Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21165). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p011 LEFT — 28 lignes

page vol_I_p011 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 4 page_number
via heuristic_pagenum
2 BŖHADDEŚĪ section_header
via surya_layout
3 व्यञ्जनत्वं तु सर्वेषु कादिवर्गेषु संस्थितम् । main
via surya_layout
4 <sup>7</sup>ुर्णे annotation_inline
parent ligne 3
via heuristic_height
5 <b>ु</b>व्या annotation_inline
parent ligne 3
via heuristic_height
6 शक्त्यभिव्यक्तिमात्रेण व्यञ्जनं शिवतां गतम् ॥८॥ main
via surya_layout
7 पदवाक्यस्वरूपेण वाक्यार्थवहनेन ध्यत् । main
via surya_layout
8 <sup>9</sup>वर्णयन्ति जगत् सर्वं तेन वर्णाः प्रकीर्तिताः ॥९॥ main
via surya_layout
9 वर्णा यत्र annotation_inline
parent ligne 8
via heuristic_height
10 वर्णपूर्वकमेतिद्ध पदं ज्ञेयं सदा बुधैः । main
via surya_layout
11 पदैस्तु निर्मितं वाक्यं क्रियाकारकसंयुतम् ॥१०॥ main
via surya_layout
12 ततो वाक्यान्महावाक्यं वेदाः साङ्गा ह्यनुक्रमात् । main
via surya_layout
13 व्यक्तास्ते ध्वनितः सर्वे ततो गान्धर्वसम्भवः ॥११॥ main
via surya_layout
14 ध्वनियोंनिः परा ज्ञेया ध्वनिः सर्वस्य कारणम् । main
via surya_layout
15 आक्रान्तं ध्वनिना सर्वं जगत् स्थावरजङ्गमम् ॥१२॥ main
via surya_layout
16 ध्वनिस्तु द्विविधः प्रोक्तो व्यक्ताव्यक्तविभागतः । main
via surya_layout
17 वर्णीपलम्भनाद् व्यक्तो देशीमुखमुपागतः ॥१३॥ main
via surya_layout
18 ॥ इति देश्युत्पत्तिः ॥ editorial_bracket
parent ligne 17
via heuristic_brackets
19 [ देशी-मार्ग-लक्षणम् ] section_header
via surya_layout
20 अबलाबालगोपालैः क्षितिपालैर्निजेच्छया । main
via surya_layout
21 गीयते 10यानुरागेण स्वदेशे 11देशिरुच्यते ॥१४॥ main
via surya_layout
22 सा annotation_inline
parent ligne 21
via heuristic_height
23 निबद्धश्चानिबद्धश्च मार्गोऽयं द्विविधो मतः। main
via surya_layout
24 12<del>71</del>0 annotation_inline
parent ligne 23
via heuristic_height
25 1270 page_number
via heuristic_pagenum
26 आलापादिनिबद्धो यः स च मार्गः प्रकीर्तितः ॥१५॥ main
via surya_layout
27 13, प्ला, 13, न्धो, annotation_inline
parent ligne 26
via heuristic_height
28 [ 14आलापादिविहीनस्तु स च देशी प्रकीर्तितः । ] editorial_bracket
parent ligne 26
via heuristic_brackets

