Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21094). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p127 LEFT — 36 lignes

page vol_II_p127 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 236 page_number
via heuristic_pagenum
2 BRHADDEŠĪ page_header
via surya_layout
3 [५. द्राविडैला] section_header
via surya_layout
4 भावाभिनयतालाढ्या विचित्रध्वनिरञ्जिता । main
via surya_layout
5 प्रासहीना रसस्था च<sup>४७</sup> एला द्रविडदेशजा ॥ ४७२॥ main
via surya_layout
6 ॥ इति देशाख्यैलापञ्चकम् ॥ editorial_bracket
parent ligne 5
via heuristic_brackets
7 [एलासङ्खया] section_header
via surya_layout
8 गणैला तु चतुर्धोक्ता पञ्चमी सङ्करात्मका । main
via surya_layout
9 (यत?तु) चतु(थॉं?धॉं) का annotation_inline
parent ligne 8
via heuristic_height
10 मात्रैला तु चतुर्भेदै: कथिता गीतकोविदै: ॥ ४७३॥ main
via surya_layout
11 चतुर्दशविभेदेन वर्णेला परिगीयते । main
via surya_layout
12 पञ्चधा देशभेदेन देशैला: समुदीरिता: ॥ ४७४॥ main
via surya_layout
13 (शैलरश?देशै)ला: annotation_inline
parent ligne 12
via heuristic_height
14 एकत्र मिलितास्त्वेता अष्टाविंशतिसंख्यया । main
via surya_layout
15 विज्ञाता गीतशास्त्रज्ञै: स्वस्वलक्षणसंयुता: ॥ ४७५॥ main
via surya_layout
16 (वि)ज्ञाता annotation_inline
parent ligne 15
via heuristic_height
17 <b>भी (:स्वस्व)</b> main
via surya_layout
18 [इत्येलाभेदा:] editorial_bracket
parent ligne 17
via heuristic_brackets
19 [३६. झोम्बड:] section_header
via surya_layout
20 आवृत्त्या यत्र पादार्धं गीत्वा तदनुगीयते । main
via surya_layout
21 आ(वि?वृ)त्या (धं?धं) main
via surya_layout
22 अर्धं द्वितीयमस्यापि प्रासस्तु स्याद् द्वयोरिप ॥ ४७६॥ main
via surya_layout
23 <b>पादस्य</b> annotation_inline
parent ligne 22
via heuristic_height
24 एवमेव द्वितीयोऽपि अस्य पाद: प्रगीयते । main
via surya_layout
25 एवं तृतीयपादश्च पादो यश्च चतुर्थक: ॥ ४७७॥ main
via surya_layout
26 (द्वि?तृ) annotation_inline
parent ligne 25
via heuristic_short
27 प्रत्येकं सर्वपादानामन्तेऽसौ यत्र गीयते । main
via surya_layout
28 स तु झोम्बडको नाम गीतज्ञैरिभधीयते ॥ ४७८॥ main
via surya_layout
29 कङ्कालो नाम तालश नैव झोम्बडके भवेत्। main
via surya_layout
30 तारश annotation_inline
parent ligne 29
via heuristic_height
31 ॰को annotation_inline
parent ligne 29
via heuristic_markers
32 अन्ये तु देशिसम्बन्धास्तालाः सर्वे भवन्ति हि ॥ main
via surya_layout
33 देशी॰ annotation_inline
parent ligne 32
via heuristic_markers
34 तेनकालङ्कृता भेदा झोम्बडस्य भवन्ति हि ॥ ४७९॥ main
via surya_layout
35 ताना + annotation_inline
parent ligne 34
via heuristic_height
36 •डेस्य annotation_inline
parent ligne 34
via heuristic_height

