Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21163). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p022 RIGHT — 26 lignes

page vol_II_p022 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 E. annotation_inline
parent ligne 4
via heuristic_height
2 27 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 In gāndhārī, the two (svaras) that are not amśas viz. ṛṣabha, dhaivata are main
via surya_layout
5 always to be omitted respectively (for making ṣāḍava and auḍava forms). main
via surya_layout
6 Şadja and pañcama are to be known as the two apanyāsas. One should move main
via surya_layout
7 from dhaivata to ṛṣabha. In raktagāndhārī, almost everything is like this main
via surya_layout
8 (gãndhārī), but madhyama is apanyāsa. Dhaivata and niṣāda have to be main
via surya_layout
9 accorded abundant usage. Sañcāra (to and fro movement) is to be rendered main
via surya_layout
10 in this (jāti) between ṣaḍja and gāndhāra by the performers. main
via surya_layout
11 <math>(222-224)</math> annotation_inline
parent ligne 10
via heuristic_height
12 Gāndhārodīcyavā is mostly similar to şadjodīcyavatī. Şadja and madhyama main
via surya_layout
13 are the two amsas and the auduvita (pentatonic) form is not desirable in it. main
via surya_layout
14 (225) annotation_inline
parent ligne 13
via heuristic_height
15 In madhyamā there are five amśas, excepting the two svaras composed of main
via surya_layout
16 two śrutis each (viz. gāndhāra-niṣāda). These two are omitted for (forming main
via surya_layout
17 the ṣāḍava and auḍuva) varieties respectively i.e. ṣāḍava is formed by main
via surya_layout
18 omitting gåndhåra and auduva by omitting gåndhåra-niṣāda. Şadja and main
via surya_layout
19 madhyama are abundant. main
via surya_layout
20 (226) annotation_inline
parent ligne 19
via heuristic_short
21 Madhyamodīcyavā is like gāndhārodīcyavā. It is always made of seven svaras; main
via surya_layout
22 pañcama is amsa in it. main
via surya_layout
23 (227) annotation_inline
parent ligne 22
via heuristic_height
24 In pañcamī, ṛṣabha and pañcama have been said by the gurus to be aniśas. main
via surya_layout
25 These two alongwith niṣāda are apanyāsa and there is the sangati (concert) main
via surya_layout
26 between madhyama and ṛṣabha. Ṣaḍja, madhyama and gāndhāra are sparse. main
via surya_layout

vol_II_p152 LEFT — 43 lignes

page vol_II_p152 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 286 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 2. Gāthā main
via surya_layout
4 आर्यालक्षणसंयुक्ता गाथा प्राकृतभाषया । main
via surya_layout
5 गीयते पूर्ववद् रम्या छन्दोलक्षणवेदिभि:॥ main
via surya_layout
6 Mānaso IV.16.256. annotation_inline
parent ligne 5
via heuristic_short
7 आर्येव प्राकृते गेया स्यात् पञ्चचरणाश्रया । main
via surya_layout
8 त्रिपदी षट्पदी गाथेत्यपरे सूरयो जगुः॥ main
via surya_layout
9 SR IV.232. annotation_inline
parent ligne 8
via heuristic_short
10 3. Dvipathaka main
via surya_layout
11 गातव्या (व्य:) स्वरसंयुक्तस्तालेन परिवर्जिता: (त:) । main
via surya_layout
12 प्रबन्धो द्विपथाभिज्ञो गीतविद्याविशारदै: ॥ main
via surya_layout
13 Mānaso IV.16.261. annotation_inline
parent ligne 12
via heuristic_short
14 छन्दसा द्विपथेन स्याद् द्विपथ: स्वरमुक्तिक: । main
via surya_layout
15 तालहीन: सतालो वा स च ज्ञेयश्रतुर्विध:॥ main
via surya_layout
16 स्वरैरेकोऽन्य: प्रयोगै: सोभयानुभयौ परौ । main
via surya_layout
17 प्राकृते दोहसंज्ञोऽसौ तस्य भेदा नव त्विमे ॥ main
via surya_layout
18 SR IV.232-34. annotation_inline
parent ligne 17
via heuristic_short
19 8. Reconstruction based on - main
via surya_layout
20 कयापि भाषया क्लृप्ता ...... main
via surya_layout
21 भाषया तु यया कया..... main
via surya_layout
22 Mānaso IV.16.316, 318. main
via surya_layout
23 9. Reconstruction based on S Rāj I.3.3.32 b. list_item
via surya_layout
24 येन केनापि तालेन रागेणाभिमतेन च। list_item
via surya_layout
25 10. cf. (i) list_item
via surya_layout
26 गीयते स्वरसंयुक्ता गीतज्ञैध चतुष्पदी ॥ list_item
via surya_layout
27 Mānaso IV.16.285. main
via surya_layout
28 समे पोडश मात्रा: स्यु: पादे पञ्चदशायुजि । main
via surya_layout
29 (ii) annotation_inline
parent ligne 28
via heuristic_short
30 यस्यां भित्रार्थयमकावधौ सा तु चतुष्पदी ॥ main
via surya_layout
31 स्वरतेनकसंयुक्ता तेनकन्याससंयुता ॥ main
via surya_layout
32 SR IV.271,272. main
via surya_layout
33 11. This line seems to pertain to the description of <i>dodhaka</i>, which is list_item
via surya_layout
34 incomplete due to a break in the text. list_item
via surya_layout
35 12. The description of totaka is missing due to a break in the text. The list_item
via surya_layout
36 following extracts from other texts are relevant for filling the gap- list_item
via surya_layout
37 येन केनापि तालेन रागेणाभीप्सितेन च। list_item
via surya_layout
38 (i) list_item
via surya_layout
39 गातव्यस्ता (स्तो)टको नाम प्रबन्धो गीतवेदिभि:॥ list_item
via surya_layout
40 Mānaso IV.16.267, main
via surya_layout
41 तोटकच्छन्दसा न्यस्तस्वरोऽङ्ग्रयन्ते तु तोटक:। main
via surya_layout
42 (ii) annotation_inline
parent ligne 41
via heuristic_short
43 SR IV. 244. main
via surya_layout

