Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21121). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p122 RIGHT — 28 lignes

L#	Texte OCR	Role auto
1	227	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[General Prescription]	section_header via surya_layout
4	The name pāda (foot) is given to a group of three padas (textual-cum-melodic units) which is brimming with mūrchanā bind	main via surya_layout
5	should be made sthita<sup>53</sup> (slow?); this is the prescription in respect of elās.	main via surya_layout
6	(439)	annotation_inline parent ligne 5 via heuristic_short
7	Then one should properly put in the name of the one being described. It	main via surya_layout
8	(elā) is lalitā (beautiful) (and) full of rasa; the name of self (composer)	main via surya_layout
9	comes after this.	annotation_inline parent ligne 8 via heuristic_short
10	(440)	main via surya_layout
11	Thus ends the fourfold ganaila.	main via surya_layout
12	[5. Saṅkarailā]	section_header via surya_layout
13	If the fourth foot 'grows' (gets elaborated) like the third foot, then the elā	main via surya_layout
14	spoken of by Matanga Muni becomes sankara (mixed). Here the fifth elā is	main via surya_layout
15	said to be named sankara.	main via surya_layout
16	(441)	annotation_inline parent ligne 15 via heuristic_short
17	[Thus ends gaņailā.]	editorial_bracket parent ligne 15 via heuristic_brackets
18	[B. The varieties of Mātrailā]	section_header via surya_layout
19	Ratilekhā, kāmalekhā, bāṇalekha and similarly candralekhā are (the varieties	main via surya_layout
20	of) mātrailā spoken of by Vallabha.54	main via surya_layout
21	(442)	main via surya_layout
22	[1. Raulekhā]	section_header via surya_layout
23	Where there are rudra 55 numbered (eleven) mātrās in (each of the first)	main via surya_layout
24	two feet and ten (rudrahasta?)56 mātrās measured according to the gaņa	main via surya_layout
25	named rati<sup>57</sup> (and) endowed with dhātu<sup>58</sup> (tonal-cum-rhymthic structure)	main via surya_layout
26	(and) mātu<sup>59</sup> (text), on account of this (ratigaņa) (this elā) is given the name	main via surya_layout
27	ratilekhā by the experts in the science of music (gītaśāstra).	main via surya_layout
28	<math>(443-444)</math>	main via surya_layout

vol_II_p136 RIGHT — 53 lignes

L#	Texte OCR	Role auto
1	PĂŢĦAVIMARŚA	page_header via surya_layout
2	255	page_number via heuristic_pagenum
3	170. Ibid.adds asyāḥ before ‘prastāraḥ’.	list_item via surya_layout
4	171. Reading in SR I. 7. 94.	list_item via surya_layout
5	172. SR I. 7. p. 242 adds 'raktagāndhāryām 'after 'asyām'.	list_item via surya_layout
6	173. Ibid.adds 'asyāḥ 'before 'prastāraḥ'.	list_item via surya_layout
7	174. SR I. 7. p. 245 adds ‘gāndhārapañcamyāṁ ’ after ‘ asyāṁ ’.	list_item via surya_layout
8	175. Ibid.adds ‘asyāḥ ’before ‘ prastāraḥ’.	list_item via surya_layout
9	176. SR. I. 7. p. 253 adds 'madhyamodīcyavāyām' after 'asyām'.	list_item via surya_layout
10	177. Ibid.adds ' asyāḥ ' before ' prastāraḥ '.	list_item via surya_layout
11	178. SR 1. 7. p. 253 adds ‘ kārmāravyāṁ ’ after ‘ asyāṁ ’.	list_item via surya_layout
12	179. Ibid.adds ‘ asyāḥ ’ before ‘ prastāraḥ ’.	list_item via surya_layout
13	180. SR1. 7.104 reads ‘sūribhiḥ’ but SRĀ I.7.103 reads ‘sū (bhū) ribhiḥ’.	list_item via surya_layout
14	181. SR 1.7. p.257 adds ‘gāndhārapañcamyām’ after ‘asyām’.	list_item via surya_layout
15	182. Ibid.adds ‘ asyāḥ ’ before ‘prastāraḥ ’.	list_item via surya_layout
16	183. Reading in SR I. 7. 105.	list_item via surya_layout
17	184. Reading in SR I.7.106.	list_item via surya_layout
18	185. Reading in SR 1.7.106; SRĀ 1.7.106 and Sudhā on the same, p.	list_item via surya_layout
19	260 read 'tāla' which fits the context.	list_item via surya_layout
20	186. SR I. 7, p.261 adds 'āndhryam' after 'asyām'.	list_item via surya_layout
21	187. Ibid.adds ' asyāḥ ' before ' prastāraḥ '.	list_item via surya_layout
22	188. Reading in SR I. 7.109.	list_item via surya_layout
23	189. SR I. 7, p. 264 adds ‘ nandayantyām’ after ‘ asyām’.	list_item via surya_layout
24	190. Ibid.adds asyāḥ before prastāraḥ.	list_item via surya_layout
25	191. P.t. adds 'sa' or 'ma' after each jātiprastāra in this interpolated	list_item via surya_layout
26	portion; the significance is not clear.	list_item via surya_layout
27	192. The jātis described in this interpolated portion do not complete	list_item via surya_layout
28	the number eighteen because of two repetitions as follows-	list_item via surya_layout
29	Jätis left out	table via surya_layout
30	Jātis described in the	table via surya_layout
31	Jātis described	table via surya_layout
32	interpolated portion	table via surya_layout
33	in the prose portion	table via surya_layout
34	1. Madhyamā	table via surya_layout
35	1.Şadjamadhyamā	table via surya_layout
36	1. Şādjī	table via surya_layout
37	2. Pañcami	table via surya_layout
38	2. Gändhärodicyavā	table via surya_layout
39	2. Arşabhī	table via surya_layout
40	3. Raktagāndhārī	table via surya_layout
41	3. Dhaivatī	table via surya_layout
42	4. Kaišikī	table via surya_layout
43	4. Naisādī	table via surya_layout
44	5. Madhyamodicyavā	table via surya_layout
45	5. Şadjakaisikī	table via surya_layout
46	6. Kārmāravī	table via surya_layout
47	6. Şadjodicyavā	table via surya_layout
48	7. Gändhärapañcamī	table via surya_layout
49	7.Şadjamadlıyrunā	table via surya_layout
50	8. Āndhrī	table via surya_layout
51	8. Gändhäri	table via surya_layout
52	9. Nandayanti	table via surya_layout
53	9. Raktagāndhārī	table via surya_layout

