Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21097). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p029 RIGHT — 22 lignes

page vol_I_p029 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 41 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 The vadi-maṇḍala in madhyama-grāma is thus - ma pa dha ni sa ri ga. main
via surya_layout
4 The samvādi-mandala in madhyama-grāma is thus- main
via surya_layout
5 ma unknown
via surya_layout
6 pa unknown
via surya_layout
7 ga unknown
via surya_layout
8 Γi unknown
via surya_layout
9 dha unknown
via surya_layout
10 ni unknown
via surya_layout
11 sa unknown
via surya_layout
12 • annotation_inline
parent ligne 4
via heuristic_height
13 The anuvādi-maṇḍala in madhyama-grāma is thus - main
via surya_layout
14 ŧ annotation_inline
parent ligne 13
via heuristic_height
15 ma unknown
via surya_layout
16 pa unknown
via surya_layout
17 ga unknown
via surya_layout
18 <math>\vec{\Pi}</math> unknown
via surya_layout
19 dha unknown
via surya_layout
20 . annotation_inline
parent ligne 13
via heuristic_height
21 ni unknown
via surya_layout
22 sa unknown
via surya_layout

vol_II_p084 RIGHT — 34 lignes

page vol_II_p084 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 151 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Māmāgari. Sādhāsāsā. main
via surya_layout
4 Sāriririgāgārī. annotation_inline
parent ligne 3
via heuristic_height
5 dhāsāsāgāgadhari. annotation_inline
parent ligne 3
via heuristic_height
6 Sāsāsadhāmamagāsasasāsa. Sāsādhādhāpāpāsa pāpañcamadhādhāpañca[ma] editorial_bracket
parent ligne 3
via heuristic_brackets
7 sāpādhādhādhādhāpā. Pamāgāsā. Sāsāgārīgārī gādhāsāsā. Ardhavesarī [ii] editorial_bracket
parent ligne 3
via heuristic_brackets
8 Combined with şadja as the initial and concluding note, has concert of main
via surya_layout
9 madhyama and ṛṣabha, is laden with the svaras comprised of two śrutis each, main
via surya_layout
10 is commingled with kākalī and antara and is sādhāraņakṛtā, i.e., uses sādhāraņa main
via surya_layout
11 svaras (viz. kākalī and antara), this harṣapurikā bears the name deśī<sup>25</sup> main
via surya_layout
12 (regional). annotation_inline
parent ligne 11
via heuristic_height
13 (65) annotation_inline
parent ligne 11
via heuristic_height
14 Illustration - Sânīdhānīsāsāmāpā. Māgādhāmā. Gāsāsāgā. Gadhānī. main
via surya_layout
15 Sāsādhāsā. Nidhāpāpāgagāmagāmasāsānidhāsāsā. Pāmāgādhāmāgāsāsā. main
via surya_layout
16 Pāmāpāpāsarisāsāsāmāgā. Gapāpānidhā. Sarinīpāmāgāgānidhāsāsāsarīsarī. main
via surya_layout
17 Sāsāridhāpāpā. Māgārisāsāsārīsāsāsamā. Gamāgamāgamāgapāpāmāgārisarīsāsā. main
via surya_layout
18 Sāpāmāgārisāgaga. Sarimāgārīsānīsasā. Harşapūrī [iii] editorial_bracket
parent ligne 17
via heuristic_brackets
19 Māṅgālī has madhyama as aṁśa, ṣaḍja as the concluding note, is brilliant main
via surya_layout
20 with madhyama, has concert between madhyama and ṛṣabha, is complete and main
via surya_layout
21 delightful to the people. This bhāṣā should be known as māṅgālī by the main
via surya_layout
22 knowledgeable ones in music. main
via surya_layout
23 (66) annotation_inline
parent ligne 22
via heuristic_height
24 Illustration - Māgāmā gāsāmāpamā. Gamapāpāsasanisāsānīpāpāpāma. main
via surya_layout
25 Gamamagagamāmā. Sagama. Pāpānisānisāsā sanīsāsāsanīpāpā.... pāmā. main
via surya_layout
26 Papāmamā. Pamagāpamagā. Māmāmaga. Sāsāgamāpāpāsanirīrī. Māgārī. main
via surya_layout
27 Sanisasā. Māṅgālī [iv] editorial_bracket
parent ligne 26
via heuristic_brackets
28 Saindhavī should be embellished with ṣaḍja as the initial and concluding main
via surya_layout
29 note, is replete with sadja and madhyama and similarly there is (mutual main
via surya_layout
30 movement between) niṣāda and ṛṣabha. They have known it as bearing the main
via surya_layout
31 name of deśa (region), being born of the Sindhu region. main
via surya_layout
32 (67) annotation_inline
parent ligne 31
via heuristic_height
33 Illustration - Sārī. Māmā. Mādhāpāpāpāgā. Pāmāgārī. Pāmāgārī. Sanī. main
via surya_layout
34 Sādhāsārīmarīmā. Mārnādhāpāpā. Pādhamāpādhāpā māgārīsanīsāsī. Svindhavī [v] editorial_bracket
parent ligne 33
via heuristic_brackets

