Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21155). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p077 RIGHT — 34 lignes

page vol_II_p077 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 137 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Sauvīrī should be known as the first one, vega-madhyamā the second, main
via surya_layout
4 sādhāritā is the third one and gāndhārī the fourth. Thus should be known the main
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5 four <i>bhāṣās</i> born of <i>sauvīraka</i>. main
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6 <math>(30c-31)</math> main
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7 Suddhabhinnā, vārāṭī, similarly dhaivatabhūṣitā and then viśālā are said main
via surya_layout
8 to be born of <i>bhinnapañcama</i>. main
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9 (32) annotation_inline
parent ligne 8
via heuristic_short
10 The bhāṣā called māṅgalī is born of boṭṭa-rāga. In mālavapañcama is born main
via surya_layout
11 bhāvinī, the one that is beautiful for the people. main
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12 (33) annotation_inline
parent ligne 11
via heuristic_short
13 Mālavā (and) bhinnavālikā should be known to be born of ṭakkakaiśika, main
via surya_layout
14 and drāvidī is the third bhāṣā there that is described with characteristics main
via surya_layout
15 (lakṣaṇas). annotation_inline
parent ligne 14
via heuristic_short
16 (34) main
via surya_layout
17 The two known as bāhyaṣāḍavā and nādākhyā are born in vesaraṣāḍava. main
via surya_layout
18 Tānodbhavā should be known as being assigned to bhinnatāna. main
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19 (35) annotation_inline
parent ligne 18
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20 In gāndhārapañcama, gāndhārikā is the one bhāṣā that is accepted. main
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21 Gāndhārī is with profuse gāndhāra and is delightful to the people in main
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22 pañcama (gāndhārapañcama). In revagupta<sup>13</sup> (?) śakākhyā is the one main
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23 spoken of in <i>pañcamaṣāḍav</i>a. main
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24 (36) annotation_inline
parent ligne 23
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25 Thus are obvious the bhāṣās that are born in manifold ways. Now listen main
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26 to their description alongwith illustration for each one. main
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27 (37) main
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28 [The description of bhāṣās] section_header
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29 [1. Bhāṣās in ṭakka-rāga] section_header
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30 It has madhyama as its amśa, şadja as its concluding note, is devoid of main
via surya_layout
31 pañcama and there is to be seen here again and again the mutual main
via surya_layout
32 movement<sup>14</sup> of dhaivata-niṣāda and similarly ṣadja - dhaivata. This should main
via surya_layout
33 be known as hexatonic. Travaņā should bear the name mūlā. main
via surya_layout
34 (38-39) annotation_inline
parent ligne 33
via heuristic_height

vol_II_p038 RIGHT — 51 lignes

page vol_II_p038 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1 page_number
via heuristic_pagenum
2 59 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 (3) table
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5 mā gā rī gā mā mā sā sā table
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6 <b>(4)</b> table
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7 [mā magama mā mā nidha padha pama gamama] table
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8 (5) table
via surya_layout
9 dhā padha pari riga maga riga sadhasa sā table
via surya_layout
10 (6) table
via surya_layout
11 nidha sā rī magama mā mā mā mā table
via surya_layout
12 (7) table
via surya_layout
