Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21160). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p113 RIGHT — 30 lignes

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1 TRANSLATION page_header
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2 209 page_number
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3 prabandha svarārtha. Karaņa<sup>5</sup> has been said to be the fortieth, combined with main
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4 five (forty-five). annotation_inline
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5 <math>(377-378)</math> main
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6 This varņasvara is known to be (numbered) forty combined with six main
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7 (forty-sixth); that which is muktāvalī should be known to be (numbered) main
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8 forty, combined with seven (forty-seven). main
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9 (379) annotation_inline
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10 Pratāpavardhana is said to be the forty-eighth. Eight combined with main
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11 forty(forty-eight) are (the prabandhas) spoken of by the muni. main
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12 (380) annotation_inline
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13 I shall speak of their characteristics in brief for the sake of scholars. They main
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14 should be sung by those adept in music in accordance with the rules related main
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15 to <i>svara-tāla</i> and the like as well as <math>r\bar{a}gas^6</math>. main
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16 (381) main
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17 [The description of Prabandhas] section_header
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18 [1. <i>Kanda</i>] section_header
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19 That which is bereft of <i>tāla</i> and is combined with <i>pāṭas</i> and <i>birudas</i>, that main
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20 is kanda, mixed with the pada (text) of the Karpāṭa<sup>7</sup> language and the like. main
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21 (382) annotation_inline
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22 Prabandhas like kanda are verily well-known in practice. main
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23 [2. <i>Vṛtta</i>] section_header
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24 There is never a regulation (or specification of tāla in) vṛtta (composed main
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25 in) āryā, dvipatha, vṛtta, gāthā, dodhaka and similarly toṭaka. The prominence main
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26 of metre has been clearly specified in them, by the munis. In the end the main
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27 placing of svaras<sup>9</sup> is (prescribed), others hold it to be devoid of svara. Others main
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28 say that it is (formed) in the vitta metre; that is also acceptable. main
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29 (383-384) main
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30 - --- annotation_inline
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vol_II_p059 RIGHT — 37 lignes

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1 101 page_number
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2 TRANSLATION page_header
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3 [Anu. 180] editorial_bracket
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4 This means-leaving the other jāti and taking up its own root i.e. bedecked main
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5 with its own jāti and kula (is formed the śuddhabhinna).54 main
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6 [4. Bhinnakaisika] section_header
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7 [Anu. 181] editorial_bracket
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8 The description of śuddha (kaiśika) applies in its totality also to bhinnakaiśika. main
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9 What is then the difference? The difference is formed by gīti. Śuddhakaiśika main
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10 is sung in the <math>\acute{s}uddh\~{a}</math> <math>g\~{i}ti</math>, whereas <math>bhinnakai\acute{s}ika</math> is sung main
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11 This is being said - annotation_inline
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12 The svasthāna<math>^{56}</math> (unit of tonal range) with which the rāga is elaborated in main
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13 śuddhakaiśika, the rāga is not elaborated with the same svasthāna in main
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14 bhinnakaisika. And its description is thus - main
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15 Bhinnakaiśika is known by the knowledgeable ones in svara to have a form main
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16 similar to that of śuddhakaiśika. It has ṣaḍja as its aṁśa, pañcama as its nyāsa main
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17 (and) is complete with the seven svaras. main
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18 (311) annotation_inline
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19 [Anu. 182] editorial_bracket
