Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21100). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 59 page_number
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2 <b>TRANSLATION</b> page_header
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3 [ Anu . 39 ] editorial_bracket
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4 Thus have been spoken of the fourteen complete murchanas of both the main
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5 grāmas. Now their names are being mentioned. main
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6 In (i.e. beginning with) şadja is uttaramandrā, in niṣāda is known rajanī, 27 in main
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7 dhaivata is known uttarā (uttarāyatā) and śudhaşadjā is in pañcama. (93) main
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8 Matsari (matsarikṛtā) should be known in madhyama and aśvakrāntikā in main
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9 gāndhāra and with ṛṣabha should be known abhirudgatā,28 the seventh one. main
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10 (94) annotation_inline
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11 Thus are to be known the seven mūrchanās subsisting in şadja-grāma. main
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12 Hereafter I shall speak of the murchanas of madhyama-grama. main
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13 (95) annotation_inline
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14 Sauvīrī is with madhyama and hariņāśvikā (hariņāśvā) is in gāndhāra and main
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15 (96) annotation_inline
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16 kalopanatā would be the mūrchanā with ṛṣabha itself. main
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17 Suddhamadhyā, on the other hand, could be in şadja and in niṣāda itself (is) main
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18 mārgitā (mārgi). Pauravī is to be known in dhaivata and hṛṣyakā in pañcama. main
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19 ł annotation_inline
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20 (97) main
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21 Thus the mürchanās of madhyamagrāma have been spoken of by me. Now I main
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22 shall speak of the şāḍavā (hexatonic) and auḍavā (pentatonic) mūchanas. main
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23 (98) annotation_inline
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24 Şāḍava is to be known as having six svaras and auḍavā is to be known with main
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25 five svaras; and the etymology of sadavas and auduvitas is being spoken of. main
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26 (99) annotation_inline
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27 (Anu. 40) annotation_inline
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28 Those six svaras that protect (the performance) are (known as) sadava main
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29 svaras; their use (in performance) is (called) sādava. Falling under the tāraka main
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30 gaṇa,29 it (ṣāḍava) is (combined with) itac pratyaya 30 (suffix) (and thus ‘ṣāḍavitā’ main
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31 is formed). annotation_inline
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32 (Anu. 41) annotation_inline
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33 The ākāśa (space) in which the udus 31 (stars) move, that ākāśa is (known) as main
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34 auduva. By that (the word auduva) the number five is indicated. (<math>\bar{A}k\bar{a}\dot{s}a</math>) is the main
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35 fifth mahābhūta; auduvita is that in which the number (five) of that (ākāśa) main