vol_II_p089 LEFT — 30 lignes

page vol_II_p089 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 160 page_number
via heuristic_pagenum
3 यापापाधापासासापाधापमगामामा page_header
via surya_layout
4 उदाहरणम् - सापापाधामामा पागामगापधाधापागमा main
via surya_layout
5 गामसासासागागामागामामा । षड्ज[मध्यमा]।[४] editorial_bracket
parent ligne 4
via heuristic_brackets
6 मध्यमांशा तु षड्जान्ता <sup>७२</sup>दुर्बला पञ्चमेन तु । main
via surya_layout
7 ७३धैवतनिषादबाहुल्यं षड्जधैवतयोस्तथा ॥ main
via surya_layout
8 भाषेयं षाडवा ज्ञेया प्रेङ्खके मधुरी भवेत् ॥ ८८॥ main
via surya_layout
9 प्रेक्षके मधुकरी annotation_inline
parent ligne 8
via heuristic_height
10 मापानिसासारिरोगमगारीसासा main
via surya_layout
11 उदाहरणम् – मापापाधाधामाधनिनिपासनिधसासा मापाधनिसनिसासा main
via surya_layout
12 निधापापापाधनिधा सासा रिरोममागरिसासा। मधुरी। [५] editorial_bracket
parent ligne 11
via heuristic_brackets
13 मधु(क)री annotation_inline
parent ligne 11
via heuristic_height
14 ॥ इति हिन्दोलके भाषा[:] समाप्ता[:] ॥ editorial_bracket
parent ligne 11
via heuristic_brackets
15 [५.अथ पञ्चमे] ७४ editorial_bracket
parent ligne 11
via heuristic_brackets
16 पञ्चमांशा तदन्ता च निषादबहुला सदा। main
via surya_layout
17 परस्परं तु दृश्येत अषड्जधैवतसङ्गतिः ॥ ८९॥ main
via surya_layout
18 <sup>७६</sup>पूर्णा पञ्चमजा ह्येषा त्वाभीरी देशसम्भवा । main
via surya_layout
19 आभौरी annotation_inline
parent ligne 18
via heuristic_height
20 पूर्ण annotation_inline
parent ligne 18
via heuristic_height
21 एषा भाषा तु विज्ञेया प्रथमा पञ्चमोद्भवा ॥ ९०॥ main
via surya_layout
22 उदाहरणम् -पाधामाधनिधापापापा पधनिधामामाधानिसासा सनिधनिसधानिसानिधासा धरि- main
via surya_layout
23 मामाधानिनिधापापा पममधनिसासा सनिनिसासासिनगरिमममागा रिसससधिनपा धामामास - main
via surya_layout
24 रिमाधारिमपापा । आभीरी। [१] editorial_bracket
parent ligne 23
via heuristic_brackets
25 भाविनी पञ्चमन्यासा गान्धारांशाल्पधैवता । main
via surya_layout
26 मध्यपञ्चमयोर्यत्र गमनं दृश्यते घनम् ॥ main
via surya_layout
27 मध्यम् annotation_inline
parent ligne 26
via heuristic_height
28 भाषा तु भाविनी ज्ञेया पूर्णा गान्धर्ववेदिभिः ७०॥ ९१॥ main
via surya_layout
29 उदाहरणम् -गामापागमपानिधा[पा]। गमपामागागारीरीगानीधापापापाप। मामागामापापा editorial_bracket
parent ligne 28
via heuristic_brackets
30 मापापामाधारीसगगमापा मागारीरीपापा । भाविनी ।[२] editorial_bracket
parent ligne 28
via heuristic_brackets