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20 This means - bhinnakaiśika is related to madhyamagrāma on account of being main
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21 born of kaiśikī and kārmāravī jātis. Şadja is the graha and amśa. Pañcama is the main
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22 nyāsa, niṣāda is kākalī here and it is complete. Although this rāga is like main
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23 śuddhakaiśika, yet there is a difference. This has abundance of mandra (low main
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24 notes). The svasthāna with which svara - ālāpa (tonal elaboration) is done in main
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25 śuddhakaiśika, ālāpa has to be done with the same svaras (here), leaving that main
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26 svasthāna<sup>57</sup> In śuddhakaiśika, ālāpa should be done with tāra (high) svaras and main
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27 thus it becomes distinct on account of difference in form. Its application is main
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28 prescribed in dānavīra (heroism in charity). Vīra, raudra and the like are the rasas. main
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29 The mūrchanā beginning with ṣadja obtains. Sañcārinis the varņa. Prasannādi is main
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30 the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the main
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31 vṛtii (mārga) and the kalā prevails in the citra (mārga). A tālalike caccatpuṭa obtains main
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32 in the songs comprised of svara and pada. main
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33 (Śruti-bhinna) section_header
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34 Now he (the author) has spoken of the definition of śruti-bhinna - main
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35 Where the svara comprised of four śrutis is modified by the one comprised of two main
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36 śrutis and gāndhāra is comprised of only two śrutis, that is called śruti-bhinna. main
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37 (312) annotation_inline
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1 (vide) unknown
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2 138 page_number
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3 <b>BRHADDES!</b> page_header
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4 19. This sentence has been repeated in the MSS; the ed. has put it in list_item
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5 paranthesis with a sign of interrogation. list_item
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6 20. MS A reading as recorded by the ed. list_item
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7 21. Verses 102 and 103 are both in the āryā metre, but they have been list_item
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8 treated as prose in the P.t. list_item
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9 22. P.t. gives the first two sets of hexatonic tanas in the descending order like list_item
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10 ni-dha-pa-ma-ga-ri etc. These have been changed by us into the ascending order; list_item
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11 the crosses indicating the omitted svaras have also been added by us for the sake list_item
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12 of clarity. list_item
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13 23. cf. (a) ननु कथ मूर्छनातानयोर्भेदः प्रतिपादितः, उच्यते । list_item
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14 आरोहाबरोहक्रमयुक्तः स्वरसमुदायो मूर्छनेत्युच्यते । list_item
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15 तानस्तु आरोहक्रमेण भवतीति भेदः । list_item
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16 ( Saṃ S Sā, p. 18 ) main
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17 (b) यद्यपि मूर्छना एव शुद्धास्तानाः स्युरित्युक्तौ तानेष्वारोहावरोहत्व प्रतीयते, तथापि मतङ्गमतेनारोह एव main
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18 तान इति जेयम्। तथा च मतङ्गः —ननु कथ मूर्छनातानयोर्भेद ? उच्यते। आरोहावरोहक्रमयुक्तः स्वरसमुदायो main
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19 मुर्छनेत्युच्यते, तानस्त्वारोहण भवतीति भेदः । main
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20 ( Rā Vi, p. 31 ) main
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21 24. C.r. in S R I Sudhā, p. 114. list_item
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22 25. C.r. in Bha Ko, p. 502. list_item
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23 26. C.r. ( as in no. 24 ). list_item
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24 27. C.r. in Bha Ko, p. 502 adds 'bharatasya' in the beginning of the sentence. list_item
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25 28. C.r. in S R I Sudhā, p. 114 reads - list_item
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26 ननु कथ मूर्छनातानयोर्भेदः ? वूमः । main
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27 29. Portion added from Sam S Sa, p. 18; S R I Sudha, p. 114 and Ra Vi, p. list_item
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28 31. list_item
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29 30. P.t. modified on the basis of ibid. list_item
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30 31. P.t. adds 'svarasystih?' after this, but it is totally out of context. list_item