13 mā mā magama madha dhapa padha pama gamaga table
via surya_layout
14 (8) table
via surya_layout
15 dhā padha pari riga maga riga sadhasa sā table
via surya_layout
16 (9) table
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17 mā mā dhani dhasa dhapa mapa pā pā table
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18 (10) table
via surya_layout
19 mā magama mā nidha padha pamaga gā mā table
via surya_layout
20 (11) table
via surya_layout
21 dhā padha pari riga maga riga sadhasa sā table
via surya_layout
22 (12) table
via surya_layout
23 nidha sā rī magama mā mā mā mā table
via surya_layout
24 Thus ends <i>şadjamadhyamā</i>. section_header
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25 [2. Gāndhārodīcyavā] section_header
via surya_layout
26 In gāndhārodīcyavā, ṣadjaand madhyama are the two amśas. The hexatonic main
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27 is known to be with the omission of rşabha. In the state of completeness there main
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28 is the sparseness of svaras other than those that are anisas. main
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29 (4) annotation_inline
parent ligne 28
via heuristic_short
30 In the hexatonic form, niṣāda, dhaivata, pañcama and gāndhāra are said to main
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31 be sparse. Saigati (concert) between ṛṣabha and dhaivata should be known main
via surya_layout
32 and the mūrchanā beginning with dhaivata obtains. main
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33 (5) annotation_inline
parent ligne 32
via heuristic_short
34 The tāla should be known as caccatpuța. Sixteen kalās (time units) are said main
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35 to obtain. Its application (viniyoga) is accepted to be in the singing of dhruvā main
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36 in the fourth act. annotation_inline
parent ligne 35
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37 (6) main
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38 Madhyamais the nyāsain this (jāti). Ṣaḍja and dhaivata are apanyāsas. The main
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39 prastāra is thus - main
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40 (1) table
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41 sā sā pā mā pā dhapa pā mā table
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42 (2) table
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43 dhā pā mā mā sā sā sā sā table
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44 (3) table
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45 dhã nĩ sã sã mã mã pã pã table
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46 (4) table
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47 ករី ករី ករី ករី ករី ករី ករី ករី table
via surya_layout
48 (5) table
via surya_layout
49 mã mã dhã nisa nĩ nĩ nĩ table
via surya_layout
50 (6) table
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51 mā pā mā pari gā gā sā sā table
via surya_layout

vol_II_p008 RIGHT — 63 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 2
via heuristic_height
2 <b>ABBREVIATIONS</b> section_header
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3 Abhi main
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4 Abhinavagupta annotation_inline
parent ligne 3
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5 Abhinava Bhāratī, Abhinavagupta's commentary main
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6 Abhi Bhā annotation_inline
parent ligne 5
via heuristic_short
7 on Nātya-Šāstra G.O.S., Baroda edition main
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8 Anuccheda, comparable to paragraph main
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9 Anu. annotation_inline
parent ligne 8
via heuristic_short
10 Bha Bhā main
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11 Bharata Bhāṣya of Nānyadeva published upto a main
via surya_layout
12 portion of Chapter VII in two volumes by Indira main
via surya_layout
13 Kala Sangit Vishwavidyalaya, Khairagarh (M.P.) main