vol_II_p036 LEFT — 29 lignes

page vol_II_p036 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 54 page_number
via heuristic_pagenum
3 [८. गान्धारी] section_header
via surya_layout
4 तत्र गान्धार्या गान्धारषड्जमध्यमपञ्चमनिषादा <sup>१५७</sup>ग्रहा: , त एवांशा:। पञ्चस्वरपरस्तारो main
via surya_layout
5 न्यासपरस्तत्परो वा मन्द्र:। ऋषभहीनं षाडवम्,ऋषभधैवतहीनमौडुवितम्। main
via surya_layout
6 पूर्णावस्थायामृषभधैवतयोरल्पत्वम्, शेषाणां बहुत्वम्। स्वरजातित्वाद् गान्धारो न्यासः, main
via surya_layout
7 १५८षड्जपञ्चमावपन्यासौ, धैवतर्षभयो: सङ्गति:। तद्यथा - गान्धारी यदा सम्पूर्णा गीयते तदा main
via surya_layout
8 ॰मध्यमा॰ annotation_inline
parent ligne 7
via heuristic_markers
9 माधारिगा<sup>९५९</sup> इति प्रयोग: स्यात् । यदा ऋषभहीना गीयते [तदाऽ]धरस्वरप्रवेशने माधाधागा इति editorial_bracket
parent ligne 7
via heuristic_brackets
10 <b>ण्नं(?)</b> annotation_inline
parent ligne 7
via heuristic_height
11 (गि?गः) annotation_inline
parent ligne 7
via heuristic_height
12 (甲) annotation_inline
parent ligne 7
via heuristic_height
13 प्रयोग: स्यात् । यदा औडुविता गीयते तदा <sup>१६०</sup>उत्तर-स्वर-प्रवेशे मागागा इति प्रयोग: स्यात्, main
via surya_layout
14 <b>॰यन्ते</b> annotation_inline
parent ligne 13
via heuristic_markers
15 मापरिध इति प्रयोगः कदाचिदपि न स्यात् । main
via surya_layout
16 [अनु॰ १६१] section_header
via surya_layout
17 [ एका- ]दशविधत्वमस्या:। एकादशांशका:-शुद्ध:,विकृता: पूर्णा: पञ्च,चत्वार:षाडवा: , editorial_bracket
parent ligne 16
via heuristic_brackets
18 ॰द्धा annotation_inline
parent ligne 16
via heuristic_markers
19 औडुवित एक: । मूर्छना धैवतादि: । चच्चत्पुटस्ताल: एककलविधौ चित्रमार्गे मागधी, द्विकले main
via surya_layout
20 ·ध: annotation_inline
parent ligne 19
via heuristic_height
21 वार्तिके सम्भाविता, चतुष्कले दक्षिणे पृथुला। रसः 'करुणः'र६१। ध्रुवागाने तृतीयप्रेक्षणके main
via surya_layout
22 विनियोग:।। main
via surya_layout
23 [९. रक्तगान्धारी] section_header
via surya_layout
24 [अनु॰ १६२] section_header
via surya_layout
25 रक्तगान्धार्याः षड्जमध्यमपञ्चमगान्धारनिषादा ग्रहा अंशाश्च । पञ्चस्वरपरस्तारः , main
via surya_layout
26 <b>गान्धा(यंप्य ? यांप्य)</b> main
via surya_layout
27 न्यासपरस्तत्परो वा मन्द्र:। ऋषभहीनं षाडवम् ऋषभधैवतहीनमौडुवितम्। main
via surya_layout
28 पूर्णावस्थायामृषभधैवतयोरल्पत्वम् , शेषाणां बाहुल्यम् । निषादस्यांशत्वाद् बहुत्वे प्राप्ते main
via surya_layout
29 οζ page_footer
via surya_layout

vol_II_p104 RIGHT — 32 lignes

page vol_II_p104 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 ŀ annotation_inline
parent ligne 4
via heuristic_height
2 TRANSLATION page_header
via surya_layout
3 191 page_number
via heuristic_pagenum
4 [3. Now in mālavapancama] section_header
via surya_layout
5 Vibhāvinī, paurālī, vegavantī, pañcamī, āndhrī and gāndhārikā alone are the main
via surya_layout
6 six (bhāṣās) in mālavapañcama. main
via surya_layout
7 (14) annotation_inline
parent ligne 6
via heuristic_short
8 Having pañcama as the initial and concluding note vibhāvinī is born of a main
via surya_layout
9 region<sup>11</sup> (and) is sung in (the context of) hair - dressing (and) restrained main
via surya_layout
10 union with an amorous woman.<sup>12</sup> main
via surya_layout
11 (15) annotation_inline
parent ligne 10
via heuristic_short
12 Illustration - Paninimāgā risānirinisārigāmāpāpāmāgārisānini main
via surya_layout
13 dhānīnīdhāmāpāpā. Vibhāvinī [i] editorial_bracket
parent ligne 12
via heuristic_brackets
14 .....Paurālī [ii] editorial_bracket
parent ligne 12
via heuristic_brackets
15 The auspicious vegavatī should be known to have pañcama as amsa, being main
via surya_layout
16 complete, (this) vibhāṣā is sung in karuṇa (rasa) 13 in which dainya (depression main
via surya_layout
17 or affliction) is profuse. main
via surya_layout
18 (16) annotation_inline
parent ligne 17
via heuristic_short
19 Illustration - Pāpānidhādhāni dhāgāsāsāsāsāni dhādhāninipā main
via surya_layout
20 dhāmā. annotation_inline
parent ligne 19
via heuristic_height
21 Gāgādhāmā māpāpādhā nīsāsārīgārī. Sanidhāpāpā. Vegavatī [iii] editorial_bracket
parent ligne 19
via heuristic_brackets
22 Having pañcama as amsa and concluding note (and) being complete, main
via surya_layout
23 pañcamī is a mūlabhāṣā. It is a bhāṣā in mālavapañcama (rāga) in (the context main
via surya_layout
24 of) the song of (one with) a mature mind. 14 main
via surya_layout
25 (17) annotation_inline
parent ligne 24
via heuristic_short
26 Illustration - Pāpāpāmāsā ririgāninidhādhā. Dhādhārinigārimāgarinīdhā main
via surya_layout
27 pāpāpādhā pāmāmāpā mādhānirimā gāmāgārī sāsānisāni dhāpāpā. Pañcamī main
via surya_layout
28 [iv] editorial_bracket
parent ligne 27
via heuristic_brackets
29 Having madhyama as amśa (and) pañcama as the concluding note, andhri main
via surya_layout
30 is a bhāṣā born in the Āndhra region, well-known among the people (and) main
via surya_layout
31 is sung in (the context of) those who are corrupted by disease. 15 main
via surya_layout
32 (18) main
via surya_layout