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31 32,33,34. Our reconstruction is based on S R I, 4. 74. list_item
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32 35. Our reconstruction is based on S. Raj II, 1.1.457. The chart illustrating list_item
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33 these tānas in S. Rāj I, p. 133 reads 'balabhṛt' and 'nāgayakşa'; S R I,4.76 reads list_item
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34 balabhinnāgapakṣakaḥ. list_item
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35 36,37,38. Our reconstruction is based on S R I, 4.77. list_item
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36 39. S R I, 4.77. list_item
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37 40,41,42. Our reconstruction is based on S R I, 4.79. list_item
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38 43. ibid., verse 80. list_item
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39 44. Reconstruction based on S R I, 4.82 and S. Rāj II, 1.1.465. list_item
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40 45,46. Reconstruction based on S R I, 4. 83 and S. Rāj II, 1.1.467. list_item
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41 47. Reading in S R I, 4.84 and S. Rāj II, 1.1.468. list_item
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42 48. ibid. list_item
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43 49. Reconstruction based on ibid. list_item
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44 50. Reconstruction based on S R I, 4.85 and S. Rāj II, 1.1.469. list_item
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vol_I_p045 RIGHT — 35 lignes

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1 73 page_number
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2 TRANSLATION page_header
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3 Trailokyamohana, vīra, kandarpabalašātana, šankhacūda, gajacchāya, raudra and main
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4 (114) annotation_inline
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5 vișnuvikrama. annotation_inline
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6 Thus end the names of audava tanas devoid of dhaivata and rabha in madhyama- main
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7 grāma. annotation_inline
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8 Bhairava, kāmada and avabhṛtha, aṣṭakapālaka, sviṣṭakṛt, vaṣaṭkāra and the main
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9 (115) annotation_inline
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10 seventh is known as mokşada. annotation_inline
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11 [ Thus end the names of auduvita tanas devoid of ni and ga in madhyama- editorial_bracket
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12 grāma.] editorial_bracket
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13 Thus end the fourteen names of auduvita tānas in madhyamagrāma. main
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14 [Thus end the thirty-five names of auduvita tanas seated in the two gramas.] editorial_bracket
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15 (Anu. 46) annotation_inline
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16 The auduvita (tānas) of both the grāmas are thirty-five. The sādava and main
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17 auduva (tānas) of both the grāmas taken together are eithty-four tānas. main
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18 (Anu. 47) annotation_inline
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19 Now in order to explain sādhāraņakṛtā mūrchanās he (the author) has said - main
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20 sādhāraņa svaras are gāndhāra and niṣāda. Sādhāraņā mūrchanās are those that main
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21 begin with them40 (gāndhāra and niṣāda in their sādhāraņa states as antara and main
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22 kākalī) and they are included in the same (mūrchanās of gāndhāra and niṣāda). main
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23 How? The sādhāraṇatā (commonness) of mūrchanās with tānas is implied in or main
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24 already expressed through 'sādhāraṇa' (the term forming part of the name of main
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25 the fourth type of murchanā viz. sadharaņakṛtā). main
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26 (116) annotation_inline
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27 And thus I have spoken of the fourfold mūrchanās. main
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28 [The performance of tanas] section_header
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29 (Anu. 48) annotation_inline
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30 How should the performance of these tanas be made, if this be asked, it is main
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31 being answered. The performance 41 of tana is twofold viz. with pravesa (lit. main
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32 entering) and nigraha (lit. restraint). main
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33 Pravesa is the viprakarşa (augmentation) of şadja that is lower and has to be main
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34 omitted i.e. it (şadja) is made to attain (the position of) rşabha. Thus is the main
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35 pravesa through viprakarşa. With mārdava (lit. softening) it is thus: the same main