via surya_layout
14 and photostat of manuscript in the Deptt. of main
via surya_layout
15 Musicology, B.H.U. annotation_inline
parent ligne 14
via heuristic_short
16 Bha Ko main
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17 Bharata Kośa of M.R. Kavi main
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18 BrD annotation_inline
parent ligne 17
via heuristic_short
19 Brhaddeśi of Matanga Muni main
via surya_layout
20 C.r. annotation_inline
parent ligne 19
via heuristic_short
21 Cited reading main
via surya_layout
22 Dattilam of Dattila unknown
via fallback
23 Datti unknown
via fallback
24 Ed. main
via surya_layout
25 Pt. K. Sāmbaśiva Sāstrī, editor of Bṛhaddeśī, main
via surya_layout
26 published in Anantaśayana Sanskrit Granthāvalī main
via surya_layout
27 No. 94 (Trivandrum Sanskrit Series) in 1928 main
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28 <i>Kalānidhi</i> commentary of Kallinātha on main
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29 Kalā annotation_inline
parent ligne 28
via heuristic_short
30 Sangita-Ratnākara main
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31 Kalli annotation_inline
parent ligne 30
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32 Kallinātha main
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33 Lit. annotation_inline
parent ligne 32
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34 Literally main
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35 Mānasollāsa of Someśvara, Vol. III main
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36 Mānaso annotation_inline
parent ligne 35
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37 NŠ main
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38 Nātya Šāstra, G.O.S., Baroda edition, unless main
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39 otherwise indicated annotation_inline
parent ligne 38
via heuristic_short
40 NŠ Chau. main
via surya_layout
41 Nāṭya Śāstra, Chaukhambha, Varanasi edition main
via surya_layout
42 NŠ Kā Mā annotation_inline
parent ligne 41
via heuristic_short
43 Nāţya Sāstra, Kāvya Mālā edition main
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44 P.t. annotation_inline
parent ligne 43
via heuristic_short
45 Printed text of Bṛhaddeśi, Trivandrum edition main
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46 Ra Kau annotation_inline
parent ligne 45
via heuristic_short
47 Rasakaumudi of Šrikantha main
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48 Rā Vi annotation_inline
parent ligne 47
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49 Rāga Vibodha of Somanātha main
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50 Sam Sa Sā annotation_inline
parent ligne 49
via heuristic_short
51 Sangīta-Samaya-Sāra of Pārsvadeva main
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52 Sam Ši Bhā Ka annotation_inline
parent ligne 51
via heuristic_short
53 Sangīta Siromaņi of Panditamandalī, main
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54 manuscript in Bharat Kala Bhavan, B.H.U., main
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55 transcript in the Deptt. of Musicology, B.H.U. main
via surya_layout
56 Sam Su P.L. annotation_inline
parent ligne 55
via heuristic_short
57 Sangita Sudhākara, Palm Leaf manuscript, main
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58 Saraswati Mahal Library, Tanjore, transcript in main
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59 the Deptt. of Musicology, B.H.U. main
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60 Simha annotation_inline
parent ligne 59
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61 Simhabhūpāla main
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62 SR annotation_inline
parent ligne 61
via heuristic_short
63 Sangita Ratnākara of Šārngadeva (Adyar edition) main
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vol_II_p097 LEFT — 33 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 4
via heuristic_height
2 176 page_number
via heuristic_pagenum
3 BRHADDEŚĪ page_header
via surya_layout
4 उदाहरणम् - धाधानिधासासानिधा धानिधाधाधापामागारिरिरिगामपापाधा main