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36 exists. annotation_inline
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37 Ṣāḍava is that which has six svaras, its lakṣaṇa (description) is sevenfold and main
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38 it is to be known as being numbered forty-nine,52 by the knowledgeable ones in main
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39 (100) annotation_inline
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40 gīta (lit. song i.e. music). main
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1 BRHADDEŚĪ page_header
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2 56 page_number
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3 वचनादबहुत्वम् , धैवतस्यानंशत्वादल्पत्वे वचनाद् बाहुल्यम् । षाडवे धैवतस्याबाहुल्यम् , main
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4 (7) annotation_inline
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5 ऋषभस्य न कदाचिदिप। औडुविते सर्वेषामंशत्वात्र कस्याप्यल्पत्वम्। उक्तभङ्ग्या[ ऽ ]शेषाणां editorial_bracket
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6 तस्याल्प (श ?)त्वम् annotation_inline
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7 बाहुत्यम् । न्यासो गान्धार एव च । अपन्यासस्तु मध्यम एव । षड्जगान्धारयोस्त् सञ्चार: । main
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8 [अनु॰ १६३] section_header
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9 दशविधत्वमस्या: । दशांशका: - पूर्णा: पञ्च, चत्वार: षाडवा:, पञ्चमेंऽशेऽपवादात् main
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10 द्वादशांशक्रम: annotation_inline
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11 पञ्चप्यंशेऽपवादः(?) main
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12 [औडुवित एक:।] ऋषभादिमूर्छना । करुणो रस: । ताल: पञ्चपाणि: । editorial_bracket
parent ligne 11
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13 एककले चित्रे main
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14 मागधी । द्विकले वार्तिके सम्भाविता<sup>१६२</sup>, [चतुष्कले दक्षिणे पृथुला । editorial_bracket
parent ligne 13
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15 ध्रवागाने main
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16 तृतीयप्रेक्षणके विनियोग:] editorial_bracket
parent ligne 15
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17 <sup>१६३</sup>[प्रक्षिसांशे नवजातिलक्षणम् ] section_header
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18 [१. षड्जमध्यमा] section_header
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19 अंशा: सप्तस्वरा: षड्जमध्यमाया: मिथश्च ते । main
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20 (पद् ? अंशा:) annotation_inline
parent ligne 19
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21 •मायां <i>६६</i>४ annotation_inline
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22 सङ्गच्छन्ते, निरल्पोंऽशाद् गादृते वादितां विना ॥१॥ main
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23 शा(गा ? ङ्गा) हते वा (नि ? दि) तां main
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24 निलोपे निगलोपे च षाडवौड्विते मते। main
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25 <sup>१६५</sup>निलोपनिगलोपाभ्यां annotation_inline
parent ligne 24
via heuristic_height
26 षाडवौडुवयो: स्यातां द्विश्रुती तु विरोधिनौ ॥२॥ main
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27 गीतितालकलादीनि , षाड्जीवन्मूर्छना पुन:। main
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28 मध्यमादिरिह ज्ञेया पूर्ववद् विनियोजनम् ॥३॥ main
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29 पूर्वावद्विरहर्द् annotation_inline
parent ligne 28
via heuristic_height
30 <sup>१६७</sup>अस्यां षड्जमध्यमौ न्यासौ । सप्त स्वरा अपन्यासा: । <sup>१६८</sup>प्रस्तार: - main
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31 मा गा सग पा धप मा निध निम main
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32 (१) annotation_inline
parent ligne 31
via heuristic_short
33 मा मा सा रिंग मंग निध पंध पा main
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34 (२) main
