Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21153). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p097 RIGHT — 27 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	177	page_number via heuristic_pagenum
3	Illustration-Dhādhānidhāsāsānidhādhānidhādhādhāpā māgāriririgāmāpā	main via surya_layout
4	pādhāpagārīdhamādhāpāpādhāpāmarigāmānīdhāpādhādhāmapādhāpāniriga	main via surya_layout
5	risāridhāridhāripādhādhādhādhāni. Sāsārigāgā masāmapamādhā-	main via surya_layout
6	dhādhāpādhāsānidhaivatadhādhā. Dhaivatabhūṣitā [iii]	editorial_bracket parent ligne 5 via heuristic_brackets
7	Viśālā has pañcama as amśa and dhaivata as the concluding note, (and) is	main via surya_layout
8	charming. This is complete in svaras and has to and fro movement between	main via surya_layout
9	sa-dha (ṣadja-dhaivata). This bhāṣā is always sung by the Kinnaras.<sup>63</sup>	main via surya_layout
10	(130)	annotation_inline parent ligne 9 via heuristic_height
11	Illustration - Pādhāsāsādhānī gāsānidhādhā.Pādhādhā. Nisāsānīdhāpā	main via surya_layout
12	māgānininirigāmāmāgāmamadhānīdhānisārigārisāsānidhārigasāsanisānidhāni-	main via surya_layout
13	nīdhāpadhadhadhapāpāmāgāriridhāririmamadhyamagamāpāpāpāpānidhadhad-	main via surya_layout
14	hadhapāmādhānisāsāsāriririmamamapamapāpādhānīsānīdhāpādhādhāpānininī.	main via surya_layout
15	Sāsāmadhāpādhānidhā. Viśālā [iv]	editorial_bracket parent ligne 14 via heuristic_brackets
16	These are the bhāṣās of bhinnapañcama spoken of by Yāṣṭika.	main via surya_layout
17	[9. Now in Bottaraga]	section_header via surya_layout
18	Having pañcama as amsa, madhyama as the concluding note, being complete	main via surya_layout
19	and brilliant with madhyama, this baṅgāla bhāṣā is sung in boṭṭa-rāga. To and	main via surya_layout
20	fro movement is always seen in profusion. It is sung by the <math>n\bar{a}yakas^{64}</math> on all	main via surya_layout
21	auspicious occasions. Since it is auspicious and commendable, it is known	main via surya_layout
22	as mangalā.	annotation_inline parent ligne 21 via heuristic_height
23	<math>(131-132)</math>	annotation_inline parent ligne 21 via heuristic_height
24	Illustration - Pādhāpādhāmā dhāpāmā gāriririgamapā dhāsāgāsānidhāpā-	main via surya_layout
25	pāmā. Maṅgalā [i]	editorial_bracket parent ligne 24 via heuristic_brackets
26	[10. Bhāṣās in mālavapañcama]	table via surya_layout
27	.....[Bhāvinī]	table via surya_layout