vol_II_p019 RIGHT — 32 lignes

page vol_II_p019 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 21 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [7. The definition of alpatva] section_header
via surya_layout
4 [Anu. 128] editorial_bracket
parent ligne 3
via heuristic_brackets
5 Now I speak of alpatva (sparseness) and bahutva (abundance). Out of main
via surya_layout
6 these, alpatva comes into being on account of the sparse use of svaras and main
via surya_layout
7 bahutva is on account of (their) abundant use. Alpatva and bahutva are main
via surya_layout
8 twofold each, one operating in samnyāsa and the like and the other through main
via surya_layout
9 antaramārga. 38 The definition of antaramārga is thus—sometimes in jātis even main
via surya_layout
10 the svara that is not an amsa (anamsa) is not sparse (alpa). Similarly in main
via surya_layout
11 Kārmāravī, gāndhāra (which is not an amśa), is used in antaramārga with main
via surya_layout
12 abundance through concert (saigati) with all the other svaras; thus will be main
via surya_layout
13 said-39 annotation_inline
parent ligne 12
via heuristic_short
14 "Specially gāndhāra has movement towards all (svaras)." main
via surya_layout
15 (NŚ XXVIII.136) main
via surya_layout
16 [8. The definition of bahutva] section_header
via surya_layout
17 [ Anu. 129 ] editorial_bracket
parent ligne 16
via heuristic_brackets
18 After this he (the author) spoke (speaks) of bahutva. Bahutva is like main
via surya_layout
19 alpatva; it is to be perceived, thus is the special implication of the said main
via surya_layout
20 statement (about bahutva). How is that? Thus spoke (speaks) he (the main
via surya_layout
21 author), the inversion of strong and weak, i.e. the weak one is sparse (by main
via surya_layout
22 rule), in the case of inversion it becomes strong, thus is understood the main
via surya_layout
23 characteristic of strong (svara). Hence it has been said - main
via surya_layout
24 "The sparseness in jātis is always manifested through their svaras. There main
via surya_layout
25 is sañcāra (to and fro movement) among the amsas and the strong svaras. main
via surya_layout
26 Sparseness occurs in those jātis which have weak (svaras). Antaramārga main
via surya_layout
27 (inversion of strength and weakness) and nyāsa brings about the manifestation main
via surya_layout
28 of jātis." annotation_inline
parent ligne 27
via heuristic_height
29 (Cf. NŚ XXVIII 74cd, 75) main
via surya_layout
30 [9. The definition of nyasa] section_header
via surya_layout
31 [ Anu. 130 ] editorial_bracket
parent ligne 30
via heuristic_brackets
32 Now he (the author) spoke (speaks) of nyāsa - that (svara) on which or main
via surya_layout