vol_II_p127 RIGHT — 30 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	237	page_number via heuristic_pagenum
3	[5. Drāvidailā]	section_header via surya_layout
4	The <i>elā</i> born in the <i>draviḍa</i> region is adorned with <i>bhāva</i>, <i>abhinaya</i> and <i>tāla</i>,	main via surya_layout
5	coloured with variegated sounds, devoid <math>^{85}</math> of prāsa and established in rasa.	main via surya_layout
6	(472)	annotation_inline parent ligne 5 via heuristic_short
7	Thus end the five <i>clās</i> bearing regional names.	main via surya_layout
8	[The number of <i>Elās</i>]	section_header via surya_layout
9	Ganailā has been said to be fourfold, the fifth is of the nature of sankara	main via surya_layout
10	(mixture); mātrailā has been spoken of with four varieties, by the experts in	main via surya_layout
11	music.	annotation_inline parent ligne 10 via heuristic_short
12	(473)	main via surya_layout
13	Varņailā has been described as having fourteen varieties, deśailās have	main via surya_layout
14	been said to be five-fold according to the distinction of region.	main via surya_layout
15	(474)	annotation_inline parent ligne 14 via heuristic_short
16	Altogether these are known to be twenty-eight in number by the experts	main via surya_layout
17	in the science of music, they are combined with their respective characteristics.	main via surya_layout
18	(475)	annotation_inline parent ligne 17 via heuristic_short
19	[Thus end the varieties of <i>elā</i>]	editorial_bracket parent ligne 17 via heuristic_brackets
20	[36. Jhombada]	section_header via surya_layout
21	Where half of the (first) foot is sung in repetition and then the second half	main via surya_layout
22	of the same is sung and there is alliteration between the two, similarly is sung	main via surya_layout
23	its second foot, in the same way the third foot and where the foot that is the	main via surya_layout
24	fourth one is sung at the end of each of all the feet, that is called <i>jhombada</i>	main via surya_layout
25	by the experts in music.	main via surya_layout
26	<math>(476-478)</math>	main via surya_layout
27	The tāla named kankāla never obtains in jhombadaka. All other tālas	main via surya_layout
28	related to desi obtain here. There are varieties of jhombada, adorned with	main via surya_layout
29	tenaka.	annotation_inline parent ligne 28 via heuristic_short
30	(479)	main via surya_layout