vol_II_p107 LEFT — 35 lignes

page vol_II_p107 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŠĪ page_header
via surya_layout
3 196 page_number
via heuristic_pagenum
4 उदाहरणम् – धासाधागा सानिसामानि । मानिधामागा । गामाधानी । धामामागा । निनि- main
via surya_layout
5 R annotation_inline
parent ligne 4
via heuristic_height
6 धाधा। ललिता। [९] editorial_bracket
parent ligne 4
via heuristic_brackets
7 ३५निषादवतिका ख्याता धैवताद्यन्तरा[जिता]। editorial_bracket
parent ligne 4
via heuristic_brackets
8 ॰पतरख्याता(?) annotation_inline
parent ligne 4
via heuristic_markers
9 सम्पूर्णाऽन्तरभाषा च गीताऽन्यैश्च रिवर्जिता<sup>३२</sup> ॥ २९॥ main
via surya_layout
10 गीतान्येन विवर्जिता annotation_inline
parent ligne 9
via heuristic_short
11 + + + म्या annotation_inline
parent ligne 9
via heuristic_height
12 उदाहरणम् – धामागापा । पासापापा । गमामापानि धापाधाधा । पामाधागागा । सनिधाधापापा main
via surya_layout
13 धासा- annotation_inline
parent ligne 12
via heuristic_short
14 गमागाप निधाधानीसरि सामापानिधापा मामागाप सधानिधाधा । निषादवती । [१०] editorial_bracket
parent ligne 12
via heuristic_brackets
15 धैवताद्यन्तसंयुक्ता षाडवा ३३तुम्बुरु [:] स्मृता । editorial_bracket
parent ligne 12
via heuristic_brackets
16 ऋषभेण विहीना तु गीयते <sup>३४</sup> ब्रह्मवादिभिः ॥ ३०॥ main
via surya_layout
17 उदाहरणम् - धानिसागा गामाधापा मागनि सनीधाधा । तुम्बुरु[:]। [११] editorial_bracket
parent ligne 16
via heuristic_brackets
18 ३५गान्धारललिता पूर्णा <sup>३६</sup>मध्यमांशा[ऽ]न्तधैवता । editorial_bracket
parent ligne 16
via heuristic_brackets
19 ल्पधैयता annotation_inline
parent ligne 16
via heuristic_height
20 गीयते पितृकार्येषु ३७षड्जधैवतसङ्गतिः ॥ ३१॥ main
via surya_layout
21 ॰मक्रमात् annotation_inline
parent ligne 20
via heuristic_markers
22 उदाहरणम्-माधापा । पासासामग सासारीरी सानिधाधा सासारिगामा गारिरि सागरीसारी । main
via surya_layout
23 ॰का॰ annotation_inline
parent ligne 22
via heuristic_markers
24 साधा । गान्धारललिता । [१२] editorial_bracket
parent ligne 22
via heuristic_brackets
25 <b>•प</b>िलता annotation_inline
parent ligne 22
via heuristic_height
26 ..... main
via surya_layout
27 उदाहरणम्- धाधाधापा । गरिरिधापधानिनिरिगा पपानिधाधा रिगरिगधापधा रिपागा रिनिधा main
via surya_layout
28 ॰नि annotation_inline
parent ligne 27
via heuristic_markers
29 पाधाधा । कलिङ्गा । [१३] editorial_bracket
parent ligne 27
via heuristic_brackets
30 oth annotation_inline
parent ligne 27
via heuristic_height
31 धैवताद्यन्तभाषा [स्याच्छुद्धा] धैवतमध्यमौ<sup>३९</sup>[?]। editorial_bracket
parent ligne 27
via heuristic_brackets
32 ॰मा शुभा annotation_inline
parent ligne 27
via heuristic_markers
33 धैवतान्तरः annotation_inline
parent ligne 27
via heuristic_height
34 मूलभाषा भिन्नषड्जे गीयते नारदादिभिः॥ ३२॥ main
via surya_layout
35 नारदतुम्बुरू(?) main
via surya_layout

