385) annotation_inline
parent ligne 6
via heuristic_height
8 [4. Daṇḍaka] section_header
via surya_layout
9 Combined with <math>t\bar{a}la</math>, endowed with svara, bedecked with <math>p\bar{a}ta^{11}</math> in the main
via surya_layout
10 middle (and) again combined with pada, that song is known as daṇḍaka. main
via surya_layout
11 (386) main
via surya_layout
12 [5. Varņa] section_header
via surya_layout
13 Bedecked with birudas12 (eulogistic phrases) related to plenty, main
via surya_layout
14 renunciation, well-being or prosperity and combined also with <math>t\bar{a}la</math>, is varya (composed) in the <math> main
via surya_layout
15 (387) annotation_inline
parent ligne 14
via heuristic_short
16 ******* annotation_inline
parent ligne 14
via heuristic_height
17 [6. Paddhaḍi] section_header
via surya_layout
18 Combined with svara (and) pāṭa and endowed with tāla, composed in any main
via surya_layout
19 language and combined with birudas is that paddhaḍī. main
via surya_layout
20 (388) main
via surya_layout
21 [7. Adilā] section_header
via surya_layout
22 Where there is the brilliant arrangement of svaras at the end of every foot, main
via surya_layout
23 combined with <math>t\bar{a}la</math>, that is <math>a\dot{q}il\bar{a}^{14}</math> by name. main
via surya_layout
24 (389) annotation_inline
parent ligne 23
via heuristic_height
25 [8. Catușpadi] section_header
via surya_layout
26 Where the song is endowed with meaning in every unit of text (pada) main
via surya_layout
27 (and) is combined with <math>t\bar{a}la</math>, having svara and <math>tenaka</math>, that is <math>catuspadik\bar{a}</m main
via surya_layout
200 lignes a valider — change uniquement les roles incorrects.