vol_I_p020 RIGHT — 33 lignes

L#	Texte OCR	Role auto
1	23	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	(Anu. 12)	annotation_inline parent ligne 4 via heuristic_height
4	(Objection) But the twenty-two-fold nature of śrutis does not also stand reason	main via surya_layout
5	(or is not amenable), because of the non-perception of srutis and the parts of	main via surya_layout
6	śruli.	annotation_inline parent ligne 5 via heuristic_height
7	It has been said—	annotation_inline parent ligne 5 via heuristic_height
8	"How can the perception or apprehension of this (śruti) take place? The	main via surya_layout
9	nabhas (ether, space) cannot become disturbed (vyākulita) in the beginning	main via surya_layout
10	(before svara); śruti has imperceptible parts and hence it does not appear as	main via surya_layout
11	being composed of parts.	annotation_inline parent ligne 10 via heuristic_height
12	(Objection continued)	annotation_inline parent ligne 10 via heuristic_height
13	"(If it be accepted that) they do exist, then how many are they in relation to	main via surya_layout
14	mātṛkās 59 (subtle bases)? If they are twenty-two, what is their process by krama	main via surya_layout
15	(straight order) and utkrama (reverse order)?	main via surya_layout
16	"If the infinity or singularity of śrutis becomes unavoidable, (then) there	main via surya_layout
17	would be a doubtless state of those mātṛkās. Mātṛkās themselves are not there,	main via surya_layout
18	how (why) should there be their vikalpana (assumption, imagination)?	main via surya_layout
19	"The wise say that the existence (sattā) of dharmas (attributes) <math>^{60}</math> is there	main via surya_layout
20	when the dharmin (the one to whom the attributes belong) is there. When the	main via surya_layout
21	dharmins are not there, the dharmas are (also) not there, so say the wise. The	main via surya_layout
22	sattva (existence) and asattva (non-existence) of gunas and dosas are there	main via surya_layout
23	when (the same occur in respect of) gunins (those to whom the gunas belong).	main via surya_layout
24	"If the respective śrutis become the cause (of svaras) without themselves	main via surya_layout
25	having a cause, then their origin (or) cause should not be sought.	main via surya_layout
26	"Moreover, if in spite of there being equal tangibility (of śruti and mātṛkā)	main via surya_layout
27	through pramāņa (means of valid perception), mātṛkās are concealed (denied),	main via surya_layout
28	then it would be very difficult also to save śrutis (i.e. śruti will also have to be	main via surya_layout
29	denied)."	annotation_inline parent ligne 28 via heuristic_height
30	Now is being said (in answer)—	annotation_inline parent ligne 28 via heuristic_height
31	Srutis that are the cause of the manifestation of svara are grasped by	main via surya_layout
32	arthāpatti (negative inference) anumāna (inference) or pratyakṣa-jñāna 61	main via surya_layout
33	(perception) (43)	annotation_inline parent ligne 32 via heuristic_height

vol_II_p067 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	117	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[Anu. 200]	editorial_bracket parent ligne 4 via heuristic_brackets
4	This means - Mālavakaišika is related to madhyamagrāma on account of	main via surya_layout
5	being born of kaiśikī jāti. Ṣadja is the graha, aniśa and nyāsa. There is the	main via surya_layout
6	sparseness of dhaivata here. In usage, niṣāda is kākalī here and this (rāga) is	main via surya_layout
7	complete in svaras. Its application is prescribed in vipralambha-śṛṅgāra (love in separation). Vīra<sup>74</sup> and the	main via surya_layout
8	with sadja obtains. Ārohin is the varņa. Prasannamadhyama is the alankāra.	main via surya_layout
9	The kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga)	main via surya_layout
10	and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in	main via surya_layout
11	songs comprised of svara and pada.	main via surya_layout
12	[The assignment of gramas to vesararagas]	section_header via surya_layout
13	Now the particular grāma of each one of the vesara (rāgas) is being shown -	main via surya_layout
14	Ţakkarāga, similarly sauvīra, ṭakkakaišika, boṭṭarāga and vesara-ṣāḍava are in the	main via surya_layout
15	one (grāma) called sadja.	annotation_inline parent ligne 14 via heuristic_height
16	(329)	annotation_inline parent ligne 14 via heuristic_height
17	Hindolaka, mālavapancama and mālavakaišika should be known to be born	main via surya_layout
18	of madhyamagrāma.	annotation_inline parent ligne 17 via heuristic_height
19	(330)	annotation_inline parent ligne 17 via heuristic_height
20	Thus have all the vesara(rāgas) been spoken of with their definitive	main via surya_layout
21	descriptions. They are known as vega-svaras 75 because the speed of svaras is	main via surya_layout
22	seen in them.	annotation_inline parent ligne 21 via heuristic_height
23	(331)	annotation_inline parent ligne 21 via heuristic_height
24	[ E. Sādhāraņa rāgas]	section_header via surya_layout
25	The śuddha, bhinna, gauḍa and similarly vegasvara (rāgas) have been spoken	main via surya_layout
26	of. Now I will speak of the seven sādhāraņa ones.	main via surya_layout
27	(332)	annotation_inline parent ligne 26 via heuristic_height
28	[Anu. 201]	editorial_bracket parent ligne 26 via heuristic_brackets
29	(Contention) Howdoes the sidhāraṇatva (commonness) of sādhāraṇa (rāgas)	main via surya_layout
30	come about? It is being answered. On account of being born of the gitis	main via surya_layout
31	pertaining to all the ragas that have been spoken of heretofore, there is their	main via surya_layout
32	sādhāraņatva (commonness); this comes about on account of their being sung in	main via surya_layout
33	the sādhāraṇa-giti. Similarly has said Kasyapa-	main via surya_layout
34	"Seven sādhāraņa (rāgas) have been said to be based in all the gitis."	main via surya_layout

178 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p122 RIGHT — 28 lignes

vol_II_p136 RIGHT — 53 lignes

vol_II_p127 RIGHT — 30 lignes

vol_I_p020 RIGHT — 33 lignes

vol_II_p067 RIGHT — 34 lignes