vol_II_p115 RIGHT — 27 lignes

page vol_II_p115 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 213 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [9. Dodhaka] table
via surya_layout
4 Having sung the (first) half, the latter half is comprised of a stretching of svaras. table
via surya_layout
5 (391) table
via surya_layout
6 [10. <i>Totaka</i>] table
via surya_layout
7 [11. <i>Vastu</i>] section_header
via surya_layout
8 Where there are pāṭas and tennas 16 and the rest is comprised of a main
via surya_layout
9 stretching (elaboration) of svaras, that is vastu<sup>17</sup> used in desī gītas as well as main
via surya_layout
10 in drama. annotation_inline
parent ligne 9
via heuristic_short
11 (392) main
via surya_layout
12 [12. Krauńcapada] section_header
via surya_layout
13 Krauñcapada is known to those proficient in gandharva as that which is main
via surya_layout
14 sung in pratitāla, being comprised of pada and svara. main
via surya_layout
15 (393) main
via surya_layout
16 [13. Haṁsapada] section_header
via surya_layout
17 Where there is one foot in Sainskṛta and the second (foot) is composed in main
via surya_layout
18 a regional (language) (and) which is sung with rhyme, that song is known main
via surya_layout
19 as hamsapada. annotation_inline
parent ligne 18
via heuristic_short
20 (394) main
via surya_layout
21 [14. Śukasārika] section_header
via surya_layout
22 That which is combined with <i>tāla</i> (and) <i>pada</i>, bedecked with <i>pada</i> (and) main
via surya_layout
23 pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19. main
via surya_layout
24 (395) annotation_inline
parent ligne 23
via heuristic_short
25 That which is composed in the Karnāta language or is mixed (with other main
via surya_layout
26 languages) (and) is comprised of pada (text) embodying dialogue, is śukasārika. main
via surya_layout
27 (396) main
via surya_layout