vol_II_p020 LEFT — 33 lignes

page vol_II_p020 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 別は必要であった。 annotation_inline
parent ligne 6
via heuristic_height
2 BRHADDEŚĪ page_header
via surya_layout
3 · 22 page_header
via surya_layout
4 एकविंशतिसंख्य इति । तद्यथा - षड्जाया एक[:] षड्जो नाम न्यास: । एवमादि बोद्धव्या editorial_bracket
parent ligne 6
via heuristic_brackets
5 बोद्धव्यम् annotation_inline
parent ligne 6
via heuristic_height
6 अष्टादशजातिषु च न्यासा:। ५८अङ्गसमाप्तौ कार्य इत्यर्थ:। main
via surya_layout
7 अंश: annotation_inline
parent ligne 6
via heuristic_height
8 ५९[१०. अपन्यासलक्षणम्] section_header
via surya_layout
9 [अनु॰ १३१] editorial_bracket
parent ligne 8
via heuristic_brackets
10 इदानीमपन्यासमाह - ६०अपन्यासोऽन्ते [न] । प्रयोग[ा]समाप्तौ अपन्यास: । स च editorial_bracket
parent ligne 8
via heuristic_brackets
11 षट्पञ्चाशद्भेदभिन्नो भवति, गीतानां मध्ये बोद्धव्यः । यथा यत्र समाप्तमिव गीतं प्रतिभासते main
via surya_layout
12 सोऽपन्यासः । स च विदारीमध्ये भवति । गीतशरीरमध्य<sup>६१</sup> इत्यर्थः । यथा – main
via surya_layout
13 ॰ मध्यम annotation_inline
parent ligne 12
via heuristic_markers
14 षड्जग्रामे षड्जमध्याया: सप्तापन्यासा भवन्ति । षड्जोदीच्यवायाश्च द्वौ , पञ्चानां प्रत्येकं main
via surya_layout
15 (ति ? नित) annotation_inline
parent ligne 14
via heuristic_height
16 त्रयं त्रयमिति चतुर्विंशति:।शेषास्तु मध्यमग्रामे।तथा चाह भरत: - main
via surya_layout
17 ‘‘न्यासो ह्यङ्गसमाप्तौ स चैकविंशतिविधो विधातव्य:। main
via surya_layout
18 ह्यंश annotation_inline
parent ligne 17
via heuristic_height
19 षट्पञ्चाशत्संख्यो भवेदपन्याससंज्ञोऽसौ ॥'' main
via surya_layout
20 [तुल॰ ना॰ शा॰ २८.७२] editorial_bracket
parent ligne 19
via heuristic_brackets
21 ॥ दशविधजातिलक्षणमिति ॥ main
via surya_layout
22 [५. जातीनामंशादिविकल्पनम्] section_header
via surya_layout
23 ६२ अंशा: स्यु: पञ्च षड्जायां निषादर्षभवर्जिता: । main
via surya_layout
24 •या<sup>६</sup>३ annotation_inline
parent ligne 23
via heuristic_short
25 अपन्यासस्तु गान्धार: पञ्चमश्चाथ सङ्गति: ॥२११॥ main
via surya_layout
26 स(ङ्गी?ङ्ग) annotation_inline
parent ligne 25
via heuristic_height
27 (रा?रः) annotation_inline
parent ligne 25
via heuristic_height
28 षड्जगान्धारयोस्तु स्यात् षड्जधैवतयोस्तथा । main
via surya_layout
29 स्याद् annotation_inline
parent ligne 28
via heuristic_height
30 षाडवं च निषादे स्यात्रास्यामौडुवितं भवेत् ॥२१२॥ main
via surya_layout
31 •क्स्वं<sup>६४</sup> main
via surya_layout
32 °दौ• annotation_inline
parent ligne 31
via heuristic_markers
33 প্ৰ annotation_inline
parent ligne 31
via heuristic_height

vol_II_p061 RIGHT — 33 lignes

page vol_II_p061 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 105 page_number
via heuristic_pagenum
4 [C. Gauda rāgas] section_header
via surya_layout
5 [Anu. 186] section_header
via surya_layout
6 (Contention) Why are they known as gaudas? It is being answered, on main
via surya_layout
7 account of being related to gaudigiti. What is its description? It is being main
via surya_layout
8 answered. That is thus - annotation_inline
parent ligne 7
via heuristic_height
9 Oḥāṭi<sup>61</sup> born in the mandra (low svaras) is employed. In performance with main
via surya_layout
10 shaken sounds, without pause, in the three registers, gaudī gīti is said to main
via surya_layout
11 prevail. *(First line of the verse reconstructed vide c.r. in Sudhā on SR II. 1.2-5). main
via surya_layout
12 (315) annotation_inline
parent ligne 11
via heuristic_height
13 [1. Gaudapañcama] section_header
via surya_layout
14 The description of gaudapañcama - main
via surya_layout
15 Dhaivatī and ṣadjamadhyamā operate in the formation of gauḍapañcama. It main
via surya_layout
16 has dhaivata as its amśa and madhyama as its concluding note; it is devoid of main
via surya_layout
17 pañcama. annotation_inline
parent ligne 16
via heuristic_height
18 (316) annotation_inline
parent ligne 16
via heuristic_height
19 [Anu. 187] section_header
via surya_layout
20 This means - gaudapañcama is related to sadjagrāma on account of being main
via surya_layout
21 born of dhaivatī and şadjamadhyamā jātis. Dhaivata is the aniśa and graha. main
via surya_layout
22 Madhyama is the nyāsa. Niṣāda and gāndhāra are kākalī and antara. It is main
via surya_layout
23 hexatonic, being devoid of pañcama. Its application is prescribed in main
via surya_layout
24 passionate acting (or dance) and in vipralambha śringāra (love in separation). main
via surya_layout
25 Bībhatsa62 and bhayānaka are the rasas. The mūrchanā beginning with main
via surya_layout
26 dhaivata obtains. Ārohin is the varņa. Prasannamadhya is the alankāra. The main
via surya_layout
27 kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and main
via surya_layout
28 the kalā prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
via surya_layout
29 comprised of svara and pada. main
via surya_layout
30 [2. Gaudakaisika] section_header
via surya_layout
31 Gauḍakaiśika is known to be born of kaiśikī and ṣaḍjamadhyamā jātis. It is main
via surya_layout
32 said to have şadja as the amśa and pañcama as the nyāsa. main
via surya_layout
33 (317) annotation_inline
parent ligne 32
via heuristic_height