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vol_II_p140 LEFT — 51 lignes

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1 r annotation_inline
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2 ### ### 100 mg 2 annotation_inline
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3 262 page_number
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4 BRHADDEŚĪ page_header
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5 शुद्धपङ्जाया एव विवक्षितत्वेन तत्प्रयुक्तमन्द्रव्याप्तपङ्जग्रामसम्बन्धोऽनुमेय इति । main
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6 Kalā on SR II.2.30-32, p.30. main
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7 78. P.t. repeats (śruti?) main
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8 79. cf. मान्तोऽल्पगः main
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9 SR II.2.51a, where gāndhāra is said to be sparse. main
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10 80. cf. annotation_inline
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11 केचिद् ऋषभलोपेन हिन्दोलं षड्जसंश्रितम्। main
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12 वदन्ति, तन्मतं नाहं मतङ्गादिविरोधत:। main
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13 धैवतस्याविलोपेन द्विग्रामत्वेऽपि मध्यगम् ॥ main
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14 मध्यमग्रामजात्युत्थं शुद्धमध्याख्यमूर्च्छनम् । main
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15 S.Rāj II.2.1.502c-504b. main
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16 81. ८. यथाह मतङ्ग: - ‘‘भरतकोहलादिभिराचार्यैधैवतलोपस्यानिष्टत्वात् केचित् पङ्जग्रामाश्रित एवायमिति main
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17 मन्यन्ते चतुःश्रुतिकस्य पञ्चमस्यात्रोपलम्भाद् धैवतस्यास्तित्वं वा नास्तित्वं वा न विशेषप्रदर्शकं सर्वत्र । एवं च सित main
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18 ग्राममूर्छनाभेदो वा धैवतेन न स्यादिति भाव:।" main
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19 C.r. in Kalā on SR II.2.30-32, p. 31. main
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20 82.cf. अत्र टीकाकार: शङ्कते । योऽयं जात्यंशकानां विनियोग उक्त: स कश्यपमुनिमतङ्गादिभिविंरुध्यते । main
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21 तथाहि तैरुक्तम् -सम्भोगे चैव शृङ्गारे प्रेङ्खोलितकमेव च । main
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22 Abhi Bhā on NŚ XXIX. 8, p.69 main
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23 83. cf. यद्यपि सम्पूर्णस्वरस्यास्य प्रयोगे च चतुःश्रुतिकस्य पञ्चमस्योपलम्भात् पूर्वोक्तन्यायेन पड्जग्रामसम्बद्ध main
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24 एवायमिति मतङ्गमतम्, तथापि कश्यपमतेन निषादगान्धारयोर्लोपादयमौडुवित इति मतङ्गेनोक्तत्वात् तदा “रिधाभ्यां main
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25 द्विश्रुतिभ्यां च मध्यमग्रामगास्तु ते । हीनाश्चतुर्दशैव स्युः'' इत्यौडुवशुद्धतानलक्षणं मध्यमग्रामेऽपि साक्षादवगम्यत main
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26 इत्याचार्यद्वयमतानुसारिणा नि:शङ्कसूरिणा 'द्विग्रामष्टककैशिक:' इति सुष्ट्रदिष्टम् । main
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27 Kalā on SR II.2.30-32, p.30. main
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28 84.cf. annotation_inline
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29 थैवतांश(स्तदन्तश्च)स्वल्पद्विश्रुतिकस्वर:। main
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30 मध्यमाधैवतीजात्योर्जायते टक्ककेशिक:॥ main
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31 Cited in the name of Kasyapa on Bha Bhā Vol. II, VI. 102. main
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32 85. cf. annotation_inline
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33 पङ्जांशकग्रहन्यासमन्द्रतारोपशोभित: । main
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34 ----- तदा मालवकैशिक:॥ unknown
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35 C.r. in Bha Bhā Vol . VII MS folio no. 203. main
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36 86. cf. annotation_inline
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37 केचित् पञ्चमविश्रामं मन्यन्ते केचन त्विमम् । main
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38 गान्धारकृतसम्पूर्तिमेतन्नादरमहीत । main
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39 गान्धारस्य विवादित्वात्र्यासस्तत्र न युज्यते ॥ main
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40 S Rāj II.2.1.467c-468. main
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41 87. cf. अत्र टीकाकार: शङ्कते । योऽयं जात्यंशकानां विनियोग उक्त: स कश्यपमुनिमतङ्गादिभिर्विरुध्यते । main
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42 तथाहि तैरुक्तम् - कामभूतेषु सर्वेषु कुर्यान् मालवकैशिकम् । main
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43 Abhi Bhā on NŚ XXIX. 8, p. 69. main
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44 88. cf. annotation_inline
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45 कथिता यत्र तान् वक्ष्ये सप्त साधारणांस्तत: । main
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46 C.r. in Kalā on SR II.2.23-26,p.26. main
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47 89. cf. annotation_inline
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48 मतङ्गो रेवगुप्तं च टक्कसैन्धवमेव च। main
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49 साधारणेषु निक्षिप्य न तान(व) ब्रबीदथ ॥ main
via surya_layout
50 S Rāj II.2.1.62c,63b. main
via surya_layout
51 Terminate and the control of the control of the control of the control of the control of the control of the control of t annotation_inline
parent ligne 50
via heuristic_height
197 lignes a valider — change uniquement les roles incorrects.