vol_I_p052 RIGHT — 41 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 87 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 When in the gita (melodic rendering) the svaras move (to and fro) in main
via surya_layout
4 mutual7 (directions) along with the last one8 (of the preceding phrase forming main
via surya_layout
5 the beginning of the succeeding phrase), or two by two, that is known as the main
via surya_layout
6 (119) annotation_inline
parent ligne 5
via heuristic_height
7 sañcārin9 (circulatory) varņa. annotation_inline
parent ligne 5
via heuristic_height
8 (Anu. 65) section_header
via surya_layout
9 Just as in mālavakaišika-sāsā sanipa pani nipa nisā sādharīpā pani nini; in main
via surya_layout
10 various (phrases) like this, on account of mutual movement (the sañcārin varņa main
via surya_layout
11 is formed). annotation_inline
parent ligne 10
via heuristic_height
12 (Anu. 66) section_header
via surya_layout
13 Where the svaras of the gita ascend one by one or with intervening gaps, main
via surya_layout
14 that varņa is called ārohin (ascending). Just as in mālavapancama - pāpasa, main
via surya_layout
15 dharī sama ripa mapa mapadha māmā pasāri sāsama māpā rigā sā dhani pāri main
via surya_layout
16 mama dhani nini pāri mama dhani pādhani riripā — thus on account of main
via surya_layout
17 'mutual'10 (gapless) ascent or with a gap of one or two svaras the arohin main
via surya_layout
18 (ascending) varņa (comes into being). main
via surya_layout
19 Where the svaras descend in one order alone, that is called avarohin with main
via surya_layout
20 (120) annotation_inline
parent ligne 19
via heuristic_height
21 'equal' (gapless) svaras (or) with gaps. annotation_inline
parent ligne 19
via heuristic_height
22 pāma mamagā gaga mama mari riri ri pāmā mama papā papa pa māmama main
via surya_layout
23 nini dhadha papa pama gagā riri ninidhā pāpā — thus is avarohin varņa on main
via surya_layout
24 account of 'mutual' (gapless) descent or with a gap of one or two svaras. main
via surya_layout
25 Hence it has been said - annotation_inline
parent ligne 24
via heuristic_height
26 "These varnas ought to be known for the sake of the structuring" of main
via surya_layout
27 alankāras and the like, as being born of svaras produced by the human body 12 main
via surya_layout
28 (and) adorned by repetition13 (in the) three registers." (NŚ XXIX. 17) main
via surya_layout
29 (Anu. 67) section_header
via surya_layout
30 How is varna brought about? It is being answered. When the svaras stretch main
via surya_layout
31 the syllable<sup>14</sup> due to the demand<sup>15</sup> of melodic rendering through (their) main
via surya_layout
32 steadiness, circulatory movement, ascent (and) descent, then varņa (pattern of main
via surya_layout
33 melodic movement) is effected. annotation_inline
parent ligne 32
via heuristic_height
34 Just as, in śādjī (jātī) the sthāyin (steady) varņa (is illustrated by) sāsāsā 16. main
via surya_layout
35 Sancārin (circulatory varņa) is there, as in dhaivatī (jātī) — dhā 17 dhā nidha main
via surya_layout
36 padha mā mā mā. Ārohin (ascending varņa) (is illustrated) in nandayantī main
via surya_layout
37 — 18 gā gā gā pā pā dhapa mā, dhā dhā dhā dhā nī sani nidha, pā pā main
via surya_layout
38 pā pā pā pā pā. Avarohin (descending varņa) is (illustrated) there itself (in main
via surya_layout
39 nandayanti) with svaras that are equal (gapless) or are having gaps — 19pā pā main
via surya_layout
40 pā pā pā pā pā pā, dhā nī mā pā gā gā gā. main
via surya_layout
41 These varņas obtain also in the wooden20 (viņā), just as they are main
via surya_layout
168 lignes a valider — change uniquement les roles incorrects.