vol_II_p077 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	137	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	Sauvīrī should be known as the first one, vega-madhyamā the second,	main via surya_layout
4	sādhāritā is the third one and gāndhārī the fourth. Thus should be known the	main via surya_layout
5	four <i>bhāṣās</i> born of <i>sauvīraka</i>.	main via surya_layout
6	<math>(30c-31)</math>	main via surya_layout
7	Suddhabhinnā, vārāṭī, similarly dhaivatabhūṣitā and then viśālā are said	main via surya_layout
8	to be born of <i>bhinnapañcama</i>.	main via surya_layout
9	(32)	annotation_inline parent ligne 8 via heuristic_short
10	The bhāṣā called māṅgalī is born of boṭṭa-rāga. In mālavapañcama is born	main via surya_layout
11	bhāvinī, the one that is beautiful for the people.	main via surya_layout
12	(33)	annotation_inline parent ligne 11 via heuristic_short
13	Mālavā (and) bhinnavālikā should be known to be born of ṭakkakaiśika,	main via surya_layout
14	and drāvidī is the third bhāṣā there that is described with characteristics	main via surya_layout
15	(lakṣaṇas).	annotation_inline parent ligne 14 via heuristic_short
16	(34)	main via surya_layout
17	The two known as bāhyaṣāḍavā and nādākhyā are born in vesaraṣāḍava.	main via surya_layout
18	Tānodbhavā should be known as being assigned to bhinnatāna.	main via surya_layout
19	(35)	annotation_inline parent ligne 18 via heuristic_height
20	In gāndhārapañcama, gāndhārikā is the one bhāṣā that is accepted.	main via surya_layout
21	Gāndhārī is with profuse gāndhāra and is delightful to the people in	main via surya_layout
22	pañcama (gāndhārapañcama). In revagupta<sup>13</sup> (?) śakākhyā is the one	main via surya_layout
23	spoken of in <i>pañcamaṣāḍav</i>a.	main via surya_layout
24	(36)	annotation_inline parent ligne 23 via heuristic_short
25	Thus are obvious the bhāṣās that are born in manifold ways. Now listen	main via surya_layout
26	to their description alongwith illustration for each one.	main via surya_layout
27	(37)	main via surya_layout
28	[The description of bhāṣās]	section_header via surya_layout
29	[1. Bhāṣās in ṭakka-rāga]	section_header via surya_layout
30	It has madhyama as its amśa, şadja as its concluding note, is devoid of	main via surya_layout
31	pañcama and there is to be seen here again and again the mutual	main via surya_layout
32	movement<sup>14</sup> of dhaivata-niṣāda and similarly ṣadja - dhaivata. This should	main via surya_layout
33	be known as hexatonic. Travaņā should bear the name mūlā.	main via surya_layout
34	(38-39)	annotation_inline parent ligne 33 via heuristic_height

vol_II_p099 RIGHT — 22 lignes

L#	Texte OCR	Role auto
1	181	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Illustration-Māmāsārisārigārisāsāsārimā pādhaivatadhāpāsāmāgāpāmadhya-	main via surya_layout
4	mā gāgāgārigāgagadharimā gānisānisādhapāmāmā. Bāhyaṣāḍavā [i]	editorial_bracket parent ligne 3 via heuristic_brackets
5	Having şadjaas amśa, madhyamaas nyāsa, embellished with gāndhāra in the	main via surya_layout
6	mandra (sthāna, lower register), this (bhāṣā) nādākhyā<sup>68</sup> should be made	main via surya_layout
7	hexatonic in rāga ṣāḍava. This (bhāṣā) has been said to be hexatonic, with	main via surya_layout
8	the omission of <math>pa\bar{n}cama</math>. This (<math>bh\bar{a}s\bar{a}</math>) is always said to be <math>sa\bar{n}k\	main via surya_layout
9	delightful to the people.	main via surya_layout
10	<math>(139-140)</math>	main via surya_layout
11	Illustration - Sāsānimāmā sārimāmādhāmāmā rigāririnigāsānidhāmāmā.	main via surya_layout
12	Nādākhyā [ii]	editorial_bracket parent ligne 11 via heuristic_brackets
13	These two are there in vesarașādava.	main via surya_layout
14	13. Now the bhāṣās in bhinnatāna	section_header via surya_layout
15	Having pañçama as amsa and the same as the concluding note, this	table via surya_layout
16	sādhāraņakṛtā<sup>70</sup> bhāṣā is known to be tānodbhavā. It has to be made devoid	table via surya_layout
17	of rṣabha, by the knowledgeable ones in music.	table via surya_layout
18	(141)	table via surya_layout
19	.....[Tānodbhavā]	table via surya_layout
20	[This one is in bhinnatāna]	table via surya_layout
21	[14. Bhāṣās in gāndhārapancama]	table via surya_layout
22	.....[Gāndhārī]	table via surya_layout