via surya_layout
5 पगारिरिधमाधापा- annotation_inline
parent ligne 4
via heuristic_short
6 पाधा पामरिगामानी annotation_inline
parent ligne 4
via heuristic_height
7 धापाधाधा धामपाधापानिरिगरिसारिधा रिधारिधारिपाधाधाधाधानि। सासा- main
via surya_layout
8 প্ৰাণ annotation_inline
parent ligne 7
via heuristic_height
9 रिगागामसामपमाधाधा धापाधासानिधैवतधाधा । धैवतभूषिता । [३] editorial_bracket
parent ligne 7
via heuristic_brackets
10 विशाला पञ्चमांशा तु धैवतान्ता मनोहरा। main
via surya_layout
11 सुसम्पूर्णस्वरा होषा ११८ सञ्चार: सधयोर्हि च ॥ main
via surya_layout
12 शो धैवतस्तत: annotation_inline
parent ligne 11
via heuristic_height
13 एषा भाषा तु विज्ञेया किन्नरैर्गीयते सदा ॥ १३०॥ main
via surya_layout
14 उदाहरणम् – पाधासासाधानी गासानिधाधा। पाधाधा। निसासानीधा पामागानिनिनिरिगामामा– main
via surya_layout
15 नीधानिसारिगारिसासानिधा रिगास निसानिधानि नीधापधधधपापामागारिरिधा- main
via surya_layout
16 गाममधा annotation_inline
parent ligne 15
via heuristic_height
17 रिरिममध्यमगमापापापा निधधधधपामाधा निसासासारिरिरिमममपमपापाधा नीसानीधापाधा- main
via surya_layout
18 धा पानिनिनिसासामधापाधानिधा । विशाला । [४] editorial_bracket
parent ligne 17
via heuristic_brackets
19 एता याष्ट्रिकप्रोक्ता भित्रपञ्चमभाषा:। main
via surya_layout
20 भित्रप(ञ्च)मभाषा(:) annotation_inline
parent ligne 19
via heuristic_height
21 [९ अथ बोट्टरागे ] section_header
via surya_layout
22 पोट्ट annotation_inline
parent ligne 21
via heuristic_height
23 पञ्चमांशा मध्यमान्ता सम्पूर्णा मध्यमोज्ज्वला । main
via surya_layout
24 <sup>११९</sup>धैवतनिषादसञ्चारो दृश्यते <sup>१२०</sup>बहुल: सदा ॥ १३१॥ main
via surya_layout
25 ॰निपाद: annotation_inline
parent ligne 24
via heuristic_markers
26 एषा बङ्गालभाषा तु बोट्टरागे प्रगीयते । main
via surya_layout
27 (तु) annotation_inline
parent ligne 26
via heuristic_height
28 सर्वेषां मङ्गलानां च नायकैर्गीयते सदा ॥ main
via surya_layout
29 मङ्गल्या च प्रशस्ता च तेनासौ मङ्गला स्मृता ॥ १३२ ॥ unknown
via fallback
30 उदाहरणम् - पाधापाधामा धापामा गारिरिरिगमपा धासागासानिधापापामा । मङ्गला । [१] editorial_bracket
parent ligne 28
via heuristic_brackets
31 माङ्गाली annotation_inline
parent ligne 28
via heuristic_height
32 [१०. अथ मालवपञ्चमे] section_header
via surya_layout
33 ······<sup>१२१</sup>[ भाविनी ] table
via surya_layout

vol_I_p033 LEFT — 26 lignes

page vol_I_p033 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 48 page_number
via heuristic_pagenum
3 पञ्चमस्तु भवेत् कृष्णः पीतवर्णस्तु धैवतः। main
via surya_layout
4 निषादः सर्ववर्णोऽयं विज्ञेयाः स्वरवर्णकाः॥७४॥ main
via surya_layout
5 <b>४</b> यड्जस्य दैवतं ब्रह्मा ऋषभो वह्निदैवतः। main
via surya_layout
6 गान्धारो भारतीदेवो मध्यमोभ् हरदैवतः॥७५॥ main
via surya_layout
7 पञ्चमः शतयज्ञस्तु धैवतो गणनायकः। main
via surya_layout
8 निषादो भानुदेवस्तु इत्येते स्वरदेवताः॥७६॥ main
via surya_layout
9 <b>44अग्निगीतः स्वरः षड्ज ऋषभो ब्रह्मणोदितः।</b> main
via surya_layout
10 सोमेन गीतो गान्धारो विष्णुना मध्यमः स्वरः॥७७॥ main
via surya_layout
11 पञ्चमस्तु स्वरो गीतो नारदेन महात्मना। main
via surya_layout
12 धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ।।७८।। main
via surya_layout
13 <b>४</b>व्हास्यशृङ्गारयोः कार्यौ स्वरौ मध्यमपञ्चमौ। main
via surya_layout
14 षड्जर्षभौ तथा ज्ञेयौ वीररौद्राद्भुतेषु च ॥७९॥ main
via surya_layout
15 गान्धारइच निषादइच कर्तव्यौ करुणे रसे। main
via surya_layout
16 धैवतश्चापि कर्त्तव्यो बीभत्से सभयानके।।८०॥ main
via surya_layout
17 कण्ठादुत्तिष्ठते षड्ज ऋषभः शिरसः स्मृतः। main
via surya_layout
18 स्यि annotation_inline
parent ligne 17
via heuristic_height
19 नासायाश्चैव गान्धार उरसो मध्यमः स्वरः॥८१॥ main
via surya_layout
20 उरसः शिरसः कण्ठादुत्थितः पञ्चमः स्वरः। main
via surya_layout
21 तालुदेशात् समुत्पन्नो धैवतस्तु यशस्विनि।। main
via surya_layout
22 46हो annotation_inline
parent ligne 21
via heuristic_height
23 निषादस्तु समुत्पन्नो विज्ञेयः सर्वसन्धितः ॥८२ ॥ main
via surya_layout
24 एवं स्वरान् विजानीयादुत्पन्नान् गीतसागरे। main
via surya_layout
25 महादेवमुखोद्भतान् देशीमार्गे च संस्थितान्।।८३।। main
via surya_layout
26 ॥ इति स्वरप्रकरणम् ॥ editorial_bracket
parent ligne 25
via heuristic_brackets
207 lignes a valider — change uniquement les roles incorrects.