vol_I_p024 RIGHT — 35 lignes

page vol_I_p024 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 31 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 It is being said (answered) - It is one and many, pervasive<sup>6</sup> and eternal.<sup>7</sup> In the main
via surya_layout
4 undifferentiated state there is one svara; in the form of sadja and the like svara is main
via surya_layout
5 many. annotation_inline
parent ligne 4
via heuristic_height
6 Similarly also said Kohala - annotation_inline
parent ligne 4
via heuristic_height
7 "Svara is said to be infinite" on account of (its) combination with jāti, bhāṣā main
via surya_layout
8 etc. It is combined with padas 9 (syllabic units, meaningful or non-sensical) and main
via surya_layout
9 is to be combined with alankāra10 and (used in) rasas." 11 main
via surya_layout
10 (It is) eternal i.e. indestructible. 12 (It is) pervasive i.e. sarvagata 13 (contained main
via surya_layout
11 in or permeating everything). annotation_inline
parent ligne 10
via heuristic_height
12 Similarly said Kohala - annotation_inline
parent ligne 10
via heuristic_height
13 "By the effort of the ūrdhvanāḍīs14 on account of rubbing or striking of all main
via surya_layout
14 'walls', the sound that grows upto the cerebrum, is svara, it is vyāpaka main
via surya_layout
15 (pervasive) (and) para (beyond).15 main
via surya_layout
16 (Anu. 17) annotation_inline
parent ligne 15
via heuristic_height
17 But how is the svaratva 16 of (svara-names) şadja and the like, on account of main
via surya_layout
18 their being consonants? If the svaratva of consonants is spoken of, then there main
via surya_layout
19 should be the svaratva of (consonants) beginning with ka? main
via surya_layout
20 Here it is being said (answered) that there is the svaratva of only şadja and main
via surya_layout
21 the like on account of their being asādhāraņa 17 (lit. uncommon, special), not of main
via surya_layout
22 (consonants) beginning with ka. main
via surya_layout
23 But why (or how) is the uncommon or special nature of sadja and the like? main
via surya_layout
24 (Answer) - on account of the upadesa 18 (speaking of) by the aptas (trusted ones) main
via surya_layout
25 the asadharanatva (uncommonness, special nature) of svaras is there. main
via surya_layout
26 So did say Maheśvara<sup>19</sup> in Kohala — main
via surya_layout
27 "The peacock speaks şadja, the cātaka (bird) speaks ṛṣabha, the goat speaks main
via surya_layout
28 gāndhāra, the kraunca (bird) speaks madhyama, in the puspasādhāraņa time main
via surya_layout
29 (common time for flowers i. e. Spring) kokilā speaks pañcama, when the rainy main
via surya_layout
30 season approaches, dardura (the frog) speaks dhaivata. O Devi ! in the same main
via surya_layout
31 way, the elephant always speaks niṣāda." main
via surya_layout
32 Or, only sadja and the like have uncommonness or special nature because of main
via surya_layout
33 their movement in upward sound, or şadja and the like are not svaras, only main
via surya_layout
34 (vowels) beginning with ākāra 20 are svaras. şadja and the like are there for the main
via surya_layout
35 pronunciation of (vowels) beginning with ākāra, so (it is said). main
via surya_layout
164 lignes a valider — change uniquement les roles incorrects.