vol_I_p091 LEFT — 43 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	164	page_number via heuristic_pagenum
3	52. Abhivyañjakatā means the process of manifestation of something that is	list_item via surya_layout
4	already in existence. In Grammar Philosophy śabda is eternal and its subtle and	list_item via surya_layout
5	imperceptible element called sphota (lit. 'bursting' or flash on the mind) is	list_item via surya_layout
6	vyangya (object of vyanjanā). Matanga seems to be influenced by this line of	list_item via surya_layout
7	thought which later culminated in the dhvani theory in literature.	list_item via surya_layout
8	53. The visista dharma (specific quality or nature) i.e. the differentia of a	list_item via surya_layout
9	thing is svalakṣaṇa. This is understood at two levels, one is the specific nature of	list_item via surya_layout
10	a thing i.e. it is related to the <i>vyakti</i> or particular or individual, the other is the	list_item via surya_layout
11	dharma or nature that is common to many i.e. the generic nature or jāti. The	list_item via surya_layout
12	first one is according to the Bauddha system and the second one is according to	list_item via surya_layout
13	all those systems that accept jāti, e.g. Mīmāṃsā. Bauddha logic has given	list_item via surya_layout
14	elaborate treatment and discussion of svalakşana in the context of pratyakşa	list_item via surya_layout
15	(perception ). It does not seem probable that Matanga was influenced by this	list_item via surya_layout
16	system, because non-existence of a common quality or attribute or nature of a	list_item via surya_layout
17	thing accepted in majority of the schools of Bauddha logic could not perhaps be	list_item via surya_layout
18	congenial to the explanation of the perception of sruti and svara which would	list_item via surya_layout
19	require a 'continuity' of their common features.	list_item via surya_layout
20	54. Nabhaḥpuṣpa i.e. a flower grown in the sky is a classic example of an	list_item via surya_layout
21	absurdity or impossibility just like vandhyāputra, the son of a sterile woman.	list_item via surya_layout
22	55. Arthāpatti is one of the pramāņas i.e. means of valid knowledge	list_item via surya_layout
23	propounded specially by the mimāmsā system and accepted by Advaita Vedānta.	list_item via surya_layout
24	Nyāya includes it under anumāna. It has been defined as -	list_item via surya_layout
25	अर्थापतिरपि दृष्टः श्रुतो वाऽर्थः अन्यथा नोपपद्यते इत्यर्थकल्पना ।	main via surya_layout
26	( Śabarabhāṣya on Mīm Sū I, 1.5 )	main via surya_layout
27	When a seen or heard thing is not proved right in another way, then the	main via surya_layout
28	imagination of something is known as arthāpatti.	main via surya_layout
29	For example, if Devadatta is alive and is not at home, it is imagined that he	main via surya_layout
30	is outside, or, the classic example is that if Devadatta is fat, but does not eat	main via surya_layout
31	during the day, then it is imagined that he eats at night, because his fatness that	main via surya_layout
32	is seen could not be explained or proved through non-consumption of food.	main via surya_layout
33	Hence arthāpatti is translated as negative inference.	main via surya_layout
34	56. All the systems of Indian philosophy except the Carvaka system, accept	main via surya_layout
35	anumāna as a pramāņa. The Nyāya system has given its elaborate treatment. It	main via surya_layout
36	has to be preceded by perception ( pratyaksa ). One who has not seen the	main via surya_layout
37	concomitance of smoke and fire, could not infer fire on the basis of the	main via surya_layout
38	perception of smoke. The classic example of anumana is —	main via surya_layout
39	पर्वतोऽयं विश्वमान् धूमवत्त्वात् ।	main via surya_layout
40	This hill is fiery because of there being smoke. This inference presumes or	main via surya_layout
41	is preceded by vyāpti-graha (apprehension of universal concomitance) which is	main via surya_layout
42	thus expressed -	main via surya_layout
43	यत्र यत्र धूमस्तत्र तत्र बह्निः ।	unknown via fallback