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1 BRHADDEŚĪ page_header
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2 106 page_number
via heuristic_pagenum
3 [अनु॰ १८८] editorial_bracket
parent ligne 4
via heuristic_brackets
4 अस्यार्थ: - गौडकैशिको रागो मध्यमग्रामसम्बन्ध: कैशिकोषड्जमध्यमाभ्यां जात: main
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5 रा(मो?गो) annotation_inline
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6 षड्जोऽस्य ग्रहोंऽशश्च। पञ्चमो न्यास:। निषादोऽत्र काकली। पूर्णश्चायम्। तथा प्रयोगोऽस्ति<sup>६४</sup>। main
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7 त्रिश्रुतिकत्वात् पञ्चमस्य,चतुःश्रुतिकत्वाद् धैवतस्य, मध्यमग्रामसम्बन्ध एवासौ रागः । यद्यपि main
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8 ग्रामद्वयजातौ जात:, तथापि मध्यमोऽस्य ग्राम:, न षड्ज:<sup>६५</sup> । तथा दर्शनात् । करुणे चास्य main
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9 पद्जी annotation_inline
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10 मध्यम: annotation_inline
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11 विनियोगः । वीरादिको रसः। षड्जादिमूर्छना। आरोही वर्णः। प्रसन्नादिरलङ्कारः। दक्षिणे कला, main
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12 वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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13 [३.गौडकैशिकमध्यम:] section_header
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14 <sup>६६</sup>षड्जांशो मध्यमन्यास: षड्जमध्यमया कृत: । main
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15 ॰मध्यम(वा?या) annotation_inline
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via heuristic_markers
16 परिपूर्णस्वर: प्रोक्तो गौडकैशिकमध्यम: ॥ ३१८॥ main
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17 [अन्॰ १८९] section_header
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18 अस्यार्थ: - गौडकैशिकमध्यम: षड्जग्रामसम्बन्ध: षड्जमध्यमाजातेर्जातत्वात् । षड्जोऽस्य main
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19 प(इज)मध्यमाजाते(त?)र्जातत्वात् main
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20 ग्रहोंऽशश्च । मध्यमो न्यास: । निषादोऽत्र काकली । पूर्णश्चायम् । भयानके चास्य विनियोग: । main
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21 वीरादिको रस:। षड्जादिमूर्छना। आरोही वर्ण:। प्रसन्नमध्योऽलङ्कार:। दक्षिणे कला, वार्तिके main
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22 कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । unknown
via fallback
23 [गौडरागाणां ग्रामविभाग:] section_header
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24 इदानीं गौडानां ग्रामविभागमाह - main
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25 गौडपञ्चमक: षड्जे गौडकैशिकमध्यम:। main
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26 ॰पञ्चं(ग?क): annotation_inline
parent ligne 25
via heuristic_markers
27 गौडकैशिकरागस्तु मध्यमग्रामसंश्रय:॥ main
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28 त्रयो गौडा: समाख्याता रागान् वक्ष्याम्यत: परम् ॥ ३१९॥ main
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29 (vide) annotation_inline
parent ligne 28
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1 (vide) annotation_inline
parent ligne 6
via heuristic_height
2 BRHADDEŚĪ page_header
via surya_layout
3 194 page_number
via heuristic_pagenum
4 .....मालवी । [३]<sup>२४</sup> editorial_bracket
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via heuristic_brackets
5 .....गुर्जरी । [४]<sup>२५</sup> editorial_bracket
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via heuristic_brackets
6 मध्यामांशा २६धैवतान्ता षाडवा ऋषभोज्झिता । main
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7 ऋषभान्विता annotation_inline
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via heuristic_height
8 गीयते यज्ञकाले या सा ख्याता बाह्यषाडवा ॥ २४॥ main
via surya_layout
9 उदाहरणम् - माधा । मानिनि पामापाधाधा । माधामागा गागागामा ममनिधा मापापानिधा- main
via surya_layout
10 धाधा । बाह्यषाडवा । [५] editorial_bracket
parent ligne 9
via heuristic_brackets
11 निषादांशा धैवतान्ता षाडवा स्याद्रिवर्जिता<sup>२७</sup>। main