vol_II_p083 RIGHT — 33 lignes

page vol_II_p083 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 4 - 1 annotation_inline
parent ligne 4
via heuristic_height
2 149 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 [ Vibhāṣā of ṭakkarāga] section_header
via surya_layout
5 Having pañcama as amsa and sadja as the concluding note, being main
via surya_layout
6 embellished with madhyama, potā is a vibhāṣā born of ṭakkarāga and is sung main
via surya_layout
7 at the end of the bhāṣās. annotation_inline
parent ligne 6
via heuristic_height
8 (61) annotation_inline
parent ligne 6
via heuristic_height
9 Illustration - Pāpānīsāsānīsārīmā dhārīdhāpāpāmāgāgā. main
via surya_layout
10 Sāgāsāgāgādharigarigarimā. Mamamaga. Garisānīdhādhā sāgāgā. Gā rī gā rī. main
via surya_layout
11 Sāsāgāmā nīdhādhāpāmārīsāsā gānīdhānī sāsāpāsā. Potā. main
via surya_layout
12 [2. Bhāṣās in mālavakaiśika] section_header
via surya_layout
13 Paurālī is born of <math>deśa^{24}</math>, i.e., is a regional variety, is combined with şadja main
via surya_layout
14 as the initial and concluding note, is complete in svaras (and) has profuse main
via surya_layout
15 șadja and madhyama. This bhāṣā should be known as the first one in main
via surya_layout
16 mālavakaišika (used as mālakaišika in the text due to exigency of metre) of main
via surya_layout
17 madhyama (grāma). annotation_inline
parent ligne 16
via heuristic_height
18 (62) annotation_inline
parent ligne 16
via heuristic_height
19 Illustration - Samā. Gāgāgāgāpāpā. Māmāgāgā. Sāmāmāmāmā. Māmā. main
via surya_layout
20 Māmārīrī. Rigāgārīsāsāsārī. Magasāsāmāgārīsānī. Sāsā. Paurālī. main
via surya_layout
21 Šuddhāhas madhyama as amśa, ṣadja as the concluding note, is a vibhāṣā, main
via surya_layout
22 complete in svaras, is associated with 'merriment' and is sung in mālavakaišika. main
via surya_layout
23 (63) annotation_inline
parent ligne 22
via heuristic_height
24 Illustration - Māmādhāsāgārīsāsā. Nidhāsāsādhānimāmādhānīsā. Rigāmāsā. main
via surya_layout
25 Sādhāmāgārigāsāsā. Suddhā [i] editorial_bracket
parent ligne 24
via heuristic_brackets
26 Ardhavesarī has madhyama as amśa and ṣadja as the concluding note, is main
via surya_layout
27 complete, weak in niṣāda and has profuse ṣaḍja and madhyama. This bhāṣā main
via surya_layout
28 should always be known as sankīrņā (mixed), by the knowledgeable ones in main
via surya_layout
29 gändharva. annotation_inline
parent ligne 28
via heuristic_height
30 (64) annotation_inline
parent ligne 28
via heuristic_height
31 Pāpāmāmā. annotation_inline
parent ligne 28
via heuristic_height
32 Illustration - Māmāgāmāsāsā. Sāmāpāpādhāsādhā. main
via surya_layout
33 Gamagamāga. Sāsāsāsā. Gāmāpapādhapādhamapāmā. Gamagamagarīsā main
via surya_layout

vol_II_p041 LEFT — 48 lignes

page vol_II_p041 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 धा नी सां सा रीं रीं रीं रीं table
via surya_layout
4 (३) table
via surya_layout
5 सां सां सां री गा मा मा मा table
via surya_layout
6 (8) table
via surya_layout
7 मां धां नीं धां मां धां मां पां table
via surya_layout
8 (4) table
via surya_layout
9 गारी साधित रीरीरीरी table
via surya_layout
10 (६) table
via surya_layout
11 गां रीं सां सां पा धा मा मा table
via surya_layout
12 (v) table
via surya_layout
13 गा गा गा मा पा निधनि नी नी table
via surya_layout
14 (८) table
via surya_layout
15 गा गा नी नी गा गा गा गा table
via surya_layout
16 (९) table
via surya_layout
17 गा गा नी नी निध पा पा पा table
via surya_layout
18 (१०) table
via surya_layout
19 मां पो मो पो पो मो मो table
via surya_layout
20 (११) table
via surya_layout
21 सा मा गा निध नी नी गा गा table
via surya_layout
22 (१२) table
via surya_layout
23 ॥ [इति] कैशिकी ॥ table
via surya_layout
24 1 म ॥ annotation_inline
parent ligne 25
via heuristic_height
25 [५. मध्यमोदीच्यवा] section_header
via surya_layout
26 पञ्चमांशा सदा पूर्णा, मध्यमोदीच्यवा मता ॥१४॥ main
via surya_layout
27 ंपञ्च(मा: ? मां) annotation_inline
parent ligne 26
via heuristic_short
28 [मता] editorial_bracket
parent ligne 26
via heuristic_brackets
29 लक्ष्म शेषं विजानीयाद् गान्धारोदीच्यवागतम् । main
via surya_layout
30 (म्) annotation_inline
parent ligne 29
via heuristic_short
31 मध्यमादिर्मूर्छना स्यात् तालश्चचत्पुटो मत: ॥१५॥ main
via surya_layout
32 ॰(मंरीन ? मूर्छना) annotation_inline
parent ligne 31
via heuristic_markers
33 चतुर्थस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् । main
via surya_layout
34 ্ক annotation_inline
parent ligne 33
via heuristic_height
35 <sup>१७६</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । <sup>१७७</sup>प्रस्तार:- main
via surya_layout
36 अस्या annotation_inline
parent ligne 35
via heuristic_height
37 पा धनि नी नी मा मा नी पा table
via surya_layout
38 (१) table
via surya_layout
39 री री री गा सा रिग गा गा table
via surya_layout
40 (२) table
via surya_layout
41 नी नी नी नी नी नी नी table
via surya_layout
42 (3) table
via surya_layout
43 नी नी धप मा निध निध पा पा table
via surya_layout
44 (8) table
via surya_layout
45 पांपारी री री री री री table
via surya_layout
46 (4) table
via surya_layout
47 मा रिग सा सधं नीं नीं नीं नीं table
via surya_layout
48 <b>(६)</b> table
via surya_layout
177 lignes a valider — change uniquement les roles incorrects.