vol_II_p078 LEFT — 34 lignes

L#	Texte OCR	Role auto
1	: -- 10gd	annotation_inline parent ligne 4 via heuristic_height
2	BRHADDEŚĪ	page_header via surya_layout
3	138	page_number via heuristic_pagenum
4	परस्परं तु गमनं दृश्यतेऽत्र पुन: पुन: ।	main via surya_layout
5	स्यादियं षाडवा ज्ञेया मूलाख्या त्रवणा<sup>२१</sup> भवेत् ॥३९॥	main via surya_layout
6	धानिसामा	annotation_inline parent ligne 5 via heuristic_short
7	उदाहरणम् – मासासासा सानिधानिधानी 📉 धागासासा ।	main via surya_layout
8	गागागामा	annotation_inline parent ligne 7 via heuristic_height
9	सानिधासासासा गामाधानीधाधामारी गारीरीमरिगासासानिधासासा ।	main via surya_layout
10	नीधगासासा	annotation_inline parent ligne 9 via heuristic_short
11	निधनिमामानिधासासा निधासगमागासा नीधनीसा। त्रवणा । [१]	editorial_bracket parent ligne 9 via heuristic_brackets
12	त्रिपणा	annotation_inline parent ligne 9 via heuristic_height
13	षड्जा[-]ता मध्यमांशा या गान्धारबहुला सदा ।	editorial_bracket parent ligne 9 via heuristic_brackets
14	पञ्चमेन विहीना तु <sup>२२</sup>बहुलौ धैवतर्षभौ ॥	main via surya_layout
15	मुहरी पड्जधैवत:	annotation_inline parent ligne 14 via heuristic_short
16	सङ्कीर्णेयं सदा ज्ञेया षाडवा त्रवणोद्भवा ॥४०॥	main via surya_layout
17	उदाहरणम् -मानीनीनीसास[1] । सारीरी रीगागागमामा मामारी । गरिनिनिधा धाधामामगारि	editorial_bracket parent ligne 16 via heuristic_brackets
18	गा । सामागारी । सनिनिगागा निनिधासरिगारीमा । गामामानी नीससा । त्रवणोद्भवा । [२]	editorial_bracket parent ligne 16 via heuristic_brackets
19	त्रपणो॰	annotation_inline parent ligne 16 via heuristic_markers
20	वेरञ्जिका तु विज्ञेया २३गान्धारांशाल्पपञ्चमा ।	main via surya_layout
21	(ये?वे)	annotation_inline parent ligne 20 via heuristic_height
22	षड्जन्यासा तु कर्तव्या, २४षड्जधैवतयोस्तथा ॥४१॥	main via surya_layout
23	गमनं सम्प्रयुज्य तु गान्धारर्षभयोस्तथा ।	main via surya_layout
24	तु(?)गान्धारर्ष(भ)	annotation_inline parent ligne 23 via heuristic_short
25	एवं भाषा तु विज्ञेया षाडवा तु निगद्यते ॥४२॥	main via surya_layout
26	उदाहरणम् -गानिगागा धरिमामागा मामागारीगाससासा निगारीनिनिधाधाधनिगारीमागारि -	main via surya_layout
27	सनीधनी । सासागमामाधासा सगनिगानिगानिग धरीगरीरिगारिरीग मममधमममधरीगसासासा	main via surya_layout
28	৽বি৽	annotation_inline parent ligne 27 via heuristic_height
29	सनीगारीगा निनिधामाधानिधासनीगा रीममरिसा निधानिसासा । वेरञ्जिका । [३]	editorial_bracket parent ligne 27 via heuristic_brackets
30	षड्जाद्यन्तसमायुक्ता सम्पूर्णा मध्यमोज्वला ।	main via surya_layout
31	षड्जमध्यमसंवादो द्विश्रुतीनां परस्परम् ॥	main via surya_layout
32	मूलभाषा तु विज्ञेया छेवाटी गेयवेदिभि: २५॥४३॥	main via surya_layout
33	मृक्र	annotation_inline parent ligne 32 via heuristic_height
34	छोहारी	annotation_inline parent ligne 32 via heuristic_height

160 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p097 RIGHT — 27 lignes

vol_II_p077 RIGHT — 34 lignes

vol_II_p099 RIGHT — 22 lignes

vol_I_p091 LEFT — 43 lignes

vol_II_p078 LEFT — 34 lignes