via surya_layout
12 षद्द्जवर्जिता annotation_inline
parent ligne 11
via heuristic_short
13 कौसली देशसम्भूता प्रतीहारेषु गीयते ॥ २५॥ main
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14 कौसलदेश॰ annotation_inline
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15 उदाहरणम् – निनिधा । पामामा । मागमा । सासासासासा । मागमानिधाधा । कौसली । [६] editorial_bracket
parent ligne 13
via heuristic_brackets
16 गान्धारांशा मध्यमान्ता गान्धारी मध्यमाश्रिता<sup>२८</sup>। main
via surya_layout
17 (श?शा) annotation_inline
parent ligne 16
via heuristic_height
18 एकान्तवासिभिर्गीता मूलभाषा तु षड्जगा ॥ २६॥ main
via surya_layout
19 उदाहरणम् - गामापानीसासा । निधाधामा मामागामाधा । निसारी । सापामामा । धानीसारी । main
via surya_layout
20 गारीसानी । धामामा । गान्धारी । [७] editorial_bracket
parent ligne 19
via heuristic_brackets
21 २९धैवताद्यन्तसंयुक्ता रिहीना षाडवस्वरा । main
via surya_layout
22 ॰ पह्जर्पभहीना annotation_inline
parent ligne 21
via heuristic_markers
23 स्वरविवितका एषा गीयते दृढमानसै: ॥ २७॥ main
via surya_layout
24 + + बलितगा annotation_inline
parent ligne 23
via heuristic_height
25 उदाहरणम् - धाधामापा । गागामाधा निसानिधाधा पापागामा धासनिधानिसासागामा पापा- main
via surya_layout
26 धाधा । मधापामामा गधगामधानिसासा। निसानिगागा मासानीधा धापमामागाधा । सामाधा- main
via surya_layout
27 नी ससाधापामाधाधा । स्वरवलिता । [८] editorial_bracket
parent ligne 26
via heuristic_brackets
28 धैवताद्यन्तललिता पञ्चमर्षभवर्जिता । main
via surya_layout
29 षह्जपश्चम ॰ annotation_inline
parent ligne 28
via heuristic_markers
30 ३॰पञ्चस्वरा तु गीयेत प्रकृष्टा सा मता क्रमात् ॥ २८॥ annotation_inline
parent ligne 28
via heuristic_markers
31 - Paragraphy (Fig. 25) Apply (Head Co. 19) Apply (The Section 25) (25) annotation_inline
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32 All the second second second second second second second second second second second second second second second second annotation_inline
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33 والمراجع والمراكب والمراكب والمراجع والمراجع والمراجع والمراجع والمناكب annotation_inline
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1 BRHADDEŚĪ page_header
via surya_layout
2 240 page_number
via heuristic_pagenum
3 [४३. वर्णस्वर:] section_header
via surya_layout
4 निबद्धो हस्तपाटैर्य: संयुतस्तेनकै: पुन:५१। main
via surya_layout
5 संयुतैस्तैर्नकै: annotation_inline
parent ligne 4
via heuristic_short
6 स्वरै: पदैश्च पाटैश्च तेनकैश्च समन्वित: ॥ main
via surya_layout
7 तेन्त्र॰ annotation_inline
parent ligne 6
via heuristic_markers
8 गीयते तालयुक्तो य: स वर्णस्वरक: स्मृत: ॥ ४८६॥ main
via surya_layout
9 वर्णासरक: annotation_inline
parent ligne 8
via heuristic_height
10 [४४. मुक्तावली] section_header
via surya_layout
11 देशिकारपदै रम्यै: सानुप्रासै: प्रगीयते । main
via surya_layout
12 नामानुवर्णनीयस्य सा मुक्तावलिसंज्ञिता ॥ ४८७॥ main
via surya_layout
13 [४५. प्रतापवर्धन:] section_header
via surya_layout
14 उत्साहजननै: पाटै: स्वरैश्चापि सुसंयुत: । main
via surya_layout
15 ॰कै: पार्द: स्वरैध + annotation_inline
parent ligne 14
via heuristic_markers
16 तेनकैर्बिरुदैर्यत्र वर्णनीयस्य गीयते ॥ main
via surya_layout
17 तेन्तकै॰ annotation_inline
parent ligne 16
via heuristic_markers
18 प्रतापवर्धनो नाम प्रबन्धः परिकीर्तितः ॥ ४८८॥ main
via surya_layout
19 (तो?नो) annotation_inline
parent ligne 18
via heuristic_short
20 अष्टाभिरधिका रम्याश्चत्वारिंशदिति स्फुटम् ॥ ४८९॥ main
via surya_layout
21 [गीतदोषाः] section_header
via surya_layout
22 लोकदुष्टं शास्त्रदुष्टं पुनरुक्तं च वर्जयेत्। main
via surya_layout
23 ॰शास्त्र +++ पञ्च annotation_inline
parent ligne 22
via heuristic_markers
24 छन्दोदुष्टं[?] तथा ग्राम्यं गतक्रममपार्थकम् ॥ editorial_bracket
parent ligne 22
via heuristic_brackets
25 + गोदुष्टं main
via surya_layout
26 पदं चार्थं तु सन्दिग्धं कलाबाह्यं विभक्तकम् <sup>५२</sup>॥ ४९०॥ main
via surya_layout
27 काप्यमसन्दिग्धं annotation_inline
parent ligne 26
via heuristic_height
28 चाभ्यशि ॰ annotation_inline
parent ligne 26
via heuristic_markers
164 lignes a valider — change uniquement les roles incorrects.