vol_I_p028 RIGHT — 28 lignes

page vol_I_p028 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 39 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 (Anu.25) annotation_inline
parent ligne 4
via heuristic_height
4 Now, upon anuvāditva being applicable to gāndhāra and niṣāda on account main
via surya_layout
5 of their being less45 by one śruti, vivāditva has been spoken of on account of the main
via surya_layout
6 interval of two (srutis) (pertaining to them). What is that vivāditva indeed? main
via surya_layout
7 Vivaditva is indeed the state of being the destroyer of the state of vadin, main
via surya_layout
8 samvādin and anuvādin of the rāga (concerned) attained by the svaras main
via surya_layout
9 (qualified as) vādin and the like. The vivādi-maņļala is thus - main
via surya_layout
10 şa annotation_inline
parent ligne 9
via heuristic_height
11 ni annotation_inline
parent ligne 9
via heuristic_height
12 ga annotation_inline
parent ligne 9
via heuristic_height
13 dha annotation_inline
parent ligne 9
via heuristic_height
14 ma annotation_inline
parent ligne 9
via heuristic_height
15 pa annotation_inline
parent ligne 9
via heuristic_height
16 Thus ends the vivādi-maṇḍala [ in ṣadjagrāma ]. editorial_bracket
parent ligne 9
via heuristic_brackets
17 (Anu. 26) annotation_inline
parent ligne 9
via heuristic_height
18 The use of the vivadins 44 is thus - gandhara being used in the place of main
via surya_layout
19 ṛṣabha and ṛṣabha being used in the place of gāndhāra brings about the loss of main
via surya_layout
20 jāti and rāga. Niṣāda being used in the place of dhaivata and dhaivata being main
via surya_layout
21 used in the place of niṣāda brings about the loss of jāti and rāga. main
via surya_layout
22 Thus it is for şadjagrāma. annotation_inline
parent ligne 21
via heuristic_height
23 (Anu. 27) annotation_inline
parent ligne 21
via heuristic_height
24 Now the state of being vādin, samvādin, anuvādin and vivādin is being shown main
via surya_layout
25 in madhyamagrāma. Out of them, vādins are the seven svaras beginning with main
via surya_layout
26 madhyama. Those ending at ninth and thirteenth (śrutis) are samvādins. main
via surya_layout
27 Anuvadins are so on account of being less by one sruti. The svaras having an main
via surya_layout
28 interval of two (śrutis) are vivādins. main
via surya_layout

vol_II_p044 RIGHT — 46 lignes

page vol_II_p044 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 71 page_number
via heuristic_pagenum
3 gā pā mā pā nī nī nī nī table
via surya_layout
4 (11) table
via surya_layout
5 mă pă mă pariga gā gā gā gā table
via surya_layout
6 (12) table
via surya_layout
7 ni ni pā dhā ni gā gā gā table
via surya_layout
8 (13) table
via surya_layout
9 nî nî nî nî nî nî nî nî table
via surya_layout
10 (14) table
via surya_layout
11 mã mã dhã nĩ sani dhã pã pã table
via surya_layout
12 (15) table
via surya_layout
13 mā pā mā pariga gā gā gā gā table
via surya_layout
14 (16) table
via surya_layout
15 Thusends gāndhārapancami. section_header
via surya_layout
16 [8. Āndhrī] section_header
via surya_layout
17 In <i>āndhrī, niṣāda, ṛṣabha, gāndhāra</i> and <i>pañcama</i> are the <i>aniśas</i>. There is main
via surya_layout
18 concert between ṛṣabha-gāndhāra and niṣāda-dhaivata. One should proceed main
via surya_layout
19 upto the nyāsa according to the order of the respective amsas. main
via surya_layout
20 (21) annotation_inline
parent ligne 19
via heuristic_short
21 The hexatonic form comes into being with the omission of sadja. The main
via surya_layout
22 mūrchanā beginning with madhyama obtains. The kalās, tāla and viniyoga main
via surya_layout
23 (application) are said to be as in the previous one (gāndhārapañcamī). main
via surya_layout
24 (22) annotation_inline
parent ligne 23
via heuristic_short
25 Gāndhāra is the nyāsa in this āndhrī. The amsas themselves are apanyāsas. main
via surya_layout
26 The <i>prastāra</i> is thus – main
via surya_layout
27 gārirīrīrīrīrīrī table
via surya_layout
28 (1) table
via surya_layout
29 rī gā rī gā rī rī rī rī table
via surya_layout
30 (2) table
via surya_layout
31 rī rī gā gā rī rī mā mā table
via surya_layout
32 (3) table
via surya_layout
33 rī gā sā dhani nī nī nī nī table
via surya_layout
34 (4) table
via surya_layout
35 ni ri ni ri dhani dhani pā pā table
via surya_layout
36 (5) table
via surya_layout
37 mā pā mā riga gā gā gā gā table
via surya_layout
38 (6) table
via surya_layout
39 rī rī gā sa ma mā mā pā pā table
via surya_layout
40 <b>(7)</b> table
via surya_layout
41 mā pā mā riga gā gā gā gā table
via surya_layout
42 (8) table
via surya_layout
43 dhā nī gā gā gā gā gā gā table
via surya_layout
44 (9) table
via surya_layout
45 pā pā mā riga gā gā gā gā table
via surya_layout
46 (10) table
via surya_layout
162 lignes a valider — change uniquement les roles incorrects.